Falls the Shadow (36 page)

What do Broadway musicals and murder trials have in common? Leggy blondes with short skirts and high-heeled tap shoes? Only in my dreams, which might say more about my subconscious than I am comfortable with. No, they both need to end with the big finish, and I’m not talking about some glandular case named Paavo. I would have put on a big production number if they let me, but François Dubé’s fate was playing out not on the Broadway stage but in a court of law, where the performers wear suits and intone Latin and are required to follow the rules of evidence. Nothing puts a crimp in the old song and dance like the rules of evidence, believe me, but I still had my big finish planned. Mrs. Winterhurst to link the victim to Dr. Bob, Franny Pepper to link Dr. Bob to the circumstance of the photograph in Leesa Dubé’s cold, dead hand, and finally, Dr. Bob himself, to lie on the stand and then wither under the onslaught of my brilliant cross-examination.

I was so confident of the power of my big finish that I was barely paying attention in court. Beth had taken charge of the timeline of François’s alibi. It wasn’t much of an alibi, to be truthful, but every little bit helped. So Beth was putting on testimony of François’s whereabouts through the whole of the evening of his wife’s murder, placing him in the kitchen till the restaurant closed, at the zinc bar for an hour or so after, finally walking off into the night exhausted and ready for sleep. The jurors were ready for sleep, too, by the look of them, and I could relate. In fact, I was just about to zonk off myself when Torricelli waved his fingers at me.

I snapped awake. What the heck was that? It was as if he were saying “Toodle-oo,” which was strange, because Torricelli was not a toodle-oo kind of fellow.

The mystery of the little finger wave was solved at the lunch recess. As the courtroom cleared, Torricelli came over and placed his big old hand on my shoulder.

“How’s it hanging, Carl?”

I looked at his hand, looked back at Torricelli’s ugly mug. “Fine?”

“What happened to your face?”

“My television bit it.”

“No matter how inviting the porn, Victor, you still can’t jump through the screen and join the action.”

“Have you been drinking, Detective? Because some people when they drink become overly friendly.”

“Not me,” he said cheerfully. “When I drink, I turn into a mean son of a bitch.”

“So it has no effect.”

He laughed, which was more than disconcerting. Torricelli was in way too good a mood.

“What are you so merry about?” I said.

“I’ve been having this problem with my tooth. I couldn’t figure what it was, but suddenly it’s taken care of.”

“You don’t say.”

“It was a simple thing, a cavity hidden from the normal probes. An X-ray caught it. My tooth has now been drilled and filled, and I am feeling fine.”

“Sounds like you found yourself a dentist.”

“Yes I did. Nice guy, too. Maybe you know him.”

“Maybe I do.”

“Think of it, Victor. I come to him just to ask a few questions about a murder, and I come out with a whole new outlook on the world.”

“He has that way about him, doesn’t he? Did he explain away the name change?”

“He said it wasn’t the right image for a dentist to be named after a soda pop, which makes some sense, doesn’t it?”

“And you bought it?”

“Why not? And after he fixed me up, he gave me a little parting gift.”

“A lollipop?”

“His fingerprints.”

“You don’t say,” I said, though he just had.

“Quite voluntarily, I might add. I made the suggestion, and he ripped his rubber gloves right off and offered me his hands.”

“He is obliging, isn’t he?”

“You want to know the results of our comparisons?”

“Your smile pretty much says it all,” I said as a sickening slick of despair rose in my gut.

“They didn’t match,” said Torricelli, enjoying this way too much to stop. “The latent we found at the crime scene, the one that your expert identified as matching the one he found at the storage locker and then on the tape, didn’t come from Dr. Pfeffer.”

“I’ll have my expert check the results.”

“Do that, but he’ll come to the same conclusion. First, he’s got an alibi. Then the fingerprints don’t match. It sort of puts a hole in your theory that the dentist did it.”

I twisted my lips and tried not to throw up.

“I hope I didn’t ruin your lunch,” said Torricelli.

