Fury (16 page)

“You always did have an ugly turn of phrase,” Solanka said, wincing. He changed the subject. “About Sara? Talk about rising from the grave. What cemetery did you find her in?” “Oh, the usual,” Rhinehart replied tightly. “Southampton.” His ex-wife, Solanka learned, had at the age of fifty married one of the richest men in America, the cattle-feed tycoon Lester Schofield III, now aged ninety-two, and on her recent, fifty-seventh, birthday had instituted divorce proceedings on the grounds of Schofield’s adultery with Ondine, a Brazilian runway model of twenty-three. “Schofield made his billions by working out that what’s left of a grape after making grape juice would make a great dinner for a cow,” Rhinehart said, and moved into his most exaggerated Uncle Remus manner. “And now yo’ ole lady she done had de same idea. She puttin’ de big squeeze on him, I reckon. Gwine en’ up bein’ dat well-fed heifer hersel’.” All over the Eastern seaboard, it seemed, the young were climbing onto the laps of the old, offering the dying the poisoned chalice of themselves and causing nine kinds of havoc. Marriages and fortunes were foundering daily on these young rocks. “Miz Sara gave an interview,” Rhinehart told Solanka, much too merrily, “in which she announced her intention of chopping up her husband into three equal parts, planting one on each of his major properties, and then spending a third of the year with each, to express her appreciation for his love. You lucky to ‘scape old Sara when you were po’, boy. Dat Bride of Wildenstein? Dat Miz Patricia Duff? Dey doan’ even come close in de Divo’ce Tympics. Dis lady get de gol’ medal, she’ nuff. Perfesser, she done read her Shakespeare. “There were rumors that the whole thing was a cynical sting operation-that, in short, Sara Lear Schofield had put the Brazilian swan up to it-but no proof of any such conspiracy had been found.

What was the matter with Rhinehart? If he was as deeply satisfied as he claimed, both with his own divorce and with
1’afaire
Neela, why was he veering at such breakneck speed between sexual crudity-which, in fact, was very much not his usual style-and this clumsy Sara Lear material? “Jack,” Solanka asked his friend, “you really are okay, right? Because if. . .” “I’m fine,” Jack interrupted in his most stretched, brittle voice. “Hey, Malik? Dis here’s Br’er Jack, girlfrien’.
Bawn an’ bred in a briar patch. Chill
.”

Neela Mahendra called an hour later. “Do you remember? We met during that football game. The Dutch thrashing Serbia.” “They still call it Yugoslavia in football circles,” Solanka said, “on account of Montenegro. But yes, of course I remember. You’re not that easy to forget.” She didn’t even acknowledge the compliment, receiving such flattery as a minimum: her merest due. “Can we meet? It’s about Jack. I need to talk to someone. It’s important.” She meant immediately, was used to men abandoning, when she beckoned, whatever plans they had made. “I’m across the park from you,” she said. “Can we meet outside the Metropolitan Museum in let’s say half an hour?” Solanka, already worried about his friend’s well-being, more worried as a result of this phone call, and-yes, very well!-unable to resist the summons from gorgeous Neela, got up to go, even though these had become his day’s most precious hours: Mila’s time. He put on a light overcoat-it was a dry but overcast and unseasonably cool day-and opened the apartment’s front door. Mila stood there with his spare key in her hand. “Oh,” she said, seeing the coat. “Oh. Okay.” In that first instant, when she’d been taken by surprise, before she had time to gather herself, he glimpsed her face naked, so to speak. What was there, without question, was disappointed hunger. The vulpine hunger of an animal denied its-he tried not to think the word, but it forced its way in-its prey.

“I’ll be back soon,” he said lamely, but she had recovered her composure now, and shrugged. “No big deal.” They went through the outside door of the building together and he walked rapidly away from her, toward Columbus Avenue, not looking around, knowing that she’d be with Eddie on the neighboring stoop, angrily sticking a thirsty tongue down his bemused, delighted throat. There were posters everywhere for
The Cell,
the new Jennifer Lopez movie. In it, Lopez was miniaturized and injected into the brain of a serial killer. It sounded like a remake of
Fantastic Voyage,
starring Raquel Welch, but so what? Nobody remembered the original. Everything’s a copy, an echo of the past, thought Professor Solanka. A song for Jennifer: We’re living in a retro world and I am a retrograde girl.

