Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (85 page)

BOOK: Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
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———.
Encyclopedia of the Musical Film
. New York: Oxford University Press, 1981.

Green, Stanley.
Broadway Musicals Show by Show
. Milwaukee, Wisc.: Hal Leonard, 1985.

———.
Hollywood Musicals Year by Year
. Milwaukee, Wisc.: Hal Leonard, 1990.

Green, Stanley, ed.
Rodgers and Hammerstein Fact Book
. New York: Lynn Farnol Group, 1980.

Greenberg, Rodney.
George Gershwin
. London: Phaidon, 1998.

Guernsey, Otis L. Jr.
Curtain Times: The New York Theater 1965–1987
. New York: Applause, 1987.

Guernsey, Otis L. Jr., ed.
Playwrights, Lyricists, Composers, on Theatre
. New York: Dodd, Mead, 1974.

———.
Broadway Song & Story: Playwrights / Lyricists / Composers Discuss Their Hits
. New York: Dodd, Mead, 1985.

Gussow, Mel. “The Phantom’s Many Faces over the Years.”
New York Times
, January 30, 1988.

———. “‘West Side Story’: The Beginnings of Something Great.”
New York Times
, October 21, 1990, sec. 2, p. 5.

Hamm, Charles.
Yesterdays: Popular Song in America
. New York: W. W. Norton, 1979.

———.
Music in the New World
. New York: W. W. Norton, 1983.

———. “The Theatre Guild Production of
Porgy and Bess.” Journal of the American Musicological Society
40 (1987): 495–532.

———.
Putting Popular Music in Its Place
. Cambridge: Cambridge University Press, 1995.

———.
Irving Berlin: Songs from the Melting Pot: The Formative Years, 1907–1914
. New York: Oxford University Press, 1997.

———. “Omnibus Review: Five Recent Books on American Musical Theater.”
Kurt Weill Newsletter
23/2: 9–15.

Hammerstein, Oscar 2nd. “In Re ‘Oklahoma!’: The Adaptor-Lyricist Describes How the Musical Hit Came into Being.”
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. May 23, 1943, 11.

———. “Turns on a Carousel.”
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, April 15, 1945, sec. 2, 1.

———. “Notes on Lyrics.” In
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, 3–48. New York: Simon & Schuster, 1949; expanded and ed. by William Hammerstein. Milwaukee, Wisc.: Hal Leonard, 1985.

Harburg, Ernest (see Rosenberg).

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Take Them Up Tenderly: A Collection of Profiles
. New York: Knopf, 1945.

Harrison, Rex.
Rex: An Autobiography
. New York: William Morrow, 1974.

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. New York: Knopf, 1986.

Hart, Moss. Preface to
Lady in the Dark
. Vocal score. New York: Chappell Music, 1941.

Hemming, Roy.
The Melody Lingers On: The Great Songwriters and Their Movie Musicals
. New York: Newmarket, 1986.

Hirsch, Foster.
Harold Prince and the American Musical Theatre
. rev. and expanded ed. Cambridge: Cambridge University Press, 1989.

———. “
Porgy and Bess
—The Film.”
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28/1 (Fall 1998): 12–13.

———.
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. New York: Knopf, 2002.

Hirschhorn, Clive.
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. New York: Crown, 1981.

Hirschhorn, Joel (see Kasha).

Hischak, Thomas S.
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. Lanham, Md.: Scarecrow, 2002.

———.
Through the Screen Door: What Happened to the Broadway Musical When It Went to Hollywood
. Lanham, Md.: Scarecrow, 2004.

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. Lanham, Md. Scarecrow Press, and Oxford in association with the Library of Congress, 2003.

Horn, David. “From Catfish Row to Granby Street: Contesting Meaning in
Porgy and Bess.” Popular Music
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Romeo and Juliet
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The Cole Porter Story
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. 2 vols. Metuchen, N.J.: Scarecrow Press, 1984.

Hunter, John O. “Marc Blitzstein’s ‘The Cradle Will Rock’ as a Document of America, 1937.”
American Quarterly
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Hyland, William G.
The Song Is Ended: Songwriters and American Music, 1900–1950
. New York: Oxford University Press, 1995.

———.
Richard Rodgers
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Harold Prince: From “Pajama Game” to “Phantom of the Opera
.” Ann Arbor, Michigan: UMI Research Press, 1989.

Jablonski, Edward.
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. New York: Doubleday, 1987.

———.
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. New York: Henry Holt, 1999.

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Porgy and Bess
—A Folk Opera.”
Opportunity
(January 1936): 24–28.

