Everybody Was So Young (72 page)

Fitzgerald, Zelda, [>], [>]–[>]; in Antibes area, [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>]; bizarre behavior of, [>], [>], [>]–[>], [>], [>]; MacLeish introduced to, [>]; on Hemingway, [>]; health problems of, [>]; in Delaware, [>], [>]; return to France, [>]; as ballet student, [>]–[>], [>], [>], [>]; in Cannes villa, [>]–[>]; paranoid behavior of, [>]–[>]; breakdown of, [>], [>]; recovery of, [>]; at Ramgut, [>], [>]; in U.S. [>]; in Alabama, [>]; relapse of, [>]; as Tender Is the Night model, [>]; SWM’s expression of sympathy for, [>]; instability of, [>]; paintings of, [>]–[>]; in Baltimore, [>]; and Scott in Hollywood, [>], [>]; on Murphy arrival, [>]; on death of Scott, [>]; and A Moveable Feast, [>]

Flanner, Janet, [>], [>]

Fogarty, Thomas, [>]

Fontaine, Evan Burrows, [>]

Ford, Ford Madox, [>], [>], [>]

Forel, Oscar, [>], [>]

Foujita, Tsuguharu-Léonard, [>], [>]

Frank, Waldo, [>]–[>]

Frankfurter, Felix, [>]

Franklin, Frederic, [>], [>]

Franklin, Sidney, [>]

Galantière, Lewis, [>]

Gammell, Arthur, [>]–[>]

Garden of Eden, The (Hemingway), [>]

Gardner, Isabella Stewart, [>]

Gardner, Robert, [>], [>]

Garrett, John, [>], [>]

Gellhorn, Martha, [>], [>], [>], [>], [>]

Genêt. See Flanner, Janet

Géron, Henriette, [>], [>], [>], [>], [>]

Ghost Town (ballet), [>]–[>], [>]–[>]

Gielgud, John, [>]–[>]

Gilbert, John, [>]

Gill, Brendan, [>]

Gillette, King, [>]

Goelet, Robert Walton, [>], [>], [>]

Goncharova, Natalia, [>]–[>], [>], [>], [>], [>], [>], [>], [>]

Gorey, Edward, [>]

Gould, Jay, [>]

Gounod house, [>]–[>]

Gousha, Joseph, [>]

Graham, Martha, [>]

Graham, Sheilah, [>]–[>], [>]

Great Gatsby, The (Fitzgerald), [>], [>]

Green Hills of Africa (Hemingway), [>]–[>]

Griffith, Helen Sherman, [>]

Grimm, Karl, [>]

Gris, Juan, [>], [>], [>]

Groesbeck, Mary, [>]–[>], [>]

Guerard, Roland, [>]

Guillaumin, Armand, [>]

Guinzburg, Harold, [>]

Gunzbourg, Baron Niki de, [>]

Haggin, Ben Ali, [>]–[>]

Hall, Alice, [>]

Hallelujah! (Vidor film), [>]–[>], [>]–[>]

Hammett, Dashiell, [>], [>], [>]–[>]

Hanna, Leonard, [>], [>], [>]

Harriman, Averell, [>], [>]

Harriman, Marie, [>]

“Harry’s Bar,” Murphys’ version of, [>]–[>], [>]

Hart, Lorenz, [>]

Hart, Moss, [>]

Harvard School of Landscape Architecture,
GCM
attends, [>], [>], [>], [>]–[>]

Haskins, Noel. See Murphy, Noel

Hauptmann, Bruno Richard, [>]

Hayes, Helen, [>]

Headfort, marquess and marchioness of, [>], [>]

Heller, Harold, [>], [>]

Hellman, Lillian, [>], [>], [>]; and The Spanish Earth, [>]; The Little Foxes (opening), [>], [>]; on Parker’s predicting GCM’s interest in Hopkins, [>]; and Parker on
GCM
, [>]; and SWM’s food poisoning, [>]; and Hammett bail, [>]; Parker to on SWM’s condition, [>]

Hemingway, Clarence, [>], [>], [>], [>]