But he had, hadn’t he? The little treat of information he’d passed on had sent my stomach spinning. It was the kind of news that hurts the most, the news that you’ve been both dreading and expecting all along.

You might remember I had pocketed Dr. Bob’s whiskey glass during our strange night at the bar. But that glass still lay in its plastic bag, the prints still latent, still waiting to be spirited into being with chemicals and powders and then memorialized forever on contact sheets. I had never sent the glass to Anton Grammatikos to be tested.

Why had I never sent it? Because there were two possible answers, either Dr. Bob’s prints matched the unknown print from the tape and the crime scene or they didn’t, and my defense could survive only one of those answers. Better an uncertainty you can argue to the jury than a certainty that renders your defense a nullity. But now Detective Torricelli, proving himself to be quite the detective after all, had just done the rendering.

With my appetite having fled, I thought it through over the lunch hour and kept at it as Beth continued laying out the timeline in court. My whole theory depended on the killing being an accident. Dr. Bob had been trying to help Leesa Dubé. Dr. Bob had been bringing the tape to Leesa to help in her divorce case. Something had gone wrong, and Leesa had ended up dead, and Dr. Bob had framed François before squirreling the tape back to François’s storage locker, still covered as it was with Leesa’s blood. The picture found in Leesa’s hand, much as a picture had been found in the hand of Dr. Bob’s mother, was the crowning piece of evidence. In fact, I even believed that Dr. Bob had set up the storage area just as it was so that if anyone came snooping, like, say, me, he would sit in the chair and be horrified at the tapes and know that the frame had been the right thing to do.

But now it seemed that Dr. Bob was not the person who had taken the tape from the crime scene.

Who could it have been? The district attorney’s answer was damn convincing. Who would the tape hurt the most? François. Where was the tape with the victim’s blood found? In François’s storage locker. Who had the motive? François. It was all so clean, made so much sense, except why would François keep that tape after that? Why had it not been burned, shattered, destroyed irrevocably? Why had it been left lying around for someone to find? Because he was arrested too soon? Because he didn’t have time to destroy it? Time to return it to the locker but not destroy it?

None of it made sense if Dr. Bob hadn’t done the crime. But if Dr. Bob hadn’t done the crime, who had?

Strangely, at that moment I thought of Rex, the man mountain with the soft gaze who had confronted me outside the Hotel Latimore. Something Dr. Bob had said about Rex struck a chord.
I’m always on the lookout for new talent,
had said Dr. Bob,
a pure soul with the heart, the muscle, the determination to make a difference in the world.

Rex had entered the story far too late to be involved, but maybe it was one of Dr. Bob’s other recruits who had done it, maybe someone whom Dr. Bob had found and trained, someone who had done Dr. Bob’s bidding and then left to go out on his own and who had now gone deep underground. But who could it be? And how would I find him? And how could I use him to save my client?

It was the phrase “deep underground” rattling through my thoughts that finally clued me in to the entire truth. When it came to me, it was as if a window shade had been lifted and the sun was streaming through. When the light hit my face, I stood up suddenly.

Beth was in the middle of framing a question. She stopped midsentence and looked at me. The courtroom stilled, all heads turned in my direction.

“Is there anything you want to say, Counselor?” said Judge Armstrong.

“Just that I have to go, Judge,” I said. “Right this instant.”

“Something you ate, Mr. Carl?”

Before the laughter died, I was out the courtroom door. Where was I headed?

To find me a two-bit whore.

Detective Gleason was nothing if not a professional. It was in the way he could spot the prostitutes from even a great distance. “Look for the shoes,” he advised me. It was in the way he walked on the street with total assurance while I sat in the car, the way he approached the claques with a smile and a wave, the way he spoke softly to the women one at a time, the way he asked his questions, laughed at their wisecracks, listened to their answers with nodding unconcern, the way he slipped them the bills when he was through talking.

And he did all this, projected all this authority, without a badge, being as he was still confined to desk duty. But for him this wasn’t business, this was personal.

