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Authors: Mary Gaitskill

Don't Cry: Stories (18 page)

BOOK: Don't Cry: Stories
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Jennifer grieved; she thought, I can’t help. I can’t understand. But I can show support. This man has been damaged by the war, but still he is profound. He will not scorn my support because I’m white. As if he had heard, the soldier turned around in his seat and smiled. Jennifer was startled by his face—hairy with bleary eyes, his mouth sly and cynical with pain.

“My name’s Jim,” the soldier said. “Glad to meet you.”

Jennifer shook his proffered hand.

“Where you headed today?” he asked.

“Syracuse. For work.”

“Yeah?” He smiled. His smile was complicated—light on top, oily and dark below. “What kind of work?”

“I’m giving a talk at a journalism school—I edit a women’s magazine.”

“Yeah? An editor?”

His smile was mocking after all, but it was the sad mocking men do when the woman has something and they don’t. There was no real force behind it.

“I heard you talk about being in Iraq,” she said.

“Yeah, uh--huh.” He nodded emphatically, then looked out the window as if distracted.

“What was it like?”
;

He looked out the window, paused, and began to recite: “They smile and they say you okay f Then they turn around and they bite / With the arrow that fly in the day / And the knife in the neck at night.”

“Did you make that up? Just now?”

“Yes, I did.” He smiled again, still mocking, but now complici-tous, too.

“That’s good. It’s better than a lot of what I read.”

Did you make that up> Just now> Stupid, stupid woman, stupider than the drunk nigger she was talking to. Carter Brown, the conductor, came down the aisle, wishing he had a stick to knock off some heads with, not that they were worth knocking off really. That kind of white woman—would she never cease to exist? You could predict it: Put her in a car full of people, including black people who were sober and sane, hell, black people with Ph. D.’s, and she would glue herself, big-eyed and serious, to the one pitiful fool in the bunch. He reached the squawk box and snatched up the mouthpiece.

“To whoever’s been smoking in the lavatory, this message is for you,” he said into it. "If you continue to smoke in the lavatory, we will, believe me, find out who you are, and when we do, we will put you off the train. We will put you off, where you will stand on the platform and smoke until the next train comes sometime tomorrow. Have a nice day.”

Not that the sane and sober would talk to her, it being obvious

what she was—another white jackass looking for the truth in other people’s misery. He went back down the aisle, hoping against hope that she would be the smoker and that he would get to put her off the train.

“Did you talk to the Iraqis?” she asked.

“Sure. I talked to them. I talked mostly to kids. I’d tell ’em to get educated, become a teacher. Or a lawyer.”

“You speak their language?”

“No, no, I don’t. But I still could talk to ’em. They could understand.”

“What were they like?”

“They were like people anywhere. Some of them good, some not.”

“Did any of them seem angry?”

“Angry?” His eyes changed on that word, but she wasn’t sure how.

“Angry at us. For tearing up the country and killinig them.”

She thinks she’s the moral one, and she talks this way to a soldier back from hell?

Mr. Perkins, sitting behind, could hear the conversation, and it filled him with anger. Yes, the man was obviously not playing with a full deck. No, the war had not been conducted wisely, and, no, there were no WMD. But anyone, anyone who knew what war was should be respected by those who didn’t. Perkins knew. It was long ago, but still he knew: The faces of the dead were before him. They were far away, but he had known them. He had put his hands on their corpses, taken their personal effects: Schmidt, Heinrich,

PFC, 354th Fortress Artillery . . . Zivilberuf: Oberleltrer. He remembered that one because of those papers he’d kept. God knows where they were now, probably in a shoe box in the basement, mixed up with letters, random photos of forgotten people, bills and tax statements that never got thrown out. Schmidt; Heinrich. His first up-close kill. He’d thought the guy looked like a schoolteacher, and, by Christ, he had been. That’s why he’d kept the papers—for luck.

Yes, he knew, and obviously this black man knew—and how could she know, this “editor” with her dainty, reedy voice? More anger came up in him, making him want to get up and chastise this fool woman for all to hear. But he was heavy with age and its complexity, and anyway, he knew she just didn’t know better. As an educated professional, she ought to know better, but obviously she didn’t. She talked and talked, just like his daughter used to do about Vietnam, when she was a seventeen-year-old child.

