Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (85 page)

BOOK: Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
5.3Mb size Format: txt, pdf, ePub

———.
Encyclopedia of the Musical Film
. New York: Oxford University Press, 1981.

Green, Stanley.
Broadway Musicals Show by Show
. Milwaukee, Wisc.: Hal Leonard, 1985.

———.
Hollywood Musicals Year by Year
. Milwaukee, Wisc.: Hal Leonard, 1990.

Green, Stanley, ed.
Rodgers and Hammerstein Fact Book
. New York: Lynn Farnol Group, 1980.

Greenberg, Rodney.
George Gershwin
. London: Phaidon, 1998.

Guernsey, Otis L. Jr.
Curtain Times: The New York Theater 1965–1987
. New York: Applause, 1987.

Guernsey, Otis L. Jr., ed.
Playwrights, Lyricists, Composers, on Theatre
. New York: Dodd, Mead, 1974.

———.
Broadway Song & Story: Playwrights / Lyricists / Composers Discuss Their Hits
. New York: Dodd, Mead, 1985.

Gussow, Mel. “The Phantom’s Many Faces over the Years.”
New York Times
, January 30, 1988.

———. “‘West Side Story’: The Beginnings of Something Great.”
New York Times
, October 21, 1990, sec. 2, p. 5.

Hamm, Charles.
Yesterdays: Popular Song in America
. New York: W. W. Norton, 1979.

———.
Music in the New World
. New York: W. W. Norton, 1983.

———. “The Theatre Guild Production of
Porgy and Bess.” Journal of the American Musicological Society
40 (1987): 495–532.

———.
Putting Popular Music in Its Place
. Cambridge: Cambridge University Press, 1995.

———.
Irving Berlin: Songs from the Melting Pot: The Formative Years, 1907–1914
. New York: Oxford University Press, 1997.

———. “Omnibus Review: Five Recent Books on American Musical Theater.”
Kurt Weill Newsletter
23/2: 9–15.

Hammerstein, Oscar 2nd. “In Re ‘Oklahoma!’: The Adaptor-Lyricist Describes How the Musical Hit Came into Being.”
New York Times
. May 23, 1943, 11.

———. “Turns on a Carousel.”
New York Times
, April 15, 1945, sec. 2, 1.

———. “Notes on Lyrics.” In
Lyrics
, 3–48. New York: Simon & Schuster, 1949; expanded and ed. by William Hammerstein. Milwaukee, Wisc.: Hal Leonard, 1985.

Harburg, Ernest (see Rosenberg).

Harriman, Margaret Case.
Take Them Up Tenderly: A Collection of Profiles
. New York: Knopf, 1945.

Harrison, Rex.
Rex: An Autobiography
. New York: William Morrow, 1974.

Hart, Dorothy, and Robert Kimball, eds.
The Complete Lyrics of Lorenz Hart
. New York: Knopf, 1986.

Hart, Moss. Preface to
Lady in the Dark
. Vocal score. New York: Chappell Music, 1941.

Hemming, Roy.
The Melody Lingers On: The Great Songwriters and Their Movie Musicals
. New York: Newmarket, 1986.

Hirsch, Foster.
Harold Prince and the American Musical Theatre
. rev. and expanded ed. Cambridge: Cambridge University Press, 1989.

———. “
Porgy and Bess
—The Film.”
I.S.A.M. Newsletter
28/1 (Fall 1998): 12–13.

———.
Kurt Weill on Stage: From Berlin to Broadway
. New York: Knopf, 2002.

Hirschhorn, Clive.
The Hollywood Musical: Every Hollywood Musical from 1927 to the Present Day
. New York: Crown, 1981.

Hirschhorn, Joel (see Kasha).

Hischak, Thomas S.
Boy Loses Girl: Broadway’s Librettists
. Lanham, Md.: Scarecrow, 2002.

———.
Through the Screen Door: What Happened to the Broadway Musical When It Went to Hollywood
. Lanham, Md.: Scarecrow, 2004.

Hitchcock, H. Wiley.
Music in the United States
. Englewood Cliffs, N.J.: Prentice Hall, 1969; rev. 3rd ed., 1988.

Holden, Stephen. “A Glimpse of Olden Days, via Cole Porter.”
New York Times
, October 18, 1987, sec. 2, 5+.

