Fishing the Sloe-Black River (7 page)

Kevin brings little Natalie out to the field a lot. She plays on the dirt road and sometimes climbs trees. But it scared the living daylights out of Kevin when Natalie found the rattlesnake down in the creekbed. She was six then and damn nearly got bit. I leave my Robert at home. He's just four years old and don't need to be messing around with snakes.

That Friday night we were supposed to start cutting the field. The following day we were going to cut some more, crimp it and lay it out in nice neat swaths. Then we were going to turn it so it dried evenly and, the next day, bale it. As it happened, we ended up being late with the whole deal, seeing how Kevin took the story about Stephen. At first he wasn't listening much, I was just babbling on. But then he looked at me, bug-eyed, like I'd told him the end of the world was coming.

*   *   *

Ferlinghetti got everything out of Stephen except why he gave himself up. I never seen anyone work a kid so hard for a tiny bit of information. I listened most days that I could, whenever they were out there on the bench. What I can't believe is how Stephen opened up to Ferlinghetti, telling him nearly every damn bit, but not the bit he really wanted to hear.

Once I seen Ferlinghetti hand him some Red Man, which is against the rules. It was raining pretty heavy but Ferlinghetti had himself an umbrella and they were huddled up close on the bench. I was walking over to one of the cottages and I seen him take the pack of Red Man out of his overcoat and give it to Stephen. But I do that too, sometimes. I have a can of Skoal and some kid's working with me, just dying for a dip, so you give him a pinch. It's only human. I suppose Ferlinghetti knew he could get Stephen to talk if he gave him some tobacco.

Stephen was fourteen when he did the killing, living in a trailer out near the Piney Woods. He'd been in one of them chicken-eating Baptist homes for a few years after some petty thievery, but his momma had taken him back. He'd watch a lot of TV and play with Nintendo. His momma was whoring around while his father was off out west, working the oilfields.

She was getting these pretty regular visits from this Bill Harris guy who was married and lived outside Nacogdoches. Nothing but cheap plyboard in the trailer and Stephen, he can hear all of it, the grunting and moaning and slapping and screaming. He gets mad and takes a baseball bat to Harris, who's laying in bed. He gets a couple of licks in, but Harris ups and kicks Stephen in the mouth, sending him to the hospital, where he has to get eight stitches.

Stephen gets himself out of the hospital and decides to take a visit over to Harris's wife to tell her what her husband's at. He gets on his ten-speed Huffy and rides over there. Except he gets tired halfway and decides to steal himself a truck, one of those Toyota pickups that just has
YO
on the back tailgate. He speeds on over there. This woman, Mrs. Harris, or whatever her name is, takes Stephen into her trailer. She sits him down at the kitchen table.

Stephen tells Ferlinghetti that the weird thing is that this Mrs. Harris—she's a redhead—don't even flinch when she finds out her husband's screwing around. She rises up from the table, puts her arms around Stephen, then starts rubbing her fingers up and down his chest saying thank you, thank you, thank you for telling me. Opening the buttons and all. Working her way down to his zipper. He's fourteen. Walks around all day long with a boner anyway, let alone when some old lady is doing him.

He's telling Ferlinghetti all this. That's what's killing me. He's telling Ferlinghetti about how he's getting done, how she's leaving lipstick on Russell the Love Muscle, how she looks like Woody Woodpecker down there with the red hair. Ferlinghetti lets him say things like that. Both of them look very serious, out there on the bench.

Anyway, that night Stephen goes home. Dumps the
YO
truck out on the edge of town. When he gets back Harris is gone. His momma has made him some chicken-fried steak. She never cooks normally, always eating those Sonic burgers. He sits himself down at the table and eats real slow. She asks if his mouth is hurting him, and he tells her it's all right. He sees one of Harris's bandannas outside the bedroom door, but he just walks on by it.

He gets to visiting Mrs. Harris a couple of times a week, going out there on his Huffy. Harris, he's out in the oilfields, he don't know a goddamn thing about what his wife's doing. The redhead, she's telling Stephen how cute he is and all. Making him sandwiches and iced tea. Sitting on the concrete blocks, waving to him when he leaves. Stephen, he's in hog heaven.

