Gone with the Wind (119 page)

At first Scarlett was shocked and disappointed that Ashley did not immediately take hold and make the mill pay double what it had paid under her management. He was so smart and he had read so many books and there was no reason at all why he should not make a brilliant success and lots of money. But he was no more successful than Hugh. His inexperience, his utter lack of business judgment and his scruples about close dealings were the same as Hugh's.

Scarlett's love hastily found excuses for him and she did not consider the two men in the same light. Hugh was just hopelessly stupid, while Ashley was merely new at the business. Still, unbidden, came the thought that Ashley could never make a quick estimate in his head and give a price that was correct, as she could. And she sometimes wondered if he'd ever learn to distinguish between planking and sills. And because he was a gentleman and himself trustworthy, he trusted every scoundrel who came along and several times would have lost money for her if she had not tactfully intervened. And if he liked a person—and he seemed to like so many people!—he
sold them lumber on credit without ever thinking to find out if they had money in the bank or property. He was as bad as Frank in that respect.

But surely he would learn! And while he was learning she had a fond and maternal indulgence and patience for his errors. Every evening when he called at her house, weary and discouraged, she was tireless in her tactful, helpful suggestions. But for all her encouragement and cheer, there was a queer dead look in his eyes. She could not understand it and it frightened her. He was different, so different from the man he used to be. If only she could see him alone, perhaps she could discover the reason.

The situation gave her many sleepless nights. She worried about Ashley, both because she knew he was unhappy and because she knew his unhappiness wasn't helping him to become a good lumber dealer. It was a torture to have her mills in the hands of two men with no more business sense than Hugh and Ashley, heartbreaking to see her competitors taking her best customers away when she had worked so hard and planned so carefully for these helpless months. Oh, if she could only get back to work again! She would take Ashley in hand and then he would certainly learn. And Johnnie Gallegher could run the other mill, and she could handle the selling, and then everything would be fine. As for Hugh, he could drive a delivery wagon if he still wanted to work for her. That was all he was good for.

Of course, Gallegher looked like an unscrupulous man, for all of his smartness, but—who else could she get? Why had the other men who were both smart and honest been so perverse about working for her? If she only had one of them working for her now in place of Hugh, she wouldn't have to worry so much, but—

Tommy Wellburn, in spite of his crippled back, was the busiest contractor in town and coining money, so people said. Mrs. Merriwether and René were prospering and now had opened a bakery downtown. René was managing it with true French thrift and Grandpa Merriwether, glad to escape from his chimney corner, was driving René's pie wagon. The Simmons boys were so busy they were operating their brick kiln with three shifts of labor a day. And Kells Whiting was cleaning up money with his hair straightener, because he told the negroes they wouldn't ever be permitted to vote the Republican ticket if they had kinky hair.

It was the same with all the smart young men she knew, the doctors, the lawyers, the storekeepers. The apathy which had clutched them immediately after the war had completely disappeared and they were too busy building their own fortunes to help her build hers. The ones who were not busy were the men of Hugh's type—or Ashley's.

What a mess it was to try to run a business and have a baby too!

“I'll never have another one,” she decided firmly. “I'm not going to be like other women and have a baby every year. Good Lord, that would mean six months out of the year when I'd have to be away from the mills! And I see now I can't afford to be away from them even one day. I shall simply tell Frank that I won't have any more children.”

Frank wanted a big family, but she could manage Frank somehow. Her mind was made up. This was her last child. The mills were far more important.

S
CARLETT'S CHILD WAS A GIRL
, a small bald-headed mite, ugly as a hairless monkey and absurdly like Frank. No one except the doting father could see anything beautiful about her, but the neighbors were charitable enough to say that all ugly babies turned out pretty, eventually. She was named Ella Lorena, Ella for her grandmother Ellen, and Lorena because it was the most fashionable name of the day for girls, even as Robert E. Lee and Stonewall Jackson were popular for boys and Abraham Lincoln and Emancipation for negro children.

