Gormenghast (16 page)

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Authors: Mervyn Peake

Tags: #Art, #Performance, #Drama, #European, #English; Irish; Scottish; Welsh, #General, #Performing Arts, #Theater

BOOK: Gormenghast
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       Devilry and stoicism bound them together. Their secrets were blacker, deeper, more terrible or more hilarious through mutual knowledge of the throat-contracting thrill of a lightning skid across a mellow schoolroom: through mutual knowledge of the long leaf-shrouded flights through space: of their knowledge of the sound as the stinging bullet spins past the head or the pain as it strikes.

       But what of all this? This rhythm of stung boys? Or boys as filled with life as fish or birds. Only that it was taking place that morning.

       What of the ghastly black huddle on the Professor's desk? The sunlight streaming through the leaves of the plane tree had begun to dapple it with shimmering lozenges of light. It snored - a disgraceful sound to hear during the first lesson of a summer morning.

       But the moments of its indulgence were numbered, for there was, all of a sudden, a cry from near the ceiling and above the schoolroom door. It was the voice of an urchin, a freckled wisp of a thing, who was perched on a high cupboard. The glass of the fanlight above the door was at his shoulder. It was dark with grime, but a small circle the size of a coin was kept transparent and through this spy-hole he could command a view of the corridor outside. He could thus give warning not only to the whole class but to the Professor, at the first sign of danger.

       It was rarely that either Barquentine or Deadyawn made a tour of the schoolroom, but it was as well to have the freckled urchin stationed on the cupboard from first thing in the morning onwards, for there was nothing more irritating than for the class to be disturbed.

       That morning, lying there like a toy on the cupboard top, he had become so intrigued by the changing fortunes of the 'game' below him that it had been over a minute since he had last put his eye to the spy-hole. When he did so it was to see, not twenty feet from the door, a solid phalanx of Professors, like a black tide, with Deadyawn himself at the fore, out-topping the others, in his high chair on wheels.

       Deadyawn, who headed the phalanx, was head and shoulders above the rest of the staff, although he was by no means sitting up straight in his high, narrow chair. With its small wheels squeaking at the feet of the four legs, it rocked to and fro as it was propelled rapidly forwards by the usher, who was as yet invisible to the wisp at the spy-hole, being hidden by the high, ugly piece of furniture - ugly beyond belief - with its disproportionate feeding-tray at the height of Deadyawn's heart and the raw little shelf for his feet.

       What was visible of Deadyawn's face above the tray appeared to be awake - a sure sign that something of particular urgency was in the air.

       Behind him the rustling darkness was solid with the professors. What had happened to their various classes, and what on earth they could want on this lazy floor of the castle at any time, let alone at the beginning of the day, was unguessable. But here, nevertheless, they were, their gowns whisking and whispering along the walls on either side. There was an intentness in their gait, a kind of mass seriousness, quite frightening.

       The midget boy on the cupboard-top cried his warning with a shriller note in his voice than his schoolfellows had ever heard before.

       'The "Yawner"!' he screamed. 'Quick! quick! quick! The Yawner'n all of 'em! Let me down! let me down!'

       The rhythm of the hazardous game was broken. Not a single pellet whizzed past the head of the last boy to burst out of the sunlight and crash into the leather wall. In a moment the room was suspiciously quiet. Four rows of boys sat half turned at their desks, their heads cocked on one side, as they listened to the squeaking of Deadyawn's chair on its small wheels as it rolled towards them through the silence.

       The wisp had been caught, having dropped from what must have seemed to him a great height into the arms of a big straw-headed youth.

       The two floor-boards had been grabbed and shot back into their long, narrow cavities immediately below the professor's desk. But a mistake had been made, and when it was noticed it was too late for anything to be done about it. One of the boards in the whirl of the moment had been put back 'upside down'.

       On the desk itself the heavy black dog-like weight was still snoring. Even the shrill cry of the 'look-out' had done no more than send a twitch through the jointed huddle.

       Any boy in the first row, had he thought it possible to reach the professor's desk and get back to his own place before the entry of Deadyawn and the staff, would have thrown the folds of Bellgrove's gown off Bellgrove's sleeping head, where it lay sunk between his arms on the desk top, and would have shaken Bellgrove into some sort of awareness; for the black and shapeless thing was indeed the old master himself, lost beneath -the awning of his gown. For his pupils had draped it over his reverend head, as they always did when he fell asleep.

       But there was no time. The squeaking of the wheels had stopped. There was a great trampling and scuffling of feet as the professors closed their ranks behind their chief. The door-handle was beginning to turn.

       As the door opened, thirty or so boys, doubled over their desks, could be seen scribbling furiously, their brows knit in concentration.

       There was for the moment an unholy silence.

       And then the voice of the usher, Mr Fly, cried out from behind Deadyawn's chair: 'The Headmaster!' And the classroom scrambled to its feet. All except Bellgrove.

       The wheels began to squeak again as the high chair was steered up one of the inkstained aisles between the rows of desks.

       By this time the mortar-boards had followed the Headmaster into the room, and under these mortar-boards the faces of Opus Fluke, Spiregrain, PerchPrism, Throd, Flannelcat, Shred and Shimmer, Cutflower and the rest were easily recognizable. Deadyawn, who was on a tour of the classrooms, had, after inspecting each in turn, sent the boys to their red-stone yard and kept their masters with him - so that he now had practically the whole staff at his heels. The boys would shortly be spread out in great fans and sent off on a day-long hunt for Titus. For it was his disappearance which was causing this unprecedented activity.

