Five Smooth Stones (8 page)

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Authors: Ann Fairbairn

Tags: #Fiction, #Historical, #African American, #General

BOOK: Five Smooth Stones
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At Antonelli's he had a peppermint, and Gramp bought ice cream and some cookies to take home. Later, at the table, he warily approached a question he had to ask, a question that came from the depths of a new bewilderment.

"Gramp." There was a ring of ice cream on the smooth brown of his lips, and the cookie in his hand had a half-moon bite in it.

"Don't talk with your mouth full, son." David swallowed ice cream and the bite of cookie and tried again. "Gramp, when I says my prayers I says 'God bless Gram and Gramp and Tant' Irene and ol' Miz Jefferson and the Professor and little colored children everywhere.' Don't I, Gramp?"

"Sure do, baby."

"Ain't the Professor white, Gramp?"

Li'l Joe had been expecting this one eventually. "Sometimes they's what they call exceptions, son. The Professor, now, he comes from over the water, where they got all different kinds of countries. They even speaks different languages. I mean different from what we speaks and the Creoles and French and Eyetalians speaks around here. And the people is different, way different."

David carefully put a heaping spoonful of ice cream into his mouth, the last in the plate, smoothing it, rounding it off with his lip, leaving some in the bowl of the spoon so it would last longer.

"You mean the Professor's white, but he ain't
New Orleans
white. That what you mean, Gramp?"

Li'l Joe sighed, then smiled at the boy. "Reckon you could say that, son." He pushed his half-eaten plate of ice cream across the table. "Here, baby. Finish it for me. My teeths can't stand no more of that cold."

CHAPTER 6

Bjarne Knudsen had known for a long time of the dream that sustained Joseph Champlin, that made his job with Zeke Jones bearable, that sent him out to play a gig on nights when his body ached with fatigue because he had worked at hard labor since dawn. The Professor tried to slow him down, to show him that the human body can absorb only so much without harm, but Li'l Joe would only smile and say, "Reckon I'm just hardheaded like my ma says." It was why happiness and relief brought the big Dane storming across the room to envelop his friend in a bear hug and pound him on the back when the little man said: "Looks like I found it, Prof. Looks like I found me the house and the li'l piece of property where me'n' Geneva and the chile can live, with room for my ma as long's she's alive."

Sipping beer, seated across from the Professor, Li'l Joe said: "It ain't no great shakes. And it ain't finished. Just the outside walls and the inside framework. Fellow that owned it, e's in the penitentiary. His lawyer, he's trying to get the property for his fee, but I got me a real-estate agent and we're going to work it out somehow so's I pays a down and then something every month, and after a while I gets title. I got friends'll help me work on it, musicians, fellows scratching for a dime when they ain't playing. They'll help for whatever I can pay 'em." His thin face almost vanished in a smile. "It's got gas connections and drains all in it, so's someday when I got the money we can have an inside bathroom. You want to know something, Prof? All the years of my life I been living in the great city of New Orleans, that's something I ain't
never
had."

Later he said: "Fellow what owns the house, he put an old piano in it. They calls him 'Cat.' Cat Masterson his name is. He's a real fine musician. I've heard him plenty times. It's about all he lives for, his music and his daughter. She's near fifteen but she ain't real bright. Guess they calls 'em retarded, but she's a real nice girl. That piano's the onlies' thing in the house. Ain't even no walls on the inside, but he got him a second-handed piano and put in it."

"Are you sure, Li'l Joe, he won't want it when he gets out?"

"Ain't sure of nothing except it's going to be a mighty cold day in hell the day he gets out."

"What did he do? Why is he there?" Knudsen was sorry he had asked the question the moment the words had crossed his lips. He knew now, always, the kind of answer he would get to a question like that by the way the spirit, the essence, of Li'l Joe Champlin withdrew behind a blank brown mask, behind eyes grown dull and without expression.

"Didn't do nothing you could fault him for really. Nothing more'n what any man would do. Lost his head and went after a guy for trying to force his daughter, guy what ran a laundry next door; he caught him trying to get in the bed with his daughter one night when he come home early. Heerd her screaming when he come in the courtyard. Cut the guy bad. Didn't know what he was doing, I guess. Onlies' trouble is the guy was white. They tells me, them what's got friends in the penitentiary up there, he's going queer in the head. He's got —he's got—I can't call it right, but it means he can't stand to be shut up in no small place. Now they got him in solitary."