11

“In the future, sure theen’, they don’t listen no more to this type talk radio. Or, jou know wha’ I theen’? Porhap’ the radio weel listen to ass. We’ll be like the entortainmon’ and the machines weel be the audien’, an’ own the station, and we all like work for them. -”Yo, listen up. Dunno what jive sci-fi crap of Speedy Gonzalez there was handin’ out. Sound to me like he rent
The Matrix
too many times. Where I’m sittin’ the future plain ain’t arrive. Ever’thin’ look the same. I mean the exact same shinola goin’ down all over. Ever’body in the same accommodation, gettin the same education, doin’ the same recreation, looknn’ for the same ... ploymentation. Check it out. We gettin’ the same bills, datin’ the same girls, goin’ to the same jails; gettin’ paid bad, laid bad’n made bad, am I right? That would be cor-recto, sefior. And my radio? It come wit’ a on-off switch, daddy-o, and I turn that sucker off anytime I choose. =“Boy, does he don’ get eet. That guy jus’ now, he dori get eet so bad he won’t see eet comin’ till eet sittin’ on his face. Jon better wise up, hermano. They got machine now eat food for fuel, jou hear that? No more gasoline. Eat human food like jou an’ me. Pizza, chili dog, tuna melt, whatev’. Pretty soon Mr. Machine gonna be takin’ a table in a restauran’. Gonna be, like, gimme the bes’ booth. Now jou tell me what’s the differen’? If eet eatin’, eet alive, I say. The future here, man, right now, jou better watch jou butt. Pretty soon Mr. Live Machine gonna be comin’ for that employmentation jou talkin’ ‘bout, maybe for jour pretty girlfrien’ too....... “Hey, hey, my paranoid Latino friend, Ricky Ricardo, I missed the name, but slow down, Desi, okay? This here’s not that communist Cuba you escaped from in yo’ rubber boat an’ got sanctuary in the land of the free . . .” “Don’ insul’ me, please, now. I’m sayin’ please, because I was raise polite, no? The brother here, how he’s call, Senor Cleef Hoxtaboo’ or Mr. No Good from the ‘Hood, maybe bees mother never tol’ heem right, but we goin’ out live on air here, we talkin’ to the whole metro region, less keep eet clean.”---”Can I get in here? Excuse me? I’m listening to all this?, and I’m thinking, they have electronically generated TV presenters now?, and there’s dead actors selling motor vehicles?, Steve McQueen in that car?, so I’m more with our Cuban friend?, the technology scares me? And so in the future?, like, will anyone even be thinking about our like needs? I’m an actress?, I work mainly in commercials?, and there’s this big SAG strike?, and for months now I can’t earn a dollar?, and it doesrit stop one single spot going on air?, because they can get Lara Croft?, Jar Jar Binks?, they can get Gable or Bogey or Marilyn or Max Headroom or HAL from 2001?”-”I’m going to interrupt, ma’am, because we’re out of time and this is something I know a lot of people feel strongly about. Can’t blame cutting-edge technological innovation for the fix your union’s got you in. You chose socialism, union made your bed, now you’re lying in it. My personal take on the future? You can’t turn back the clock, so go with the flow and ride the tide. Be the new thing. Seize the day. From sea to shining sea.”

Sitting on the steps of the great museum, caught in a sudden burst of slanting, golden afternoon sunlight, scanning the Times while he waited for Neela, Professor Malik Solanka felt more than ever like a refugee in a small boat, caught between surging tides: reason and unreason, war and peace, the future and the past. Or like a boy in a rubber ring who watched his mother slip under the black water and drown. And after the terror and the thirst and the sunburn there was the noise, the incessant adversarial buzz of voices on a taxi driver’s radio, drowning his own inner voice, making thought impossible, or choice, or peace. How to defeat the demons of the past when the demons of the future were all around him in full cry? The past was rising up; it could not be denied. As well as Sara Lear, here in the TV listings was Krysztof Waterford-Wajda’s little Ms. Pinch-ass back from the dead. Perry Pincus-she must be, what, forty by now-had written a tell-all book about her years as the eggheads’ premier groupie,
Men with Pens,
and Charlie Rose was talking to her about it this very night. Oh poor Dubdub, Malik Solanka thought. This is the girl you wanted to settle down with, and now she’s going to dance on your grave. If tonight it’s Charlie “Tell me what sort of qualms this project gave you, Perry; as an intellectual yourself, you must have had serious misgivings. Say how you overcame those scruples”-then tomorrow it’ll be Howard Stern: “Chicks dig writers. But then, a lot of writers dug this chick.” Halloween, Walpurgisnacht, did indeed seem to be early this year. The witches were gathering for their sabbat.

