Franny and Zooey (14 page)

    "All right, take it easy, take it easy."

    "I can't take it easy! You make me so mad! What do you think I'm doing here in this crazy room--losing weight like mad, worrying Bessie and Les absolutely silly, upsetting the house, and everything? Don't you think I have sense enough to worry about my motives for saying the prayer? That's exactly what's bothering me so. Just because I'm choosy about what I want-- in this case, enlightenment, or peace, instead of money or prestige or fame or any of those things --doesn't mean I'm not as egotistical and self-seeking as everybody else. If anything, I'm more so! I don't need the famous Zachary Glass to tell me that!" Here there was a marked break in her voice, and she began to be very attentive to Bloomberg again. Tears, presumably, were imminent, if not already on the way.

    Over at the writing table, Zooey, pressing down heavily with his pencil, was filling in the "o"s on the advertisement side of a small blotter. He kept this up for a little interval, then flipped the pencil toward the inkwell. He picked up his cigar from the lip of the copper ashtray where he had placed it. It was now only about two inches in length but was still burning. He took a deep drag on it, as if it were a kind of respirator in an otherwise oxygenless world. Then, almost forcibly, he looked over at Franny again. "Do you want me to try to get Buddy on the phone for you tonight?" he asked. "I think you should talk to somebody--I'm no damn good for this." He waited, looking at her steadily. "Franny. What about it?"

    Franny's head was bowed. She appeared to be searching for fleas in Bloomberg's coat, her fingers very busy indeed turning back tufts of fur. She was in fact crying now, but in a very local sort of way, as it were; there were tears but no sounds. Zooey watched her for a full minute or so, then said, not precisely kindly, but without importuning, "Franny. What about it? Shall I try to get Buddy on the phone?"

    She shook her head, without raising it. She went on searching for fleas. Then, after an interval, she did reply to Zooey's question, but not very audibly.

    "What?" Zooey asked.

    Franny repeated her statement. "I want to talk to Seymour," she said.

    Zooey went on looking at her for a moment, his face essentially expressionless--discounting a line of perspiration on his rather long and singularly Irish upper lip. Then, with characteristic abruptness, he turned back and resumed filling in "o"s. But he put down the pencil almost immediately. He got up from the writing table--rather slowly, for him--and, taking his cigar stub with him, reassumed his one-foot-up stance at the window seat. A taller, longer-legged man--any one of his brothers, for example-- might have put his foot up, might have made the stretch, with greater ease. But once Zooey's foot was up, he gave the impression of sustaining a dancer's position.

    At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.

    Franny, busy with several folds of Kleenex, looked at him. "Well, I'm sorry," she said, "Can't I blow my nose?"

    "You finished?"

    "Yes, I'm finished! My gosh, what a family. You take your life in your hands if you just blow your nose."

    Zooey turned back to the window. He smoked briefly, his eyes following a pattern of concrete blocks in the school building. "Buddy once said something reasonably sensible to me a couple of years ago," he said. "If I can remember what it was." He hesitated. And Franny, though still busy with her Kleenex, looked over at him. When Zooey appeared to have difficulty in remembering something, his hesitation invariably interested all his brothers and sisters, and even held some entertainment value for them. His hesitations were almost always specious. Most of the time, they were direct carry-overs from the five undoubtedly formative years he had spent as a regular panelist on "It's a Wise Child," when, rather than seem to flaunt his somewhat preposterous ability to quote, instantaneously and, usually, verbatim, almost anything he had ever read, or even listened to, with genuine interest, he cultivated a habit of furrowing his brow and appearing to stall for time, the way the other children on the program did. His brow was furrowed now, but he spoke up rather more quickly than was customary under the circumstances, as though he sensed that Franny, his old co-panelist, had caught him at it. "He said that a man should be able to lie at the bottom of a hill with his throat cut, slowly bleeding to death, and if a pretty girl or an old woman should pass by with a beautiful jug balanced perfectly on the top of her head, he should be able to raise himself up on one arm and see the jug safely over the top of the hill." He thought this over, then gave a mild snort. "I'd like to see him do it, the bastard." He took a drag on his cigar. "Everybody in this family gets his goddam religion in a different package," he commented, with a notable absence of awe in his tone. "Walt was a hot one. Walt and Boo Boo had the hottest religious philosophies in the family." He dragged on his cigar, as if to offset being amused when he didn't care to be. "Walt once told Waker that everybody in the family must have piled up one helluva lot of bad karma in his past incarnations. He had a theory, Walt, that the religious life, and all the agony that goes with it, is just something God sicks on people who have the gall to accuse Him of having created an ugly world."

    A titter of audience appreciation came from the couch. "I never heard that," Franny said. "What's Boo Boo's religious philosophy? I didn't think she had any."

    Zooey said nothing for a moment, and then: "Boo Boo's? Boo Boo's convinced Mr. Ashe made the world. She got it from Kilvert's 'Diary.' The schoolchildren in Kilvert's parish were asked who made the world, and one of the kids answered, 'Mr. Ashe.'"