“Angry?” said the soldier. “No. Not like you.”

She said, “What do you mean? I’m not angry”

The soldier wagged his finger slowly, as if admonishing a child. “The thing you need to know is, those people know war. They know war for a long time. So not angry, no. Not like you think about angry.”

“But they didn’t—”

The finger wagged again. “Correct. They don’t want this war. But they know ... See. They make a life. The shepherd drives his animals with the convoy. The woman carries water while they shoot. Yes, some, they hate—that’s the knife in the neck. But some smile. Some send down their good food. Some appreciate the work we do with the kids, the schools...

He could walk for hours, every now and then calling the dog and stopping to listen. He walked across the field and into the woods and finally into the deserted farm. When he walked, he didn’t think of Iraq always. He thought of Jack when he was a pup, of wrestling with him, of giving him baths, of biking with the dog running alongside, long, glistening tongue hanging out. He thought of how patient Jack was when Scott was a baby, how he would let the child pull on his ears and grab his loose skin with tiny baby fists.

But the feeling of Iraq was always underneath, dark and liquid, and pressing up against the skin of every other thing, sometimes bursting through: a woman’s screaming mouth so wide, it blotted her face; great piles of sheep heads, skinned, boiled, covered in flies; the Humvee so thick with flies, they got in your mouth; somebody he couldn’t remember eating a piece of cake with fresh offal on his boot; his own booted foot poking out the doorless Humvee and traveling over endless gray ground. In the shadows of the field and the woods and the deserted farm, these things took up as much space as his wife and his child, the memories of his dog. Sometimes they took up more space. When that happened, he took the safety off the gun.

Like, an angry, cripple, man, don't push me! Ghost’s voice and the old music ran parallel but never touched, even though Ghost tried to blend his voice with the old words. Sad to put them together, but somehow it made sense. Bill took off his headset and turned back toward the guy across from him, feeling bad for ignoring him. But he was busy talking to the older blonde behind him. And she seemed very interested to hear him.

“And the time I went out on the convoy? See, they got respect, at least those I rode with. ’Cause they didn’t fire on people unless they know for a fact they shot at us. Not everybody over there was like that. Some of ’em ride along shooting out the window like at the buffalo.”

“But how could you tell who was shooting?” asked Jennifer. “I hear you can’t tell.”

“We could observe. We could observe from a distance for however long it took, five, sometimes maybe even ten minutes. If it was a child, or somebody like that, we would hold fire. If it was an enemy...”

If it was an enemy, thought Bill Groffinan, he would be splattered into pieces by ten people firing at once. If it was an enemy, he would be dropped with a single shot. If it was an enemy, she would be cut in half, her face gazing at the sky in shock, her arms spread in amazement as to where her legs might’ve gone. If it was an enemy, his or her body Would be run over by trucks until they were dried skin with dried guts squashed out, scummed-over eyes staring up at the convoy driving by. Oooh, that’s gotta hurt!

“Still,” said Jennifer. “I don’t see hqw they could not be mad about us being there.”

Oooh, that’s gotta hurtI Six months ago, he would not have been able to hold back. He would’ve gotten into it with this woman, shut her up, scared i$ie shit out of her. The war was stupid, okay. It was probably for oil. But it was also something else. Something you could not say easily with words. There was enemy shooting at you and then there was the thing you could say with words. There was dead squashed enemy and there was the thing you could say with words. There was joking at squashed bodies and nothing else to be said.

“Here,” said Jim. “Let me ask you something now.”

“Okay,” said Jennifer.

“Do you ever feel guilty?”

, "What?”

“Do. You. Ever. Feel. Guilty.” He smiled.

“Doesn’t everybody?”

“I didn’t ask about everybody. I asked ’bout you.”

“Sometimes,” she said. “Sometimes I feel guilty.”

“Good. Because guilt is not a bad thing. Guilt can instruct you; you can learn from guilt. Know what I mean?”

“I think so.” She felt something, but she didn’t know if it was manipulated or real.

He smiled. “So here’s what I want to say. Guilt, you can live with. But you can’t live with regret. Can’t learn from it, can’t live with it. So don’t ever feel regret.”