Yet another story was being half told behind his back; another stranger’s fairy tale of the city poured into his defenseless ear. “Yeah, it went great, honey. No, no problems, I’m en route to the trustees’ meeting, that’s why I’m calling you on my cell. Conscious all the time, but doped-up, sure. So, semiconscious. Yeah, the knife comes right at your eyeball, but the chemical assistance makes you think it’s a feather. No, no bruising, and let me tell you it’s amazing what my visual world now contains. Amazing grace, yeah, good one. Was blind but now I see. Really. Look at all this stuff out here. I’ve been missing so much. Well, think about it. He really is the laser king. I asked around a lot as you know and the same name kept coming up. A little dryness is all, but that goes away in a few weeks, he says. Okay, love ya. I’ll be home late. What can you do. Don’t wait up.” And of course he turned around, of course

he saw that the young woman was not alone, a man was nuzzling at her even as she flipped her cell phone shut. She, gladly allowing herself to be nuzzled, met Solanka’s eye; and, seeing herself caught in her lie, beamed guiltily, and shrugged. What can you do, as she had said on the phone. The heart has its reasons, and we are all the servants of love.

Twenty minutes to ten in London. Asmaan would be asleep. Five and a half hours later in India. Turn the watch upside down in London and you got the time in the town of Malik Solanka’s birth, the Forbidden City by the Arabian Sea. That, too, was coming back. The thought filled him with dread: of what, driven by his long-sealed-away fury, he might become. Even after all these years it defined him, had not lost any of its power over him. And if he finished the sentences of that untold tale? ... That question must be for another day. He shook his head. Neela was late. Solanka put down his newspaper, pulled a piece of wood and a Swiss Army knife out of an overcoat pocket, and began, with complete absorption, to whittle.

“Who is he?” Neela Mahendra’s shadow fell across him. The sun was behind her, and in silhouette she looked even taller than he remembered. “He’s an artist,” Solanka replied. “The most dangerous man in the world.” She dusted off a spot on the museum steps and sat down beside him. “I don’t believe you,” she said. “I know a lot of dangerous men, and none of them ever created a credible work of art. Also, trust me, not a single one of them was made of wood.” They sat there in silence for a while, he whittling, she simply still, offering the world the gift of her being in it. Afterward Malik Solanka, remembering their first moments alone together, would dwell particularly on the silence and stillness, on how easy that had been. “I fell in love with you when you weren’t saying a word,” he told her. “How was I to know you were the most talkative woman on earth? I know a lot of talkative women and, trust me, compared to you, every single one of them was made of wood.”

After a few minutes he put the half-finished figure away and apologized for being so distracted. “No apology required,” she said. “Work is work.” They got up to make their way down the great flight of steps toward the park, and as she rose, a man slipped on the step above her and rolled heavily and painfully down a dozen or more steps, narrowly missing Neela on his way down; his fall was broken by a group of schoolgirls sitting screaming in his way. Professor Solanka recognized the man as the one who had been necking so enthusiastically with the mobile-phone prevaricator. He looked around for Ms. Cell Phone, and after a moment spotted her storming off uptown on foot, hailing off-duty cabs that ignored her angry arm.

Neela was wearing a knee-length mustard-colored scarf dress in silk. Her black hair was twisted up into a tight chignon and her long arms were bare. A cab stopped and expelled its passenger just in case she needed a ride. A hot dog vendor offered her anything she wanted, free of charge: “Just eat it here, lady, so I can watch you do it.” Experiencing for the first time the effect about which Jack Rhinehart had been so vulgarly effusive, Solanka felt as if he were escorting one of the Met’s more important possessions down an awestruck Fifth Avenue. No: the masterpiece he was thinking of was at the Louvre. With a light breeze blowing the dress against her body, she looked like the Winged Victory of Samothraki, only with the head on. “Nike,” he said aloud, puzzling her. “It’s who you remind me of,” he clarified. She frowned. “I make you think of sportswear?”

Sportswear was certainly thinking of her. As they turned into the park, a young man in running clothes approached them, rendered positively humble by the force of Neela’s beauty. Unable to speak directly to her at first, he addressed himself to Solanka instead. “Sir,” he said, “please don’t think I’m trying to hit on your daughter, that is, I’m not asking for a date or anything, it’s just that she is the most, I had to tell her”-and here at last he did turn toward Neela -- “to tell you, you’re the most . . .” A great roaring rose in Malik Solanka’s breast. It would be good now to tear this young man’s tongue out from that vile fleshy mouth. It would be good to see how those muscled arms might look when detached from that highly defined torso. Cut? Ripped? How about if he was cut and ripped into about a million pieces?
How
about if I ate his fucking heart?

