Authors: David Nobbs
âPerhaps slightly naive if you gave it all to Corinna.' Rita spoke gently, as if embarrassed to be given the chance of making such an overwhelming reply. âEspecially as you say you knew she wasn't what she said she was.'
âShe showed me the deeds. A hotel restaurant in Nairobi. A prime corner site in Mogadishu. It all looked so legal, I never dreamt.⦠Oh, Rita. Love is blind. I mean, you know what sexual passion is like.'
âI do now, yes.'
âRita!'
âSorry,' Rita was contrite. âOh, I'm sorry, Ted. I didn't mean ⦠but, you see, what I've found with Geoffrey is so unexpected, so utterly â¦' she searched for a word that would express the strength of it without sounding boastful â⦠good, that I feel the need to shout about it. I'm only human.'
âSo, I've got very little left. Just enough to pay for all this. Perhaps. I'm ruined, Rita.'
âWhat'll you do?'
âTomorrow? Cry. Today? Have a wonderful party.'
Ted rubbed his hands together and strode boldly round the edge of the dance floor towards the Sillitoes. The Dale Monsal Quartet, still in mercilessly Gallic vein, were giving their unique version of âClopin Clopant'.
The joint big wheels behind Sillitoe's were sitting watching the dancing and sipping champagne with a contentment that almost purred.
âHello, Rodney,' said Ted jovially. âHello, Betty. Friendship â you can't whack it.'
âWhat's happened, Ted?' asked Rodney.
âHappened? Does something have to have happened before I tell you how much I value your friendship?'
âNo! âCourse not!' said Betty. âDon't be ridiculous. What's happened?'
âNothing's happened, for God's sake. Sorry. No, I just thought, seeing you two sitting there, making utter prats of yourselves, I felt a surge of warmth for you both.'
âWhat do you mean, “making utter prats of ourselves”?' Rodney seemed greatly puzzled.
âDressed as peppers.'
âOh Lord!' Betty glanced at the great yellow pepper which encased her. âI forgot. But what do you mean â “prats”?'
âWell ⦠I just meant ⦠everybody dressed as Napoleon, Noël Coward, Queen Elizabeth, two Queen Elizabeths â¦'
âYes!' Rodney and Betty laughed.
âAnd you, peppers. You look ridiculous.'
âI see!' said Betty with as much hurt dignity as a pepper could muster.
âI see nothing ridiculous in coming as peppers,' said the red-faced, red-capped, red pepper at her side. âIt's a little less pretentious than identifying with Napoleon.'
âWell said, Rodney. It needed to be said.'
âOur costumes symbolise not only our business.'
âThat's unimportant, comparatively.'
âThey symbolise healthy eating, organic eating. We've come as organic peppers, incidentally, with no pesticides.'
âThey symbolise the environment.'
âRed for danger, because it's in danger.'
âGreen for ⦠green, because that's the solution.'
âAnd yellow?'
Ted's question staunched the flow of rhetoric completely. Betty looked down at her yellow costume, and looked to Rodney for an answer. Came there none. The Sillitoes were two distinctly nonplussed peppers.
Then inspiration, that occasional visitor, knocked on Rodney's brain.
âBirth control,' he said.
âAbsolutely. Bir ⦠you what, Rodney?' said Betty.
âYellow for fighting the menace of the population explosion. Because one in three people in the world is born Chinese.'
âAaaah! That's clever, Rodney.' Betty leant across and kissed him, no mean feat when they were both wearing peppery bell-tents. âI love him,' she said proudly to Ted.
âAnd I love her,' echoed Rodney.
âThank you, Ted,' said Betty.
âWhat for?'
âFor being happy with Corinna. Because, because you're happy, we don't have to hide how happy we are for fear of seeming smug, which we did have to do, while you weren't happy.'
âSo we're happy that you're happy.'
âVery happy.'
âWhere is Corinna?'
âEr ⦠ill.'
âTed!'
âNothing serious.' Ted smiled, trying to look calm, trying to allay Betty's intuitive alarm. âTouch of the dreaded lurgies.'
He adjusted his Napoleonic hat and sauntered off, attempting not entirely successfully to look a picture of insouciance.
âLadies and gentlemen,' said Dale Monsal, whose face would have made the Stag at Bay look insouciant. He had abandoned his boater. His hair was slicked wispily and shinily onto his pate. âNext, in more modern vein, a tune forever associated with a star long dead, but still shining brightly in the showbiz constellation. Or is he dead? Rumours that he has been sighted are rife. Of whom do I speak? I'll give you a clue. It isn't Hitler.'
Dale Monsal gave a series of deep, pneumatic wheezes. They were to laughter what his quartet was to music.
âYes,' he announced, almost dramatically. âYou've guessed it. It's Elvis.'
The Dale Monsal Quartet wound themselves up into âBlue Suede Shoes'. And Elvis Simcock glowered.
âIgnore it, Elvis,' said his lover.
âI was ignoring it till you said “ignore it”.'
âDon't let's row. We mustn't ever row. I couldn't bear it. Come on, dance. Show people that you don't mind being called Elvis.'
âI do mind.'
âAll the more reason for showing that you don't, then.'
So, the great communicator danced grumpily with his pepper. Vicar and schoolgirl, Robin Hood and squaw, transvestite and nun tried to relive their youth. And Ted Simcock approached his ex-wife, who was watching peacefully with her bearded anthropologist.
âMay I borrow Rita, Geoffrey?' asked Ted.
âShe isn't a library book,' said Geoffrey.
âThanks, Geoffrey,' said Rita, but she allowed herself to be led away by Ted. âYou asking me to dance?' she asked her ex-husband in astonishment.