I had found his Elvisine figure at the auto squad’s front desk, sitting there glumly, answering phones, handing out paperwork to the saps who had lost their cars. When he looked up and saw me, it’s safe to say he didn’t flash a smile of welcome.

“I need your help,” I said.

“Your car missing?”

“No.”

Detective Gleason shook his head. “No crying in the chapel, boy. We’ve helped each other enough. I helped you get a new trial for your sleazeball client, and you helped get me permanently deskbound.”

“Yeah, sorry about that. Want me to talk to the commissioner?”

“You really want to bury me, don’t you? What happened to your face?”

“My television bit me.”

“So even your TV hates you.”

“That’s me, Mr. Popularity.”

He let out a long breath. “What are you looking for, Carl?”

“The truth,” I said, “about Seamus Dent.”

His eyes squinted at the name.

“I think I know what he was doing in that crack house when he was killed,” I said, “and I think I know who drove him to it.”

“Okay, so?”

“You want to help me prove it?”

“Not especially. I’m moving on. And it’s hard to dig out facts from behind a desk.”

“You’re not allowed on the street officially. Don’t do this as a cop, do this as a guy who wants to find out what really happened to a kid he helped.”

“And why should I care anymore?”

“Because you tried to make a difference in that boy’s life and you want to find out why it went all wrong and who might be responsible.”

“Some things just don’t work out.”

“No, this was more. There was someone who pushed Seamus in the direction he took, someone who set him on the path that led to his death.”

“And you think you know who?”

“Oh, yes.”

“Baby, what do you want me to do?”

“I want you to help me prove it.”

“How?”

“There’s a girl.”

“Isn’t there always?”

“Not like this one, a sad mess of a girl who is looking for the surest path to oblivion. Drugs, violence, complete and total self-degradation.”

“You think she’s on the street?”

“Can you think of a better place to find what she’s looking for? Her name’s Kylie, and I think she’s the reason Seamus is dead. If anyone knows what really happened to Seamus, it’s Kylie.”

“So why do you need me?”

“You were in vice before homicide. You know the street better than I ever will. I need you to help me find her.”

Gleason leaned back in his chair, stroked his sideburns. “You’re going to get me fried again, aren’t you?”

“That’s not my intent.”

“For those who really screw the rest of us, it never is,” he said. “I get off at four.”

“That’s great. You won’t regret it.”

“I do already.”

I looked around at the auto squad’s lobby, the empty space with its plastic chairs. “Can I wait for you here?”

“No,” he said.

I drove my car down a dark, narrow street in an old, abandoned part of the city, a festering urban sore just east of the Schuylkill River, within a stone’s throw of the refineries and porn shops that line the expressway. Whatever light had been left in the day when we started our search had fled west, so we were now cruising in shadows, only a few scattered shards of asphalt illuminated by the dim streetlights. This wasn’t a high-priced locale for selling your body, this wasn’t even Wal-Mart, this was a place for discontinued lines and damaged goods, this was streetwalker hell.

“My God,” I said. “Who would come here for a hooker?”

“That’s not the question,” said Gleason, “because they’ll always come. Set up in a cemetery, open a coffin, and watch the line form. The question is, who has fallen so hard that she has to sell herself here?”

“Kylie.”

“From what I could gather, she’s pretty much hit bottom. A bad drug jones, a pimp who kicked her out when she couldn’t make enough to keep herself above the Mendoza line, a body riddled with shakes and sores.”

“Last-chance corner, is that it?”

“This is where they end up when their last chance fails.”

“Where do they go from here?”

“The morgue.”

“Seems that’s what Kylie wants.”

“Hold on,” said Gleason. “What’s that over there?”

There was a shadow leaning against a wall not far from a lamppost. I pulled the car into the dim circle created by the streetlight. The shadow pushed itself off the wall, strolled over, looked fore and aft before bending down so that its arms leaned on the doorframe and its face loomed close to mine in the window, a hard, tired face, dark eyes, pale lips, a red welt on the cheek.

“You boys looking for a party?”

“What’s your name, honey?” said Gleason, leaning over from the passenger seat.

