Every Day Is Mother's Day (3 page)

AXON, MURIEL ALEXANDRA

III/73/0059

Client has attended the Calderwell Rd Day Centre once weekly for three months. Whilst we await a comprehensive appraisal, it must be stressed that the ongoing observations of the Day Centre staff have had a great part to play in analysing the client’s difficulties, as in applying multifocal measurement tests it is essential to take into account the degree of emotional retardation probably partly induced by her home environment.

Preliminary estimates suggest that the client has an IQ of around 85 on the Stanford-Binet scale, and that therefore her potential and capabilities are somewhat greater than we were led to expect from History III/73/0059. Whilst the need for special facilities may have been indicated at an earlier date, it is suggested that client when in contact with education professionals suffered from a degree of retardation not readily distinguishable from borderline normality, and thus was not brought to the attention of the Social Services; however, due to impov
erished environment her emotional condition has worsened and she is now subsisting at a marginal level of social adequacy.

Client has achieved basic literacy, but as she lacks concentration and motivation no occupational adequacy is envisaged for the future. In carrying out simple mechanical tasks, which are well within her capacity, her lack of sustained self-direction is seen. A marked flattening of affect may give rise to the suspicion of a schizoid or sub-schizoid state. Emphasis must be given to social adjustment and interpersonal relations, and inculcation of a maximum degree of self-direction, and efforts must be directed towards helping to attain a satisfactory level of social independence. Subaverage intellectual functioning may be compensated for in this case by sequential development of self-help skills.

M. S. BYRNE, MA
Community Daycare Supervisor

III/73/0059
Home Visit, 23.9.73.

Explained to Mrs. Axon that Miss Dawson had been transferred. Client appears well. Mrs. Axon stated that she was dissatisfied with client’s progress, but that she had not expected her to make any progress. Explained to Mrs. Axon the various activities in which client participates at Community Care Sessions. Enquired why she had not told Miss Dawson that client able to read and write. Mrs. Axon stated “Because it would
have been a lie.” Explained to her that client’s achievement was on a basic level. Nevertheless this was a very praiseworthy attainment and client should be given every encouragement to use her skills. Asked client if she would show her mother how she could write. Client agreed that she would do this but when supplied with paper she scribbled on it. Mrs. Axon stated “It is plain that you are all fools and fools in charge of fools.”

Introduced the subject of client’s long-term care. Mrs. Axon expressed the idea that client would be left alone in the house (presumably meaning after she herself was dead). Mrs. Axon did not appear to be able to verbalise the idea of her own death. Explained to her that Muriel had been placed on the waiting list for five-day care at the Centre and that in the event of her decease a place would be found for her in a residential institution or hostel. Mrs. Axon stated “Do you mean Holloway?” and when this queried stated “She has murderous inclinations.” Did not clarify this statement. Asked Mrs. Axon about her own physical health and whether she felt able to care for Muriel as of the present time. Mrs. Axon stated that her own health was excellent. Suggested that client might be able to do more for herself if encouraged. Surprisingly in view of her previous statement Mrs. Axon said that client had always been a good and obedient girl and that she had never been any trouble from her birth. Suggested to Mrs. Axon that Muriel was no longer in this position now, i.e., no longer a girl. Mrs. Axon stated that if Muriel was “any trouble” she would hold caseworker responsible.

Mrs. Axon’s attitude on this visit was most unfriendly.

J.S.S.

Muriel is walking along Lauderdale Road. Muriel is observing Muriel walking along Lauderdale Road. Off the bus; like puppets of wood the people on the bus nod their heads and jerk their arms at her. She understands it to be their ceremony of farewell. Rigidly, as if saluting some dictator, she raises her right arm in imitation. Always she finds the outward forms the best, the safest. The people on the bus seem perfectly satisfied. She smiles to herself.

Off the bus at the junction of Buckingham Avenue and Lauderdale Road. This is the blind side of the house. Along Lauderdale Road to the end; cross the road; turn. Back along the opposite side. Along the road, in at the gate. No purpose in the detour, except that Evelyn will never know. But wait:

There basking in the weak sunshine is the dog known as pedigree wire-haired fox terrier. Between its paws, a big bone licked clean. Muriel stoops. As her fingers creep towards the bone, the dog wakes and leaps to its feet, a growl in its throat. Muriel extends one of her stiff legs and lace-up shoes and kicks the dog in the ribs with all the force she can muster. The dog known as pedigree wire-haired fox terrier flees, yelping. Around the corner. In at the gate.

Evelyn opens the door without speaking. She shuffles towards the back of the house. The living room is safe then, Muriel thinks sardonically. Muriel stares at the dull floor, at the table. I could be that floor, she thinks, that very floor to walk on; things placed upon it. I could be the thing that is placed.
The familiar panic begins to rise up inside her. As her fingers close over the bone in her pocket, her heart slows.

That morning Evelyn had shouted questions at her. Evelyn had taken by the arm and shaken the girl known as Muriel Alexandra Axon. Whenever this happens, Muriel creeps out, a midnight flitter; she watches from the other side of the room. Evelyn thinks she knows who she is talking to; she does not know that she is shaking a table or a floor, a dead planet, a pebble on a beach. It is most satisfactory. It shows how little Evelyn knows of the true state of affairs.

