Fire and Hemlock (5 page)

“Oh hello, Laurel,” he said.

The lady Polly had mistaken for Nina was standing in the doorway. Seen this close, she struck Polly as plump and quite pretty, and her black clothes were obviously very expensive. Her hair was rather strange, light and floating, of a colour that could have been grey or no colour at all. Polly somehow knew from all this, and most of all from a powerful sort of sweetness about this lady, that she was the one who had inherited almost everything in the house. And from the stiff way Mr Lynn was standing there, she also knew that Laurel was the ex-wife he had talked about. She just could not think how she had taken her for Nina.

“Tom, didn’t you know I’d been asking for you?” Laurel said. Then before Mr Lynn could do more than begin to shake his head – he was going to lie about that, Polly noticed with interest – Laurel’s eyes went first to the pictures and then to Polly. Polly jumped as the eyes met hers. They were as light as Laurel’s hair, but with black rings in the lightness, which made them almost seem like a tunnel Polly was looking down. They had no more feeling than a tunnel, either, in spite of the sweet look on Laurel’s face.

“When you choose your pictures, Tom,” Laurel said, looking at Polly, “don’t forget that the ones you can have are the ones over there.” Light caught colours from her rings as her hand pointed briefly to the right-hand wall. “The ones against the other wall are all too valuable to go out of the family,” she said.

Then she turned round and went out onto the landing, somehow taking Mr Lynn out there along with her. They half shut the door. Polly stood by the window and heard snatches of the things they said beyond the door. First came Laurel’s sweet, light voice saying “…all asking who the child is, Tom.” To which Mr Lynn’s voice muttered something about “…in charge of her… couldn’t just leave her…” She could tell Laurel did not like this, because she seemed pleased when Mr Lynn added “…away shortly. I’ve a train to catch.” One thing was clear: Mr Lynn was very carefully not telling Laurel who Polly was or how she got there.

Polly leaned against the window, looking down at the cars on the gravel, and considered. She was scared. She had thought it would be all right to come back into the house if Mr Lynn asked her to. Now she knew it was not. Mr Lynn was having to be artful and vague in order to cover it up. Laurel was frightening. Polly could hear her arguing with Mr Lynn now, out on the landing, her voice all little angry tinkles, like ice cubes in a drink. “Tom, whether you like it or not, you are!” And a bit later: “Because I tell you to, of course!” And later still: “I know you always were a fool, but that doesn’t let you off!”

Listening, Polly began to feel angry as well as scared. Laurel was a real bully, for all her voice was so sweet. Polly went over to the pictures on the other side of the room, the ones Mr Lynn was allowed to have. Sure enough, as she had expected, they were nothing like as good as the ones on the left-hand side. Most of them were terrible. Since the argument was still going on, outside on the landing, Polly tiptoed back to the pictures she had leaned against the wall by the window. Back and forth she tiptoed, putting all the good, interesting pictures she had already chosen into the stacks against the right-hand wall, and a few, not so terrible, to lean on the wall by the window, to look as if they had been chosen.

Then, to make things look the same as before, she took terrible pictures from the right-hand wall to the left-hand stacks. They ended up a complete mixture. When Mr Lynn came back into the room, Polly was kneeling virtuously by the right-hand wall, taking her mind off her evil deed by studying a picture called
The Vigil
, of a young knight praying at an altar.

“Do you think he’s a trainee-hero?” she asked Mr Lynn.

“Oh no. Put that back,” he said. “Don’t you think it’s soppy?”

“It is a bit,” Polly agreed cheerfully, and watched Mr Lynn choose pictures through her hair while she slowly put
The Vigil
back.

That was how she got
Fire and Hemlock
, of course. When he sorted through the doctored stacks, Mr Lynn picked out every one of the pictures Polly had chosen. “I didn’t know this would be here!” he said, and, “Oh, I remember this one!” He was particularly pleased by the swirly one of the violins. When he came to the picture of the fire at dusk, he smiled and said, “This photograph seems to haunt me. It used to hang over my bed when I lived here. I always liked the way the shape of that hemlock echoes the shape of that tree in the hedge. Here,” he said, and put it in Polly’s hands. “You have it.”

Polly was awed. She had never owned a picture before. Nor had she expected to profit from her bad deed. “You don’t mean I can
keep
it?” she said.