“Do it matter?”

“We got to call you something.”

“How about Jenny?” She smiled, and her teeth were like the neighborhood in which she worked, a few crumbling structures teetering over vast vacant lots. “You want to party with Jenny? I got tricks.”

“I’m sure you do, sweetheart,” said Gleason, “but we’re not looking for a Jenny. We’re looking for a Kylie.”

The woman lifted her head up, glanced down the street. “Who are you?”

“We’re here on business,” said Gleason.

“What the hell you think I’m doing here? That don’t mean we can’t party together. I got a place right back here, you want. I’ll make you happy”—she slapped her butt—“if you’re man enough to handle this.”

“We need to ask Kylie some questions,” said Gleason. “You mind if we take your competition off the street for a bit?”

She snorted. “That skinny bitch ain’t no competition.”

“Where is she, Jenny?”

“Is she in trouble?”

“Nah,” said Gleason. “Just some questions.”

“Too bad. Trouble would be a step in the right direction for her. Try a few blocks up on the right, in that warehouse where she does her stuff. You find her, you tell that princess with her little white ass that Jenny says fuck you.”

“It’s nice to see such camaraderie among the working folk,” said Gleason as Jenny backed away and blended again into the shadows.

I drove to the warehouse and pulled right behind an old two-tone Chevy parked at the curb. The warehouse was a crumbling brick building, its windows and door boarded with gray plywood. The thin wood over one of the low windows was smashed, darkness streamed out like some vile smoke from the opening.

Gleason cut the engine and we waited quietly.

A few moments later, a shadow slipped furtively out from the gap in the window, over to the Chevy, around the front. It glanced our way as it opened the door, slid into the front seat. The engine of the old beater roared through a failing muffler as it drove off.

“I suppose it’s our turn,” said Gleason.

“We’re going in there?” I said.

“Don’t worry,” said Gleason, reaching into the glove compartment of his car. “I got my little friend.”

I was disappointed when he pulled out a heavy blue flashlight.

“No gun?”

“I’m still on desk duty,” he said.

Out of the car, I followed him across the wide sidewalk to the shattered window. Gleason slipped over the sill and through the narrow opening. I hesitated for a moment and then followed, landing unsteadily on my feet on the other side. It was pitch-black in the building, fetid and dank, it smelled of urine and wet cement, of rats with damp fur, of sweat and cinder and old sad stories turned to ash.

Gleason turned on his flashlight, illuminated the piles of garbage, the twisted beams, the crumbling plaster walls, a sleeping bag in the corner quivering with life. And then, all the way to the left, a mattress, and on the mattress a young woman, all in rags, sitting with her arms wrapped around her legs, her chin on her knees, her eyes staring straight up at the light, a sneer of defiance on her lips.

“Turn it off,” said the woman in a lifeless monotone. Her face was round, and it had been pretty once, you could tell, but not anymore. Her hair was greasy, her eyes red and watery, her cheeks sunken, her lips scabbed, her skin mottled with blood and filth.

“Are you Kylie?” said Gleason.

“I’m nobody,” said the woman.

“Then you’re our girl,” I said.

“Turn off the light, assholes,” said Kylie, raising a hand to ward off the beam.

“We want to talk to you,” said Gleason.

“It costs extra to talk.”

“How about if we only talk?”

“That you can’t afford.”

“Are you hungry, Kylie?” I said. “Do you want to get something to eat?”

“I don’t eat anymore.”

“Are you thirsty?”

“No.”

“I am,” came a voice from the sleeping bag. “I’ll drink anything, don’t matter what, so long it’s got a proof on it.”

“Shut up,” said Gleason.

“I didn’t mean nothing,” said the sleeping bag, “but I could always use a drink.”

“Just shut up.”

“Whatever you got, give to Al,” said Kylie. “You don’t need to liquor me up, I’m not that type of girl. Just shut off that light and do whatever you want.”

“We want to talk,” I said. “We want to hear a story.”

“Buy a book.”

“A story about Seamus Dent,” I said.

