Authors: Alan Lightman
A glance along the crowded booths on Spitalgasse tells the story. The shoppers walk hesitantly from one stall to the next, discovering what each shop sells. Here is tobacco, but where is mustard seed? Here are sugar beets, but where is cod? Here is goat’s milk, but where is sassafras? These are not tourists in Berne on their first visit. These are the citizens of Berne. Not a man can remember that two days back he bought chocolate at a shop named Ferdinand’s, at no. 17, or beef at the Hof delicatessen, at no. 36. Each shop and its specialty must be found
anew. Many walk with maps, directing the map-holders from one arcade to the next in the city they have lived in all their lives, in the street they have traveled for years. Many walk with notebooks, to record what they have learned while it is briefly in their heads. For in this world, people have no memories.
When it is time to return home at the end of the day, each person consults his address book to learn where he lives. The butcher, who has made some unattractive cuts in his one day of butchery, discovers that his home is no. 29 Nägeligasse. The stockbroker, whose short-term memory of the market has produced some excellent investments, reads that he now lives at no. 89 Bundesgasse. Arriving home, each man finds a woman and children waiting at the door, introduces himself, helps with the evening meal, reads stories to his children. Likewise, each woman returning from her job meets a husband, children, sofas, lamps, wallpaper, china patterns. Late at night, the wife and husband do not linger at the table to discuss the day’s activities, their children’s school, the bank account. Instead, they smile at one another, feel the warming blood, the ache between the legs as when they met the first time fifteen years ago. They find their bedroom, stumble past family photographs they do not recognize, and pass the night in lust. For it is only
habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
A world without memory is a world of the present. The past exists only in books, in documents. In order to know himself, each person carries his own Book of Life, which is filled with the history of his life. By reading its pages daily, he can relearn the identity of his parents, whether he was born high or born low, whether he did well or did poorly in school, whether he has accomplished anything in his life. Without his Book of Life, a person is a snapshot, a two-dimensional image, a ghost. In the leafy cafés on the Brunngasshalde, one hears anguished shrieking from a man who just read that he once killed another man, sighs from a woman who just discovered she was courted by a prince, sudden boasting from a woman who has learned that she received top honors from her university ten years prior. Some pass the twilight hours at their tables reading from their Books of Life; others frantically fill its extra pages with the day’s events.
With time, each person’s Book of Life thickens until it cannot be read in its entirety. Then comes a choice. Elderly men and women may read the early pages, to know themselves as
youths; or they may read the end, to know themselves in later years.
Some have stopped reading altogether. They have abandoned the past. They have decided that it matters not if yesterday they were rich or poor, educated or ignorant, proud or humble, in love or empty-hearted—no more than it matters how a soft wind gets into their hair. Such people look you directly in the eye and grip your hand firmly. Such people walk with the limber stride of their youth. Such people have learned how to live in a world without memory.
Dawn. A salmon fog floats through the city, carried on the breath of the river. The sun waits beyond the Nydegg Bridge, throws its long, reddened spikes along Kramgasse to the giant clock that measures time, illuminates the underside of balconies. Sounds of morning drift through the streets like the smell of bread. A child wakes and cries for her mother. An awning creaks quietly as the milliner arrives at his shop on Marktgasse. An engine whines on the river. Two women talk softly beneath an arcade.
As the city melts through fog and the night, one sees a strange sight. Here an old bridge is half-finished. There, a house has been removed from its foundations. Here, a street veers east for no obvious reason. There, a bank sits in the middle of the grocery market. The lower stained-glass windows of St. Vincent’s portray religious themes, the uppers switch abruptly to a picture of the Alps in spring. A man walks briskly toward the Bundeshaus, stops suddenly, puts his hands to his head, shouts excitedly, turns, and hurries in the opposite direction.
This is a world of changed plans, of sudden opportunities, of unexpected visions. For in this world, time flows not evenly but fitfully and, as consequence, people receive fitful glimpses of the future.
When a mother receives a sudden vision of where her son will live, she moves her house to be near him. When a builder sees the place of commerce in the future, he twists his road in that direction. When a child briefly glimpses herself as a florist, she decides not to attend university. When a young man gets a vision of the woman he will marry, he waits for her. When a solicitor catches sight of himself in the robes of a judge in Zürich, he abandons his job in Berne. Indeed, what sense is there in continuing the present when one has seen the future?
For those who have had their vision, this is a world of guaranteed success. Few projects are started that do not advance a career. Few trips are taken that do not lead to the city of destiny. Few friends are made who will not be friends in the future. Few passions are wasted.
For those who have not had their vision, this is a world of inactive suspense. How can one enroll in university without knowing one’s future occupation? How can one set up an apothecary on Marktgasse when a similar shop might do better on Spitalgasse? How can one make love to a man when he may not remain faithful? Such people sleep most of the day and wait for their vision to come.
Thus, in this world of brief scenes from the future, few risks are taken. Those who have seen the future do not need to take risks, and those who have not yet seen the future wait for their vision without taking risks.
Some few who have witnessed the future do all they can to refute it. A man goes to tend the museum gardens in Neuchâtel after he has seen himself a barrister in Lucerne. A youth embarks on a vigorous sailing voyage with his father after a vision that his father will die soon of heart trouble. A young woman allows herself to fall in love with one man even though
she has seen that she will marry another. Such people stand on their balconies at twilight and shout that the future can be changed, that thousands of futures are possible. In time, the gardener in Neuchâtel gets tired of his low wages, becomes a barrister in Lucerne. The father dies of his heart, and his son hates himself for not forcing his father to keep to his bed. The young woman is deserted by her lover, marries a man who will let her have solitude with her pain.