“Of course you can,” said Mr Lynn. “It’s not very valuable, I’m afraid, but you’ll find it grows on you. Keep it instead of a medal for life-saving.” At this, Polly tried to say thank you properly, but he cut her short by saying, “No, come on. I think your Granny may be worried about you by now.”

Mr Lynn had to carry the picture, along with his five others. It bumped against Polly’s legs as she walked, which threatened to break the glass. The other funeral guests were having lunch by then. Polly could hear the chink of knives and forks as they hurried through the empty hall. Polly was glad. She knew, if they met Laurel on the way out, Laurel would know at once that Mr Lynn had all the wrong pictures.

Thinking of Laurel, as she trotted beside Mr Lynn down the windy road, caused Polly, for some reason, to say, “When I come to work as your assistant in your ironmonger’s shop, I’m going to pretend to be a boy. You pretend you don’t know.”

“If you want,” said Mr Lynn. “As long as that doesn’t mean cutting your lovely hair.”

The lovely hair was blowing round Polly’s face and getting in her mouth and eyes. “It’s
not
lovely hair!” she said crossly. “I hate it. It drives me mad and I
want
it cut!”

“I’m sorry,” said Mr Lynn. “Of course. It’s
your
hair.”

“Oh!” said Polly, exasperated for no real reason. “I do wish you’d stop
agreeing
all the time! No wonder people bully you!” They came to Granny’s front gate then. “You can give me my picture now,” Polly said haughtily.

Mr Lynn did not reply, but he looked almost haughty too as he passed the picture over. The silence was all wind blowing and leaves rattling, and most unfriendly. But Granny had clearly been looking out for Polly. As Polly hitched the picture under her armpit and managed to get the gate unlatched, the front door banged open. Mintchoc came out first. For some reason, she put her back and tail up and fled at the sight of them. Granny sailed out second, like a rather small duchess.

“Inside, please, both of you,” she said. “I want to know just where she’s been.”

Polly and Mr Lynn stopped giving one another haughty looks and exchanged guilty ones instead. Humbly they followed Granny indoors and through to the kitchen. There sat Nina, over a half-eaten plate of lunch, staring wide-eyed and full-mouthed. By heaving a whole mouthful across into one side of her face, Nina managed to say, “Where did you go?”

“Yes,” said Granny, crisp as a brandy-snap. “That’s what I want to know too.” She stared long and sharp at Mr Lynn.

Mr Lynn shifted the heavy pile of pictures to his other arm. His glasses flashed unhappily. “Hunsdon House,” he admitted. “She – er – she wandered in. There’s a funeral there today, you know. She – er – I thought she looked rather lost while they were reading the Will, but as she was wearing black, I didn’t gather straightaway that she shouldn’t have been there. After that, I’m afraid I delayed her a little by asking her to help me choose some pictures.”

Granny’s sharp brown stare travelled over Mr Lynn’s lean, dark suit and his black tie and possibly took in a great deal. “Yes,” she said. “I saw the hearse go down. A woman, wasn’t it? So Madam gate-crashed the funeral, did she? And I’m to take it you looked after her, Mr – er?”

“Well he
did
, Granny!” Polly cried out.

“Lynn,” said Mr Lynn. “She’s very good company, Mrs – er?”

“Whittacker,” Granny said grimly. “And of course I’m very grateful if you kept her from mischief—”

“She was quite safe, I promise you,” said Mr Lynn.

Granny went on with her sentence as if Mr Lynn had not spoken. “—Mr Lynn, but what were
you
up to there? Are you an art dealer?”

“Oh no,” Mr Lynn said, very flustered. “These pictures are just keepsakes – for pleasure – that old Mrs Perry left me in her Will. I know very little about paintings – I’m a musician really—”

“What kind of musician?” said Granny.

“I play the cello,” said Mr Lynn, “with an orchestra.”

“Which orchestra?” Granny asked inexorably.

“The British Philharmonic,” said Mr Lynn.

“So then how did you come to be at this funeral?” Granny demanded.

“Relation by marriage,” Mr Lynn explained. “I used to be married to Mrs Perry’s daughter – we were divorced earlier this year—”

“I see,” said Granny. “Well thank you, Mr Lynn. Have you had lunch?” Though Granny said this most unwelcomingly, Polly knew Granny was relenting. She relaxed a little. The way Granny was interrogating Mr Lynn made her most uncomfortable.

