1
The experience of romantic love, an intensely passionate and often sexual relationship between a man and a woman, is among the oldest recorded experiences of mankind. It inflames the relationship between the ancient gods and goddesses (Zeus and Hera), sometimes between gods and humans (Cupid and Psyche), often between famous persons (Dante and Beatrice, Isaac and Rebekah, Franklin D. Roosevelt and Lucy Mercer), and surely among many ordinary mortals, although history shows little interest in lesser persons. Some of these relationships inspired by the fires of eros have changed the course of history (Antony and Cleopatra, Paris and Helen of Troy); others have inspired great literature (Dante and Beatrice, Tristan and Isolde); all constitute the most endearing and enduring stories of humankind, most of which end in tragedy and death (Romeo and Juliet, Samson and Delilah, Lancelot and Guinevere). (
See Love Through the Ages
, by Robert Lynd.) Explanations of the source of this energy have ranged from the “infusion of the gods” or a “demon” to the result of a disease. People fell in love because they were struck by Cupid’s arrow, were tricked into drinking a magic potion, or happened to be born under favorable stars. In every case, something external, even extraterrestrial, was involved. Today, with the decline in the belief of the supernatural, explanations tend to be more psychological and subjective, with the energy believed to be arising from within the persons.
The forms of romantic love seem to have undergone three changes in history, each reflecting changes in the male/female relationship, and its fate has been determined by social structure and cultural practices. Prior to the eleventh century, the dominant form of romantic love was
called “heroic love.” The major theme in heroic love is the pursuit and capture of the woman by the man. The societies in which this form of love existed were feudal aristocracies in which romantic love was sought and mainly existed either in passionate or extramarital love or in romanticized nonsexual relationships. Contributing factors to this situation were the existence of slavery, the bias of free-born men against labor, the association of slavery with the functions of the home, and the consequent difficulty of associating love with home. Thus the fulfillment of love was sought outside the home and outside marriage.
A radical reversal in male-female relationships occurred in the eleventh century with the appearance of the troubadours and their love ballads in southern France. In a short time, heroic love was replaced with what is known as “courtly love,” in which the theme of pursuit and capture gave way to the image of male supplication and entreaty of the female. Images of force and rape were replaced with refinements of courtship. This led to the formation of “courts of love,” where the merits of love were debated and where judgments were usually rendered that true love was attainable only outside of marriage and often only if there was no sexual communion. The form of modern love relationships was influenced and developed against this background.
Romantic love as the door to marriage had to await the evolving freedom and rights of individuals to choose their fate and to determine their own forms of government. That and the emerging freedom and equality of women were the forces that led to modern marriage, and its attendant psychological baggage. (See Morton Hunt,
The Natural History of Love,
and Isidor Schneider, ed.,
The World of Love, vol.
1.)
4
In contrast to classical views of romantic love, which attribute its source to external forces, modern psychologies of love locate its origin in the human mind. In this book, love is viewed as a single energy that is directed to outside persons or to the self, depending upon need and motivation. Although it is a singular phenomenon, its distinctive forms are represented as stages. However, since the experience of romantic love seems to us to be stimulated by an outside source, namely the loved one, the ancients’ belief in the external origins of love can be understood as the objectification of our inner sensations. Now, however, we understand that the external person has no power to activate such passions, but instead is endowed by the unconscious with attributes that appear to give him or her that power. The passions are
self-activated by the association of an internal need-gratifying image with the character makeup of the loved other.