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Authors: Jan Burke

Tags: #Serial Murderers, #Mystery & Detective, #Kelly; Irene (Fictitious character), #General, #California, #Women Sleuths, #Women journalists, #Suspense, #Sierra Nevada (Calif. and Nev.), #Fiction

Goodnight, Irene

BOOK: Goodnight, Irene
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Synopsis:

For thirty-five years the identity of the dismembered woman found under the Las Piernas pier has remained a mystery. What secret did she take to her grave? Southern California reporter Irene Kelly has uncovered a maze of forensic records and confidential files that suggest a motive far more sinister than anyone imagined. The discovery has brought her close to Detective Frank Harriman, and closer still to exposing a killer who will resort to anything to keep his secrets buried — and Irene silenced forever.

 

 

GOODNIGHT IRENE
Jan Burke

 

The first book in the Irene Kelly series
Copyright © 1993 by Jan Burke

 

 

To

Antonia Adamo Fischer

Velda Kuntz Fischer

Eileen Stillman

Martha Burke and

Martha Otis

in gratitude for their faith

 

 

 

 

1

 

H
E LOVED TO WATCH
fat women dance. I guess O’Connor’s last night on the planet was a happy one because that night he had an eyeful of the full-figured.

We had gone out that Saturday night for a drink at Banyon’s, and somehow an honest-to-God bevy of bulging beauties had ended up in the same place. O’Connor never got up and danced with any of these women himself; I’m not sure he really would have enjoyed being the dancer as much as he did just watching them swing and sway with amazing grace. I don’t think he heard a word I said all evening, which is just as well, since I was only grousing on a well-worn set of subjects. He just sat there, with an expression crossbred between reverence and desire, whenever some big old gal got up to shake and shimmy.

O’Connor and I had managed to remain friends through one of the ugliest divorces in the state of California — the divorce of his son, Kenny, and my older sister, Barbara. We were friends before their romance started and we both thought it was doomed from the word go. My sister has been a glutton for lousy relationships for years, so no surprise there. But I’m still mystified about how a great-hearted guy like O’Connor could have had anything to do with the gene pool of a nasty little bastard like Kenny.

My guess was that O’Connor’s ex-wife was a real harpy, even though he never talked about her to me. Barbara told me they had split up when Kenny was a baby. Kenny had lived with his mother until he was fourteen, at which time she had packed him up like worn-out clothing and sent him to live with O’Connor — no note, no warning, just a call saying the kid was coming in on a flight from Phoenix that afternoon. She had taken off for parts unknown — no one had heard from her for years afterward.

 

 

T
HE DANCING LADIES
called it a night, and we decided to do the same. As I drove him home, he started telling Irish jokes, a sure sign he’d had a few too many. The jokes were old, but O’Connor could make me laugh just by laughing this ridiculous laugh of his. It started as a kind of noiseless shaking, then guffawing, on to tears, and he ended by taking out his handkerchief and blowing his big nose. I could never watch this performance with a straight face — by the time the handkerchief came out, I was a goner.

Kenny’s red Corvette was parked in the driveway, so I pulled up at the curb. O’Connor climbed slowly out of the car. “You’re dear to me, Irene,” he said with a wink and little drunken bow.

“O’Connor, please don’t sing it. It’s one o’clock in the morning. People are trying to sleep.”

I should have known better; he was going to sing it anyway, and my plea only made him relish doing so all the more. He laughed as he turned and took his bearings on the front door, heaved his big shoulders back as he took a deep breath and began to belt out “Goodnight, Irene” at the top of his lungs as he shambled up to the darkened house. This was old hat to me and his neighbors, but next door Mrs. Keene felt honor-bound to turn on her porch light to register annoyance. O’Connor grinned and went on in, waving as he closed the door.

