Read Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber Online
Authors: Geoffrey Block
McFerrin, Bobby, 168
McFerrin, Robert, 168–69, W87n39
McGlinn, John, 20, 23–24, 26, 37, 42, 44, 48, 65, 70, 160, 164
Macintosh, Cameron, xxi, xxvii, 327, 378, 395
McKenzie, Julia, 351
MacLeish, Archibald, W94n8
McMillin, Scott, 394, W74n6, W74n10
McPherson, Aimée Semple, 49, 57
MacRae, Gordon,
311
Madame Butterfly
(Puccini) [opera], 94
“Madame Odette’s Waltz” (Weill and Vambery), 140
Madonna, W130n101
The Magic Flute
(Mozart) [opera], 115, 254, 349
Magnolia’s piano theme (Kern), 30,
32
, 33, 36, 111, 161, 162
Mahler, Gustav, 254
“Make a Miracle” (Loesser), 236, 244, 245, 250
“Make Believe” (Kern and Hammerstein), xii, 30, 33, 34, 36–38, 162, W81n48, W81n59, W105n11
“Make the Most of Your Music” (Sondheim), 377
Malcolm, Donald, 259
Mambo (from “The Dance at the Gym”) (Bernstein), 284, 287, 295, 303
“Mamma, Mamma” (Loesser),
258
Mamma Mia!
(Andersson and Luvaeus), xxvii
Mamoulian, Rouben, xxvi, 66, 83, 136, 166, 168, 170, 172, 190, 195, 211
The Man Who Came to Dinner
(Kaufman and Hart) [play], 52
Manhattan
[film], 180
“Manhattan” (Rodgers and Hart), 83
Mankiewicz, Joseph L., 310, 320, 321, 322
Mantle, Burns, 101
“Many a New Day” (Rodgers and Hammerstein), 54,
55
, 205
“Maria” (Bernstein and Sondheim), 54, 284,
285
, 286, 295, 305, 329, 390
Marie Galante
(Weill and Déval), 140, 141
Marlowe, Christopher, 182
“Marry Me a Little” (Sondheim), 378, W130n95
“Marry the Man Today” (Loesser), 247, 249, 323, W111n16
Marshall, Rob, 364
Marx Brothers, 51, 136
Marx, Groucho, 51, 92, 165
Martin, Ernest.
See
Feuer (Cy) and Martin (Ernest)
Martin, Mary, xi, 147,
149
, 150, 187, 216, W98n20
Mary Poppins
, W126n18
“Masquerade” (Lloyd Webber and Hart), 405
Mast, Gerald, 44, 311, 313, 324, W73n4, W97n1
Mature, Victor, 145
Mattheson, Johann, 389
Mauceri, John, 98–99, 172
“Maybe They’re Magic” (Sondheim), 373
Me and Juliet
(Rodgers and Hammerstein), 213
“Me and My Boss” (Kern and Hammerstein), 24
Meditation XVII
[poem] (Donne), 371
Meeting Scene (from “The Dance at the Gym”) (Bernstein), 305
The megamusical, xx, 394
Die Meistersinger
(Wagner) [opera], 68
Melchior, Lauritz, 68
Mellers, Wilfrid, 68, 112
Melodrama, 350–52
“Memory” (Lloyd Webber and Nunn), 385
Mendelssohn, Felix, 390
Menken (Alan) and Ashman (Howard), xxvi
Mercer, Johnny,
5
Meredith, Burgess, 195
Merman, Ethel, xxiii, xxiv, 44, 45, 50, 60, 158,
163
, 164, 165, 191, 218, 245, 335, 338, 342, 358, 359
Merrily We Roll Along
(Sondheim), 337, 347, 348, 365, 366, 370, 373, 379–81
Discography and Filmography (W17)
The Merry Widow
[film], 155
The Merry Widow
(Lehár), 4, 36, 206, 262
Messiah
(Handel), 26
Mexican Hayride
(Porter), 189, 215
Meyerbeer, Giacomo, 397, 398
Midler, Bette, W125n1
Mielziner, Jo, 104
Milestone, Lewis, 165
“Mill Theme” (Rodgers), 200,
201
, 312
Miller, Ann,
314
, 315, 317
Miller, Marilyn, 22
Miller, Scott, xxii, 388, W131n12
“The Miller’s Son” (Sondheim), 356,
357
, 358
“Mine” (G. and I. Gershwin), 243
Minnelli, Vincente, 190
Minstrel Dream.
See
Circus Dream
“Mis’ry’s Comin’ Aroun’” (Kern and Hammerstein), 24, 27, 29,
30
, 33, 65
Miss Information
(Porter et al.), 42
Miss Liberty
(Berlin), 281
Miss Saigon
(Boublil and Schönberg), xxi, xxvii, 2231, 327
“Mister Snow” (Rodgers and Hammerstein), 204, 312
Mitchell, Abbie, 175
“Mix” (Bernstein and Sondheim), W118n31, W118nn32–34
Molinari, Bernardino, 94
“Moll’s Song.”
