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Authors: Olga Grushin

Tags: #Fiction, #Literary, #Contemporary Women, #Family Life

Forty Rooms (28 page)

BOOK: Forty Rooms
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On the last night of their visit, Mrs. Caldwell went up to her son’s room. She knocked before entering, but it was a cursory knock: she had left Eugene foraging for a snack in the kitchen, and assumed the room empty. She had misplaced her glasses earlier that evening, and rather suspected that she had forgotten them on his nightstand, resting in the crook of his book, which she had leafed through in a surreptitious moment. All through his stay, she had made mildly disparaging comments about his choice of reading matter whenever she had caught him absorbed in it, and was now hoping to retrieve her glasses before he stumbled upon them, as she preferred to conceal her curiosity about the novel. Secrets, even minute, trivial ones, did not come easy when one was nearing fifty, burdened as one was with failing eyesight and increasing absentmindedness.

The telltale glasses were indeed there, on her son’s bedside table, sprawled with abandon across the open pages of Olga’s most recent book. She did not, however, notice the glasses, because Adriana was lying in a come-hither pose on top of Eugene’s faded Star Wars duvet, naked but for a tiny triangle of black lace between her startlingly white thighs. That much she had time to glimpse, her hand frozen on the doorknob, Adriana’s inviting smile frozen on her lips, before the girl began to scramble madly, grabbing for her clothes, crying, “Mrs. Caldwell!”

“I’m so sorry!” Mrs. Caldwell cried in turn, and, leaping back into the hallway, slammed the door shut. Once outside, she stood staring at the doorknob. Twenty-some years before, from the other side of a slammed door, she had assumed that Mrs. Caldwell—the original Mrs. Caldwell of the tweed suit, the pearl necklace,
and the rigid haircut—had felt shock and distaste when coming upon her in a similar state of undress; yet she herself felt neither. She was saddened by the loss of the room where stuffed hedgehogs had lived in the shadow of a peeling solar system, and, at the same time, relieved that her bookish, abstracted boy was progressing through life’s stages in a manner befitting a self-sufficient adult male. Then, too, she could not help feeling a bit jealous at being supplanted in her son’s affections, as well as fleetingly bitter—because at her age of forty-six she knew that she would never again inspire that tug of desire in a man, because her days of lolling about in skimpy lingerie had been over before she had known to treasure them fully . . .

And every single one of these feelings is a cliché, she thought as she stood in the hallway, staring and staring at the doorknob. In our youth we believe ourselves so unique and our stories so original, yet we are all stuck running like hamsters on the wheel of time, all acting in the same play, and the roles of the play stay the same, only the actors switch places: one minute you are an ingénue charming an affable heir—the next, a matron used for comic relief in a scene of which you are no longer the protagonist. Emma Caldwell must have known it, just as this lovely girl will know it in her own Mrs. Caldwell moment two or three decades from now.

And yet maturity offered other consolations, so much so that Mrs. Caldwell supposed she would choose not to relive her twenties if presented with the option. Among the varied advantages of middle age, you knew enough to accept being ordinary and to find much comfort in it, just as you knew enough to recognize the clichés for what they were and be able to laugh at them. For of course
the thing was funny, too funny. She waited another minute, twisting and retwisting her string of pearls. All was silent within the room now, but she sensed that the girl was standing still on the other side of the door, straining to hear the sound of retreating footsteps. Poor thing, she must be mortified, thought Mrs. Caldwell; but she too will learn to take life lightly, given time.

With a slight sigh, she turned and walked down the hall, making sure to stomp, debating whether to find Eugene and allude to the incident. But she suspected that the girl would keep quiet about it, just as she herself had kept quiet about her mishap nearly a quarter of a century before; and in any case, by the time she reached her bedroom she had already set her heart on a long, lazy soak with an aromatic candle and a glass of red wine, and so let the matter rest.

Family life was fraught with minor embarrassments, and some things were better forgotten.

34. Living Room

The Antique Mirror

The Steinway had made her anxious—would the angles of the room accommodate it, she had wondered on more than one sleepless night—but when the movers stepped aside, she breathed a sigh of relief.

“Almost done, ma’am,” said the man with the chipped front tooth. “Are you sure you don’t need help unpacking the boxes? We can do it in five minutes flat and haul away all the trash for you.”

“No, no,” she said, “just set them down here, I’ll go through them myself.”

