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Authors: Carol Plum-Ucci

Following Christopher Creed

BOOK: Following Christopher Creed
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Table of Contents

Title Page

Table of Contents

Copyright

Dedication

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

TWENTY-SIX

TWENTY-SEVEN

TWENTY-EIGHT

Copyright © 2011 by Carol Plum-Ucci

All rights reserved. For information about permission to reproduce selections
from this book, write to Permissions, Houghton Mifflin Harcourt
Publishing Company, 215 Park Avenue South, New York, New York 10003.

Harcourt is an imprint of Houghton Mifflin Harcourt Publishing Company.

www.hmhbooks.com

Text set in Minion Pro.

Library of Congress Cataloging-in-Publication Data
Plum-Ucci, Carol, 1957-
Following Christopher Creed / Carol Plum-Ucci.
p. cm.
Summary: Legally-blind college reporter Mike Mavic hopes to get a story
about a body found in Steepleton, believed to be that of long-missing teen Christopher
Creed, but finds something odd about the town, including
Justin Creed's obsessive drive to learn what really happened to his older brother.
ISBN 978-0-15-204759-7
[1. Investigative journalists—Fiction. 2. Reporters and reporting—Fiction.
3. Missing persons—Fiction. 4. Brothers—Fiction. 5. Emotional
problems—Fiction. 6. Blind—Fiction. 7. People with disabilities—Fiction.
8. Mystery and detective stories.] I. Title.
PZ7.P7323Fol 2011
[Fic]—dc22
2011009600

Manufactured in the United States of America
DOC
10 9 8 7 6 5 4 3 2 1
4500301559

TO STEFFI

ONE

I
T HAPPENED ON A DARK AND STORMY NIGHT.
I'm a sucker for stories starting like that. I like it even better when it's true. I said as much to my girlfriend, RayAnn, as she cut the engine, and we were left with the sounds of drumming raindrops on the roof and a surge of wind through the forest. Finally she leaned over me and opened the passenger door of our borrowed car.

"I'll stay here," she said.

I heaved my backpack over one shoulder, trying to size up the distance between us and a couple of flashlights bobbing in what appeared to be a crowd.

"Thought you wanted to be an
investigative
journalist," I lectured.

"Can I write about a bank robbery before I do a dead body?"

I got out, saying, "You can do anything you want.
God bless America ... land that
I—"

Lanz, from the back seat, started panting and whining. I patted his head.

"Stay," I told him as I stepped into the rain and slammed the car door.

The forest trail was wide up to the crime scene tape holding back a group of people with flashlights. I stooped under the tape and kept going. The last ten yards were treacherous—uphill and full of bramble, which, fortunately, kept me from skimming backwards. I crept up to a second crime scene tape surrounding a gaggle of orange ponchos where portable floodlights beamed onto the ground. We were maybe a quarter mile behind Torey Adams's house, I knew, from the map on his website.

Adams launched
ChristopherCreed.com
four years ago, about a year after Chris disappeared during their junior year at Steepleton High School. They hadn't been friends, but Adams needed to make sense out of Chris's disappearance. Creed hadn't had any friends. Since its launch, lots of visitors have become site fans, including me and RayAnn. Adams is a budding musician in L.A. now who doesn't post much anymore and doesn't respond to interview requests.

I haven't been a reporter for long. In fact, some would say that because I write for a college newspaper and I'm only a junior, I'm not actually a reporter. I'm a
pretend reporter,
that's what they would say.
Whatever.
I know a good potential story when I hear it. I've been following this one for four years. I know when it's finally time to sell my laptop to buy a plane ticket.

I had already won my blowout with Claudia Winston, our editor in chief, a first-year grad student and equal parts bluster and brains. This morning she tore around the office demanding to know why I was stupid enough to bail on covering the Spring Formal, which would force her into it because all the other reporters were going, and I know she hates dances. She reminded me loudly that the newspaper has no budget for replacing laptops of imbeciles who sold them to report on crimes that have nothing to do with Randolph University or our newspaper, the
Exponent.
I told her that if she prints this holy mess, Associated Press will buy it, no question. My name and "of the
Randolph Exponent
" will be in every paper across the country, and she'll be famous as my editor. Like I said, I know what I'm doing.

I think.

It took the cops a couple minutes to realize that I was not one of them, because I also was wearing an orange police poncho, which an Indiana state trooper gave me last fall when I was covering a car accident in a blinding rain storm. It explains why nobody stopped me, nobody bothered me. Finally an officer noticed my backpack. It says
RANDOLPH
on it in bright yellow letters.

"No one past the crime scene tape but FBI and Steepleton law enforcement," he snapped, and I tried to pull my eyes from the neon skeleton to look at him. A spotlight shone on it. The skull was less than half uncovered, the angle telling me the head had been turned to the side when the dirt was thrown on top. One eye socket gazed nowhere and everywhere, and muddy teeth were bared in a forever-silent scream. No raindrops were hitting it, and I realized that we were under a tarp. The skeleton was still buried from the waist down, with one visible arm extended out to the side slightly. An officer was digging carefully—sweeping, in fact, making short, patient swipes. The arm bone appeared to be wrapped in muddy, leafy, woodsy remains of some sort of fabric. The officer was nowhere near the feet yet. Torey Adams said in four different places on his website that Christopher Creed had always worn Keds. I looked down where the feet might be, and, seeing only the mud of a homemade grave, laughed at my uneasiness.