She was born in the middle of a week when frenzied excitement gripped Atlanta and the air was tense with expectation of disaster. A negro who had boasted of rape had actually been arrested, but before he could be brought to trial the jail had been raided by the Ku Klux Klan and he had been quietly hanged. The Klan had acted to save the as yet unnamed victim from having to testify in open court. Rather than have her appear and advertise her shame, her father and brother would have shot her, so lynching the negro seemed a sensible solution to the townspeople, in fact, the only decent solution possible. But the military authorities were in a fury. They saw no reason why the girl should mind testifying publicly.

The soldiers had made arrests right and left, swearing to wipe out the Klan if they had to put every white man in Atlanta in jail. The negroes, frightened and sullen, muttered of retaliatory house burnings. The air was thick with rumors of wholesale hangings by the Yankees
should the guilty parties be found and of a concerted uprising against the whites by the negroes. The people of the town stayed at home behind locked doors and shuttered windows, the men fearing to go to their businesses and leave their women and children unprotected.

Scarlett, lying exhausted in bed, feebly and silently thanked God that Ashley had too much sense to belong to the Klan and Frank was too old and poor spirited. How dreadful it would be to know that the Yankees might swoop down and arrest them at any minute! Why didn't the crack-brained young fools in the Klan leave bad enough alone and not stir up the Yankees like this? Probably the girl hadn't been raped after all. Probably she'd just been frightened silly and, because of her, a lot of men might lose their lives.

In this atmosphere, as nerve straining as watching a slow fuse burn toward a barrel of gunpowder, Scarlett came rapidly back to strength. The healthy vigor which had carried her through the hard days at Tara stood her in good stead now, and within two weeks of Ella Lorena's birth she was strong enough to sit up and chafe at her inactivity. In three weeks she was up, declaring she had to see to the mills. They were standing idle because both Hugh and Ashley feared to leave their families alone all day.

Then the blow fell.

Frank, full of the pride of new fatherhood, summoned up courage enough to forbid Scarlett leaving the house while conditions were so dangerous. His commands would not have worried her at all and she would have gone about her business in spite of them, if he had not put her horse and buggy in the livery stable and ordered that they should not be surrendered to anyone except
himself. To make matters worse, he and Mammy had patiently searched the house while she was ill and unearthed her hidden store of money. And Frank had deposited it in the bank in his own name, so now she could not even hire a rig.

Scarlett raged at both Frank and Mammy, then was reduced to begging and finally cried all one morning like a furious thwarted child. But for all her pains she heard only: “There, Sugar! You're just a sick little girl.” And: “Miss Scarlett, ef you doan quit cahyin' on so, you gwine sour yo' milk an' de baby have colic, sho as gun's iron.”

In a furious temper, Scarlett charged through her back yard to Melanie's house and there unburdened herself at the top of her voice, declaring she would walk to the mills, she would go about Atlanta telling everyone what a varmint she had married, she would not be treated like a naughty simpleminded child. She would carry a pistol and shoot anyone who threatened her. She had shot one man and she would love, yes, love to shoot another. She would—

Melanie who feared to venture onto her own front porch was appalled by such threats.

“Oh, you must not risk yourself! I should die if anything happened to you! Oh, please—”

“I will! I will! I will walk—”

Melanie looked at her and saw that this was not the hysteria of a woman still weak from childbirth. There was the same breakneck, headlong determination in Scarlett's face that Melanie had often seen in Gerald O'Hara's face when his mind was made up. She put her arms around Scarlett's waist and held her tightly.

