Elliott, Kate - Crown of Stars 3 (130 page)

BOOK: Elliott, Kate - Crown of Stars 3
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"A bridge, or a sword?"

"What can you mean?"

"Isn't it your intention to conquer humankind once you return to Earth from your refuge?"

She cocked her head to one side, regarding him quizzically. "This I do not understand. Not by our own will did we leave Earth."

With a great sighing gasp, the timber hall collapsed in on itself. Ash and smoke poured up from its rubble into the sky, teased and torn by daimones as they fluttered round the ruined valley. Were they free, making sport of their old prison, or were these the ones not yet unbound from Anne's spell? Anne herself, lying by the stone, groaned and stirred. Below, a hound barked, and he saw its black shape come loping up the hill.

"Her I do not wish to battle again," said his mother. She flicked soot from her mouth, spat, and scented the air, almost like a dog might. "My servant is of no more use to me."

"Is he dead? Should we bury him?" But he, too, watched Anne suspiciously, and in truth, a good captain knows that at times one must retreat in good order even when it means leaving the dead behind.

"Let us go," she repeated, as if in echo of his own thought. "Time grows short. Can you take me to
Henri?
Although she spoke understandable Wendish, she still said his father's name in the Salian way, with an unvoiced "h" and a short, garbled "ri".

He whistled, and good Resuelto, miraculously unharmed although a trifle singed, trotted nervously over to him, the poor goat hobbling in his wake. He untangled her back legs from the leadline, although she bleated most accusingly and tried to chew on his arm. Her kid was gone, consumed by the
galla.
"I know a path out of the valley that should be open now, unless you want to leave the way you entered. Through the stones."

"Where they did walk, the old paths will be twisted by their fire into a new maze." Hoisting her spear, she shook it, and the bells tied to its base tinkled merrily. "That gate is closed to us."

"Ai, Lady," he murmured as he took Resuelto's reins and soothed the agitated horse, then offered the reins to her.

"Nay, I walk. I lead this small horse." Cautiously, she touched Blessing on the head. Jerna slid away, twining onto Resuelto's neck. "So fecund is the human blood," she murmured, as if to herself. Then she turned and gestured toward the woodland. The air still had a smoky color, almost purplish with dawn. Small animals skittered through the ashy remains, and as they started up the path, leading the two horses, he saw tiny animals digging out from the debris, frantic squirrels and bewildered mice, chittering or silent as was their nature.

"Who is she, the woman they took?" his mother asked.

But he could only shake his head, too choked with rage and sorrow to speak.

SHE could not see. She could not hear. Yet she was neither deaf nor blind, only drowning in a wash of such brilliance and overwhelming sound that it had all become a flood, one note, one tone, one absence of color that was pure light. She wasn't sure she was actually breathing, or that there was any air, and yet she wasn't dead either. Oddly enough, she also wasn't afraid. For the first time in years, she understood that there was nothing to fear. The grain of her bow lay comfortably against her palm, gripped tight. The tip of her sheathed short sword, Lu-cian's friend, grazed her thigh. Her quiver of arrows weighed on her back even as a shift in her position caused the leather straps to press against her collarbone, shifting the gold torque that lay heavily at her throat. A stray curl of hair tickled an ear.

Blue winked.

An instant or a thousand years later she saw it again: the blue flash of the lapis lazuli ring that Alain had given her. Somewhere, where her hand flailed at the tip of her nose or a hundred leagues away from the rest of her body, the ring found purchase and sparked color, a thread her vision could follow.

They were rising. She had a direction now. Her wings beat steadily in time with the others, the sound of their wings as variegated as the voice of a great river. But she didn't have wings. They were carrying her. They had lifted her with them as they sprang to the heavens.

They had named her
''child.'"

In the seven-gated city of memory, in the tower of her heart, at the center of her being, rested a chamber set with five doors. Four faced the cardinal directions, north, east, south, and west. Da had taught her all this, the secrets of memory. With his tutoring, she had constructed the room in her mind. But the fifth door, set impossibly in the center of the room, he had built; through the keyhole she could see only fire, which he had locked away even from her. Now she knew why. Whose child was she?

Above her, blue flickered again, and as she reached with one hand to touch the other, she saw not the lapis lazuli ring but a tenuous curtain roiling the air, rimmed by blue-white flame whose outline had the same contours as she had seen on Earth. Was this another gateway? Was only one of many passages from one sphere to the next, from one plane of existence to another?

How was she to pass through, if she could not walk or ride? They said,
"Fly, child."
And let her go. But she didn't have any wings.

She plunged. The air was suddenly too thin to breathe. Flailing, she managed only not to drop her precious bow. And for that moment, as she fell, she saw the world laid out below her, a dense black carpet of earth with only the barest pale limning of receding sunlight far to the west where ocean surged restlessly at the edge of her vision. Yet against the vast carpet of land, far below, seven crowns gleamed, seven crowns with seven blazing points each, a central crown and six surrounding it, flung far from that center as though the central crown marked the axle and the other six glittering points along a wheel's rim. She recognized it at once: it was Emperor Taillefer's crown of stars writ large across the breadth of the land, encompassing many kingdoms and uncounted leagues. It was the great wheel, the true crown of stars. The ancient map she had seen at Verna made sense now: seven crowns in seven locations. Was this wheel the loom by which the Aoi had woven their immense and cataclysmic working two thousand seven hundred years ago?

At that moment, sucking in air that didn't give her enough substance to breathe, she also realized that she was going to die. Then the glorious creatures blazed around her again.
"She is too heavy to cross into the higher spheres." "She is not all of the same substance as are we."

