Futuristic Violence and Fancy Suits (9 page)

She was already heading for the door. These people seemed nice but she thought there was no way they'd walk away from five million dollars when it was between that and fending off a bunch of high school dropouts with military-grade weapons looking to create a shootout for their Blink show. She yanked open the door of the trailer—

Standing there, blocking the view of everything beyond, was an enormous bald, black man in a suit that was an expanse of dark pinstripes around a white shirt and a bright purple tie. She had seen him before—he was part of the entourage of fancy suits who had showed up at the train station with Will Blackwater. He was one of her father's men.

 

NINE

“My name is Andre Knox, and I'm alone and unarmed,” he said, politely but with some urgency. “If you want to frisk me, I'll let you, but you got to hurry because there's a lot of me and we don't got much time. And don't be alarmed if I get aroused.”

Zoey made no move to do this, so instead the man opened his jacket, showed there were no guns dangling in holsters, then lifted the tail and gave a twirl, to show no weaponry was stuck down his pants. The interior of his suit jacket was the same garish purple silk as his tie. He faced Zoey again and looked past her, at the nervous men standing behind her. He nodded and splayed his hands, as if to confirm that everyone agreed he was unarmed.

He straightened his lapel and said, “Now, I know that assurances mean nothing from a stranger, even one with as honest a face as mine, but I got reason on my side. You do know why we need you, right?”

“The thing with the vault. It has to scan my head to unlock.”

“That's right. And it only works if you're alive, it will not unlock for a dead brain, by design. That means that my associates and I care more about keeping you alive than perhaps anyone on earth, aside from you and your momma. As far as assurances go, that's about as good as you're gonna get in this town.”

Zoey met the huge, brown eyes of the man, then glanced back at Rico and his crew.

She said, “I'll go along on one condition. I want it made official that the guy behind me caught me and brought me in. His name is Rico Hierra. I want him to get the bounty.”

“Done.”

“The five million, I mean.”

“Done. Come on.”

Rico started to voice a nervous objection behind her, but she was already moving, Andre ushering her along toward an elegant black sedan. He opened the passenger-side door for her and she plopped into a leather seat that immediately conformed to her lower back and butt, like sitting in a punchbowl full of jello. Without her touching a thing, the seat raised her up and forward two inches. The dashboard lights blinked on and a navigation overlay on the windshield made it look like the road in front of her was glowing yellow, tracing the route they would take. Zoey nervously looked behind her—through the rear window she saw headlights bouncing across the construction site, headed right toward them. The van of the heavily armed freelancers who called themselves the League of Badass was coming to collect the bounty that would make their careers.

Andre glanced back at them and said, “You mind if we lose them first?”

“I … guess not?”

“Hold on.” Andre picked up a coffee cup from the console and sipped it, then said to the car, “Bentley, lose these guys.”

The Bentley was way, way better at car chases than Zoey's half-dead Toyota had been. The sedan launched itself down the dirt lane wrapping around the rear of the toppled building. They were rolling across ruts and gravel and debris, but no bumps or even noises made it into the interior of the car. Floating along, a bubble of luxury isolated from the world. One of the crazies behind them leaned out of the van and fired a machine gun, little gleaming brass shells twirling away into the night. Zoey yelped but Andre just sighed and sipped his coffee. A spray of bullets left a row of little spiderweb marks on the rear window. As Zoey watched, the wounds in the glass healed themselves, the circular cracks shrinking to white pinpricks before disappearing completely. The Bentley found the street along the park and merged into traffic, dodging in and out of taxis and scooters and garish custom vans.

Andre sniffed and said, “What's that smell? That your cat?”

“He has some kind of skin problem.”

“You don't look hurt, but I should've asked you anyway. Are you hurt?” She shook her head. Andre continued, “Now, this is perfectly understandable, but I'm thinkin' you misconstrued what occurred on the train. Will is the best negotiator I've ever known, and you got to understand that to have any chance, he needed to get on the scumbag's side.”

“Right. Just like you're trying to get on my side now.”