Hemingway, Ernest, [>], [>], [>]–[>]; relationship with Fitzgerald, [>], [>], [>], [>], [>], [>], [>]–[>], [>]; and Paris, [>], [>]; and Dos Passos, [>], [>], [>], [>], [>]–[>], [>], [>]; and Pamplona, [>], [>], [>], [>], [>]–[>]; and parents, [>], [>], [>]–[>]; change of publishers, [>], [>]; on courage as “grace under pressure,” [>], [>]–[>]; separation and divorce from Hadley, [>]–[>], [>]–[>]; and MacLeish, [>], [>], [>], [>]; marriage to Pauline, [>]; and homosexuality, [>]–[>], [>]; return to U.S., [>], [>]; and father’s suicide, [>], [>]; Fitzgerald letters to, [>], [>]–[>]; on Tender Is the Night, [>]; and Quintanilla paintings, [>]; in Key West, [>]; and Jane Mason, [>]; fishing off Cuba, [>]; and The Crack-Up, [>]; and composite characters, [>]; political involvement of, [>]–[>]; and The Spanish Earth, [>]; and Spanish civil war, [>], [>]; Hellman introduced to, [>]; meets Gellhorn, [>]; marriage to Gellhorn, [>]; on Fitzgerald and Murphys, [>]; in
WWII
fighting, [>]; divorce and remarriage to Welsh, [>]; gap in writing, [>]; on death of peers, [>]; in plane crashes, [>]; bullfighting article by, [>]; health problems of, [>]–[>]; death of, [>]

WORKS
OF: The Sun Also Rises, [>], [>], [>], [>], [>], [>]; “The Snows of Kilimanjaro,” [>], [>], 4i9n; In Our Time, [>], [>]; “My Old Man,” [>]; The Torrents of Spring, [>]–[>]; “A Simple Enquiry,” [>]; A Farewell to Arms, [>], [>]; Green Hills of Africa, [>]–[>]; To Have and Have Not, [>]; The Garden of Eden, [>]; A Moveable Feast, [>]–[>]

AND
MURPHYS
, [>], [>], [>]–[>]; at Antibes, [>]–[>], [>], [>], [>], [>], [>]; relationship with
GCM
, [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>]; relationship with
SWM
, [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]; ski trip, [>]–[>], [>]–[>]; and Murphys’ largesse, [>]; in Pamplona, [>]–[>];
GCM
letters to, [>], [>], [>]; Hemingway letters to
SWM
, [>]–[>]; Murphys plan to visit in Spain, [>]–[>]; offer to put up Baoth Murphy, [>]; at Swiss health resort, [>]; as U.S. friend, [>]; Montana vacation with, [>]–[>]; Mediterranean postcard to, [>]; trophy heads to Patrick, [>]–[>], [>], [>]; illness and death of Baoth, [>]–[>]; letter to Patrick, [>];
SWM
invites to Saranac, [>]–[>], [>];
SWM
letter to, [>]; visits Patrick at Camp Adeline, [>]; on SWM-Hoytie fight, [>]; letters from in Cheer Hall, [>]; SWM’s letters from requested, [>]–[>]

Hemingway, Gregory, [>]–[>]

Hemingway, Hadley, [>]–[>], [>]–[>]; at Antibes, [>], [>], [>]–[>], [>], [>]; and Paris apartment, [>]–[>]; on attractiveness of Ernest, [>];
GCM
to on Hemingway’s success, [>]; in Pamplona, [>], [>], [>]; and Moveable Feast, [>]

Hemingway, John (“Bumby”), [>], [>]–[>], [>]–[>], [>], [>], [>]

Hemingway, Martha. See Gellhorn, Martha

Hemingway, Mary, [>], [>], [>]–[>]

Hemingway, Patrick, [>], [>], [>]–[>]

Hemingway, Pauline (formerly Pauline Pfeiffer): at Antibes, [>], [>]; Murphys’ fondness for, [>], [>], [>]; on ski trip, [>]; and Pamplona trip, [>], [>], [>]–[>], [>]; and Hadley’s divorce, [>]; with Murphys in New York, [>], [>]; marriage of, [>]; at Villa America, [>]; pregnant, [>]; move to Key West, [>]; at Swiss health resort, [>]; in U.S., [>]; Montana vacation with, [>]–[>]; and ranch life, [>], [>]; in Key West, [>]; Mediterranean postcard to, [>]; code name for, [>];
SWM
invites to Saranac, [>]–[>], [>]; as independently wealthy, [>]; meets with
SWM
and Dos Passos, [>]; marriage failing, [>], [>];
SWM
letters to, [>], [>];
GCM
letter to, [>];
SWM
birthday with, [>]; separation from Ernest, [>]; Murphys as companions for, [>]–[>]; and Moveable Feast accusation, [>]

Henry (prince of Prussia), [>]

Herbert, George, [>]

Herman, Simone, [>], [>], [>]

Herrera, Hayden, [>]

