see also
Harvard University
Cantor, Georg, 260–61, 274–76
Caribbean cruise, 201–5, 245
cars, 33, 59, 103, 105, 122, 150, 157, 164, 170, 175, 177, 239, 268, 300
breakdowns of, 73–74, 119
racing of, 185
sleeping in, 24, 53
theft from, 98
Carter, Mary, 50, 55, 61, 87, 88, 266, 313
n,
314
n
forcing out of, 79
workshop of, 74–75, 76, 104
Carver, Raymond, 60, 68, 95–96, 166, 319
n
“Catatonic Realism” (Ultraminimalism; Bad Carver), 110
Catcher in the Rye, The
(Salinger), 288
Catholicism, 166, 251, 316
n,
322
n
Catholics
(Moore), 164
Caudle, Sarah, 268, 269
Cavell, Stanley, 119, 132–33, 142
celebrity, 179, 203, 224
Champaign-Urbana, Ill., 1–14, 17, 51, 67, 73, 113, 145, 200, 286
movie theaters in, 6
Walden in, 189–90
Wallace’s returns to, 20, 22–23, 28–30, 33–34, 88, 89, 105–6, 112, 116, 154, 282–83
Chetkovich, Kathryn, 282
Chicago, Ill., 67, 73, 104, 181, 196, 252
Chicago Tribune,
216, 218, 254
children, 165, 232, 239, 248, 251, 282, 322
n
“Church Not Made with Hands” (Wallace), 104
“Clang Birds, The” (Wallace), 23, 311
n
Claremont, Calif., 266–71, 282–84, 297, 300, 301
Wallace’s houses in, 268, 282, 283
Clockwork Orange, A
(Burgess), 73
Cobain, Kurt, 221, 322
n
Cohen, Jesse, 260–61
“Compliance Branch, The” (Wallace), 292–93
computers, 146, 153, 158, 166, 167, 180, 191, 217–19, 232, 283, 287, 301, 319
n
Conjunctions,
106, 117, 138, 175–76, 264, 315
n
Conn, Charis, 222, 237, 242
Conroy, Frank, 83, 105–6
Coons, Chris, 21
Coover, Robert, 84, 130
Corrections, The
(Franzen), 262, 264, 296
Costello, Mark, 19–28, 35, 49, 73, 78–79, 100, 103, 134, 163, 184, 201–2, 234–35, 312
n,
315
n,
318
n,
322
n
Granada House and, 139, 140
in Harvard Yard, 146
Karr and, 147, 317
n
literary aspirations of, 123, 316
n
McLean and, 135, 136
in New York, 173, 196, 222, 224, 227
in Syracuse, 164–65
Wallace compared with, 19, 39, 48
Wallace’s collaboration with, 123, 125, 150–51
Wallace’s correspondence with, 23, 50, 53, 59, 67, 252, 256, 280, 315
n,
323
n
Wallace’s relationship with, 27, 33, 39, 43
as Wallace’s roommate, 20–21, 27, 32, 54, 119–20, 127–28, 316
n
Wallace’s work and, 123, 124, 125, 316
n,
324
n
Crane, Stephen, 153, 312
n
criminal records, 138, 317
n
cruises, 201–5, 221–22, 228, 245, 320
n
Crying of Lot 49, The
(Pynchon), 30, 31, 48, 53, 69, 70
Cutter, Weston, 283–84
Dalkey Archive Press, 151, 174, 177
DeLillo, Don, 47, 66, 77, 81, 149, 165, 214, 224, 234, 289, 312
n,
319
n,
324
n
Wallace’s correspondence with, 176, 200, 205, 208, 219, 223–28, 235–38, 243, 245, 250, 258, 260, 262, 265, 268, 273, 274, 283, 295, 322
n,
323
n
De Man, Paul, 288, 313
n,
317
n
“Depressed Person, The” (Wallace), 241, 248, 269, 322
n
depression, 25, 31–37, 202, 246, 265
drugs for,
see
antidepressants
in fiction, 34–37, 41, 161, 311
n
suicidal, 22, 33, 35, 42, 154
of Wallace,
see
Wallace, David Foster, depression of
Derrida, Jacques, 38, 56, 57, 74, 288, 313
n
Desai, Raj, 15–17, 19
Details,
208, 219
DeVries, Willem, 19, 41
Dickinson, Emily, 15, 152
dogs, 6, 8, 58, 64, 163, 231, 258, 296, 300
Bella, 290
Jeeves, 189, 191–92, 193, 207, 220, 227, 231, 233, 268, 269
The Drone, 207, 227, 231, 233, 249–52, 320
n
Werner, 252, 268, 290, 299
Dostoevsky, Fyodor, 103, 141–42, 208–9, 214, 288, 296
Drama of the Gifted Child, The
(Miller), 169–70
drugs, recreational, 10–11, 30–31, 202, 203, 249
acid (LSD), 11, 30, 133, 166
cocaine, 30, 85, 138, 222
in fiction, 47, 161–62, 175, 193
mushrooms, 30–31
Wallace’s use of,
see
Wallace, David Foster, recreational drug use of
see also
marijuana
Eagleton, Thomas, 25
economics, 27, 28
Eggers, Dave, 264, 289, 290
Eich, Doug, 165–66