âThey're playing my music, Rita.'
Neville beamed bottomlessly at the happiness of his fellow men. Liz gave a snort of irritation and slipped across to buttonhole her brother before Rita returned.
âYou don't really find her attractive, do you?' she said, indicating the other Queen of England with a tiny movement of her flaming head.
âYes, I do,' said Geoffrey softly. âVery much. Do you disapprove?'
âOf course.'
âWhy “of course”?'
âShe isn't one of us, Geoffrey. She isn't our class.'
âOh. Of course! How dim of me.'
âYou may mock, but this is England.'
âSurely that doesn't matter today, even in England?'
âIt's still important to some people. Not everything this country once stood for has been lost along with my magnolia. Rita's father was a common little man who talked in public about ⦠breaking wind, but he didn't use those words, he used a â what's the opposite of a euphemism? A malphemism, I suppose.'
âGood heavens.' Her brother's reply was silkily sarcastic. âAnd the vulgarity will come out in Rita, who will start behaving like a common fishwife, a phrase which I have always thought very unfair to fishwives, who aren't common at all; they're extremely rare.' The Dale Monsal Quartet were playing âRock Around the Clock' now. Liz was annoyed to find herself leaning forward to hear Geoffrey's outwardly gentle words, even though she knew that she would hate what she heard. âYou're worried that when I take her to the anthropologists' dinner she'll ask all the other anthropologists how often they fart.'
They were back in the nursery, in times long forgotten.
âYou've always hated me, haven't you?' said Liz.
âYes.'
Geoffrey Ellsworth-Smythe smiled.
Napoleon rocked, Queen Elizabeth rolled, Dale Monsal almost smiled, Dick Whittington goosed his cat, the can-can dancer phoned the baby-sitter, Sir Walter Raleigh smiled deep in his courtly beard, and only Ted and Rita knew Ted's dreadful secret.
Neville Badger, carrying his helmet, smiling innocently, like a man who has never falsified anybody's confession, hurried to the social rescue of Carol Fordingbridge.
âHello. Lovely,' he announced.
âThank you.'
âI wish I could have
seen
Gertie Gitana.'
âSo do I, but I'm Marie Lloyd.'
âI wish I could have seen Marie Lloyd. Men were men then.'
âYou what?'
âI'd have expected young men to swarm round you like bees round a honeypot. If I was a young man I would.'
âYou'd look ridiculous.'
âI beg your pardon?'
âSwarming, on your own. For the record, Neville, not that it's any of your business, but I was asked out tonight by a physics teacher, a welder and a quality control supervisor at the biscuit factory. I turned all three down because I wanted to be at Ted's farewell.'
âI always try to say the right thing.' Neville was truly bewildered. âWhy do I always end up putting my foot in it.'
âBecause you always try to say the right thing,' said Carol Fordingbridge. âIt's a right daft basis for conversation, is that.'
She moved off, only to return instantly.
âI'm sorry,' she said. She kissed his bemused cheek. âYou mean to be kind.'
The rock and roll came to an end. The middle-aged clapped wildly, to preserve their youth for a few more seconds.
In the bar, Elvis and Jenny found Simon and Lucinda united by long cigarette holders and silence.
âEnjoying yourselves?' asked Elvis unnecessarily.
âNo.' In his embarrassment, Simon had forgotten that he wasn't supposed to be speaking to Elvis. âComing as Noël Coward has been the biggest mistake of my life. It's shown me what a dimwit I am.'
At the counter, Alec Skiddaw was telling a long story to Larry Benson, who wasn't listening. He was thinking about his lady wife, and about how she was no lady.
âThe brains we inherit are a matter of luck, Simon,' said Jenny, âso if you find you're ⦠well, not thick exactlyâ¦'
âOh, charming. Who'd have sisters?'
In his indignation, Simon raised his voice. The onion seller, who was chatting up Alice-in-Wonderland and finding that she wasn't taking him seriously because of his strings of onions, gave him a brief glance before returning to his lost cause.
âWell you called yourself a dimwit,' said Jenny.
âIt's all right for Simon to say it,' said Lucinda. âIt's not all right for anyone else to say it.'
âRight! No risk in you being called thick,' said Simon admiringly.
âNo. Just wet.'
âYou what?' said Elvis.
âComing as Mae West has shown me how crabby and inhibited and English I am,' said Lucinda. âI've been going out with Simon for weeks and I haven't once said â¦' She embarked on an impression of Mae West without conviction, “Come up and see me some time.” Nor has he. Said to me to come up and see him some time.'
âNo,' said Simon. âI want to save â¦'
âSave what?'
âAll that.'
âYou see. Passion. Sex â¦'
âLucinda!'
âOur writhing, intertwined bodies â¦'
â
Lucinda
!'
âWhat does Simon call it? “All that”! He's as bad as me.'
There was a supercilious smile on Elvis's thrusting media man face, but Jenny was listening with steadily dawning delight.
âBut, sweetybonce,' Simon continued, âif I'd gone on after that, what do you think I'd have said? “I want to save âall that' â¦?”'
âUntil?'
âUntil what?'
âUntil ⦠we're married?'
âYes.'
âIs this a proposal?' Lucinda sounded almost incredulous.
Simon looked almost appalled at this unexpected turn in the conversation.
âWell, yes,' he said, as if moved by logic rather than emotion, âI suppose it is. Will you marry me?'
âWell, yes, I suppose I will.'
They tried to shift their fixed, intimacy-proof chairs. They leant across the chrome arms and kissed. Their kiss, though uncomfortable, was long.
âCongratulations!' said Elvis, watching them with an air of disbelief. âA union of true estate agents.'
âElvis!' Jenny's outrage was softened by affection.