Diary of a Working Girl (31 page)

Read Diary of a Working Girl Online

Authors: Daniella Brodsky

BOOK: Diary of a Working Girl
11.6Mb size Format: txt, pdf, ePub

“Well, it’s just you and me, Ab Fab,” says Tom, now, apparently over whatever I’d done to upset him the other day, looking at me with that half-grin I’ve grown to love once again.

“Sounds good to me. Where are we off to?”

“This is a celebration, so how about my favorite spot—Union Square Cafe? My cousin is the owner, so we won’t have any problems getting a table. I hope you won’t mind dining among the swanky,” he raises his eyebrows here to indicate that he thinks I’m a posh girl at heart.

“Not at all.” It will be nice to be at a spot that Liam loves, like he’s there with me in spirit.

21430_ch01.qxd 1/26/04 10:06 AM Page 243

S i x t e e n

The End of an Era

In thecar rideover, Tom is sitting way over on theother sideof the cool, leather seat. He’s so far away that I need a megaphone just to speak to him. This is quite different from the last time we’d gone out together at the Pen-Top. I consider that a girlfriend like his must have a guy on a pretty tight leash to keep him that glued to the opposite window, and I wonder if she’s questioned him about the new suits and gotten angry when he said I’d picked them out.

But at the restaurant, the table is so small that it is just the opposite setup—we are so close that reaching for a slice of bread or the butter cup means that our hands touch more than once. The first couple of times it barely fazes me at all, but after the third time, I notice that I allow my hand to linger just a bit—without even thinking about it. When I look up at Tom, I am almost embarrassed at what I’ve just done. Maybe it’s the fact that I haven’t seen 21430_ch01.qxd 1/26/04 10:06 AM Page 244

244

D a n i e l l a B r o d s k y

Liam in over a week now, or just the thrill of the success we’re sharing. I can’t read his expression at all. It is, I guess, what people mean when they say “blank.”

But during the elation that follows a period of stress, a strong sense of camaraderie is not a rarity, and so after a momentary lapse of he’s-going-to-think-I-like-him neuroses, during which I rationalize that it was absolutely nothing at all, I manage to forget about it.

“I’m sure you’ve got something fabulous in mind for an appetizer, so what will it be?”

I’m eying the oysters, but fear that Tom is a meat and potatoes sort (he is) and that this will make him feel rather how I did during my sushi date with Liam. So I suggest the most normal-sounding thing on the menu—macaroni and cheese.

“My gosh, I take you to a beautiful restaurant and you order macaroni and cheese? You must be very easy to please. My kind of gal.”

When he says this, I remember the first time he called me a gal and think, now, that when he says it, it doesn’t sound lame at all—

just cute, actually.

“What about
your
gal?” I mimic the word. “Is she easy to please?”

And he buries his head in the menu here, avoiding the question for a minute. When he lowers it, he’s taken on that blank expression again, looks me right in the eye and says, “Well, I’ve got something to tell you, Ab Fab.”

I brace myself for something awful, monumental, something.

“I would absolutely love the macaroni and cheese.”

It takes me a second to realize it’s a joke, but then his mouth turns up at the corners, and so does mine.

21430_ch01.qxd 1/26/04 10:06 AM Page 245

D i a r y o f a Wo r k i n g G i r l 245

He says, “I was worried you’d want to order something like oysters, which for the life of me, I cannot stomach.”

“They are so good, though!” I say.

“I know in your fab world it’s all about the hottest, hippest slimy cuisine, but I’ll let you in on a little secret, Lane.” He leans in here and lowers his voice to a whisper. “Stick with me, kid—you may not be able to tell from just looking at me, but I am actually so ahead of the trend that to the common eye it actually looks like I am behind the trend. Think about it.”

Is this a jab? Mark of Tom being supremely above frivolous trends? Hysterical joke? I am trying to figure this out when my train of thought is interrupted.

“Your waiter, Terry, has just ended his shift. I’m Liam. I’ll be taking over for him. Are you ready to order?”

Now, I haven’t looked up yet. As a matter of fact I’m looking right at Tom. And our waiter, whose British accent I heard from behind my head, has not yet seen my face. But, I swear to God, that is MY LIAM’S voice. I know it can’t be. He’s in London! He’s not a . . . a . . . waiter! I just spoke with him two nights ago, from his

“flat.” He wished he could be in New York—and that’s because he’s not in New York—he’s in London—missing me, and wanting to do things with me and chocolate and he couldn’t do any of those things because he is not in New York, he’s in London. He’s the owner of a publishing company, and we are going to make
Beautiful
the most successful American women’s magazine. And this is his favorite restaurant!