But Mr Lynn remained flustered. “Thank you – no – I’ll get something on the station,” he said. “I have to catch the two-forty.” He managed somehow to haul up one cuff, and craned round the bundle of pictures to look at his watch. “I have to be in London for a concert this evening,” he explained.

“Then you’d better run,” said Granny. “Or is it Main Road you go from?”

“No, Miles Cross,” said Mr Lynn. “I must go.” And go he did, nodding at Polly and Nina, murmuring goodbye to Granny, and diving through the house in big strides like a laden ostrich. The front door slammed heavily behind him. Mintchoc came back in through her cat-flap in the back door. Granny turned to Polly.

“Well, Madam?”

Polly had hoped the trouble was over. She found it had only begun. Granny was furious. Polly had not known before that Granny could be this angry. She spoke to Polly in sharp, snapping sentences, on and on, about trespassing and silliness and barging in on private funerals, and she said a lot about each thing. But there was one thing she snapped back to in between, most fiercely, over and over again. “Has nobody ever warned you, Polly,
never
to speak with strange men?”

This hurt Polly’s feelings particularly. About the tenth time Granny asked it, she protested. “He isn’t a strange man now. I know him quite well!”

It made no impression on Granny. “He was when you first spoke to him, Polly. Don’t contradict.” Then Polly tried to defend herself by explaining that she’d thought she was following Nina. Nina began making faces at Polly, winking and jerking and twisting her food-filled mouth. Polly had no idea what Nina had told Granny, and she saw she was going to get Nina into trouble as well. She said hurriedly that Mr Lynn had taken her out of the funeral into the garden.

Granny did indeed shoot Nina a look sharp as a carving knife, which stopped Nina’s jaws munching on the spot, but she only said, “Nina’s got more sense than to walk into people’s houses where she doesn’t belong, I’m glad to see. But this Mr Lynn took you back indoors again, didn’t he? Why? He must have known by then that you didn’t belong.”

Granny seemed to know it all by instinct. “Yes. I mean, no. I told him,” Polly said. And she knew it had somehow been wrong to go back into the house, even if she had not made it worse by rearranging the pictures.

She thought of Laurel’s scary eyes, and the way Mr Lynn had been careful not to explain to Laurel who Polly was, and she found she could not quite be honest herself. “He needed me to choose the pictures,” she said. “And he gave me this one for my own.”

“Let’s see it,” said Granny.

Polly held the picture up in both hands. She was sure Granny was going to make her take it back to Hunsdon House at once. “I’ve never
had
a picture of my own before,” she said. Mintchoc, who was a most understanding cat, noticed her distress and came and rubbed consolingly round her legs.

“Hm,” said Granny, surveying the fire and the smoke and the hemlock plant. “Well, it isn’t an Old Master, I can tell you that. And Mr Lynn gave it you himself? Without you asking? Are you sure?”

“Yes,” said Polly. This was the truth, after all. “It was instead of a medal for life-saving.”

“Very well,” Granny said, to Polly’s immense relief. “Keep it if you must. And you’d better get that old dress off you and some lunch inside you before it’s time for tea.”

Nina was on pudding by the time Polly was ready to eat, and Mintchoc came and stationed herself expectantly between them. Mintchoc had got her name for being frantically fond of mint-chocolate ice cream, which was what Nina had for pudding. But Mintchoc liked cottage pie too.

“It was a very respectable funeral,” Polly explained as she started on her cottage pie. “Boring really.”

“Respectable!” Granny said, plucking Mintchoc off the table.

“And I like Mr Lynn,” Polly said defiantly.

“Oh, I daresay there’s no harm in him,” Granny admitted. “But you don’t go in that house again, Polly. What kind of respectable people choose to get buried on Hallowe’en?”

“Perhaps they didn’t know the date?” Nina suggested.

Granny snorted.

Later that day Granny and Nina had helped Polly bang a picture hook into the wall and hang the picture above Polly’s bed, where she could see it when she lay down to sleep. It had hung there ever since. Polly remembered staring at it while Nina clamoured to be told about her adventures. Polly did not want to tell Nina. It was private. Besides, she was busy trying to make out whether the shapes in the smoke were really four running people or only people-shaped lumps of hedge. She put Nina off with vague answers and, long before Nina was satisfied, Polly fell asleep. She dreamed that the Chinese horse from one of Mr Lynn’s other pictures had somehow got into her photograph and was trampling and rearing behind the fire and the smoke.