The Bentley smoothly took a corner at top speed, the rear wheels sliding, then regaining traction and launching them forward again. Andre had to momentarily pause his coffee drinking.

Behind them, the van tried to take the same curve and flipped over, smashing through a storefront. Zoey was disappointed that the van didn't explode into a fireball like in old action movies, but that was one of the downsides of electric car technology. Andre glanced back, satisfied at the outcome, then settled back into his seat and rubbed his Whopper head.

He said, “My point is, none of that stuff on the train was supposed to happen. We sent a car, like we told you on the phone. We couldn't come up with a limo, but we sent a nice sedan. Not as nice as this one but still a better ride than the train. Car showed up, you weren't there.”

She shrugged. “I didn't know if I could trust you. Still don't. I wanted to find my own way.”

“I guess there's no point in tellin' you why we didn't want you to do that? Seems pretty apparent now, right?”

“Because you offered every violent nutjob in America a huge pile of money to find me?”

“Well, in fairness to us, the moment word got out about the vault situation, some of the city's shadier characters put out a contract to bring you in. Our contract was simply us tryin' to outbid them. We were telling the truth, though. The city really is the safest place for you. You saw for yourself, the bad guys own cars and maps and your daddy's place has a hell of a lot better locks than your trailer.”

“Why not leave me out of it completely? Why couldn't that man just leave me alone?”

“The only one who could answer that question is no longer with us. And his passing, well, it has thrown things into turmoil. More than you know, even. If on the day of the Lord's judgment you want to find your daddy and punch him in the gut, I'll hold his arms back while you do it.”

“So this vault has, what? All his money in it?”

“Rich people don't actually have big physical piles of cash they keep around. Especially somebody like your daddy. He's got stocks, bonds, commodities, and land on top of land, far as the eye can see. Plus there's offshore accounts, shell corporations, Lord knows what else. And I mean literally, only the Lord knows. What's in the vault are … other assets. That's probably all I should say.”

“So it is criminal stuff.”

“You really didn't keep up with news about your daddy at all? He was a pretty famous dude.”

“No, I avoided all mention of him like the plague.”

“Well, he wasn't as bad as you think. Mostly he just owned land. Got in on the ground floor of Tabula Rasa, he owns a lot of them towers downtown, half the casinos, all of them housing developments out east—we're talkin' land that doubles in value every six months. And it's all legit. He was kind of the Bugsy Siegel of Tabula Rasa.”

“I don't know who that is, but don't bother trying to sugarcoat Arthur Livingston. I know he ran prostitutes. It's how he met my mom. I know he skated on prosecution over and over because the witnesses disappeared.”

“All that was true in his youth, I don't deny it. But he was tryin' to get out of all that. He was a big political donor, ran a bunch of charities. We're mostly just the real estate now.” There was a pause, and Andre sipped his coffee. “Mostly.”

“So you get enough dirty money and you can just spend yourself clean?”

“Well … yeah. This suit is Hugo Boss. That's not just the name of a brand, it's the name of a dude—a German dude who got his start making uniforms for the Nazis. Ferdinand Porsche—as in, the fancy sports cars—same thing. I could take you back home to South Carolina and show you the fancy homes of rich folk who got rich six generations ago off slave labor. And guess what—they're still rich.”

“It's weird how you think those examples are supposed to make me feel better.”

“System don't care how you feel about it. It is what it is. Bentley, take us home.”

The car confidently followed the glowing path in the windshield and soon the city gave way to suburbs and the suburbs gave way to the rich people enclave of Beaver Heights, which featured a golf course and palatial mansions with sprawling lawns and imposing fences. They followed a winding road designed to prevent anyone from driving faster than fifteen miles an hour, until they arrived at a massive wrought-iron gate set into stone pillars carved into the shape of dragons.

The moment they rolled to a stop, a holographic woman in stripper garb appeared outside Andre's door. Ornate glowing letters appeared across the gate that read
“
C
ASA DE
A
SS
-A.”

