TWENTY-SIX
“THIS IS HILLARY GABLES.”
Darla’s jaw sagged as she heard the agent repeat her greeting in a sharper tone.
Then came a small gasp, and the speakerphone voice demanded, “Morris, is that you?
Damn it, don’t play games with me.
I’ve got caller ID.
I recognize your number.”
Getting no response, Hillary stormed on, “Don’t think you can threaten me, you son of a bitch!
I’m not afraid of you.
I can take you down with what I know.
So if you want to keep our little secret between us, I suggest you quit the harassment and bring the money to the club tonight like we agreed.”
In the good old days, Darla irrelevantly thought, they would have heard the receiver slam down as Hillary ended the call.
But since the agent was either on a cell phone or a cordless, the conversation ended with a barely audible click as she cut the connection.
Jake hung up the speakerphone with the same one-touch efficiency and then turned to meet Darla’s gaze.
“I guess he really did kill Valerie,” Darla said, “and Hillary knows all about it.
And now she’s blackmailing him.”
She heard the disappointment in her own voice and realized that, despite her suspicions, she really had believed James’s theory about twins being unable to murder their siblings.
But apparently even the esteemed Professor James James could be wrong on occasion, as Hillary’s tirade seemingly had proved.
Jake, however, put up a restraining hand.
“Jump to conclusions much, kid?
While I agree this is all pretty damn interesting, for all we know Hillary found out something else—like our theory that he wrote the books instead of Valerie—and is blackmailing him over that.”
“Maybe.”
But Darla felt the venom in the agent’s words had hinted at something more than a simple case of ghostwriting.
“I guess we need to tell Reese what we found out.”
“And what do you suggest we tell him?
That we broke into Morris’s private office, autodialed Hillary Gables, and heard her say something about money?
Remember what I said about thin?
Well, we’re talking tissue paper here.”
“Then I guess we’ll have to find this club Hillary was talking abou—oh no!”
Darla had glanced at the window in time to see Morris on the sidewalk below, having just exited a cab.
Now, she pointed frantically in that direction.
“He’s here.
Morris is here,” she exclaimed with a panicked look back at Jake.
“What if he catches us in here?”
“He won’t if we get the hell out right now,” Jake replied with a swift look around the apartment.
“Okay, everything looks in order, so let’s head up to the third floor to visit with Mr.
Clean for a bit.
Once Morris is safely in the apartment, we’ll make our escape.”
They slipped out the door, and Jake paused long enough to twist the thumb lock on the inner knob before shutting the door behind them.
“Maybe he’ll think he locked the wrong lock last time,” she whispered as the sound of the front door opening drifted up to them.
She jabbed a finger in the direction of the third floor, and Darla made a swift if silent beeline for the stairs.
Over the frantic beating of her heart, she could hear the faint sounds of metal on metal from the lobby, and she guessed Morris was checking his mail, giving them a few extra seconds.
As they reached the third-floor landing, they heard him starting up the steps.
Darla shrank back against the far wall and reflexively counted the footfalls, holding her breath when they stopped.
Then she heard a key scrape in the lock, followed by a pause, and the sound of a knob jiggling.
She could almost hear the question mark in his thoughts as he apparently found the dead bolt open and the twist lock on the knob locked instead.
Did he suspect anything other than his own memory?
“Hey!
Hey, there!”
The raspy female voice made both her and Jake jump.
Darla gazed wildly about for its source and then recognized the voice as belonging to the first woman whom they’d randomly buzzed while trying to get in.
As the woman continued to speak, she realized in relief that the sound was coming from the second floor.
“—was real sorry to hear about your other sister,” the unseen woman was saying, the words obviously directed at Morris.
“I’d of made up a casserole to send around, except I didn’t know where to bring it.”
“Don’t worry, Mrs.
Gleason,” she heard Morris reply.
“Kind thoughts are as filling as food in such situations.”
“Well, you just let me know if you need anything, Morrie,” Mrs.
Gleason said with a comforting click of her tongue.
“Oh, and I haven’t forgotten about coming around to see that play you told me about.
You think maybe Mavis can get me backstage?
I’d love to meet that actor fellow who plays Othello.
I just love him on that cop show on Tuesday nights.”
“I’m sure she can arrange it.
Not tonight, but maybe for next Sunday’s performance.”
“That would be great.
I’m going to go call for a ticket right now.”
A door closed, and then a second one opened and closed.
Mrs.
Gleason and Morris both were safely in their apartments, Darla assumed.
But Jake gave a warning shake of her head and leaned carefully over the railing to take another look.
Sure enough, a door on the second floor opened again, and Darla heard the sound of shuffling footsteps.
“Hey, Morrie,” Mrs.
Gleason yelled, “which one, three o’clock show or eight o’clock show?”
“Eight o’clock, Mrs.
Gleason,” Morris patiently called through his closed door.
“The understudy will be playing Othello at the three o’clock performance.”
“Eight o’clock it is.”
The woman shuffled back into her apartment, the door slamming behind her again.
Jake peered over the railing for a few more moments and then gestured to Darla, murmuring, “Come on, kid, let’s get out of here.”
They made their way down the two flights in silent haste, fortunately not encountering either Mrs.
Gleason or Morris on the way.