 

 

T
HE MORNING AFTER
our night at Banyon’s, somebody left a package on O’Connor’s front porch. Mrs. Keene was out watering her lawn and later she said she saw him come padding out in his bare feet and bathrobe to pick up the paper. He was a little hung over, I guess, because she said that he didn’t see the package until the return trip. She was a little embarrassed to see him in his robe, so she didn’t call out a “good morning” or anything, but she’s a nosy bird and she was curious about the package.

Nobody knows exactly what happened after that, except that the explosion knocked Mrs. Keene on her keister and sent little pieces of O’Connor just about everywhere they could go.

 

 

I
WAS AT HOME
, having a lazy morning, hanging around in an old pair of pj’s and reading the paper with the supervision of my big gray tomcat, Wild Bill Cody, when the phone rang. It was Lydia Ames, an old pal of mine over at the newspaper where I used to work, the
Las Piernas News Express
.

“Irene! Does O’Connor live on Randall Avenue?”

“Who wants to know?” I asked, wary of her tone.

“Shit, Irene!”

Now Lydia has only cussed one other time in her life that I know of, and that was when Alicia Penderson showed up at our high school prom in a gown identical to Lydia’s — a strapless affair, only on Alicia it seemed to be working harder to defy gravity.

So all of a sudden here’s Lydia on a Sunday morning, talking blue and sounding like she was about to cry. I told her O’Connor’s address. She didn’t say anything for about four hours, or so it seemed, but I guess it was really about half a minute.

“Lydia, what the hell is going on?”

“Shit, Irene…” Now she
was
crying. “Irene, I think you better get over to O’Connor’s place. We just got a report that there’s been some kind of explosion — Baker’s on his way to cover it.”

The whole time I was getting dressed and driving over to O’Connor’s, I kept telling myself that Lydia was pretty hysterical and that I didn’t really know that anything had happened to O’Connor. Maybe just his house, maybe not O’Connor but someone else, maybe some other house.

That all started to change when I saw the rising smoke from half a mile away. A slow, cold numbing started in my throat and eventually froze me in place on the sidewalk across the street from his house. Clusters of firemen formed tense huddles with cops. The place was surrounded by fire trucks, police cars, the bomb-squad van, the coroner’s ambulance. The house was smashed as if it were nothing more than an egg; a yolk of mud and debris was spilling out of its broken shell. I wanted to find O’Connor. I felt certain that if they would just let me look, just let someone who had cared about him look, I’d find him.

I sometimes hear about people knowing right away that someone they loved has died, that they feel the dead person’s spirit leave or something. O’Connor stuck around.

I heard someone yell “Kelly!” and turned to see a tall black man walking toward me. It was Mark Baker, the reporter sent out by the
Express
. “Oh, God, Irene, I’m so sorry,” he said in a shaky voice. I wasn’t ready for sympathy, and looked away. He understood and stopped talking, just put one of his burly arms around my shoulders and guided me away from the crowd. Mark took me over to where Frank Harriman was trying to get some sense out of Mrs. Keene, then left to talk to one of the guys from the bomb squad.

Frank and I had met when he was a rookie cop in Bakersfield and I was on my first crime beat as a fledgling reporter. Now he was a homicide detective with the Las Piernas Police Department. I hadn’t seen him for a long time, since before I quit the paper, but this wasn’t the time to renew old acquaintances.

As I stood to one side, Frank noticed me and gave me one of those very protective “are-you-okay?” looks. I tried to avoid his eyes, and turned away from him, but to my horror looked up to see a coroner’s assistant bagging a little piece of something soft.

Thank God I’m not a fainter. I must have looked bad, though, because Frank took me gently by the elbow and said, “Go home, Irene.” I just stared at him.

“You still live in the same place?” he asked.

I nodded, because I didn’t trust my voice. I was also busy with a tug-of-war — one minute I was trying to take it all in, the next, trying to shut it all out. I heard Frank say something about wanting to ask me some questions, later. I figured Mrs. Keene had told him about the previous night’s serenade, but I was past caring. I heard the camera shutters of the forensic team, and out of the corner of my eye kept seeing the coroner’s assistants with their goddamned plastic bags and forceps. I felt sick and weird… disconnected.