She was rather looking forward to unearthing all the treasures from their padded cocoons. Again she glanced at her watch, impatient for the men to leave; she had only two hours remaining until the first of the school buses returned. The electrician, she saw, had just finished with the last sconce. It would all be ready by the time Paul came home.

“Well, all right, then,” said the man with the tooth. “If everything is to your satisfaction, sign on the line here, please . . . Ah now, thank you, ma’am, your kindness is much appreciated.”

Alone at last, she slit the boxes open, taking a quick inventory—silver here, china there, lampshades separate from the lamps, everything as it should be. She set to work. As she handled the precious objects, inspecting them one by one with subdued flurries of something approaching delight, her thoughts drifted and she found herself wondering about time. Like a train taking off from a station, which, after an initial leisurely stretch, starts gathering speed, time now passed more and more quickly, and the landscapes outside the windows flickered with increasing vagueness until merging at last into an indistinct blur, perceived in the most general of terms: a city, a field, a forest—school projects, home projects, the dizzying succession of holidays and birthdays, the smooth running of the household, the middle span of middle age—until life just flew by, reduced to unmemorable and unremembered, albeit pleasant, routine brightened by discrete flashes of rare events. (And “brightened” was really the wrong word, Mrs. Caldwell reproved herself as she discarded the last empty box; for at her age the events themselves had become predictable and rather sad, consisting mainly of departures: the younger generation setting off toward life, the older generation leaving in the opposite direction, for regions unknown, the middle generation seeing off both, struggling to stay in place amidst the flux.) Did it not seem like mere months since they had shared that happy Thanksgiving meal with Paul’s mother? Yet here they were, five years later, and Emma was gone, and the Caldwells’
stately ancestral furniture had just been installed in her own living room.

The living room was her concession to Paul’s grief. The Caldwells’ New England house had been sold and most of its contents auctioned off, but his parents’ living room held a special place in Paul’s childhood memories, and he had wished to preserve it in its entirety, down to every candlestick on every table, every cushion on every chair, every photograph on every console, all of which had thus been carefully dismantled, boxed up, and dispatched to them in a behemoth of a truck. Some weeks earlier, in preparation for its eventual arrival, Mrs. Caldwell had stripped her own meticulously assembled living room bare. She had been sad to see her lamps and pictures dispersed and swallowed up by random corners of the house, and her adored green sofa carted off altogether; but, sensitive to Paul’s feelings, she raised no objections, of course, despite being quite upset every time she chanced to glimpse the dismaying eyesore of a void gouged out at the heart of her beautiful home.

Yet now, as she stood surveying the handsome new layout of the room, she had to admit that the overall effect was rather pleasing. The dark mahogany antiques lent an air of blue-blood distinction. She found herself, to her surprise, loving the faded Aubusson rug, the richly tasseled French draperies, the magnificent collection of Cecilia Caldwell’s Meissen in the ceiling-high buffet; and the enormous Venetian mirror in its eighteenth-century frame made her feel almost giddy. She paused before it now, smiling at her well-coiffed, recently blond reflection—and was startled to see a tall, dusky shape rise behind her. For the duration of one
wild heartbeat, she imagined that the mirror held an olive-skinned gypsy in swirls of fiery skirts, but when she swung around, the vision resolved into Mrs. Simmons in her somber widow’s clothes, standing just past the threshold, her old-fashioned black handbag in the crook of her arm.

“I didn’t hear you come in!” Mrs. Caldwell exclaimed with a flustered laugh. She had forgotten that it was a Thursday, had thought herself alone in the house. “You move like a cat. Are you on your way out?”

Paying no heed to Mrs. Caldwell’s question, the housekeeper in turn studied the room. “It looks different,” she said at last, her austere, thin-lipped, long-nosed face without expression. “The furniture is fancier. And there is more of it.”

“This is really a memorial to Paul’s parents,” said Mrs. Caldwell.

Her heart still had not subsided all the way.

Keeping firm hold on her bag, Mrs. Simmons walked over to a painting on the far wall, touched the top edge of its gilded frame, peered at her darkened finger.

“Lots of new knickknacks to dust,” she said.

Mrs. Caldwell noted disapproval in her housekeeper’s voice. On Mondays and Thursdays, ten to two, it would indeed fall to Mrs. Simmons to do the dusting, and Mrs. Caldwell felt a light itching of guilt, which, however, she was able to dismiss with relative ease: Mrs. Simmons received more than adequate wages.