“Seamus? Jesus. What about Seamus?”

“We want to know why he died.”

“That’s easy,” she said. “Because he cared.”

“About what?”

“Everything.”

“What about you? What do you care about?”

“Nothing.”

“Not even Seamus?”

“Turn off the light.”

“If we turn it off, will you tell us?”

“If you turn it off, I won’t claw your eyes out.”

Al, in the sleeping bag, laughed.

“Name a price,” said Gleason.

“Now you talking,” said Al. “How much you talking about?”

“What does it matter anymore, what happened to Seamus?” said Kylie.

“It matters to the man here,” I said, indicating Gleason, “who did what he could to clean up Seamus when he found him wasted and lost in a drug house. And it matters to my client, who’s on trial for his life for something I think Seamus might have done. And it matters to Wayne, who still feels betrayed by Seamus because Seamus saved Wayne’s life and then apparently gave his up for nothing.”

“Wayne? You’ve spoken to Wayne?”

“That’s right.”

“Jesus. Wayne. You’re hitting the trifecta. How’s he doing?”

“All right, actually. Seamus took him to Father Kenneth back in your old parish, and Father Kenneth helped him clean himself up. Wayne works at the church now.”

“He always had a pious streak in him.”

“He’s getting his life together.”

“Good for him,” said Kylie.

“Let’s talk some more about the money,” said Al.

“What are you, her agent?” said Gleason.

“Just a businessman trying to do some business.”

“And a hell of a successful businessman at that, I can tell,” said Gleason, waving his flashlight about the decrepit space.

“Turn out the light,” said Kylie. “I can’t talk when I can still see myself.”

“Will you tell us the story if we turn it out?”

“I don’t know it all,” she said. “I don’t know exactly what he did before, but he said it was bad.”

“Tell us what you do know.”

“He said he didn’t mean it, that it was an accident, that he was only trying to help her, not kill her. And that afterward he tried to make it right but the lawyer wouldn’t let him.”

“Is that why he got the trench coat?”

“He said the trench coat was like a cape the superheroes used to wear in the comic books. He decided that was what he was going to be, a superhero. That was how he was going to make it right.”

“For the accident, for killing that woman.”

“Yeah.”

“Is that why he fell back into drugs? Because of the guilt? Is that why he ended up in that crack house where he was murdered?”

“He was clean at the end,” said Kylie. “He didn’t come to the house for drugs. He came for me.”

“Damn cowboy,” said Gleason.

“If we turn out the light,” I said to her, “will you tell us the whole story?”

“I don’t know it all.”

“As much as you know.”

“Will you leave me alone after?” she said.

“If that’s what you want.”

“And the money,” said Al. “Don’t forget the money.”

“We won’t,” I said. “We’ll take care of both of you. All right, turn out the light.”

Gleason flashed the beam around to see if anyone was behind us, and then he clicked off the flashlight. Darkness fell over the clammy space like a fetid blanket. Something scurried in the corner, something wet fell from an overhead rafter, something in the distance moaned. We stood in the uneasy quiet of collapse and decay and waited, and waited some more.

And then Kylie began to talk.

It was early morning when finally we left that dank, stinking warehouse. Gleason and I had stood for a long time in the darkness, listening as Kylie told us her story, emotions overflowing in all of us, even Kylie, I could tell, despite the dead monotone of her voice. And when, at the end, Gleason turned the flashlight back on, the filth on her face had become streaked by her tears. Now, in the car again, we could see the first stirrings of dawn in the eastern sky as I drove us out of the rotting neighborhood. I drove east until I hit the expressway and then west to 676, east to 95, north again to the Aramingo Avenue exit and on to Fishtown.

They were waiting for us at the church, standing by the side entrance. Father Kenneth was leaning against the wall, hands in his pockets, the light from the fixture over the door falling like a blessing on his head and shoulders. Wayne was slapping at his arms as he walked back and forth along the street, back and forth, pacing as nervously as an expectant father in the maternity ward, waiting to hear if he would be embracing that morning a boy or a girl.