But Darla didn’t breathe easy again until they’d made it out onto the street and were a good two blocks back in the direction of Crawford Avenue.
“I’m too old for this sort of thing,” she declared with a sigh.
Jake shook her frizzy head and laughed.
“Come on, kid, don’t be such a cliché.
A little bit of adrenaline rush is good for the heart.”
“Well, then my heart is good for the next twenty years or so,” Darla replied, though this time with a grudging smile.
The smile faded, however, as she asked, “So what are we going to do about Morris and Hillary?”
“I was thinking we track them down tonight and see about witnessing this little exchange they’ve got planned.
Now that I know what’s going on, no way am I going to let Hillary face off against Morris by herself.
It might only be blackmail over a writing credit, but you never know how these things might go down.”
Jake’s amused expression evaporated as she spoke, and her fixed gaze momentarily reminded Darla of the look she had turned on the three young thugs.
As for the unsaid sentiment it reflected, she knew it was
Not again, not on my watch
.
“I see where you’re coming from,” Darla ventured, “but how do we figure out what club Hillary was talking about?”
“We can do it the hard way”—Jake slanted a look at her over her sunglasses—“which would be to tail her or Morris all day and hope we don’t get spotted before we figure out where they’re headed.
Or, we can do it the easy way.”
“I’ll put in my vote for the easy way.”
“I was hoping you’d say that.”
She refused to elaborate, however, until they arrived back at the brownstone.
Once back in the store, Jake picked up one of the free newspapers that Hamlet had kicked aside earlier, and thumbed through it while Darla went to wait on the customer who had followed them into the store as she was unlocking the door.
Once assured that her assistance wasn’t needed, she casually sidled over to Jake and addressed her in a low tone.
“Okay, spill it.
What’s the easy way of figuring out which of a few hundred clubs around town is the one where Morris and Hillary will be?”
By way of answer, Jake folded back the paper so that a single large notice was visible.
“My money’s on this one,” she said and tapped her finger on the banner headline.
Eyes wide, Darla began reading the advertisement aloud.
“The Club Theater Presents
Othello
by William Shakespeare, Starring DeWayne Jones and Harry Delacourt.”
Jake nodded.
“As soon as good old Mrs.
Gleason mentioned her cop show, I remembered seeing this same ad in last week’s throwaway.
DeWayne Jones is the hunky guy who stars in that show.”
“And Hillary said she was going to meet Morris at the club .
.
.
which must be the Club Theater,” Darla finished for her.
Jake gave a small, satisfied smile.
“We have a winner.
So, what do you say, kid, you want to take in an off-Broadway show tonight?”
AS SHE STRUGGLED TO KEEP UP WITH JAKE’S LONG STRIDES DOWN THE sidewalk, Darla—her own feet pinching uncomfortably in the same heels she’d worn to Valerie’s funeral—reflected on all the ground they’d traversed the past few days.
At least this time, they’d taken the subway part of the way.
Even so, she wondered how Jake’s bum leg was holding out after their twenty-block walk to Morris’s place and back that morning.
That question was partially answered as the ex-cop strode ahead of her, and she saw peeking out from beneath the woman’s full-length black leather duster a pair of calf-high, patent leather Doc Martens in canary yellow.
Jake glanced over in time to catch her bemused look, and grinned.
“Remember how I told you that sitting on your ass is one of the first things they teach you at the academy?
Well, so is always wearing a pair of shoes you can run in without falling over and breaking an ankle.”
“I’ll remember that next time,” came Darla’s rueful reply as she skipped a little to keep up with her longer-legged and more sensibly shod friend.
Reaching their destination, they stepped through the main double glass doors and into a small lobby already swarming with playgoers.
Despite the seriousness of their mission, Darla couldn’t help a feeling of excitement at the prospect of seeing live theater.
This would be the first theatrical production that she’d attended in New York City.
Of course, when various touring companies came through Dallas she had managed to take in a few major musicals—
Cats
,
The Phantom of the Opera
,
Les Miserables
—and she was a devoted Shakespeare in the Park fan, but the remainder of her experience with plays had been limited to a brief stint in her high school drama club.
Knowing this, James had once felt the need to enlighten her on the seemingly confusing difference between Broadway and Off-Broadway shows.
“It is not so much where the theater itself is located,” he had explained, “as it is the size of the house.
Anything under five hundred seats but more than one hundred falls into the Off-Broadway category, but the primary qualifier is whether or not the shows are mounted by companies working under an Equity contract.”
This place was definitely Off-Broadway.
The Club Theater was a notorious former 1980s nightspot that had started life as a warehouse, and whose latest incarnation was as a trendy three-hundred-forty-seat venue.
The new owners apparently had left much of the club’s original—and now cringe-worthy—décor intact.
The old aluminum-and-mirror bar had literally been divided in two, with half now peddling drinks to customers on one side of the lobby, and the rest serving as a box office on the other.
A lighted alcove near the ticket booth led to another pair of doors, both of which were marked “Private.”
The “Let’s Get Physical” vibe continued with the lobby’s shiny black walls, mirrored columns, and large-can track lighting that zipped along the ceiling.
A pair of sculptures, each consisting of three giant aluminum cubes piled haphazardly atop one another, flanked the double doors leading into the main theater.
“All that’s missing is the disco ball,” Jake observed as she shed her long black leather coat and took a look around.