Horowitz, Mark Eden.
Sondheim on Music: Minor Details and Major Decisions
. Lanham, Md. Scarecrow Press, and Oxford in association with the Library of Congress, 2003.

Horn, David. “From Catfish Row to Granby Street: Contesting Meaning in
Porgy and Bess.” Popular Music
13 (1994): 165–74.

Houghton, Norris. “
Romeo and Juliet
and
West Side Story
: An Appreciation.” In
Romeo and Juliet/West Side Story
, 7–14. New York: Dell, 1965.

Houseman, John.
Run-Through
. New York: Simon & Schuster, 1972.

Hubler, Richard G.
The Cole Porter Story
(introduction by Arthur Schwartz). Cleveland: World, 1965.

Hummel, David.
The Collector’s Guide to the American Musical Theatre
. 2 vols. Metuchen, N.J.: Scarecrow Press, 1984.

Hunter, John O. “Marc Blitzstein’s ‘The Cradle Will Rock’ as a Document of America, 1937.”
American Quarterly
16 (1964): 227–33.

Hyland, William G.
The Song Is Ended: Songwriters and American Music, 1900–1950
. New York: Oxford University Press, 1995.

———.
Richard Rodgers
. New Haven: Yale University Press, 1998.

Ilson, Carol.
Harold Prince: From “Pajama Game” to “Phantom of the Opera
.” Ann Arbor, Michigan: UMI Research Press, 1989.

Jablonski, Edward.
Gershwin: A Biography
. New York: Doubleday, 1987.

———.
Irving Berlin: American Troubadour
. New York: Henry Holt, 1999.

Johnson, Hall. “
Porgy and Bess
—A Folk Opera.”
Opportunity
(January 1936): 24–28.

Jones, John Bush.
Our Musicals, Ourselves: A Social History of the American Musical
. Hanover, N.H.: Brandeis University Press, 2003.

Jowitt, Deborah.
Jerome Robbins: His Life, His Theater, His Dance
. New York: Simon & Schuster, 2004.

Kantor, Michael, and Laurence Maslon.
Broadway: The American Musical
, based on the documentary film by Michael Kantor. New York: Bulfinch, 2004.

Kasha, Al, and Joel Hirschhorn.
Conversations with the Great Songwriters
. Chicago: Contemporary, 1985.

Katz, Ephriam.
The Film Encylopedia: The Most Comprehensive Encyclopedia of World Cinema in a Single Volume
. 2nd ed. New York: HarperPerennial, 1994.

Kawin, Bruce F. (see Mast).

Kennedy, Michael Patrick, and John Muir.
Musicals
. Glasgow: HarperCollins, 1997.

Kerman, Joseph.
Opera as Drama
. New York: Knopf, 1956; new and rev. ed. Berkeley: University of California Press, 1988.

Kimball, Robert., ed.
The Complete Lyrics of Cole Porter
. New York: Vintage Books, 1984.

———.
The Complete Lyrics of Ira Gershwin
. New York: Knopf, 1993.

———. See also D. Hart.

———. See also Krasker.

Kimball, Robert, and Linda Emmet, eds.
The Complete Lyrics of Irving Berlin
. New York: Knopf, 2001.

Kimball, Robert, and Steve Nelson, eds.
The Complete Lyrics of Frank Loesser
. New York: Knopf, 2003.

King, William G. “Music and Musicians. Composer for the Theater—Kurt Weill Talks about ‘Practical Music.’”
New York Sun
, February 3, 1940.

Kingman, Daniel.
American Music: A Panorama
. New York: Schirmer, 1979; rev. ed., 1990.

Kirle, Bruce.
Unfinished Business: Broadway Musicals as Works-in-Progress
. Carbondale: Southern Illinois University Press, 2005.

Kivy, Peter.
Osmin’s Rage: Philosophical Reflections on Opera, Drama, and Text
. Princeton, N.J.: Princeton University Press, 1988.

Knapp, Raymond.
The American Musical and the Formation of National Identity
. Princeton: Princeton University Press, 2005.

———.
The American Musical and the Performance of Personal Identity
. Princeton: Princeton University Press, 2006.

Kolodin, Irving. “‘Porgy and Bess’: American Opera in the Theatre.”
Theatre Arts Monthly
19 (1935): 853–65.

