Frieda Klein 2 - Tuesday's Gone (51 page)
The cat picked its way through the debris and walked into the living room at the front of the house. An arm lay outstretched in the doorway; the hand was plump and firm with nails cut short and a gold band on the fourth finger. The cat sniffed at it, then gave the wrist a cursory lick. It half climbed on to the body, in its sky-blue blouse and its black work trousers, digging its claws purringly into the soft stomach. Wanting attention, it nuzzled against the head of warm brown hair that was greying now and tied back in a loose knot. There were small gold studs in the ear lobes. There was a thin chain and locket round the neck. The skin smelt of roses and something else. The cat rubbed its body against the face and arched its back.
After a while, it gave up and went to sit on the armchair to wash itself, for its coat was matted now and sticky.
Dora Lennox walked slowly back from school. She was tired. It was Wednesday and she had double science last lesson, then swing band in the after-school club. She played the saxophone – badly, splitting notes, but the music teacher didn’t seem fussy. She had only agreed to go because her friend Cam had persuaded her, but now Cam didn’t seem to be her friend any more, and whispered and giggled with other girls who didn’t have braces, weren’t skinny and shy but bold and curvy, with black lacy bras and shiny lips and bright eyes.
Dora’s rucksack, heavy with books, bumped on her back; her music case swung against her shin; and the plastic carrier bag – bulging with cooking utensils and a tin of scorched scones that she’d made in food tech that morning – was splitting. She was glad to see their car parked near the house. It meant her mother was home. She didn’t like coming back to an empty house, with all the lights off and a grey hush to every room. Her mother put life into things: the dishwasher rumbling, maybe a cake in the oven or at least a tin of biscuits laid out ready for her, the kettle boiling for tea, a sense of ordered bustle that Dora found comforting.
As she opened the gate and walked up the short, tiled garden path, she saw that the front door was open. Had she arrived just after her mother? Or her brother, Ted? She could hear a sound as well, a pulsing electronic sound. As she got closer she saw that the small frosted-glass window, just to the side of the door, was broken. There was a hole in the glass and it bulged inwards. As she stood looking at the strange sight, she felt something on her leg and looked down. The cat was rubbing against her, and Dora noticed that she had left a rusty stain on her new jeans. She stepped into the house, letting her bags slide to the floor. There were shards of glass from the window on the hall floor. That would need to be fixed. At least it hadn’t been her. It was probably Ted. He broke things all the time: mugs, glasses, windows. Anything fragile. She could smell something as well. Something burning.
‘Mum, I’m home!’ she called.
There was more mess on the on the floor – the big family photograph, her mother’s bag, bits and pieces strewn around. It was as if a storm had blown through the house, dislodging objects and tossing them. Dora briefly saw her reflection in the mirror that hung above the table: small white face, thin brown plaits. She walked through to the kitchen where the smell was strongest. She opened the door of the oven and smoke poured out like a hot breath, making her cough. She took an oven glove, lifted the baking tray from the top shelf and put it on top of the stove. There were six charred shrunken black discs on the tray. Utterly ruined. Her mother sometimes made biscuits for after school. Dora closed the door and switched off the gas. Yes, that was it. The oven had been left on and the biscuits had burned. The alarm and the smoke had scared Mimi and she had run around breaking things. But why had the biscuits burned?
She called out again. She saw the fist on the floor in the doorway, fingers slightly curled, but still she went on calling, not moving. ‘Mum. I’m home.’
She walked back out into the hall, still calling. The door to the front room was slightly open. She saw something inside, pushed against the door and stepped into the room.
‘Mum?’
At first, stupidly, she saw splashes of red paint on the far wall and the sofa and great daubs of it on the floor. Then her hand flew to her mouth and she heard a small moan coming up her throat, then widening out in the terrible room, becoming a shriek that went on and on and wouldn’t stop. She put her hands against her ears to block out the sound but now it was inside her. Not paint, but blood, streams of blood and then a dark, dark lake near the thing lying at her feet. An arm out-flung, a watch on the wrist that still told the time, a comfortable body in a blue shirt and black trousers, one shoe half off. All that she knew. But the face wasn’t a face any longer, because one of its eyes was gone and its mouth was shattered and shouted noiselessly at her through a spit of broken teeth. One entire side of the head was caved in and blistered with blood and gristle and bone, as if someone had tried to destroy it.
Not too much to ask, is it? It was in 1935 when Allen Lane, Managing Director of Bodley Head Publishers, stood on a platform at Exeter railway station looking for something good to read on his journey back to London. His choice was limited to popular magazines and poor-quality paperbacks – the same choice faced every day by the vast majority of readers, few of whom could afford hardbacks. Lane’s disappointment and subsequent anger at the range of books generally available led him to found a company – and change the world.
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Sir Allen Lane, 1902–1970, founder of Penguin Books
The quality paperback had arrived – and not just in bookshops. Lane was adamant that his Penguins should appear in chain stores and tobacconists, and should cost no more than a packet of cigarettes.
Reading habits (and cigarette prices) have changed since 1935, but Penguin still believes in publishing the best books for everybody to enjoy. We still believe that good design costs no more than bad design, and we still believe that quality books published passionately and responsibly make the world a better place.
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First published 2012
Copyright © Joined-Up Writing,
2012
Map of the River Tyburn © Michael Hill at Maps Illustrated, 2012
The moral right of the author has been
asserted
Cover Image ©
Steve Atkins Photography / Alamy
All rights reserved
ISBN: 978-0-141-96401-0