“I’m certain it can be managed,” she said, a little dryly.

Without looking at her, Mrs. Simmons moved about the room, prodding here, poking there. “Do you ever wonder why it is so hard for the rich to enter the kingdom of heaven?” she suddenly
said. Mrs. Caldwell stared at her. “It’s because the rich have so little time. Time, you know, is what you give up to own all the things you own. Because every new thing you let into your life eats a tiny bit of your life away. The rugs need cleaning, the chairs upholstering, the silver polishing, the china washing—and even if you do none of it yourself, maids and handymen need supervising and keeping in line.”

“I believe I’ve always treated you with fairness,” Mrs. Caldwell said stiffly. She had never heard Mrs. Simmons offer any opinions on anything other than household matters, or say more than a few words at a time, and she was beginning to feel quite appalled.

Mrs. Simmons did not appear to have heard her. “So the more things you have,” she continued, and her ordinarily imperceptible accent came and went, making some of her words sound harsher, more foreign, “the faster your time runs through your fingers. In case you were ever wondering why that was. And then you have no time left to think about things that are distant and hard. Like God. Or death. Or poetry.” Mrs. Caldwell looked at her sharply, but the old woman seemed busy inspecting the sconces. “Well, but it must be worth it to you, or things would be different.”

Completing the circle of the room, she stopped in front of the mirror.

“What—what do you mean by that, Mrs. Simmons?” Mrs. Caldwell managed.

“Please, I’m no more Mrs. Simmons than you are Mrs. Caldwell,” the housekeeper said with growing irritation. “And you know perfectly well what I mean.”

For a moment their eyes met within the silvery pool of the
priceless mirror. In spite of the old woman’s ill-tempered tone, her direct black gaze held no strife, only sadness and, underneath, some vast, vast disappointment. Mrs. Caldwell saw what the old woman was seeing—a plump, beautifully dressed forty-eight-year-old blonde with large pearls in her ears; the blonde’s painted mouth appeared to be working in soundless outrage, chewing, chewing on itself . . .

Mrs. Caldwell’s eyes thrashed and leapt away, like two slippery fish twisting free of their hooks and falling back into the rippled depths.

The old woman shrugged and, turning away, began to rummage through her monstrous black bag. “I’ve watched you for years and years, you know. And every day I kept expecting you to do something different. Just waiting for you to wake up one day and say: Now. Today. But you didn’t, and you haven’t, and you won’t. I must have misread your fortune, happens to the best of us—”

Mrs. Caldwell drew herself tall. Even at full height, she was a good head shorter than the old woman. “You forget yourself,” she said.

“No, I fear it’s you who forgot yourself,” said Mrs. Simmons, not glancing up from her bag. “Well, tell the children I love them. Especially Celia. She’s a bright little spirit, I’ll miss her. I’ll miss them all. Now, where in the world did I put them—”

“Are you giving notice, Mrs. Simmons?”

“Yes, I believe I am, Mrs. Caldwell . . . Ah, there they are. I will leave them right here for you.”

Mrs. Caldwell lunged to intercept the keys before they scratched the surface of the seventeenth-century table, and caught
herself in mid-motion, and drew back, biting her lip. The old woman was looking straight at her, and her face was severe, and her eyes young and knowing. Mrs. Caldwell grew hot inside.

“I will send you your monthlong severance by mail,” she said.

“Good-bye,” said Mrs. Simmons whose name was not Mrs. Simmons.

Mrs. Caldwell heard the front door open and close, but she did not move to see the housekeeper off. She was shaking. There had been an instant when their eyes had met within the mirror and she had felt
seen
—and felt, too, that in that one instant she had seen herself, seen herself with an absolute, pitiless clarity, and had found herself lacking, and had shrunk back from the fullness of her knowledge.

She turned to the mirror.

Had her longing for art and beauty somehow, without her noticing, become a longing for Aubusson rugs and Venetian mirrors? Or had it been that all along? Had her first-grade teacher been right after all—had her childhood yearning for a fairy-tale palace been nothing but bourgeois rot? Was that why she had chosen to trade her home, her language, her aging parents, for the land of walk-in closets and golden faucets? Was that why she had left the man she had left, and married the man she had married? And later, after her marriage had become what it became, was that why she had not let her husband go, binding him tighter to herself with yet another child?

BOOK: Forty Rooms
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