Ellis Peters - George Felse 10 - The Knocker On Death's Door (7 page)

Country Houses of the Midlands.

Number Five: Mottisham Abbey,

Midshire.

There was no mistaking that long, lofty roof, that thick block of chimneys. The photographs were good and well printed, and had caught house and garden at their summer best. There were two shots of the exterior, one focused across all that remained of a wall of the refectory, barely breaking the soil, one from the best corner of the garden, over a jungle of roses. The lichen-yellows and sage-greens in the roof tiles made an exotic print; and that tall, erect, distinguished-looking fellow in the authentic country tweeds and leather elbows, with wild grey hair still curly and crisp as heather, was Robert Macsen-Martel, senior, a year or so before his death. Sixty years old, but looking at least ten years younger, with a smile that could fetch the birds out of the bushes—literally, according to Saul Trimble.

Dave turned the page, and found a central-double-page spread with three more pictures: the dove-cote in the garden, the panelled hall, the drawing-room.

Not
the wine-cellar door! Was that the point? Was that what Bracewell had been hoping to find?

He turned back to the previous page. “Text by Alix Trent. Pictures by Gerry Bracewell.”

“It’s the house up there, where it happened, isn’t it?” said Bobbie Bracewell, watching him narrowly.

“Yes, this is the house. The one the door came from.”

“That’s what I thought. So the police ought to have this. I don’t know whether it means anything—but it meant something to
him
, all right. Or something that
isn’t
there meant something to him. Take it back with you.”

“All right, if that’s what you want.” He hesitated, aware suddenly of her peculiar desolation, which had not been created, but only revealed, by the loss of a husband. “If it’s any consolation, I don’t think he was looking for this Alix Trent—or not for her own sake. If he went to the trouble to get this back-number from somewhere, after all this time, it was for these pictures. When he was on a job like that, I suppose he’d take a fair number of pictures, and the author or the editor would choose the ones they wanted to use? There’d be more than just these few?”

“Sometimes he’d take as many as thirty to get three, provided the magazine was paying for everything.”

“And after he’d looked at these, and failed to find what he wanted, he started turning out all his own files again?”

She shook her head sadly. “That wouldn’t do him any good, either. He never kept any but his few best negatives more than about three years, not where the work was commissioned. What space would he have for filing thousands of pictures in a place like this? He was always going to have a proper filing system and a proper library some day. When our ship came in—only we spent too much time pushing the boat out!” She laughed, and was again grave. “I’ll have to go and put my face on, it’s time I went. But I suppose I
could
have a look through them, just in case…”

“Yes, do that,” said Dave, and got up from the kitchen table. “Thanks a lot for the coffee. Now just tell me where I can put the car for you, and I’ll be getting back.”

He walked away from Number 10 Clement Gardens, towards the nearest bus-stop, and he had never been so glad that he wasn’t married. The last thing she had said to him, as he left, was: “Call in again some time, if you’re this way. You’re welcome any time.” And the kindling spark he had seen in her eye might have been merely the stimulus of preparing for the day’s work, but might equally well have been the first signal of a reviving interest in men—all those men who were still alive and not on a slab in the mortuary. Whatever its source, it made up his mind for him that he was never going to call in at Number 10 again. He didn’t dislike her, he was sincerely sorry for her, she even inspired a sort of respect by her rigorous honesty; but he was never going to see her again if he could help it. He’d take her magazine to Sergeant Moon or to Chief Inspector Felse, and he hoped she’d go through all those negatives and transparencies her husband had kept—at least it would give her an interest for an evening or two, and help her over the worst, even if she found nothing—but from this on, let the police take care of anything she produced.