I took off my glasses, reached under my poncho, and rubbed the raindrops off them with my T-shirt, biding for time. I put them back on my face and took one last glance at the corpse, even as I turned my polite grin to the officer, because my dark glasses allow me to do stuff like that. My eyes can pick up a lot when bright light is shed on something in the dark.

"I'm Mike Mavic. Reporter. I called this morning." I stuck out my hand for the officer to shake, but he only glared into my dark glasses. I was used to stares and let my polite grin remain. "I called and talked to, um..." I reached nervously into my pocket, pulled out a piece of paper where I'd written down the name, and held it out.

He snatched it up and held a flashlight deep under the tarp so rain wouldn't devour the ink. "You talked to Chief Rye?"

"That's right. This morning. I've interviewed different police officers over the past six months. Rye said I could come."

The officer moved away toward a hulking poncho holding an upside-down shovel that looked to me like the staff of Moses. The figure was on the other side of the corpse. I kept my head high but my eyes lowered. I could see a lot in this light. I saw the chest coming clean—four rib bones, and I heard curses as little pieces of fabric kept getting stuck in the broom utensil.

Chief of Police Doug Rye had a booming voice, despite his whispering.

"Some legally blind guy ... college paper somewhere near Chicago ... just some friendly geek ... stay, so long as he doesn't..."

The officer eventually walked back around the body and spoke close to my ear. "He can't talk to you right now. He wants you to stand where you are. Don't move, don't come any closer to the remains."

"Sure. Thanks."

I waited patiently as the broom picked up mud but managed to leave a mangle of that fabric on the bottom rib.

I'll tell a truth here that could get me in trouble if people knew, because not even my boss Claudia realizes this:
Legally blind
is a huge term, and it basically means I don't see well enough to drive and I can get scholarships for blind people.
I'm not as blind as I make myself out to be.

I lost most of my vision when I got cracked in the head with a baseball my first week at college, playing in a dorm scrimmage. Most people's vision, including frontal and peripheral span, runs about twenty-five feet, side to side. After two failed corrective surgeries, my entire vision screen is seven inches wide. About four inches of that is in black and white, and I lose everything for two to three seconds if I turn my head too fast. If I don't wear shades, I see "twinkles" outlining things, so I wear them almost always. Funsville. But I make sure to count my blessings every day, because I could be taking meals through a tube while examining the back of my hand all day and finding that amusing. Life is excellent or life blows, depending on how you look at it.

I can actually see well enough to navigate around campus without Lanz, but I like Lanz. We understand each other. I usually take him for the fun of it, but when I don't, I'm in no danger of walking dead-on into a tree, though I've done it to get politically correct girls to feel sorry for me. I can't always see whole faces in one close-up frame—
but I can see eyes.
I can tell by people's eyes whether they're smiling or happy or depressed or judgmental or sober or high—whether drug-infested people are on uppers or downers. Light reflects in eyes, and when that's all you can take in at once, they tell you a lot.

This officer's eyes told me he felt sorry for me and wanted to help out a blind college dude who's pudgy enough to get winded climbing a small hill and who smiles even in the rain. If I were some sobering
New York Times
reporter, he'd have told me to can it and go wait with the local goons.

Don't get me wrong: I'm basically an honest person. But I want to be a journalist like any good Roman priest wants to be pope, and the truth is, people tell you more when they think you're a blind reporter. I don't know why that is, but I'll take every advantage I can get. I live to get that goddess of a story. Soon, I want to send one of my crime pieces to
Salon.com
and have the editors say, "Move that piece of garbage off the homepage and make room for Mike Mavic. The guy's so talented it's scary." I will be a happy man when my words make people laugh and cry aloud.

"You came pretty far pretty fast," the officer said.

"I've been following this story since the beginning."

"One of those, huh?" he said, letting out a short laugh. "You relate to Chris Creed or something? If so, you're not the first college student to show up here wanting to write about him."

That was deflating, but not enough to give me pause. "Chris and I were born in the same year. I also ran from an unhappy home, leaving younger siblings, and I was picked on in school by the 'pops.' That's short for
popular kids,
back in my hometown." I think the runaway part was what got him staring. Most kids who related to Chris and wrote as much on Adams's site had been picked on. A few were runaways also, but not many.

"Jesus, I didn't know there were that many Creed-type families out there," he said, sidling up to me and saying in a low voice, "or, off the record, that many Sylvia Creeds to run from."

"Actually, there are thousands of mothers like that," I said, grinning slightly wider. He'd have known that if he read all the posts on the ChristopherCreed site. "Walmart could market voodoo dolls of the Mother Creed and make a bloody fortune off sons born to some unfortunate likeness."

"The Mother Creed?" He snickered. "That's what you Web fans call the poor woman?"

"Actually, that's a personal ID. You like?"

"Not bad, for a writer." He yawned and didn't try to hide it. "We just found the body this morning. I've been standing here ever since, guarding, waiting for the FBI to show up for this dig, which didn't happen until four. Wish I had duck feet. How'd you hear about this corpse so quickly?"

"Luck," I said. "I checked Torey Adams's website again today. This is the first update he's made in five months."

"Mmm ... his parents must have called him."

I turned and looked back at the flashlights of onlookers. "Do you think they're part of that crowd back there?"

"I doubt it. Not the types. Chief Rye will call Vic and Susan Adams when he gets back to the office, and a few choice others. Those back there are ... the folks with nothing better to do, you know?"

"Yeah." I laughed soberly. "I know."

BOOK: Following Christopher Creed
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