Holdridge, Elizabeth. See Dos Passos, Elizabeth

Hollywood Ten, [>]

Honneger, Arthur, [>], [>]

Honoria (
GCM
sloop), [>], [>]–[>], [>], [>], [>]

Hook Pond, [>], [>], [>], [>], [>]

Hook Pond Cottage, [>], [>]

Hopkins, Gerard Manley: GCM’s interest in, [>]–[>], [>]; and GCM-Jarvis relation, [>]; and
GCM
facing death, [>]

Horse racing, Hemingway and
GCM
interest in, [>]

Hotchkiss, Helen, [>]

Hotchkiss School, and
GCM
, [>]

Houlgate, summer vacation in, [>]

Howe, Arthur, [>]

Hoyt, Colgate, [>]

Hoyt, Elizabeth, [>], [>]

HUAC
(House Un-American Activities Committee), [>]

Hugo, Jean, [>], [>]

Huidobro, Vincente, [>]

Hunt, Richard Morris, [>]

Hu-Tsi (dowager empress of China), [>]

Independent Citizens Committee of the Arts, Science and Professions,
GCM
joins, [>]–[>]

Ingram, Rex, [>]

Ingres, Jean-Auguste-Dominique, [>]

Ivens, Joris, [>]

Jacob, Polly. See Crosby, Caresse

James, Alice, [>], [>], [>]

James, William, Jr., [>], [>], [>], [>]

Janis, Elsie, [>]

Jarvis, Alan, [>]–[>], [>]–[>], [>], [>]–[>]

J.B. (MacLeish), [>], [>]–[>]

Jekyll, Gertrude, [>]

Johns, Jasper, [>]

Joyce, James, [>], [>], [>], [>]

Joyce, Lucia, [>]

Joyce, Peggy Hopkins, [>]

Jozan, Edouard, [>]–[>]

July, Frau (cook), [>]

Kahn, Maude, [>]

Kalman, C. O., [>]

Kamerny Theater, [>]–[>], [>]

Karinska, Barbara, [>]

Kaufman, George S., [>], [>]

Kazin, Alfred, [>], [>]–[>], [>]

Kensett, J. F., [>]

King Lear, and GCM’s inheritance, [>]–[>]

Kittredge, Ben, [>]

Kochno, Boris, [>], [>]

Koechlin, Charles, [>]

Kokhlova, Olga. See Picasso, Olga

Krehbiel, Henry, [>]

Kroll, Frances, [>]–[>]

Laboratoire (
GCM
painting), [>], [>], [>], [>]

La Garoupe beach, Antibes, [>], [>], [>], [>], [>], [>], [>]

Lambert, Gerard Barnes, [>], [>]–[>], [>], [>], [>], [>], [>]

Lambert, Rachel (“Ray”), [>], [>], [>], [>], [>], [>]

Lanahan, Samuel, [>]

Landscape architecture, GCM’s study of, [>], [>], [>], [>]–[>]

Lang, Fritz, [>], [>]

Lanvin, Jeanne, [>]

Larionov, Michel, [>], [>], [>], [>], [>]

La Touche, John, [>]

LeClerq, Jacques, [>]

Le Corbusier, [>]

Léger, Fernand, [>], [>], [>], [>]–[>]; and dada performance, [>]; as cubist, [>]; at Salon des Indépendents, [>]; and Murphys’ apartment, [>]; and de Maré ballet, [>]–[>], [>]; praise for
GCM
from, [>]; and MacLeishes, [>];
GCM
in exhibit with, [>]; on
GCM
paintings, [>]; and Hemingway prose, [>]; and Colombe d’Or restaurant, [>]–[>]; and Ballet Méconique (film), [>]; and Vidor perspectives, [>]; and
GCM
eagerness for film, [>];
GCM
uses device of, [>]; and Villa America, [>]; as Ramgut visitor, [>]; in New York, [>]; and Mistigris, [>]; and Weatherbird cruise, [>]; U.S. trip of, [>]–[>]; Hellman introduced to, [>]; mistresses of, [>]; with Murphys, [>], [>]; escape from Nazis, [>]–[>]; on utility cabinet as art, [>]

Léger, Jeanne, [>], [>], [>]–[>]

Leray, Ernestine (“Titine”), [>], [>], [>]–[>], [>]

Liagre, Alfred de, Jr., [>]

Lieven, Countess (tutor), [>]

Lifar, Serge, [>]

Lindbergh, Charles, [>]

Lindbergh baby trial, [>]