But the magazine under his arm bothered him. Here was confirmation, if nothing more, that Gerry Bracewell had seen something that puzzled, intrigued and excited him about that church door at St. Eata’s, and had wanted desperately to hunt up the pictures he had once made of the house in which the door had then hung. To compare? To confirm some nagging suspicion in his own mind that there was something changed about it? Could he have forgotten, in six years, exactly what pictures he
had
taken? Was it only a shot in the dark that there
might
have been a photograph of that door in its old position? Or did he
know
he’d photographed it? As many as thirty pictures to get three, his wife had said. He couldn’t remember which of his batch the magazine had chosen, he had to get hold of a copy of the article first. When that failed, what next? The negatives, presumably, would belong to
The Midland Scene
. So the next step would be—supposing the whole thing was urgent enough, and promising enough—to consult their records. Another disappointment? After he’d thrown the magazine across the room in fury and frustration he’d disappeared until the Friday, and only after that had he settled down grimly to turn out all his dead, past pictures, just in case he’d missed it. So before Friday he’d thought of something and someone else he might try. And drawn another blank.

Who or what filled in that gap? Alix Trent? The author of the series might well possess prints of all the pictures concerned, but apparently she hadn’t storage space, either. And the picture wasn’t her work, only an illustration by someone else, she had no copyright in it, why keep it?

All he had to do was get off the bus and make his way to New Street station, and go home. And so he would have done, if the editorial offices of
The Midland Scene
had not been so close to the city centre, and he had not had at least half an hour to wait for a train.

The office was in a new glass and concrete block, smart, sterile and cold, with a fountain and the pillars of Baalbek in the hall; but two floors up, where
The Midland Scene
lived, the premises had settled down into a practical workaday scale and style. A minute front office housed only a receptionist and a telephonist. Dave asked after Alix Trent, and where he could contact her in connection with one of her articles. The receptionist willingly explained that Miss Trent was not on the magazine’s pay-roll, but was a freelance who often did work for them, and the office would naturally forward any communications to her. Dave was duly grateful for the information, but had thought of getting in touch with Miss Trent personally while he was here in town—if, of course, she lived in Birmingham. The receptionist examined him sternly through her iris-tinted butterfly glasses, and pondered whether he looked a proper person to be given Miss Trent’s address. She was a nice girl, about eighteen and a half by the look of her, with a head of smooth blue-black hair like a well-groomed rook, and the scimitar points of her raven wings stabbed her pink cheeks and made hollows there. She looked over her glasses, because she could see better that way. On the whole, she thought he looked a harmless creature; and Miss Trent was known to be capable of dealing with most eventualities.

“It’s in Handsworth, close to the park, I’ll write it down for you.” Which she did, earnestly.

Dave thanked her, and hesitated. “Look, would you mind telling me—are you on here regularly?”

“Yes, days,” she said, and took off her glasses altogether, the better to consider him.

“Do you know if anyone inquired after Miss Trent here last week? I believe a friend of mine may have called in on the same errand.”

He must have sounded casual enough and innocent enough. She pondered, visibly turning back the pages of her memory.

“Well, yes, one person did—but I don’t think that could be the one you’re thinking of, it was one of the photographers who sometimes works for us. He used to work with Miss Trent quite a lot, so I’m told, a few years back. They told me it was O.K. to tell him.” She looked momentarily anxious, but not because death had leaned over her shoulder. She was young, she had something better to do in her spare time than read the crime news.

“No, that wouldn’t be my man. Never mind, thanks, anyhow.”

“He didn’t come just for that, actually,” the girl said, “he came to go through our library pictures for something he wanted, but I don’t think he found it. We don’t keep material that hasn’t been used for publication, you see, not for more than a year or so—not unless it’s of exceptional interest.”

“No, of course not. I suppose space is always a problem.”

“These new places,” she told him with conviction, “look
huge
, but you try working in them! There isn’t room to swing a cat, let alone a camera.”

Dave went out and took a bus towards Handsworth from the nearest bus-stop.

At something after ten o’clock, Alix Trent opened the door of her Edwardian semi wide, as only large-minded people do, and looked at her unexpected visitor with mild inquiry. As she stood on her three-inch doorstep, her eyes were exactly on a level with his.