Yet, I can’t bring myself to look up and prove that my paranoia has finally gotten the best of me.

“Lane?” Tom asks. “Are you ready to order?”

He’s said my name. If this is my Liam, he will probably be curi-21430_ch01.qxd 1/26/04 10:06 AM Page 246

246

D a n i e l l a B r o d s k y

ous at the mention of my name and walk around to look at me.

Since I can’t bear to move, to enable this slight, ridiculously impossible possibility to become anything more than just that, I wait for this to happen.

But I can smell his cologne wafting before I even see his face. It is, make no mistake about it, Liam’s cologne. But lots of people, I’m sure, wear that cologne. And many of them, I’m sure, can have the same name. And in one fluid movement, I get a surge of confidence, turn my head, see him, throw my hands over my face, and drop my head to the table.

“Lane? Lane? Are you alright?” Tom is asking, so sweet, but, strangely, not so surprised.

“Lane, I can explain,” I hear Liam saying from somewhere next to me. I can’t find words. I don’t even know what the words would be. Nothing makes sense. All the insecurities I was suffering—

thinking myself crazy—when, really, I was right on the mark. So stupid! The signs were all there. He is a fake, a liar, and I fell for it all. Because I wanted someone perfect—good-looking, successful, smart, funny. I really asked for it. I’d said it a million times: He was too good to be true.

“I just wanted to impress you,” he’s saying.

And finally, I turn to look him in the face, and he looks so stupid—that jawline, that hair—they’d both evoked so much pleasure when I’d let my eyes rest on them in the mornings in my bed, but now they just seem phony and disgusting. I can’t bring myself to find words. I look to Tom and he is trying his best to find his plate interesting. And Liam goes on to reveal my stupidity, my naiveté to my boss, to the entire restaurant.

“We’re good together, you and me—we both just want the fairy tale. You know, the Sundays reading the
Times
, the brunches.

It doesn’t matter that I’m not exactly what you thought. It’s the 21430_ch01.qxd 1/26/04 10:06 AM Page 247

D i a r y o f a Wo r k i n g G i r l 247

fantasy you’re after. Wasn’t it great? The best time of your life?

Those are your words! Lane, you know it’s true. It is. What’s real anyway?”

And as if things weren’t bad enough in their current state, a new element is added. A waitress wearing the same uniform as Liam—a white top and black pants, bow tie and all—appears at our table, looking less than happy.

“Liam, do you want to tell me what’s going on here?” she says.

I’m imagining if this will be his boss, and he will now be fired for creating such a debacle, so I am dumbfounded at what comes out of her mouth.

“Liam? Who is this woman? Tell me!” Liam looks from me to her and back again. And rather than look her in the face and answer her, he waits for another second, probably too scared to speak, until she can’t wait any longer, and figures it out for herself.

“You
have
been cheating on me! Haven’t you? Haven’t you? I cannot believe that you would do this again! What did you tell her this time? That you’re the heir to the throne? Or a member of the House of Commons?” And then she looks at me and shakes her head, “You poor, stupid girl,” she hisses, and storms off.

The words are so vindictive, and shouldn’t really hurt, considering the source, but they feel so accurate—and I feel the water leak-ing from my eyes onto my hand, which is holding so firmly on to the stem of my now shaking wineglass, that I am afraid I might crack it in half.

Poor Tom—scenes are not his thing—is really doing his best to maintain his dignity right now, with the whole restaurant staring at us. And I know I need to wrap this up, get out of this place, and never turn back.

And finally, the words come to me. “You know what, Liam?

That’s disgusting. You’re disgusting. And I’ve never read a fairy tale 21430_ch01.qxd 1/26/04 10:06 AM Page 248

248

D a n i e l l a B r o d s k y

that ends with the guy turning out to be a complete phony. You don’t have any idea what I want. You have no idea what life or love, for that matter, is about, and I guess, neither do I. But that doesn’t change the fact that you are a pathetic fucking loser, and I never want to see you again in my entire lifetime. Never. The only thing I regret is that I now have to be ashamed of myself for being such an idiot, for believing in something that was so horribly unreal. Have a nice life. Tom, can we go now?”