See
“I’m Checkin’ Home Now”
Molnár, Ferenc, 195, 196, 197, 210
Monkey Business
[film], 136
Monroe, Marilyn, 188
Monty Python’s Spamalot
(Du Prez and Idle), xxvii
“The Moon of Manakoora” (Loesser and Newman), 234
“Moonburn” (Heyman and Carmichael), 165
Moore, Victor, 43, 46, 164
Mordden, Ethan, 26, 87, 388–89, W73n4, W74n10, W80n46, W81n54, W83n2, W97n1, W103n40, W126n31
“More I Cannot Wish You” (Loesser), 322–23
Morehouse, Ward, 198
Moreno, Rita, 310, 327, W124n1
Morgan, Helen, xxiv, W101n5
Morison, Patricia, 223, 226, W108n24
“Moritat” (Brecht and Weill).
See
“The Ballad of Mack the Knife”
Morley, Michael, W99n39
Moross, Jerome, W133n46
“Most Gentlemen Don’t Like Love” (Porter), 215
Moscow on the Hudson
[film], 151
The Most Happy Fella
(Loesser), xix, xxii, xxvi, 7, 12, 14, 233, 234, 235, 244, 247–59 (
249
), 349
Synopsis (W5)
Discography and Filmography (W17–18)
Appendix A (W27)
Appendix O (W58–59)
Notes (W116n60)
“Move On” (Sondheim), 342, 368
Mozart, Wolfgang Amadeus, 9, 44, 136, 143, 389
“Multitudes of Amys” (Sondheim), W130n95
Murray, Bill, 182
“Musetta’s Waltz” (Puccini), 393
Music in the Air
(Kern and Hammerstein), 38, 189
The Music Man
(Willson), xi, 233, 325, W116n2
“Music of the Night” (Lloyd Webber and Hart), 391, 392, 393, 397, 401, 403, 405, 406–7, W132n22
Musical theater types, W75n1
“My Darling, My Darling” (Loesser), 236
“My Heart and I” (Hollander and Robin), 165
“My Heart Belongs to Daddy” (Porter), 215, W98n20
“My Heart Is So Full of You” (Loesser), 248, 257
My Fair Lady
(Lerner and Loewe) [musical], xi, xix, 10, 11, 12, 14, 152, 231–32, 233, 234, 237, 245, 252, 254, 260–78 (
271
), 279, 390
Synopsis (W5–6)
Discography and Filmography (W18)
Appendix A (W28)
Appendix P (W60)
Notes (W107n1, W116n2)
My Fair Lady
[film], xxiii, 10, 277, 310, 317, 323–27 (
323
), 328, 361, 402, W125n25
“My Friends” (Sondheim), 355, 356,
357
, 358, 359
“My Funny Valentine” (Rodgers and Hart), 180
“My Greatest Day” (Bernstein and Sondheim), W118n31
“My Heart Stood Still” (Rodgers and Hart), 83
“My Man” (originally “Mon Homme” by Yvain and Pollock), 105
My Man Godfrey
(Lerner), 278
My One and Only
(G. and I. Gershwin), 13
“My Ship” (Weill and I. Gershwin), 137, 142, 144, 146, 147, 186, 231
“My Time of Day” (Loesser),
239–40
, 322
Nash, Ogden, 134, 140, 151, 152, 187
Nathan, George Jean, 21, 114, 253
Naughty Marietta
(Herbert), 4, 22, W76n5, W98n15
Nelson, Baby Face, 57
Neptune’s Daughter
[film], 235
Nesbitt, Cathleen, 260
“New Art Is True Art: (Weill and Nash), 151
“The New Ashmolean Marching Society and Students’ Conservatory Band” (Loesser), 248
The New Moon
(Romberg and Hammerstein), 39
“New World” Symphony (Dvořák), 29,
30
, 390, W89n77
The New Yorkers
(Porter), 40
Nichols, Lewis, 142
“Nickel Under the Foot” (Blitzstein), 117, 136, 183, 186
Night and Day
[film], 316
“Night and Day” (Porter), 40, 155, 189, 221
Nixon, Marni, 280, 310, 325
“No Life” (Sondheim), 365
“No Matter under What Star You’re Born.”
See
Zodiac Song
No, No Nanette
(Youmans and Caesar), 4, 348
“No One Is Alone” (Sondheim), 371, 379, 382
“No One Would Listen” (Lloyd Webber and Hart).
See
“Learn to Be Lonely”
No Strings
(Rodgers), 169, 213
Noah, Timothy, W84n25
“Nobody Else But Me” (Kern and Hammerstein), 25, 26
Nolan, Frederick, W93n54
“Non la sospiri la nostra casetta” (Puccini), W115n46
“No Place Like London” (Sondheim), 255, 356,
357
, 359
Norton, Elliot, 197
“Not While I’m Around” (Sondheim), 359
“Notes” (Lloyd Webber and Hart), 405
Notting Hill
[film], 327
Novak, Kim, 180
“Now,” “Later,” “Soon” (Sondheim), 243, 359
Nunn, Trevor, xviii, xxvii, 69, 171, 173, 175–76, 189, 309, 314, 385
O’Connor, Donald, 159
O’Hara, John, 101, 103, 104, 105, 178
O’Malley, Rex, W101n68
O’Toole, Peter, 324
Of Thee I Sing
(G. and I. Gershwin), 12, 13, 40, 60–61, 115
“Oh, Bess, Oh Where’s My Bess” (G. and I. Gershwin), 62, 172
“Oh, Doctor Jesus” (Gershwin and Heyward), 72
“Oh, Happy We” (Bernstein and Wilbur), 286
“Oh, I Can’t Sit Down!” (G. and I. Gershwin), 76, 169, W89n79
“Oh, What a Beautiful Morning” (Rodgers and Hammerstein), 211, 341–42