The thing was, Perkins could not really understand this man, either. He didn’t know if it was because he had forgotten, or because war was different now, or because the man was black, or because ... well, the man was not right, that was obvious. But you

heard things about a lot of them that didn’t seem right. "You supported them, absolutely; you wanted to be proud; what happened after Vietnam should never be allowed to happen again—but then you read someplace that they didn’t care about killing civilians, that it was like video games to them. Stuff about raping young girls, killing their families, doing sex-type things with prisoners, taking pictures of it—and then you’d read somebody sneering that “the Greatest Generation” couldn’t even fire their guns, while these new guys, they liked to kill.

“Now I have another question. Is that okay!*’’

“Yeah”

“When you look out that window, what do you see?”

Jennifer looked and thought; even though he was crazy, she wanted to give a good answer. “Trees,” she said. “Sky, Water. Plants, earth.”

He smiled. “All of that is there. I see it, too. But that is not all I see.”

“What do you see?”

In his head, Bill saw a horror movie. It was one he’d seen a long time ago. It was some kind of fight between good—or maybe it was just normalcy—and evil. Evil had gotten the upper hand, and good was going to lose. “We can’t stop them now!” cried the scientist. But then by mistake the evil people woke up something deeper than evil. They woke things underground called Mogred or some shit, things who knew only destruction and didn’t care who was destroyed; they made the earth come open and humanoid monsters without faces came out the crack. They weren’t on anybody’s side, but because evil had annoyed them by waking them up, they attacked evil.

Jim saw trees and shining water. He saw lake water, river water, sewage water. He saw the eyes of God in the water, and they were shining with love. In the eyes of God, even the sewage water in the street was shining. In the eyes of God, a woman came out on the street, moving very quick. She pulled up her robe and walked into the shining sewage and pulled a child out by the hand. She led the child and looked at Jim, and the mouth of God roared.

Outside the train window, the mouth of God was silent. It was silent and it was chewing—it was always chewing. That was okay; it needed to eat to keep the body going. And the eyes of God were always shining with love. And the nose of God—that was something you grabbed at on your way to the chewing mouth. Like those people in the old television movie climbing on the giant presidents.

The war was like the crack in the ground that let the Mogred out. The crack in the ground had nothing to do with arguments about smart or stupid, right or wrong. The crack in the ground was even sort of funny, like in the movie with shitty special effects, the monsters pouring out the hole like a football team.

Who told anybody they couldn’t shoot their weapons? That’s what Perkins wondered. If the American army couldn’t shoot, who killed all those Germans and Japanese? True: Straight off the ramp,

chest-deep in the ocean, fighting its sucking wet muscle toward the shore with machine-gun fire hammering down around you and shells slamming your eardrums, pushing on floating corpses as you got close—you couldn’t see what to shoot at then. They hadn’t been chasing a ragged Third World army with inferior weapons and they hadn’t been wearing body armor. They came out of the ocean into roaring death, men exploding like bloody meat, and all of it sucked into the past before memory could grab on to it or the nerves had time to react. At least that must be why he could not recall most of it as anything but a blur.

The war was a crack in the ground, and the Iraqis were the Mogred, pouring out. Then somehow he and his buddies had become Mogred. Then it was nothing but Mogred all around, clawing and killing. Bill glanced at the guy sitting across from him; that was no Mogred. No way.

“I can’t tell you what I see,” said Jim. “And what I see you will never See. Because I have been touched by God.” There was a wheel of colors spinning in his mind, gunfire and music playing. A little ragged boy ran down the street, a colored pinwheel in his hand. A ragged little boy tried to crawl away, and was stopped by a bullet. Laughter came out an open window. “You never hurt a little animal,” his foster father said.

Unseeing and unhearing, she stared impassively in his face. “By Jesus, you mean?”

He felt himself smile. “Not by Jesus, no. Lots of people have been touched by Jesus. But I have been touched by God.”

Unfeeling spread through her face like ice, stilling the warmth and movement of her skin. With unfeeling came her authority. “How’d you get to skip Jesus?” she asked.

BOOK: Don't Cry: Stories
13.88Mb size Format: txt, pdf, ePub
ads

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