Eliot, T. S., 38, 58, 294
Ellis, Bret Easton, 60–61, 66, 73, 82, 110, 209
Elman, Richard, 56, 57, 60–61, 77–78, 165, 313
n,
314
n
Emerson College, 146, 148, 149, 151, 153, 154, 187
“Empty Plenum, The” (Wallace), 120–23, 126, 128
Eno, Brian, 31, 123
entertainment, 168–69, 183, 186, 193, 225, 240, 286
Esquire,
87, 96, 104, 208, 216
ethnicity, 213, 264, 321
n
“E Unibus Pluram” (Wallace), 172, 174, 209, 254, 260, 322
n
Everything and More
(Wallace), 274–77
fashion spread, 97
“Fatalism” (Taylor), 40–41
Federer, Roger, 290, 296
“Fictional Futures and the Conspicuously Young” (Wallace), 109–12, 115, 135, 212, 316
n,
324
n
Flygare, John, 9, 14, 20
“Forever Overhead” (Wallace), 55, 57, 90, 313
n
Foster, Fenton, 169, 197
Foster Street transitional facility (sober house), 145–46, 153
Fraden, Rena, 266–67, 269, 270
France, Wallace in, 262
Francis B. (recovery friend), 201, 230, 231–32, 258, 263, 268, 322
n
Franzen, Jonathan, 148, 163–67, 176, 191, 201–2, 209, 225, 232, 252, 266, 273, 300, 316
n,
323
n,
324
n
novels of, 115, 130, 262, 264, 296
in Syracuse, 164, 166
Wallace’s correspondence with, 98–99, 100, 116, 119, 124, 127, 129–31, 143–45, 148, 152, 153, 157–58, 164–67, 170, 173, 180, 196, 197, 198, 200, 202, 219, 223, 245, 250, 258–59, 281, 282, 289–92, 296, 297, 312
n,
315
n,
316
n,
317
n
future, the, 40–41, 59, 77, 190–91
Galassi, Jonathan, 115, 116
Gang Starr, 122–23
Garrett, George, 96
Gass, William, 74, 106, 119, 129
Girl with Curious Hair
(Wallace), 106–9, 117–18, 120, 144, 174, 190, 207, 217, 236, 249, 316
n,
321
n
Karr’s views on, 148
publication of, 128–32, 171, 212
reviews of, 128–29, 132
“Girl with Curious Hair” (Wallace story), 73, 111, 112, 126, 131, 314
n,
315
n
God, 23, 140, 166, 215, 239, 251, 322
n
Gödel, Kurt, 260, 261
“Good Old Neon” (Wallace), 255, 257, 277–78, 324
n
“Good People” (Wallace), 292–93
Gourmet,
272–73
GQ,
297–98, 299
grammar, 2–3, 25, 77, 102, 187, 210, 230, 271, 318
n
Granada House, 136–47, 150, 153, 156, 163, 167, 180, 208, 294, 318
n
Infinite Jest
and, 137, 141, 159, 206–7, 317
n,
320
n
Gravity’s Rainbow
(Pynchon), 34, 67, 225, 316
n
Great and Secret Show, The
(Barker), 143
Green, Karen, 269–72, 279, 281–83, 286, 287, 290, 291, 295–301, 324
n
marriage to Wallace, 282–83
Green, Stirling, 270, 272–73, 282, 300
grunge, Grunge Fiction, 223, 231, 321
n
–22
n
Guggenheim Fellowship, 131, 238
hair, 64, 103, 136, 180, 197, 221, 249, 250
Hamacher, Christopher, 291
Harbach, Chad, 288
Harms, Juliana, 248–52, 262
Harper’s,
9, 148–49, 155–58, 172, 184–87, 222, 262, 321
n
Pale King
section in, 292–93
Wallace’s cruise piece for, 201–5, 221–22, 228
Harris, Charlie, 174, 176, 181, 184, 207, 266
Harris, Kymberly, 181, 184–85, 188–89, 201, 207, 208, 223, 232
Infinite Jest
and, 181, 188
Harris, Victoria, 181, 184, 207
Harrison, Colin, 186, 201, 202, 262
Harvard University, 137, 149, 153, 229, 261, 275
Wallace’s philosophy studies at, 119, 127, 132–34, 136, 141, 146, 190, 316
n,
317
n
Hawaii, 26–70
Hawke, Ethan, 220, 224
health insurance, 50, 118–19, 169, 171, 239
Heartbreaking Work of Staggering Genius, A
(Eggers), 264
Henry, DeWitt, 148
“Here and There” (Wallace), 62–63, 130, 131, 148, 287, 313
n,
322
n
Hesse, Doug, 237
Howard, Gerry:
Broom
and, 66–71, 77–78, 81, 82, 83, 314
n
Infinite Jest
and, 162, 163, 171, 172, 220–21
job change of, 117
short stories and, 73, 86–87, 98, 107–9, 117, 131
Somerville visit of, 133
Wallace’s correspondence with, 68–71, 81, 82, 107–8, 117, 138, 172, 315
n
Wallace’s meetings with, 83, 97, 99, 131–32, 133
Hubbard, Stephanie, 165
Hyde, Lewis, 156, 318
n
“Hysterical Realism,” 264–65
Idol, Billy, 85