Who would fare better in this world of fitful time? Those who have seen the future and live only one life? Or those who have not seen the future and wait to live life? Or those who deny the future and live two lives?
A man or a woman suddenly thrust into this world would have to dodge houses and buildings. For all is in motion. Houses and apartments, mounted on wheels, go careening through Bahnhofplatz and race through the narrows of Marktgasse, their occupants shouting from second-floor windows. The Post Bureau doesn’t remain on Postgasse, but flies through the city on rails, like a train. Nor does the Bundeshaus sit quietly on Bundesgasse. Everywhere the air whines and roars with the sound of motors and locomotion. When a person comes out of
his front door at sunrise, he hits the ground running, catches up with his office building, hurries up and down flights of stairs, works at a desk propelled in circles, gallops home at the end of the day. No one sits under a tree with a book, no one gazes at the ripples on a pond, no one lies in thick grass in the country. No one is still.
Why such a fixation on speed? Because in this world time passes more slowly for people in motion. Thus everyone travels at high velocity, to gain time.
The speed effect was not noticed until the invention of the internal combustion engine and the beginnings of rapid transportation. On 8 September 1889, Mr. Randolph Whig of Surrey took his mother-in-law to London at high speed in his new motor car. To his delight, he arrived in half the expected time, a conversation having scarcely begun, and decided to look into the phenomenon. After his researches were published, no one went slowly again.
Since time is money, financial considerations alone dictate that each brokerage house, each manufacturing plant, each grocer’s shop constantly travel as rapidly as possible, to achieve advantage over their competitors. Such buildings are fitted with giant engines of propulsion and are never at rest.
Their motors and crankshafts roar far more loudly than the equipment and people inside them.
Likewise, houses are sold not just on their size and design, but also on speed. For the faster a house travels, the more slowly the clocks tick inside and the more time available to its occupants. Depending on the speed, a person in a fast house could gain several minutes on his neighbors in a single day. This obsession with speed carries through the night, when valuable time could be lost, or gained, while asleep. At night, the streets are ablaze with lights, so that passing houses might avoid collisions, which are always fatal. At night, people dream of speed, of youth, of opportunity.
In this world of great speed, one fact has been only slowly appreciated. By logical tautology, the motional effect is all relative. Because when two people pass on the street, each perceives the other in motion, just as a man in a train perceives the trees to fly by his window. Consequently, when two people pass on the street, each sees the other’s time flow more slowly. Each sees the other gaining time. This reciprocity is maddening. More maddening still, the faster one travels past a neighbor, the faster the neighbor appears to be traveling.
Frustrated and despondent, some people have stopped looking
out their windows. With the shades drawn, they never know how fast they are moving, how fast their neighbors and competitors are moving. They rise in the morning, take baths, eat plaited bread and ham, work at their desks, listen to music, talk to their children, lead lives of satisfaction.
Some argue that only the giant clock tower on Kramgasse keeps the true time, that it alone is at rest. Others point out that even the giant clock is in motion when viewed from the river Aare, or from a cloud.
Einstein and Besso sit at an outdoor café on Amthausgasse. It is noon, and Besso has talked his friend into leaving the office and getting some air.
“You don’t look so good,” says Besso.
Einstein shrugs his shoulders, almost embarrassed. Minutes go by, or perhaps only seconds.
“I’m making progress,” says Einstein.
“I can tell,” says Besso, studying with alarm the dark circles under his friend’s eyes. It is also possible that Einstein has
stopped eating again. Besso remembers when he looked just like Einstein does now, but for a different reason. It was in Zürich. Besso’s father died suddenly, in his late forties. Besso, who had never gotten along with his father, felt grief-stricken and guilty. His studies came to a halt. To Besso’s surprise, Einstein brought him into his lodgings and took care of him for a month.
Besso sees Einstein now and wishes he could help, but of course Einstein does not need help. To Besso, Einstein is without pain. He seems oblivious of his body and the world.
“I’m making progress,” Einstein says again. “I think the secrets will come. Did you see the paper by Lorentz I left on your desk?”
“Ugly.”
“Yes. Ugly and ad hoc. It couldn’t possibly be right. The electromagnetic experiments are telling us something much more fundamental.” Einstein scratches his mustache and hungrily eats the crackers on the table.
For some time the two men are silent. Besso puts four cubes of sugar in his coffee while Einstein gazes at the Bernese Alps, far off in the distance and barely visible through the haze. In actuality, Einstein is looking through the Alps, into space. He
sometimes gets migraines from such farsighted vision and must then lie on his green slip-covered sofa with his eyes closed.
“Anna wants you and Mileva to come for dinner next week,” says Besso. “You can bring the baby if you need to.” Einstein nods.
Besso has another coffee, sights a young woman at a neighboring table and tucks in his shirt. He is almost as disheveled as Einstein, who by this time is staring at galaxies. Besso indeed worries about his friend, although he has seen him this way in the past. Perhaps the dinner will be a diversion.
“Saturday night,” says Besso.
“I’m engaged Saturday night,” Einstein says unexpectedly. “But Mileva and Hans Albert can come.”
Besso laughs and says, “Saturday night at eight.” He is puzzled why his friend ever got married in the first place. Einstein himself can’t explain it. He once admitted to Besso that he had hoped Mileva would at least do the housework, but it hasn’t worked out that way. The unmade bed, the dirty laundry, the piles of dishes are just as before. And there have been even more chores with the baby.