Anyway, Harris comes home early to his trailer one week. Nobody expecting him. Stephen is there, lying in bed with the redhead, like a regular soap opera. Harris picks him up out of the bed and slaps him around. Stephen gets beat up pretty bad again and leaves on his ten-speed. When he comes back two hours later he's got a hunting rifle, a Marlin, that he's stolen from the gun rack of a pickup. Parks the truck. Goes around the back. Stands up on the ball of the trailer, where he can look into the bedroom. Harris is there boning his wife. Stephen's done himself some hunting before and says he's an ace with the rifle on Nintendo. He shoots him straight in the forehead. Harris flops to the floor. Stephen opens the door of the trailer and tells Mrs. Harris that she should get packed, that they're leaving. He wants her to go to Florida. He's seen Florida on the TV.

Harris is still alive on the floor. Stephen wants Mrs. Harris to say, “I love you, Stephen,” in front of her old man. He's flipped out, Stephen has. And she's going plumb crazy. She's bent over her husband, sobbing. Then Stephen shouts at her: “Kiss me!” He's fourteen years old. “Kiss me!” She gets up and kisses him on the lips. Then he goes over to Harris, puts the gun down the man's throat, pulls the trigger, and kills him. He shoots Harris twice more, in the chest. All the time Mrs. Harris is just standing there, screaming.

*   *   *

Ferlinghetti, I guess he sees it as one of these mother complex things, because he's asking Stephen if he loves his mom and if he thought Mrs. Harris was his mom, that sort of thing. But, more than that, he's asking all the time what happened afterward and why Stephen gave himself up. They're sitting on the bench a couple of days a week, and he keeps coming at it all sorts of different ways. Eventually he just says it straight out.

“So, dude,”—that's what's cracking me up, this guy Ferlinghetti says “dude” and “dissing” and “cool” and “wild” and all—“why did you give yourself up to the cops?”

And Stephen, he don't say nothing. He just keeps on saying “because” over and over.

Stephen has already told him about how he ran into the forest after he shot and killed old man Harris. How the cops came and flooded the place. How he hid himself behind a tree and was just waiting for a chance to go back and ask the redhead if she wants to go to Florida. That's all he wants, to go down to the beaches with all the skinny women. How he wasn't scared of the cops, not a bit. He was sure they were going to get away. He was even going to leave a note for his mom.
Gone to Florida, see you soon.
The cops and the ambulance and the fire people are there all over the place.

At one point he gets so goddamn daring that he sneaks up to the back of the trailer and peeks in the window where the cops are taking photographs. Ferlinghetti don't believe that, I can tell, but Stephen doesn't care. He just says, what's the point in lying? I killed the man, everybody knows that.

So, he goes back into the forest. The sun is going down. He stays there a couple of hours, then just walks up to the police, who are all having coffee on the front steps of the trailer, and gives himself up.

Ferlinghetti asks again, says it's very important to him, starts giving this crap about how Stephen needs someone to respect him, that sort of thing, but Stephen still says “because.” I'm just sitting there, in the flower bed, listening to all this. Once or twice Stephen turns around and looks at me. I just look down, pretending I'm not interested.

Later that afternoon we're out there digging and raking a flower bed, me and Stephen. There's some other workers there too, but they're feeling lazy, taking a load off their feet. I'm just digging away, and Stephen, he's sort of puttering with the rake. He's got those long skinny arms. For some reason he's wearing his eyeglasses, which he don't normally do. He's got some of that brown powder stuff on his face that the kids use to cover up their zits. He looks awful sad. It takes him a long old time to pull that rake along the ground even just a little bit.

Kevin's way over on the other side of the fence, near the staff houses, weed-eating. So I'm asking Stephen what he thinks of the Cowboys and the Oilers and all, except I get to thinking that I must sound like Ferlinghetti, asking all these questions, so I stop. I don't want to sound like no shrink. I'm just turning some soil, whistling away, thinking about how that night me and Kevin are due to start work on the field. I think maybe I'll go home and get myself a big old plate of steak, maybe some of that Gatorade that keeps you going. I'm looking at the sky and thinking it may stay clear, when Stephen turns to me. He looks straight at me.