Once, some years ago now, Muriel realised that her mother could not read her mind, or not all of it. She tested this. She thought certain thoughts, like: I will kill you. Then many times a day Muriel would think thoughts, rejoicing in the deception. I will trip you down the stairs and break your neck. Mother mother mother. Muriel eat your soup spilling it like that. Clumsy girl. From thoughts, short steps to action. Evelyn did not know that she had walked along Lauderdale Road, that she had a bone in her pocket, or five coins from the tea-money. Unless…still, Muriel was not sure how much she knew. This was why, when Evelyn spoke to her, she became like an empty cavern. Muriel Alexandra’s body stands irreproachable like a guardsman on parade, while her thoughts slip off to gambol and strut, enjoying their own existence.
GO NOT TO THE KITCHIN TODAY
.

Evelyn explains. They go into the front parlour, and drink the cordial with the lukewarm water. Tomorrow, Evelyn thinks, if there is no message, I must remember to fill the jug. Or I could take it upstairs, and fill it in the bathroom.

Muriel remarks that the orange juice is very nice. Evelyn says kindly, “You are a good girl, you appreciate what is provided for you.”

And again Muriel smiles. The orange juice is revolting; she thinks so. She marvels constantly at how easy it is to deceive. She wants one of the tins of meat; all evening she cherishes her
longings and her hunger, the feelings she has that Evelyn does not know about. At eight o’clock Evelyn says, “We could have a tin of meat.”

Inside, Muriel squirms in pain. Her thought has been read again. Dragged, filleted, out of her living head. But she struggles to keep the smile on her face; and Evelyn thinks she is pleased at the suggestion. Muriel is beginning to feel the victor; she can keep changing the rules, Evelyn cannot win. Unless…still, it might be possible that she is Evelyn. That Evelyn is growing inside her. Go, go, she thought savagely; I did not invite you here.

Nine o’clock; Evelyn nods in her chair. She is growing deaf, Muriel thinks, old and deaf. Stealthily she moves out to the hallway. It is not until Friday morning that Evelyn goes through her pockets. First she takes the money, spreading it out on her palm; five, five pieces of money. Then the letter in its brown wrapper. Where? She looks around. Her mouth twists. She puts her hand to it in alarm. That was Evelyn’s mouth twisting, Evelyn growing inside her.

In panic she spreads out the money and counts it again; five. And there is the dead plant, all its leaves gone now, nothing but the brown withered stalk, standing in a basket made by a person they have taken to be Muriel Alexandra Axon. Carefully she lifts out the plantpot; folding the letter in half, she places it in the bottom of the basket. (And you be sure you give it to your mother, won’t you now, Muriel?) Back goes the plant. She takes the bone. It is still slimy from the jaws of the dog called pedigree wire-haired fox terrier. Outside the door of the front parlour she listens. Only Evelyn’s breathing; she snickers in her nose, her lower jaw droops onto her chest. Muriel enters the kitchen. There is the teapot from this morning, the breakfast toast, all the remains from before Evelyn received her message from the spirits. Muriel picks up the box of matches, selecting carefully the one that will do the job. From the drawer she takes three tea-towels; white and blue check, white and yellow
check, sights of Southport. She puts them in the sink to burn them. The first match goes out, and the second. But she has seen a man, when he lights his cigarettes, shielding the flame with his hand. She takes pleasure in the fact that no one will ever know where she learned this trick. In time she can throw the charred debris on the floor, surrounding the bone. And the pedigree wire-haired fox terrier will never complain, she knows that; when she walks along the Avenue again, she will see the resentment locked in its yellow eyes, and the dumb unproductive movements of its jaw.

Evelyn wakes with a start at Muriel’s hand on her shoulder. “Yes, yes,” she mutters, “it’s time we were getting to bed.” She takes up the poker which she always carries with her when she moves about the house after dark. All the lights will be left burning tonight; that is the least discouragement one can give them, she tells Muriel. Muriel mounts the stairs behind her. Muriel’s shoulders droop. Her knees stiffen, her hand quivers for support on the banister. At each tread she feels pain, she grimaces, she gasps a little. All her resources for today are played out. She is becoming Evelyn, for the night.

And Thursday.

“This day last week some beast was murdered in the kitchen,” Evelyn said. Oh, can they die, Muriel asks. Evelyn tries, without much hope, once more to explain to Muriel. There is more than one set of persecutors. There are the tenants with their constant jibes, their petty destructiveness; it was not (she pats her daughter’s arm) a human creature. It is possible to see them, quite possible, but they are very quick. You must
learn to look for them out of the corner of your eyes. If people did learn to look out of the corners of their eyes, they would see a great deal that at present they miss; and most of it would be to their disadvantage.

But the other inhabitants, their effect is more—she presses her hand to her rib cage. In the soul, she wants to say, but she wonders if Muriel has a soul; if she had, and they took it away. I fear…her seamed face works a little in distress at her thoughts. She makes a gesture like someone erasing the writing on a blackboard; after which, the board itself remains.