Doctored Evidence (29 page)

Vianello shifted restlessly in his seat, and Brunetti attempted to calm him by saying, ‘We need his fingerprints to be on the things in the attic. As soon as Bocchese has them, we can think about bringing him in for questioning.'

‘And if he refuses to give us a sample on his own?'

‘He won't refuse, not once we have him here,' Brunetti said with absolute certainty. ‘It would create a scandal: the newspapers would eat him alive.'

‘And killing the old woman won't create a scandal?'

‘Yes, but a different sort, one he thinks he can talk his way out of. He'll claim that he was a victim, that he didn't know what he was doing, that he was not himself when he killed her.' Before Vianello could ask, he went on, ‘Refusing to be fingerprinted, when he knows it's inescapable – that would look cowardly, so he'll avoid that.' He glanced away from Vianello and out of the window for a moment, then returned his attention to his colleague and said, ‘Think about it: he created a false person years ago, this false doctor, and he won't move from that role, no matter what we do or can prove about him. He's lived within it so long he probably believes it by now or at least believes that he has earned the right to special treatment because of his position.'

‘And so?' Vianello asked, apparently bored with all of this speculation and in need of practical information.

‘And so we wait for Bocchese.'

Vianello got to his feet, thought about saying something but decided not to, and left.

Brunetti remained at his desk, thinking of power and the privileges many of those who
had it believed accrued to them because of it. He ran through the people he worked with, hunting for this quality, and when his train of thought brought him into company with Lieutenant Scarpa, he pushed himself to his feet and went down to the lieutenant's office.

‘
Avanti
,' Scarpa called out in response to Brunetti's knock.

Brunetti went in, leaving the door open. When he saw his superior, the lieutenant half stood, a movement that might as well have been an attempt to find a more comfortable position in his seat as a sign of respect. ‘May I help you, Commissario?' he asked, lowering himself again into his chair.

‘What's happening with Signora Gismondi?' Brunetti asked.

Scarpa's smile made a mockery of mirth. ‘May I ask the reason for your concern, sir?' Scarpa asked.

‘No,' Brunetti answered in a tone so peremptory that Scarpa failed to disguise his surprise. ‘What's happening with your investigation of Signora Gismondi?'

‘I assume you've spoken to the Vice-Questore and he's given you his permission to involve yourself in this, sir,' Scarpa said blandly.

‘Lieutenant, I asked you a question,' Brunetti said.

Perhaps Scarpa thought he could stall for time; perhaps he was curious to see how far he could push Brunetti. ‘I've spoken to some of her neighbours about her whereabouts on the
morning of the murder, sir,' he said, glancing at Brunetti. When Brunetti failed to react, Scarpa went on, ‘And I've called her employers to ask if this story about being in London at the time is true.'

‘And is that how you phrased it, Lieutenant?'

Scarpa made a tentative little gesture with one hand and said, ‘I'm not sure I understand what you mean, Commissario.'

‘Is that how you asked them: whether the story she's been giving the police is true? Or did you merely ask where she was?'

‘Oh, I'm afraid I don't remember that, sir. I was more concerned with discovering the truth than with niceties of language.'

‘And what answers did you get in your attempt to discover the truth, Lieutenant?'

‘I haven't found anyone who contradicts her story, sir, and it seems she was in London when she said she was.'

‘So she was telling the truth?' Brunetti asked.

‘It would appear so,' Scarpa said with exaggerated reluctance, then added, ‘At least until I find someone who tells me that she is not.'

‘Well, Lieutenant, that's not going to happen.'

Scarpa looked up, startled. ‘I beg your pardon, sir.'

‘It's not going to happen, Lieutenant, because you are going to stop, as of now, asking questions about Signora Gismondi.'

‘I'm afraid my duty as . . .' Scarpa began.

Brunetti cracked. He leaned over Scarpa's desk and put his face a few centimetres from the
lieutenant's. He noted that the younger man's breath smelled faintly of mint. ‘If you question another person about her, Lieutenant, I will break you.'