"She has no wings."

They gathered her into them, and at their touch she knew an intense joy unlike anything she had ever experienced. They blazed with pure fire, fierce and bright, and the door that Da had locked against her was consumed in that flame. As it opened, she saw for the first time into her innermost heart, the core of her being:
Fire.

Not as fierce as theirs, truly, but of the same substance, impossibly intermingled with her human flesh. Whose child was she?

They reached the shimmering curtain of light, and she passed through it as through a waterfall, waves of light pouring down over her. Yet she was no longer rising. She seemed caught in the eddy, and they had begun to fade as if they flew on and she remained behind.

"Wait!" she cried. But they had already moved beyond her reach, wings thrumming as one voice caught on the smooth shell where a higher sphere overlapped a lower:
"Follow us."

There are spirits burning in the air with wings of flame and eyes as brilliant as knives. They move on the winds that blow far above the sphere of the Moon, and now and again their gaze falls like the strike of lightning to the Earth below, where it sears anything it touches. Their bodies are the breath of the Sun coalesced into mind and will.

She cannot follow them, and her heart breaks.
Yet as the light of their passing faded, she began to search around herself, found herself walking through endless twisting halls that, scoured and scalded by their passage, glowed with a faint blue luminescence. She was inside the vision made by fire, which is the crossroads between the worlds. She had to find her way home.

But she didn't even know where home was.
There!
A boy slept with six companions, heads pillowed on stone, bodies resting on a rich hoard of treasure.

There!
Misshapen creatures crawled through tunnels, trapped there by the element of earth that coursed through their blood.

There!
A dying man slumped against , two great hounds nudging him and licking him as though these attendons would bring him back to life. He stirred, and she recognized him with horror and grief: It was Alain.

She leaped for him, but she misjudged the currents in this place. They swept her into the stone, through the gateway, and she could only grab for him as she passed by. Her hand caught on a mailed shoulder—

He sees a woman clothed in cold fire, and her fiery touch hauls him ruthlessly sideways until he falls free and slams into the ground. He lies there for an interminable time, in a stupor, so washed in pain that he is blind. Then the tongues lick him again, driving him, always driving him to live.

Weeping, he staggers up, not truly able to stand because the wound has pierced so deep, but their great shoulders give him support. He still stands in the hill fort, but even numbed by pain he sees that he is no longer where he once was. It is absolutely silent. No bodies litter the ground, dashed and broken. No horns ring, nor do men cry out in pain, nor does the flooding river's roar overpower the rumbling of distant thunder. The sun rises in the east to reveal a clear and pleasant day.

Impressive ramparts twine down the hill, some of them freshly dug. Where a low mist kisses the lowlying ground still half in shadow below, he sees a river winding through a sparse woodland of pine and beech, only the river does not follow the same course as the river he crossed this morning. It is a different river in the same place. Yet why, then, does the hill fort look so new? Why, at the crown of the hill fan, do all seven stones stand upright where moments ago they all lay fallen in a lichen-swamped heap?

No blue-fire stone burns in the middle of the circle. Instead, within the ring of stones he sees a sward, hacked down so that grass bobs raggedly at various heights. Cowslip and yellow dew-cup give scattered color to the grass. Pale purple-white flax flowers ring the squat upright stones. Mist veils the farthest reaches of the hilltop and twines around the more distant of the standing stones.

On a low, flat stone situated in the center of the circle stands a huge bronze cauldron incised with birds: herons and ducks, ravens and cranes. From its rim hang rings, each one linked to a second ring, from which dangles a bronze leaf. He can smell that the cauldron is filled with water. The pure scent of it teases his lips and nostrils. Truly he no longer has any reason to live. He doesn't even know where he is anymore. It would be better just to lie down and die peacefully here, to lay aside his anger at the injustice of his fortune, lay aside his grief at what he's lost and what he failed to do. Yet his legs move anyway. With a hand on either hound to support his weight, he staggers forward toward the cauldron because he has an idea that one sip of that water will heal him, even though he wants to die because the pain is so bad, both the physical pain and the pain of anger and grief. Yet those same feet keep taking their stumbling, weak steps because he can't even despair enough to fall down and die. He wonders if it is possible to love life too well.

Yet why would the world be so beautiful if it wasn 't meant to be lived in and loved?

It seems to him that a woman moves toward him. As she emerges from the mist in the gap between two stones he sees that she isn 't truly a woman at all. She has long black hair that falls to her waist and a complexion the creamy rich color of polished antlers. Her eyes don't look right; the pupils are sharp, not round, and her ears aren 't round either, they pull into a point tufted with dark hair. Where her waist slopes to her hips, her body changes to become a mare's body, sleek and black like her hair.

She is the most beautiful creature he has ever seen. She comes to a halt before the cauldron, dips her hands in, and lifts them. Water trickles down between her fingers.

"Do you want to live?" Her voice is a melody. "If you want to live, you must give me everything you carry with you. Then you may taste the water of life."

He wants to live. But it is so hard to give up what he has carried for so long.

Yet his hands move anyway because he thirsts for that water. The promise of water is like an infusion ofwoundwort and poppy, giving him strength to cast aside his belt and boots, to struggle out of his mail coat and tabard. The entire left side of his wool tunic is soaked in blood, but he peels it off and discards it with his leggings so that he kneels naked now beside the cauldron while the hounds lick the seeping blood off his side. Pain and the agony of thirst have numbed him, he can barely feel their tongues or the terrible aching pressure under his ribs.

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