Jones, John Bush.
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Jowitt, Deborah.
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. New York: Simon & Schuster, 2004.

Kantor, Michael, and Laurence Maslon.
Broadway: The American Musical
, based on the documentary film by Michael Kantor. New York: Bulfinch, 2004.

Kasha, Al, and Joel Hirschhorn.
Conversations with the Great Songwriters
. Chicago: Contemporary, 1985.

Katz, Ephriam.
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. New York: Knopf, 1956; new and rev. ed. Berkeley: University of California Press, 1988.

Kimball, Robert., ed.
The Complete Lyrics of Cole Porter
. New York: Vintage Books, 1984.

———.
The Complete Lyrics of Ira Gershwin
. New York: Knopf, 1993.

———. See also D. Hart.

———. See also Krasker.

Kimball, Robert, and Linda Emmet, eds.
The Complete Lyrics of Irving Berlin
. New York: Knopf, 2001.

Kimball, Robert, and Steve Nelson, eds.
The Complete Lyrics of Frank Loesser
. New York: Knopf, 2003.

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, February 3, 1940.

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. New York: Schirmer, 1979; rev. ed., 1990.

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. Carbondale: Southern Illinois University Press, 2005.

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. Princeton, N.J.: Princeton University Press, 1988.

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. Princeton: Princeton University Press, 2005.

———.
The American Musical and the Performance of Personal Identity
. Princeton: Princeton University Press, 2006.

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. Ann Arbor, Mich.: UMI Research Press, 1979.

———. “
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, ed. Stephen Hinton, 78–120. Cambridge: Cambridge University Press, 1990.

———. “Formerly German: Kurt Weill in America.” In
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, ed. Kim H. Kowalke and Horst Edler, 35–57. Hildesheim: Georg Olms Verlag, 1993.

———. “Kurt Weill, Modernism, and Popular Culture: Öffentlichkeit als Stil,”
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———. Review essay of
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———. See also Symonette.

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. New Haven: Yale University Press, 1986.

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. Hildesheim, Ger.: Georg Olms Verlag, 1993.

Krasker, Tommy, and Robert Kimball.
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. Washington, D.C.: National Institute for Opera and Musical Theater, 1988.

Kreuger, Miles.
“Show Boat”: The Story of a Classic American Musical
. New York: Oxford University Press, 1977.

———. “Some Words about ‘Anything Goes’” and “The Annotated ‘Anything Goes.’” Notes to EMI/Angel CDC 7–49848–2 (1989), 9–17 and 133–40.

———. “Some Words about ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 13–24.

———. See also Morison.

Lahr, John. “Mississippi Mud.”
New Yorker
, October 25, 1993, 123–26.

Laird, Paul R. (see also Everett).
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. New York: Routledge, 2002.

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. New York: Knopf, 2000.

Lawrence, Greg.
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. New York: Berkley, 2001.

Lawson-Peebles., Robert. “Brush Up Your Shakespeare: The Case of
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.” In
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, ed. Lawson-Peebles, 89–108. Exeter: Exeter Press, 1996.

Lawson-Peebles, Robert, ed.
Approaches to the American Musical
. Exeter: University of Exeter Press, 1996.

Lee, M. Owen. “Recordings.” Review of
The Phantom of the Opera
by Andrew Lloyd Webber and
The Complete “Phantom of the Opera
” by George Perry.
Opera Quarterly
6/1 (Autumn 1988): 147–51.

Lees, Gene.
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. New York: St. Martin’s, 1990.

Lenya, Lotte (see Weill).

Lerner, Alan Jay.
The Street Where I Live
. New York: W. W. Norton, 1970.

———.
The Musical Theatre: A Celebration
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Leve, James.
John Kander and Fred Ebb
. New Haven: Yale University Press, 2009.

Lieberson, Goddard. “The Ten Musicals Most Worth Preserving.”
New York Times Magazine
, August 5, 1956, 26–32.

Litton, Glenn (see Smith).

Loney, Glenn, ed.
Musical Theatre in America: Papers and Proceedings of the Conference on the Musical Theatre in America
. Westport, Conn.: Greenwood, 1984.

Lonoff, Jeffrey. Notes to
A Collector’s Sondheim
. CD: RCD3–5480; 3-disc set (1985).

Loesser, Frank. “Some Loesser Thoughts on ‘The Most Happy Fella.’” Imperial Theatre program notes, 1956.

BOOK: Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
5.98Mb size Format: txt, pdf, ePub
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