“I was scared of the dark,” he says.

First thing I'm thinking he's saying something about a darkie, which is weird since I think you only hear that word in old movies. But then I catch on. He's still looking at me, but I have no idea why he's telling me this. I ain't never asked him, but maybe he saw me listening to him and Ferlinghetti, so he figures I want to know. But he's just staring away into space. His mouth is quivering. His eyes are all red around the edges. This don't look like a boy who put a gun in a man's mouth and spilled his brains out on the floor, who stole them trucks, slept with that woman, all those things. He looks like an ordinary kid. He's just standing there, with the rake in his hands, looking out over the fence.

“I was out there in the forest and it got dark,” he says. “I'd never been in the dark like that before.”

I took to digging a little deeper in the soil and said nothing. I thought about Ferlinghetti and what he might get out of that. Stephen was scared of nothing else—not scared of killing a man, that's for sure, or stealing, or boning away whenever he got the chance. I knew it was weird. Guess he didn't have his TV or nothing out there. Guess that's what maybe he was scared of. I just nodded my head and said, I know what you mean, man, I know what you mean.

*   *   *

I'm telling Kevin all this and his face just drains. We're putting the gas in the tractor. He's holding the big red five-gallon can and I got the funnel. For some reason his hands start to shake like he's got the chills and some of that gas is spilling down the side of the tractor. “Scared of the dark,” says Kevin, repeating it over and over. He puts the last drop of gas in the tank and then he tells me that he'll be back in a moment. I see him hightail off toward my pickup and slam the door. He leaves a trail of dust on the dirt road that runs through the center of our field. I get on the tractor to fire her up, but Kevin has the keys.

So I just sit myself down on the ground and poke a little stick in a mound of fire ants and watch the little bastards scuttle. Millions of them. Once I heard someone say that the ants can build a nest that goes fifteen feet down in the ground. They can also kill a human baby if there are enough of them. They start to crawl up my boots, so I climb up on the tractor and look out over the field.

I'm thinking that it sure is getting late. I can see some red sky in the west. There's even a star up there already. The last of the buzzards are in the sky. I wonder where it is they sleep at night. One thing for sure, those crickets don't sleep. They start chirping so it sounds like a song. It's almost fully night when I look up and there is Kevin coming down the road in the pickup truck. He has his whole family with him, the whole dadgum lot, his wife Delicia, his sons Lawrence and Myron, his girl Natalie. Then I see, sitting in the back of the truck, my Ellie and Robert. Everyone's quiet. Normally they're all shouting up a storm and laughing when they get together.

Kevin gets out of the truck with this strange look on his face. He's wearing his work shirt, and the sleeves are rolled way up on his arms. His face is full of wrinkles. His eyes all serious. He gets everyone to line up at the edge of the field behind him, in a row. Ellie's in her night gown and slippers. Her hair is in curlers. Delicia, she's carrying Myron in her arms because he's so small. Lawrence has himself a football tucked under his arm. I do a little shadow boxing with Robert, but he's quiet as a mouse. That klein grass is so big that it's over all the kids' heads. Nobody's saying anything. It's all quiet. Except for the crickets.

Kevin gets me to stand at the end of the line and then he starts walking through the field. Everyone just steps on along behind him, but pretty soon he gets to jogging and we all jog after him, brushing away the grass with our hands, until he goes faster and faster and we're hightailing it through that field, the grass parting in our way. I hear the kids laughing, then Delicia gives a chuckle, then Ellie hollers something crazy. I'm holding onto Robert's hand. He's kicking at the stalks as we go. Kevin is whooping. My own body gets kind of loose and I find myself damn near dancing through the field. I haven't danced like that since the club in Giddings burned down.

Well, it must have looked plumb stupid, us running through the field like that, with our kids, when we had so much work to do. But I was stumbling along, hearing everyone laughing, holding on to my little boy, when I looked up beyond the top of the grass and saw how dark the sky had gotten, how big and heavy it was, how much it had come right down on top of us. We were laughing, but I knew right there and then what Kevin was doing. He was no fool.