Andre rolled down his window and the holographic stripper said, “Welcome, visitor! I'm Candi! Sorry I'm not decent, I accidentally locked myself out of the house wearing nothing but
this tiny thong
. Mr. Livingston says he wants to know who's here, and what size kimono you wear.”

To Zoey, Andre said, “It's a recording.” To the stripper he said, “Andre Knox with Zoey Livingston.”

“Ashe.”

“Sorry. Zoey Ashe.”

A moment's pause. The stripper looked into the air as if she was hearing instructions, and then said, “Arthur says he will see you now. And he wants to see
all
of you, if you know what I mean. Please leave your inhibitions at the door.”

The stripper vanished and the gate slid open. Zoey said, “This is going to seem like kind of an odd question, but was Arthur Livingston thirteen years old?”

Andre grinned and said, “Take a look around the world, girl. Men don't never grow up. Get a bunch of us together with no ladies around and it's all boner jokes and headlocks. Your daddy just had enough money that he didn't have to hide it like the rest of us.”

The Bentley drove itself through the gates and instantly a million points of colored light exploded into view. The cobblestone drive wound through a sprawl of manicured landscaping that at the moment was nothing but a support system for a constellation of Christmas lights. Every twenty feet or so along the path was a statue of a knight holding a sword, each wearing a red Santa Claus hat. The path was circling around a sprawling enclosure housing two white Siberian tigers, one gnawing on some huge hunk of meat that Zoey hoped was not a human being. As they neared the end, they passed a life-size Christmas nativity scene in which the traditional figures had been replaced with characters from
Die Hard
. Finally the Bentley floated to a stop in front of a huge, dignified mansion that had clearly been designed and built by someone other than Zoey's father, a sprawling Gothic thing that would be referred to as Something Manor in one of those old movies about English aristocrats.

“This house is a hundred years old, but has only been sitting on this plot of land for five. It was originally on the north shore of Long Island, the Gold Coast. Arthur had it shipped across the country and reassembled here, brick by brick.”

Andre led the way up to a pair of massive charcoal gray metal doors that were decorated with an etching depicting a tangle of nude women.

“Those doors are solid bronze. They weigh seven tons. Each.”

The huge doors swung squeakily open for them as they approached, Zoey following Andre and cradling Stench Machine. Standing at the door was a terrifyingly thin, balding man in butler clothes who look about two hundred years old.

“Welcome back, Andre. A pleasure to meet you, Ms. Ashe.”

Andre nodded toward the man and said, “Zoey, this is Carlton.”

They entered a cavernous foyer, at the center of which was a Christmas tree easily four times as tall as Zoey. Carlton led them around the tree, shoes clicking on the marble tile, toward a dual grand staircase that split off to opposite wings of the mansion. On the landing at the top of the stairs they were suddenly accosted by a ghost, rising from the floor in an eerie bluish glow. Zoey almost tumbled backward down the stairs, and Stench Machine thrashed in her arms. The ghost was a hologram of Jacob Marley from
A Christmas Carol
, clanging his chains together and saying “
Scrooooooge!!!
I wear the chain I forged in life … I made it link by link, and yard by yarrrrd…”

Andre said, “I'm gonna apologize right now, your daddy had a thing for holograms. He knew they were tacky, but said they made him feel like he was living in the future.”

Carlton the Butler led them up the stairs and to the left. The house smelled of pine and varnish and floor wax. They reached an open door and passed into a room full of rich, brown leather furniture arranged in front of a fireplace large enough to roast a horse. Above the mantel was a gigantic stuffed and mounted buffalo head, wearing a Santa hat and a white fake beard.

Carlton stopped at the doorway and said, “Ms. Ashe has arrived.”

Up until that night, Zoey had no experience being either famous or infamous, and as such, she was unfamiliar with the feeling of meeting a group of people who didn't know her and yet hated her. In this alien realm that seemed to have been entirely handcrafted in rich wood and leather, she was greeted by dismissive eyes, condescending smirks, and sideways glances that said,
This ought to be good.
It was clear that no matter what she did or said, everyone in this room intended to laugh about it later. Zoey was suddenly aware that her nose was running. She sniffed. The sound was deafening.