Kowalke, Kim H.
Kurt Weill in Europe
. Ann Arbor, Mich.: UMI Research Press, 1979.

———. “
The Threepenny Opera
in America.” In
Kurt Weill: “The Threepenny Opera
, ed. Stephen Hinton, 78–120. Cambridge: Cambridge University Press, 1990.

———. “Formerly German: Kurt Weill in America.” In
A Stranger Here Myself: Kurt Weill Studien
, ed. Kim H. Kowalke and Horst Edler, 35–57. Hildesheim: Georg Olms Verlag, 1993.

———. “Kurt Weill, Modernism, and Popular Culture: Öffentlichkeit als Stil,”
Modernism/Modernity
2/1 (1995): 27–69.

———. Review essay of
A Chronology of American Musical Theatre
et al.
Journal of the American Musicological Society
60/3 (Fall 2007): 688–714.

———. See also Symonette.

Kowalke, Kim H., ed.
A New Orpheus: Essays on Kurt Weill
. New Haven: Yale University Press, 1986.

Kowalke, Kim H., and Horst Edler, eds.
A Stranger Here Myself: Kurt Weill Studien
. Hildesheim, Ger.: Georg Olms Verlag, 1993.

Krasker, Tommy, and Robert Kimball.
Catalog of the American Musical: Musicals of Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers & Lorenz Hart
. Washington, D.C.: National Institute for Opera and Musical Theater, 1988.

Kreuger, Miles.
“Show Boat”: The Story of a Classic American Musical
. New York: Oxford University Press, 1977.

———. “Some Words about ‘Anything Goes’” and “The Annotated ‘Anything Goes.’” Notes to EMI/Angel CDC 7–49848–2 (1989), 9–17 and 133–40.

———. “Some Words about ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 13–24.

———. See also Morison.

Lahr, John. “Mississippi Mud.”
New Yorker
, October 25, 1993, 123–26.

Laird, Paul R. (see also Everett).
Leonard Bernstein: A Guide to Research
. New York: Routledge, 2002.

Laurents, Arthur.
Original Story By: A Memoir of Broadway and Hollywood
. New York: Knopf, 2000.

Lawrence, Greg.
Dance with Demons: The Life of Jerome Robbins
. New York: Berkley, 2001.

Lawson-Peebles., Robert. “Brush Up Your Shakespeare: The Case of
Kiss Me, Kate
.” In
Approaches to the American Musical
, ed. Lawson-Peebles, 89–108. Exeter: Exeter Press, 1996.

Lawson-Peebles, Robert, ed.
Approaches to the American Musical
. Exeter: University of Exeter Press, 1996.

Lee, M. Owen. “Recordings.” Review of
The Phantom of the Opera
by Andrew Lloyd Webber and
The Complete “Phantom of the Opera
” by George Perry.
Opera Quarterly
6/1 (Autumn 1988): 147–51.

Lees, Gene.
Inventing Champagne: The Worlds of Lerner and Loewe
. New York: St. Martin’s, 1990.

Lenya, Lotte (see Weill).

Lerner, Alan Jay.
The Street Where I Live
. New York: W. W. Norton, 1970.

———.
The Musical Theatre: A Celebration
. London: Collins, 1986.

Leve, James.
John Kander and Fred Ebb
. New Haven: Yale University Press, 2009.

Lieberson, Goddard. “The Ten Musicals Most Worth Preserving.”
New York Times Magazine
, August 5, 1956, 26–32.

Litton, Glenn (see Smith).

Loney, Glenn, ed.
Musical Theatre in America: Papers and Proceedings of the Conference on the Musical Theatre in America
. Westport, Conn.: Greenwood, 1984.

Lonoff, Jeffrey. Notes to
A Collector’s Sondheim
. CD: RCD3–5480; 3-disc set (1985).

Loesser, Frank. “Some Loesser Thoughts on ‘The Most Happy Fella.’” Imperial Theatre program notes, 1956.

Other books

The Approach by Chris Holm
The Patrician by Kayse, Joan
Lucky Horse by Bonnie Bryant
Lucy's Launderette by Betsy Burke
HOWLERS by Kent Harrington
Jack Daniels and Tea by Phyllis Smallman
The Tall Men by Will Henry
Hey Sunshine by Tia Giacalone
Breaking Point by Kit Power