    Franny was delighted, and audibly so. Zooey turned and looked at her, and--unpredictable young man--made a very dour face, as though he had suddenly eschewed any and all forms o£ levity. He took down his foot from the window seat, parked his cigar end in the copper ashtray on the writing table, and came away from the window. He moved across the room slowly, hands in his hip pockets, but not without some direction in his mind. "I should get the hell out of here. I've got a lunch date," he said, and immediately stooped to make a leisurely and proprietary examination of the interior of the fish tank. He tapped on the glass with his fingernail, importunately. "I turn my back for five minutes and everybody lets my black mollies die off. I should've taken them to college with me. I knew that."

    "Oh, Zooey. You've been saying that for five years. Why don't you go buy some new ones?"

    He went on tapping on the glass. "All you college snips are the same. Hard as nails. These weren't just any black mollies, buddy. We were very close." So saying, he stretched out on his back on the carpet again, his slight torso fitting in rather tightly between the 1932 Stromberg-Carlson table radio and an overfilled maple magazine stand. Again only the soles and heels of his brogues were visible to Franny. However, no sooner was he stretched out than he sat bolt upright, his head and shoulders suddenly propelled into view, with somewhat the macabre-comic effect of a corpse falling out of a closet. "Prayer's still going, eh?" he said. Then he dropped back out of sight again. He was still for a moment. Then, in an almost unintelligibly thick Mayfair accent: "I'd rather like a word with you, Miss Glass, if you've a moment." The response to this, over at the couch, was a distinctly ominous silence. "Say your prayer if you want to, or play with Bloomberg, or feel free to smoke, but give me five minutes of uninterrupted silence, buddy. And, if possible, no tears at all. O.K.? You hear me?"

    Franny didn't answer straightway. She brought her legs in closer to her, under the afghan. And gathered in the sleeping Bloomberg somewhat closer to her, too. "I hear you," she said, and drew her legs in still closer to her, as a fortress draws up its bridge before the siege. She hesitated, then spoke up again. "You can say anything you want if you don't get abusive about it. I just don't feel like a workout this morning. I mean it."

    "No workouts, no workouts, buddy. And if there's one thing I never am, it's abusive." The speaker's hands were folded benignly on his chest. "Oh, a little brisk sometimes, yes, when the situation warrants. Abusive, never. Personally, I've always found that you can catch more flies with--"

    "I mean it, now, Zooey," Franny said, more or less addressing his brogues. "And I wish you'd sit up, incidentally. Every time all hell breaks loose around here, it seems very funny to me that it always comes from that spot right where you're lying. And you're always the one that's there. C'mon, now. Just please sit up."

    Zooey closed his eyes. "Fortunately, I know you don't mean that. Not deep down. We both know, deep in our hearts, that this is the only piece of hallowed ground in this whole goddam haunted house. This happens to be where I used to keep my rabbits. And they were saints, both of them. As a matter of fact, they were the only celibate rabbits in the--"

    "Oh, shut up!" Franny said, nervously. "Just start, if you're going to. All I ask is that you at least try to be a little bit tactful, the way I'm feeling right now--that's all. You are without a doubt the most tactless person I've ever known in my life."

    "Tactless! Never. Outspoken, yes. High-spirited, yes. Mettlesome. Sanguine, perhaps, to a fault. But no one has ever--"

    "I said tactlessl" Franny overrode him. With considerable heat, yet trying not to be amused. "Just get sick sometime and go visit yourself, and you'll find out how tactless you are! You're the most impossible person to have around when somebody's not feeling up to par that I've ever known in my life. If somebody just has a cold, even, you know what you do? You give them a dirty look every time you see them. You're absolutely the most unsympathetic person I've ever known. You are!"

    "All right, all right, all right," Zooey said, with his eyes still closed. "Nobody's perfect, buddy." Effortlessly, by softening and thinning his voice, rather than by raising it to a falsetto, he gave what was to Franny a familiar and always realistic imitation of their mother passing along a few cautionary words: "We say many things in heat, young lady, that we don't really mean and are very sorry for the next day." Then, instantly, he frowned, opened his eyes, and stared for several seconds at the ceiling. "Firstly," he said, "I think you think I have intentions of trying to take your prayer away from you or something. I don't. I do not. You can lie on that couch reciting the preamble to the Constitution for the rest of your life, as far as I'm concerned, but what I am trying--"

    "That's a beautiful start. Just beautitul."

    "Beg pardon?"

    "Oh, shut up. Just go on, go on."

    "What I started to say, I have nothing against the prayer at all. No matter what you think. You're not the first one who ever thought of saying it, you know. I once went to every Army & Navy store in New York looking for a nice, pilgrim-type rucksack. I was going to fill it with bread crumbs and start walking all over the goddam country. Saying the prayer. Spreading the Word. The whole business." Zooey hesitated. "And I don't just mention it, for God's sake, to show you I was once an Emotional Young Person Just Like Yourself."

    "Why do you mention it, then?"

    "Why do I mention it? I mention it because I have a couple of things I want to say to you, and it's just possible I'm not qualified to say them. On the ground that I once had a strong desire to say the prayer myself but didn't. For all I know, I may be a little jealous of your having a go at it. It's very possible, in fact. In the first place, I'm a ham. It may very well be that I hate like hell to play Martha to somebody else's Mary. Who the hell knows?"