Scarpa yanked his head back in astonishment. His mouth fell open.

Leaning even farther over the desk, Brunetti thumped his palms flat on its surface and again moved his face close to Scarpa's. ‘If I learn that you speak to anyone about her or insinuate that she had anything to do with this, I will have you out of here, Lieutenant.' Brunetti raised his right hand and grabbed the lapel of Scarpa's jacket, tightening his hand into a fist and yanking him forward.

Brunetti's face was suffused with blood and rage. ‘Do you understand me, Lieutenant?'

Scarpa tried to speak, but all he could do was open his mouth, then close it.

Brunetti pushed him away and left the office. In the corridor he almost bumped into Pucetti, who was wheeling away from Scarpa's door. ‘Ah, Commissario,' the young officer said, his face a study in blandness, ‘I wanted to ask you about the duty rosters for next week, but I couldn't help overhearing you settle them just now with Lieutenant Scarpa, so I won't trouble you with them.' His face sober and respectful, Pucetti gave a sharp salute, and Brunetti went back to his office.

There, he waited, sure that Bocchese would call him when he got back with news of whatever he had found in Signora Battestini's
attic. He called Lalli, Masiero and Desideri and told them they could call off the dogs, for he thought he had found the old woman's killer. None of them asked who it was; all of them thanked him for calling.

He also phoned Signorina Elettra and told her the probable meaning of the phone call to the school board. ‘Why would she call him out of the blue like that, that last time?' she asked when he told her. ‘Things had been continuing for more than a decade, and the only other time she contacted him in all those years was when we switched to the Euro.' Before he could ask, she supplied, ‘Yes, I've checked her phone calls for the last ten years. Those were the only calls between them.' She paused for a long time and then said, ‘It doesn't make any sense.'

‘Maybe she got greedy,' Brunetti suggested.

‘At eighty-three?' Signorina Elettra asked. ‘Let me think about it,' she said and hung up.

After another hour, he walked down to Bocchese's office, but one of the technicians said his chief was still out at some crime scene over in Cannaregio. Brunetti drifted down to the bar near the bridge and had a glass of wine and a
panino
, then walked out to the
riva
and looked across at San Giorgio and, beyond it, the Redentore. Then he went back to his office.

He had been back little more than ten minutes, trying to impose order upon the accumulation of objects in the drawers of his desk, when Signorina Elettra appeared at his door. Her shoes were green, he had time to
notice before she said, ‘You were right, Commissario.' Then in answer to his unspoken question, she explained, ‘She got greedy.' And before he could ask about that, she said, ‘You said all she did was sit and watch television, didn't you?'

It took him a moment to return from the consideration of that green, but when he did he said, ‘Yes. Everyone in the neighbourhood talked about it.'

‘Then look at this,' she said. Approaching his desk, she handed him a photocopy of the familiar television listings that appeared in the
Gazzettino
every day. ‘Look at 11 p.m., sir.'

He did and saw that the local channel was presenting a documentary called
I Nostri Professionisti
. ‘Our local professional what?' he asked.

Ignoring his question, she said, ‘Now look at the date.'

The end of July, three days before the murder, the day before Signora Battestini's phone call to the school board.

‘And?' he asked, handing the paper back to her.

‘One of our “local professionals” was Dottor Mauro Rossi, the head of the school board, interviewed by Alessandra Duca.'

‘How did you find this?' His surprise did not mask his admiration.

‘I did a cross-reference search with his name and the television listings for the last few weeks,' she said. ‘It seemed the only way she
could ever have learned anything, since all she ever did was watch television.'

‘And?' Brunetti asked.

‘I spoke to the journalist, who said it was just the usual puff piece: interviewing bureaucrats about their fascinating work in city administration – the sort of thing they show late at night and no one watches.'

This sounded to Brunetti like a blanket description of all local broadcasting, but he said only, ‘And? Did you ask her about Rossi?'

‘Yes. She said it was all predictable: he talked at great length and with false humility about his career and his success. But she did say he was so bad at disguising his arrogance that she let him talk more than she ordinarily would with one of these types, just to see how far he'd go.'