“It's all my fault for not being brave like you and for keeping Ashley at home with me all this time when he
should have been at the mill. Oh, dear! I'm such a ninny! Darling, I'll tell Ashley I'm not a bit frightened and I'll come over and stay with you and Aunt Pitty and he can go back to work and—”

Not even to herself would Scarlett admit that she did not think Ashley could cope with the situation alone and she shouted: “You'll do nothing of the kind! What earthly good would Ashley do at work if he was worried about you every minute? Everybody is just so hateful! Even Uncle Peter refuses to go out with me! But I don't care! I'll go alone. I'll walk every step of the way and pick up a crew of darkies somewhere—”

“Oh, no! You mustn't do that! Something dreadful might happen to you. They say that Shantytown settlement on the Decatur road is just full of mean darkies and you'd have to pass right by it. Let me think— Darling, promise me you won't do anything today and I'll think of something. Promise me you'll go home and lie down. You look right peaked. Promise me.”

Because she was too exhausted by her anger to do otherwise, Scarlett sulkily promised and went home, haughtily refusing any overtures of peace from her household.

That afternoon a strange figure stumped through Melanie's hedge and across Pitty's back yard. Obviously, he was one of those men whom Mammy and Dilcey referred to as “de riffraff whut Miss Melly pick up off de streets an' let sleep in her cellar.”

There were three rooms in the basement of Melanie's house which formerly had been servants' quarters and a wine room. Now Dilcey occupied one, and the other two were in constant use by a stream of miserable and ragged transients. No one but Melanie knew whence they came
or where they were going and no one but she knew where she collected them. Perhaps the negroes were right and she did pick them up from the streets. But even as the great and the near great gravitated to her small parlor, so unfortunates found their way to her cellar where they were fed, bedded and sent on their way with packages of food. Usually the occupants of the rooms were former Confederate soldiers of the rougher, illiterate type, homeless men, men without families, beating their way about the country in hope of finding work.

Frequently, brown and withered country women with broods of tow-haired silent children spent the night there, women widowed by the war, dispossessed of their farms, seeking relatives who were scattered and lost. Sometimes the neighborhood was scandalized by the presence of foreigners, speaking little or no English, who had been drawn South by glowing tales of fortunes easily made. Once a Republican had slept there. At least, Mammy insisted he was a Republican, saying she could smell a Republican, same as a horse could smell a rattlesnake; but no one believed Mammy's story, for there must be some limit even to Melanie's charity. At least everyone hoped so.

Yes, thought Scarlett, sitting on the side porch in the pale November sunshine with the baby on her lap, he is one of Melanie's lame dogs. And he's really lame, at that!

The man who was making his way across the back yard stumped, like Will Benteen, on a wooden leg. He was a tall, thin old man with a bald head, which shone pinkishly dirty, and a grizzled beard so long he could tuck it in his belt. He was over sixty, to judge by his hard, seamed face, but there was no sag of age to his body. He
was lank and ungainly but, even with his wooden peg, he moved as swiftly as a snake.

He mounted the steps and came toward her and, even before he spoke, revealing in his tones a twang and a burring of “
r
's” unusual in the lowlands, Scarlett knew that he was mountain born. For all his dirty, ragged clothes there was about him, as about most mountaineers, an air of fierce silent pride that permitted no liberties and tolerated no foolishness. His beard was stained with tobacco juice and a large wad in his jaw made his face look deformed. His nose was thin and craggy, his eyebrows bushy and twisted into witches' locks and a lush growth of hair sprang from his ears, giving the tufted look of a lynx's ears. Beneath his brow was one hollow socket from which a scar ran down his cheek, carving a diagonal line through his beard. The other eye was small, pale and cold, an unwinking and remorseless eye. There was a heavy pistol openly in his trouser band and from the top of his tattered boot protruded the hilt of a bowie knife.

He returned Scarlett's stare coldly and spat across the rail of the banister before he spoke. There was contempt in his one eye, not a personal contempt for her, but for her whole sex.

“Miz Wilkes sont me to work for you,” he said shortly. He spoke rustily, as one unaccustomed to speaking, the words coming slowly and almost with difficulty. “M'name's Archie.”

“I'm sorry but I have no work for you, Mr. Archie.”

“Archie's m' fuss name.”

“I beg your pardon. What is your last name?”

He spat again. “I reckon that's my bizness,” he said. “Archie'll do.”

“I don't care what your last name is! I have nothing for you to do.”