"Claustrophobia," said the Professor. His voice was dull and sick-sounding. He ran a hand through his hair, tugged at his beard. "All right," he said. "All right, Li'l Joe. No more. For God's sake, no more. You tell me of these things that are a stench in the nostrils of humanity as though you spoke of the price of sugar. I hear what you are saying, but I cannot know what you are thinking. Perhaps I should thank God for it."

"You-all don't believe in God, remember? That's what you been saying."

"
Ja
. If I could believe in the God I learned as a child, with a long white beard who rewards the good and punishes the evil—"

"He do," said Li'l Joe. "He do. But he don't do it right now. He takes His time. He sure takes His time."

The Professor was quiet for a moment. "Ja," he said at last. "
Ja
. He does."

They discussed the work to be done, and Bjarne Knudsen relaxed and felt warmed and better as his friend rambled on happily about his plans.

"Kid Arab, he's a good plasterer," said Li'l Joe. "And Bob John—he plays trombone and piano—he's a pretty fair carpenter if you can keep him away from a bottle, and my son, Evan, when he ain't in trouble, works for a roofer. Far's that goes, I could do most of it myself in the evenings, but it would take a helluva long time, and then the short days coming on and all. These men all scratching when they ain't working. If we keeps that down payment low, I got enough put by to pay 'em, long with what I makes."

***

They worked as fast as they could, with Li'l Joe breathing down their necks and outworking them all during his off-work hours. Evan Champlin got the better part of the roofing work done at the start of the job. Now that John was dead, Evan was the only living child of Joseph Champlin's first marriage; a daughter had died in childhood. "He ain't a bit of good," Li'l Joe would say morosely, speaking of his son. "He ain't a bit of good. His mother done ruint him." When word came that Evan would be unavailable because he was doing thirty days, Li'l Joe cursed roundly and wound up saying, "Damfool woman." When Bob John commented that there wasn't nothing surer than a woman to get a man in trouble, Li'l Joe said: "It ain't like you mean. Evan never was one to get hisself in trouble over no woman. He's got a good wife, a real good wife. It's his ma. If I says it myself, that boy's a helluva boxer. He won more fights than any boxer in his class round here. Didn't he whup Sammy Nelson twice— and he's champeen now? But it ain't no good sticking round New Orleans if you going to get any place fighting. Ain't no future round here where a colored boy can't fight a white boy. They too scared the colored boy's going to whip the white boy, knock him out maybe, then they won't be soopreme no more. Evan, he got a fine chance to leave from here and fight up North, and his mother raised such a sand he didn't go. Carried on and had herself heart attacks and Gawd knows what. Now he ain't going no place but the jail-house, doing his fighting in the bars and on the street."

The night the house was finished to the point that it was judged fit to live in, Li'l Joe came home in no state to go into details. Geneva did not nag. Before he fell asleep he managed to tell her how he had slipped on the roof and hung, dangling, kicking wildly, cussing like five hundred, until Bob John and Kid rescued him. After that they had celebrated. Which was obvious.

The next day was Sunday, and Geneva let him sleep late, shushing David, running him out into the courtyard to play. At late breakfast Li'l Joe told her how the house looked, how it was finished except for the inside doors and a window here and there still boarded up. He had not wanted her to see it until it was ready, and she had not pressed him to take her over. Now he said:

"You get that chile ready, Neva, and fix us some sandwiches. We going over there so's you can see the place. I'll get us some beer. Ain't no stove yet to fix coffee on."

"We got the Thermos."

Li'l Joe winced. He had always contended that Geneva stole the Thermos, and Geneva always denied it, then contradicted herself by saying: "They away over the water. You think they going to miss it when they come back? You needs a hot drink or some soup, working on them docks in the cold and rain. They'da give it to me anyway." She would laugh her quick, abrupt laugh. "After one of them kids broke it and it didn't work good no more, they'da give it to me then."

***

"How you like it, Neva? Suits you, I'm satisfied."