Frank was quiet for a minute; then he asked a cop to drive me home, but I shook it off and told him I could manage. I made sure he had my address, then left. I could feel him watching me as I walked to my car. I didn’t look back at Frank or the house as I drove off.

As I rounded the corner I saw Kenny’s red Corvette heading toward the house. For the one-millionth time, I felt sorry for him. He wasn’t equipped for everyday life, let alone something like this. And for the two-millionth time, I knew I couldn’t do anything about it.

 

 

I
T WAS A LONG TIME
before I asked myself what had made Kenny get up and at ’em so early on a Sunday morning.

 

2

 

F
RANK ALMOST WAITED
too long to come over. I was damned restless by late that afternoon.

Most of the time from when I left O’Connor’s house until Frank came over I spent stewing and pacing. I’m not good at sitting around, and it was a hot day. As the afternoon wore on, the Santa Ana winds began to blow, making my house a regular oven. Like most Southern Californians, I can only take so much of those desert winds before I go a little nuts anyway. I live a couple of miles from the beach in Las Piernas, which is on the coast, just south of L.A. Usually by late afternoon, there’s cool air off the ocean. But even with nothing but the front and back screen doors to slow down any little breeze that might come along, the old house was hot. It’s a little 1930s bungalow down in a section of town that can’t decide how to gentrify.

So I paced around, sat and tried to cry, but couldn’t. Got up and paced around again. Cody sat watching me, twitching his fat tail nervously. At one point I felt so wound up, I took off my shoes and hurled them as hard as I could against the wall. I didn’t pitch them anywhere near Cody, but he decided he’d had enough and took off through his cat door — converted from an old ice-delivery slot in the kitchen.

It was hard to find anything worth thinking about. If I thought about the past, I mourned the end of days with O’Connor. If I thought about the future, it was to cancel plans. Nothingness, sharp as a knife. I paced barefooted.

I knew that the time would come when I could really indulge in this feeling-sorry-for-myself stuff, but now wasn’t the time. If I could just get myself pointed in some direction, maybe I could find whoever did this to O’Connor. And kill them. Slowly.

In the midst of these thoughts I heard someone on the front porch. The silhouetted figure of a tall man stood looking in at me from my front door, shading his eyes with his hand against the screen.

“Irene?”

“Jesus, Frank. You startled me. How long have you been out there?”

“How about letting me in? It’s hotter than hell out here.”

I took off the latch and opened the door for him. I flopped down on the couch and gestured toward my big old-fashioned armchair, but he waved it off and leaned up against a table instead.

“You okay?” he asked.

“I’ll get there. You know me.”

He smiled a little and said, “Yeah, I guess I do.” He was quiet for a minute, then he stood up straight. He was studying me, and I felt uncomfortable. I decided to watch my toes for a while.

He started over. “Look, I know you’re tough, but I also have some idea of what O’Connor meant to you. Nobody could see what you saw today and walk off whistling. So you don’t have to talk about this now if you don’t want to.”

I glanced up at him. He had a funny kind of concerned look on his face. It scared me or I probably would have started crying after all. Something in his sympathy moved my feelings to the surface. There he was, big, handsome, and a mere four feet away, looking concerned. But there was no room in me at that moment for old history or rekindled anything.

“Have a seat, Frank.”

He sat down. Tall as he is — somewhere in the neighborhood of six-three or six-four, I’d guess — the back of the chair was still taller. I love that big old chair. Nobody since my grandfather had looked that good in it.

“Go ahead,” I told him. “Take out your notebook. Ask questions. It’ll be good for me. At least I’ll be doing something. Maybe I can help somehow.”

He just sat there for a minute, still quiet, as if undecided. Then he reached into his inside pocket and pulled out a notebook.

BOOK: Goodnight, Irene
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