Tom throws some twenties onto the table for our wine and, placing his arm around my shoulder, leads me outside. Once we are in the cool air, I can finally breathe, but unfortunately, with the breath comes more tears. Lots of them. And it’s that sort of wailing that you normally reserve for times when you are alone, watching
Steel Magnolias
, nursing a lethal case of PMS. And I’m crying for Liam, but also for everything that I had ever dreamed that Mr.

Right would be. If anything ever proved to me that my percep-tions were totally off the mark, it is this. I have been foolish. Stupid, even. And I’m saying all of this out loud, although it’s not exactly audible, what with the wailing and the sniffling and my in-ability to control my tongue properly. Tom is perfect. He’s just rubbing my back and wiping the tears off of my face and not saying a word.

This goes on for about ten minutes, and then I take a deep breath and look at him for the first time, really, since we’ve been standing outside. And the way he’s looking at me, it seems like it’s his heart that’s been broken rather than mine—that’s how sympa-thetic he looks. And when I see him break into a gentle smile, I do, too. And then, like so often in the aftermath of hysterics, I start to laugh. And then he starts to laugh. It all seems so ludicrous.

“Did you see his face?” I ask.

21430_ch01.qxd 1/26/04 10:06 AM Page 249

D i a r y o f a Wo r k i n g G i r l 249

“You could have caught flies in his mouth, he was so shocked,”

Tom says.

“Yeah, and I can’t even imagine what’s going on in there right now.”

“Probably crying like a baby,” Tom says. “Lane, I just want you to know, it’s really his loss. It really is. You are a fabulous, wonderful woman, and anyone who tries to manipulate the things that make you so wonderful is just the lowest sort of person in the world.”

That just may be the nicest thing anyone has ever said to me. So I sort of want to hear it one more time. I mean, I’ll be swimming in doubt for probably the next year of my life, so it will be nice if at least this stands out in my memory.

So I ask, “Really?”

He takes my hand and says, “Please don’t ever forget that.” And then he asks, “Do you want me to take you home, Lane?”

And I look at him, and he’s so sweet and gentle and patient. It’s as if he knows me, not on the physical level that Liam did, but in that way of the couple at the supermarket—the way in which you know exactly what someone needs. And in the past, I might have taken this to mean something more than friendship, but I am done with presuming such frivolities, like imagining Tom would leave his girlfriend and declare his love for me and that he would be The One and then we’d all live happily ever after, the end. Things just don’t work out that way in real life. If there’s one thing I’ve learned through this whole disaster, it’s that.

Love, if it even exists, just doesn’t happen to girls like me, who’ve built their entire hopes for the future on an intricate web of mystical daydreams. It happens to those who have a realistic approach and understand that the funny-enough, smart-enough, but 21430_ch01.qxd 1/26/04 10:06 AM Page 250

250

D a n i e l l a B r o d s k y

not stereotypical heroes are sweet and gentle and able to open their hearts and minds to you. It happens to those who understand the firewall between real life and fiction-based expectations—the line that should never be crossed. And those like me, who keep holding on to the fantasy, will live a life of loss and disappointment.

I nod my head to indicate that I would like to go home. The walk is short, less than a couple of blocks and the cool breeze is even more sobering. I feel empty, like everything I’ve ever known is gone. Tom will go home to his girlfriend, who, to me may seem like the worst match for him in the world, but who is a real, veritable human being and not some lame fictional character from a book. He is practical and smart, and I am not. And that is why I am alone, going home to shelves and shelves of books harboring would-be M&Ms, who exist only in the minds of those like me, who have nothing else to keep them company at night—not because no wonderful men exist, but because nobody could ever measure up to that perfect image you have created, no matter how many men you surround yourself with every day.

I

My phone rings and rings the weekend through,but I can’t bring myself to answer it. Whether it is Liam or Tom or Joanne or Samantha or even worse, my mother, I can’t bring myself to face anyone. I’m in no mood for I-told-you-so’s or even for things-will-be-brighter-tomorrow cheers. For the first time in my life, I know that the only place I can find the answer is inside myself.

Other books

The Highlander's Heart by Amanda Forester
The Hands-Off Manager by Steve Chandler
Unnatural Wastage by Betty Rowlands
Penny and Peter by Carolyn Haywood
Mistress of Mellyn by Victoria Holt
Killer Look by Linda Fairstein
It Gets Better by Dan Savage