‘And how far was that?'

‘He talked – Duca said, with self-effacing humility – about the possibility of a transfer to the Ministry in Rome.'

Brunetti considered the implications of this and suggested, ‘And with the equal possibility of an enormous increase in salary?'

‘She said he only implied that. She remembered he said something about wanting to be of service to the future of the children of Italy.' She waited for a few moments, then added, ‘She also said that, from what she knows of local politics, he has about as much chance of going to Rome as the Mayor does of being re-elected.'

After a long pause, Brunetti said, ‘Yes.'

‘Excuse me?'

‘Greed. Even at eighty-three.'

‘Yes,' she answered. ‘How sad.'

Bocchese, who was usually not to be seen in the Questura outside of his own office, appeared at the door. ‘I was looking for you,' he reproached Brunetti. With a nod to Signorina Elettra, he walked into the office and set some things on the desk. Turning back to Brunetti, he said, ‘Let me get a sample.'

Brunetti looked and saw the standard piece of cardboard with spaces for the prints of the various fingers. Bocchese flipped open a flat tin and waved impatiently towards Brunetti, who walked over and gave him his right hand. Quickly, it was done, then the left.

Bocchese slid the cardboard to one side, revealing another one beneath it. ‘I might as well do you, Signorina,' he said.

‘No thank you,' she answered, walking away and standing near the door.

‘What?' Bocchese asked, his voice making the word something more than a question but less than a demand.

‘I prefer not to,' she said, and the possibility died.

Bocchese shrugged, picked up Brunetti's card and gave it a careful look. ‘Nothing like this on anything in the attic, I'd say, but there are lots of them from some other person, probably a man, and a big one.'

‘Lots?' Brunetti asked.

‘Looks like he went through everything,' Bocchese answered. Then, when he saw that he
had Brunetti's attention, he added, ‘There's a set of the same prints on the underside of her kitchen table. Well, my guess is that they're the same, but we have to send them to Interpol in Brussels to be sure.'

‘How long will that take?' Brunetti asked.

Another shrug. ‘A week? A month?' He put the cards in a plastic envelope and slipped the box of ink into his pocket. ‘You know anyone there? In Brussels? To speed things up?'

‘No,' Brunetti admitted.

Both men turned supplicating eyes towards Signorina Elettra.

‘I'll see what I can do,' she said.

BRUNETTI SPENT THE
next hour alone in his office, considering the best way to confront Rossi. He moved back and forth between his desk and the window, unable to concentrate, his every thought blocked by and turned back upon the Seven Deadly Sins. None of them, he realized, was any longer against the law; at worst they might be considered flaws of character. Could this be some novel way to carbon-date between the old world and the new? For weeks, he had listened to Paola read aloud passages from the text from which his daughter was being taught religion, yet it had never occurred to him to wonder if she were being taught the concept of sin and, if so, how it was being defined.

Theft was a choice, avarice and envy merely the vices that predisposed to it. So too with the vice of sloth: experience had taught him that many criminals were led to their crimes by the slothful belief that it was easier to steal than to work. Blackmail was another choice, and the same three vices led to it.

Brunetti had seen the signs of pride in Rossi and was persuaded that the cause of his crime lay there. Any normal person would judge that the exposure of Rossi's fraud would cost him little but embarrassment. Perhaps he would lose the directorship of the school board, but a man with his connections could easily find work; the city bureaucracy could shift him sideways to some obscure job where he could receive the same salary and continue to proceed unhindered towards his pension.

But he would no longer be Dottor Rossi, would no longer be courted by local television and asked to speak to an attentive journalist about his prospects of taking a job in Rome. The news of his exposure would not last a week and would do nothing more than cause some mild fuss in the local papers; it was hardly an event that would interest the national press. The public memory grew shorter each day, geared as it was never to exceed the length of an MTV video, so Rossi, doctor or no, would be forgotten by the end of the month. But even this his pride could not endure.