Liveright, Horace, [>]

“Living Well Is the Best Revenge” (Tomkins’s New Yorker profile), [>]

Longworth, Nicholas, [>], [>]–[>]

Loos, Anita, [>]

Loring, Eugene, [>]

Loriol, Gérard de, [>]

“Lost generation,” [>], [>]

Lovett, Adèle, [>], [>]

Lovett, Robert, [>]

Lowe, Rachel. See Lambert, Rachel

Lowell, Amy, [>]–[>], [>], [>], [>]

Lowndes, Lloyd and Marion, [>], [>], [>], [>]

Loy, Mina, [>]

Lozowick, Louis, [>]

Luce, Lila (Mrs. Henry), [>]

Lucinge, Johnny. See Faucigny-Lucinge, prince and princesse Jean-Louis de

Lusitania, and Fitzgeralds, [>];
SWM
a passenger on, [>]

Lyttelton, Edith, [>]

MacAgy, Douglas, [>], [>]

McAlmon, Robert, [>], [>], [>]

MacArthur, Charles, [>], [>], [>]

McCarthyism, [>]–[>]

McGowan, Eugene, [>]

Mackay, Clarence, [>], [>]

McKinney, Nina Mae, [>]

MacLeish, Ada, [>]–[>]; at Antibes, [>], [>], [>], [>]; singing career of, [>], [>], [>]; and GCM’s acquaintance with composers, [>]; and Marcelle Meyer, [>]; and Honoria, [>]; pregnancy of, [>]; on Weatherbird refrigerator, [>]; and Hemingway, [>], [>], [>]; in song recital for ballet project, [>]; with
SWM
on trip from Key West, [>]; at Panic run, [>]; at Camp Adeline, [>]; at
SWM
birthday party in New York, [>]; singing in Washington home, [>]

MacLeish, Archibald, [>], [>], [>]–[>]; and League of Nations Opium Commission, [>], [>]; on Murphys, [>], [>]; and Paris, [>], [>]; and Murphys as Europeans, [>]; at Antibes, [>]; return of from Persia, [>]; and Hemingway, [>], [>], [>], [>], [>]; in fight with Fitzgerald, [>]–[>]; on death of Hemingway’s father, [>]–[>]; and poetry of William Blake, [>]; and homosexuality, [>]; financial reverses of, [>]; and ballet project, [>]–[>]; letter to Patrick from, [>]; with Baoth in hospital, [>]; and death of Baoth, [>]; on SWM’s unhappiness, [>]; on time passing, [>]; off-color stories of, [>]; Hemingway letters to, [>], [>], [>], [>]; political involvement of, [>], [>]–[>]; and The Spanish Earth, [>]; and Hellman, [>]; as Nieman Fellowship director, [>]; as Librarian of Congress, [>], [>]; Dos Passos letter to, [>]; as head of Office of Facts and Figures/
OWI
, [>], [>]; as assistant secretary of state, [>]–[>]; postwar jobs of, [>]–[>]; on postwar writing difficulty, [>]; ‘“A kind of boding,”’ [>]; Harvard professorship of, [>]; sermon given by, [>]–[>], [>]; Pulitzer Prizes of, [>]; Hemingway messages through, [>]–[>]; and SWM’s hearing of Hemingway plane crash, [>]; on “featureless horizon,” [>]–[>]

WORKS
OF: J.B., [>], [>]–[>]; “Sketch for a Portrait of Mme. G——M——,” [>], [>]–[>], [>]; “Ars Poetica,” [>]–[>]; “Cinema of a Man,” [>]; “American Letter,” [>]–[>], [>]; Einstein, [>]; Conquistador, [>]; Panic (verse play), [>]; Frescoes for Mr. Rockefellers City, [>]

AND
GCM
, [>], [>]–[>], [>]; Watch purchased, [>]; quarrels, [>], [>], [>], [>], [>]; on GCM-Hemingway quarrel, [>]–[>]; and “American Letter,” [>];
GCM
letters, [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]; and GCM’s self-examination, [>]–[>], [>]; and Union Pacific ballet, [>]–[>]; and GCM’s sensory deprivation, [>]; Wasp and Pear exchanged for Watch, [>]; GCM’s letter of introduction for Jarvis, [>]; and MacLeish in Washington, [>]–[>]; shipping of GCM’s paintings, [>];
GCM
to on memories, [>]; and
MOMA
acquisition of Wasp and Pear, [>]–[>]; and
GCM
retrospective at
MOMA
, [>]