She was the brownest girl Dave had ever seen. Her hair was a weighty long bob, the colour of good tan shoe-polish, and glossy as conkers, her lashes and brows were the same tint with an added relish of red, her forehead and cheeks were matt brown in an indescribable shade, flushed with rose and fading into ivory. She wore a shirt-dress in a tint very like her own complexion, saddle-stitched with dark brown, and in the collar she had a gossamer scarf in bright apricot. Her shoes were tan, coffee and cream in a series of fragile straps. Her features were wry and friendly, not at all beautiful, apart from the deep-brown, luminous eyes, which so far remained distantly grave though her large, generous mouth smiled at him.

“Miss Trent?” Dave inquired, and his tone was almost incredulous, so far removed did this girl seem from the racy rival Bobbie Bracewell had been imagining, and so extremely unlikely ever to have had any but business connections with Gerry Bracewell.

“Yes, I’m Alix Trent.”

Her voice was low-pitched, brisk and pleasant, with a note of good-humoured patience in it. He had interrupted her at work, but he didn’t look the type to do so without reason.

“If you could spare me just a few minutes I should be very much obliged. My name’s Cressett. I’m not the police or the press or anything official, and I haven’t any standing, but it’s about Gerry Bracewell’s death.” He saw by her face that she did read the papers, and that she would never be able to feel completely disinterested about the murder of someone she had known and worked with. “I got involved,” he said, “whether I wanted to or not. I found him. And I’ve just come from his widow.”

That struck two notes at once with her, her face was mobile and expressive, she was sorry for Bobbie Bracewell, but also she knew how she herself had been regarded in that quarter, and his coming from the widow could mean several very different things.

“There’s a matter of a feature article you and he handled together,” Dave said carefully, “which seems to be connected in some way with his death. Or at least the house in it does. I believe he came to see you before he was killed.”

“Yes,” she said readily and coolly, “he did come to see me.”

“Don’t misunderstand me—you, his visit to you—this has nothing to do with the case. Only the matter about which he wanted to see you, this
is
relevant. At least,
I
think so.”

“But you are not the police,” she said reasonably, and for the first time almost smiled at him with her eyes as well as her lips.

“This is something the police don’t yet know, but will as soon as I get back today. His widow gave me this to take back to them.” He held out the magazine for her to see, and her understanding was candid, neutral and detached. “I thought I might, with luck, be able to take more at the same time. Will you help me?”

“Forgive me,” she said, aware that her smile was getting a little out of hand, “but you do appear such an improbable amateur detective.”

“I’m not one,” he said shortly, “I don’t want to be one, I never shall be one. I’m just the man who found the body, and I happen to belong—I mean
belong
—to the small, closed community where it happened. I don’t like a man being wiped out anywhere, and especially not in our village. And I don’t like unpaid debts hanging round the necks of innocent people. I want right done, that’s all.”

A long time afterwards, when they knew each other very much better, she told him that what had impressed her most of all, and made up her mind for her there and then about more matters than one, was that the word he used was not “justice,” but “right.” A distinction so narrow and so profound.

“Come in!” said Alix, and set the door wide.

She listened to everything he had to say, and he said much more than he had realised was necessary, because she was a good listener, intent, responsive, with the patience to wait for a slower but possibly more powerful and accurate mind than her own to find the words it needed without prompting. She kept very still while he talked, and she thought deeply and talked openly when it was her turn. Once she had made up her mind there were no half-measures.

“Yes, you’re right, of course, he did come to me. After he’d found nothing in the archives, I suppose. He wanted to know if I’d kept any of the unused pictures from that country house series. He didn’t say which one he was interested in at first, and if I’d had anything to show him I don’t think he’d have committed himself any further, but I don’t keep past material, except file copies of my own work. And it hadn’t seemed likely that there’d be any future sales in that particular set, they were commissioned, and nobody else was going to show interest. As I remember it, all the houses were much the same—after all, the major ones are too well known, it was the small stuff we were concerned with. These tumbledown dumps miles from anywhere, with arthritis in every flagstone—So when it was clear I had nothing to show, then he did begin to probe in another way. That was the first time he actually mentioned Mottisham Abbey. I read the papers, I knew about the door being put back into the church porch, it didn’t take much guessing to decide that he’d been covering the ceremony. He started reminding me of what the house was like, and asking how much I remembered. In the end it came down to what he really wanted. How well did I remember the wine-cellar door.”