He felt Neela Mahendra’s hand come to rest lightly on his arm. The fury abated as quickly as it had risen. The phenomenon, his unpredictable temper’s rise and fall, had been so rapid that Malik Solanka was left feeling giddy and confused. Had it really happened? Had he really been on the verge of tearing this super-fit fellow limb from limb? And if so, then how had Neela dissipated his anger-the anger to combat which Solanka sometimes had to lie in darkened rooms for hours, doing breathing exercises and visualizing red triangles-by the merest touch? Could a woman’s hand really possess such power? And if so (the thought offered itself to him and would not be denied), was this not a woman to keep by his side and cherish for the rest of his haunted life?

He shook his head to clear it of such notions and returned his attention to the unfolding scene. Neela was giving the young runner her most dazzling smile, a smile after receiving which it would be best to die, for the rest of life was sure to be a big letdown. “He isn’t my father,” she told the smile-blinded wearer of sportswear. “He’s my live-in lover.” This information struck the poor fellow like a hammer blow; whereupon, to underscore the point, Neela Mahendra planted on the still-befuddled Solanka’s unprepared but nevertheless grateful mouth a long, explicit kiss. “And, guess what?” she panted, coming up for air to deliver the coup de grace. “He’s absolutely fantastic in bed.”

“What was
that?”
a flattered, more than somewhat overcome Professor Solanka asked her dizzily after the runner had departed, looking as if he were off to disembowel himself with a blunt bamboo stick. She laughed, a great wicked cackle of a noise that made even Mila’s raucous laughter seem refined. “I could see you were on the edge of losing it,” she said. “And I need you here right now, paying attention, and not in a hospital or jail.” Which explained about eighty percent of it, Solanka thought as his head stopped whirling, but didn’t fully translate the meaning of everything she had been doing with her tongue.

Jack! Jack! he reproved himself The subject for this afternoon wa Rhinehart, his pal, his best buddy, and not his friend’s girlfriend tongue, no matter how long and gymnastic it was. They sat on a bench near the pond, and all around them dog walkers were colliding wit trees, Tai Chi practitioners lost their balance, roller-bladers smashed into one another, and people out strolling just walked right into th pond as if they’d forgotten it was there. Neela Mahendra gave no sign o noticing any of this. A man walked past with an ice cream cone, which owing to his sudden but comprehensive loss of hand-to-mouth coordination, completely missed his tongue and instead made contact, messily, with his ear. Another young fellow began, with every appearance of genuine emotion, to weep copiously as he jogged by. Only the middle-aged African-American woman sitting on the next bench (who am I calling middle-aged? She’s probably younger than I am, Solanka thought disappointedly) seemed impervious to the Neela factor as she ate her way through a long egg salad hero, advertising her enjoyment of every mouthful with loud
mmms
and
uh-huhs.
Neela, meanwhile, had eyes only for Professor Malik Solanka. “Surprisingly good kiss, by the way,” she said. “Really. First class.”

She looked away from him, across the shining water. “It’s over between Jack and me,” she went on quickly. “Maybe he already told you. It’s been over for a while. I know he’s your good friend, and you should be a good friend to him at this time, but I can’t stay with a man once I lose respect for him.” A pause. Solanka said nothing. He was replaying Rhinehart’s last phone call and hearing what he had missed: the elegiac note beneath the sexual boasting. The use of the past tense. The loss. He didn’t push Neela for the story. Let it come, he thought. It’ll be here soon enough. “What do you think about the election?” she asked, making one of the dramatic conversational tacks to which Solanka would soon enough become accustomed. “I’ll tell you what I think. I think the American voters owe it to the rest of the world not to vote for Bush. It’s their duty. I’ll tell you what I hate,” she added. “I hate when people say there’s no difference between the candidates. That Gush-and-Bore stuff is getting so old. It makes me hopping mad.” Not the moment, Solanka thought, to confess his own guilty secrets. Neela wasn’t really expecting a reply, however. “No difference?” she cried. “How about, for example,
geography?
How about, for example, knowing where my poor little homeland is on the damn map of the world?” Malik Solanka remembered that George W. Bush had been ambushed by a journalist’s crafty question during a foreign policy Qand-A one month before the Republican convention: “Given the growing instability of the ethnic situation in Ldliput-Blefuscu, could you just indicate that nation to us on the map? And what was the name of its capital city again?” Two curve balls, two strikes.