Geneva had not spoken since they had walked up the path to the front door and stepped inside. "Everything's fine," she said. "Everything's just fine."

There were no more words to say; she had said all she could from a full heart. As she walked through the empty house, the long narrow front room, the small dining room behind it and the big kitchen beyond, turned and walked back into the little hall off the dining room with its small bedrooms at each end and what would be the bathroom in its center, she was remembering the first time she had lain all night with the man who was now her husband, remembering waking in the night and reaching for him, not seeking passion but just his presence. I was happy that night, she thought. First time I'd been real happy since I'd growed up. And I'm happy now like I was then.

***

"You got the privy built?"

"Shucks, we done that first thing."

Li'l Joe had never been demonstrative, but now he put his arm around his wife's waist and, holding her body close to his, led her to the back porch.

"See?" he said, pointing to the far end of the backyard. "Can't no wind blow that down. And you just looka there. Bob John, he scrounged some used brick and I laid us a path so's we won't have to walk through no mud and wet to get to it like we does now. But you wait. We keep saving and I gets some used tile. I know where I can get it real cheap. Mebbe I can even get it free if I does some work for the man. Then I lays it in the bathroom. Later we can get us a tub and a basin and a toilet. I can get them secondhanded real cheap too from the same guy."

He looked down at the wide-eyed child who had followed them and who stood now holding his hand.

"That day come and we has a tub, you'n' me going to have a time, li'l man; we going to have a
time."

Geneva was looking at the new privy and at the clean brick path that led to it, and her throat was tight.

"Everything's fine," she whispered again. "Everything's just fine. Just the way it is—"

***

Now grass and brown earth were under David Champlin's bare feet every day; there were flowers to pick and bring to his grandmother, and she showed him what peppergrass looked like and where it grew, and he brought it to her to cook. The fat brown dog came almost every day, and they rolled and played together in the grass and undergrowth. There were so many children in the old frame house across the road that David thought it must be a school, like the big building near where they had lived in the French Quarter. After a few days they straggled over, one by one, and did what Gram called "made themselves acquainted." Their name was Timmins, and there were as many different complexions as there were children, from the jet-black, skinny boy who had come over the first day Gramp brought them to the house, to the youngest girl, whose skin was creamy and whose brown hair curled loosely, softly, not in tight kinks. Miz Timmins, their mother, who had brought a pot of coffee over the first day they moved in, was tall and as skinny for a woman as Gramp was for a man, with black skin and big teeth that stuck out in front, and a way with her with a child that soon placed her next to Pop and Miz Emma Jefferson in David's affections. David puzzled for a while about a conversation he overheard one night, between his grandparents, after he'd said his prayers and was supposed to be asleep.

"Sure an ugly woman," said Gramp.

"She's real friendly," said Gram defensively.

"That's a fact," said Gramp. "That's sure a fact. Wonder which one of them kids' daddies was named Timmins."

"Angelina's," said Gram. "She the oldest. Miz Timmins said that was her
first
husband's name. Them other kids carries the name, too."

Gramp said something David could not catch; then Gram said, "Can't see as it makes much difference."

"I ain't saying it does."

"She's a mighty kind woman. She going to get David in Sunday school with her chilren and she's going to take me to church with her next Sunday. She says they got a fine choir for singing. That's what I likes in a church, plenty singing. Don't seem real somehow without the singing, letting out with the way you feels."

***

The only furniture in the house was the piano, tuned now by a friend of Gramp's and moved into the dining room, and what they had brought from the rooms in the Vieux Carre: Tant' Irene's old rocking chair, the two kitchen chairs, and the two rickety tables, the big bed and David's cot, and a battered wooden icebox. They had been there a year before Li'l Joe could have the house wired for electricity, and the pride of his life was the small overhead light in the front room with the pink glass shade Geneva had brought home from a secondhand store.

On the days when Geneva worked she took David with her and left him with Pop and Emma Jefferson or with the Ambrose Jeffersons. If they both worked late, David slept at Miz Emma's, and she took care of him as she would have taken care of the child she had never had. On the way home on the ferry at night with Gram and Gramp, he usually slept. Most nights, as he drifted into sleep there would be the half-dream first, of the wide water with silver light shimmering over its dark surface and the sound of many voices on its banks, singing.

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