       How merciful a thing is man's ignorance of his immediate future! What a ghastly, paralysing thing it would have been if all those present could have known what was about to happen within a matter of seconds! For nothing short of pre-knowledge could have stopped the occurrence, so suddenly it sprang upon them.

       The scholars were still standing, and Mr Fly, the usher, who had reached the end of the passage between the desks, was about to turn the high chair to the left and to run it up under Bellgrove's desk where Deadyawn could speak to his oldest professor, when the calamity occurred, and even the dreadful fact of Titus' disappearance was forgotten. For The Fly had slipped! His feet had fled from under his perky body. His cocky little walk was suddenly a splayed confusion of legs. They shot to and fro like a frog's. But for all their lashing they could get no grip on the slippery floor, for he had trodden on that deadly board which had been returned - upside down - to its place below Bellgrove's desk.

       The Fly had no time to let go his grip of the High Chair. It swayed above him like a tower - and then while the long line of the staff peered over one another's shoulders and the boys stood at their desks transfixed, something more appalling than they had ever contemplated took place before them.

       For as The Fly came down in a crash on the boards, the wheels of the high chair whirled like tops and gave their final screech and the rickety piece of furniture leapt like a mad thing and from its summit something was hurled high into the air! It was Deadyawn!

       He descended from somewhere near the ceiling like a visitor from another planet, or from the cosmic realms of Outer Space, as with all the signs of the Zodiac fluttering about him he plunged earthwards.

       Had he but had a long brass trumpet at his lips and the power of arching his back and curling upwards as he neared the floor-boards, and of swooping across the room over the heads of the scholars in a riot of draperies, to float away and out through the leaves of the plane tree and over the back of Gormenghast, to disappear for ever from the rational world - then, if only he had had the power to do this, that dreadful sound would have been avoided: that most dreadful and sickening sound which not a single boy or professor who heard it that morning was ever able to forget. It darkened the heart and brain. It darkened the very sunlight itself in that summer classroom.

       But it was not enough that their hearing was appalled by the sound of a skull being crushed like an egg - for, as though everything was working together to produce the maximum horror, Fate had it that the Headmaster, in descending absolutely vertically, struck the floor with the top of his cranium, and remained upside down, in a horrible state of balance, having stiffened with a form of premature rigor mortis.

       The soft, imponderable, flaccid Deadyawn, that arch-symbol of delegated duties, of negation and apathy, appeared now that he was upside down to have more life in him that he had ever had before. His limbs, stiffened in the death-spasm, were positively muscular. His crushed skull appeared to balance a body that had suddenly perceived its reason for living.

       The first movement, after the gasp of horror that ran across the sunny schoolroom, came from among the debris of what was once the high chair.

       The usher emerged, his red hair ruffled, quick eyes bulging, his teeth chattering with terror. At the sight of his master upside down he made for the window, all trace of cockiness gone from his carriage, his sense of propriety so outraged that there was nothing he wanted so much as to make a quick end to himself. Climbing on the window-sill, The Fly swung his legs over and then dropped to the quadrangle a hundred feet below.

       Perch-Prism stepped forward from the ranks of the professors.

       'All boys will make their way immediately to the red-stone yard,' he said in a crisp, high staccato. 'All boys will wait there quietly until they are given instructions. Parsley!'

       A youth, with his jaw hanging wide and his eyes glazed, started as though he had been struck. He wrenched his eyes from the inverted Deadyawn, but could not find his voice.

       'Parsley,' said Perch-Prism again, 'you will lead the class out - and, Chives, you will take up the rear. Hurry now! Hurry! Turn your heads to the door, there. You! yes, you, Sage Minor! And you there, Mint or whatever your name is - wake your ideas up. Hustle! hustle! hustle!'

       Stupefied, the scholars began to file out of the door, their heads still turned over their shoulders at their late Headmaster.

       Three or four other professors had to some extent recovered from the first horrible shock and were helping Perch-Prism to hustle the remnants of the class from the room.

       At last the place was clear of boys. The sunlight played across the empty desks: it lit up the faces of the professors, but seemed to leave their gowns and mortar-boards as black as though they alone were in shadow. It lit the soles of Deadyawn's boots as they pointed stiffly to the ceiling.

       Perch-Prism, glancing at the professors, saw that it was up to him to make the next move. His beady black eyes shone. What he had of a jaw he thrust forward. His round, babyish, pig-like face was set for action.

       He opened his prim, rather savage little mouth and was about to call for help in righting the corpse, when a muffled voice came from an unexpected quarter. It sounded both near and far. It was difficult to make out a word, but for a moment or two the voice became less blurred. 'No, I don't think so, l'1 man.' it said, 'for 't's 1ove long lost, my queen, while Bellgrove guards you...' (the- drowsy voice continued in its sleep)'... when lion... sprowl I'll tear their manes... awf... yoo. When serpents hiss at you I'll tread on dem... probably... and scatter birds of prey to left an' right.'

       A long whistle from under the draperies and then, all of a sudden, with a shudder, the invertebrate mass began to uncoil itself as Bellgrove's shrouded head raised itself slowly from his arms. Before he freed himself of the last layer of gown he sat back in his tutorial chair, and while he worked with his hands to free his head, his voice came out of the cloth darkness: '... Name an isthmus!' it boomed. 'Tinepott?... Quagfire?... Sparrowmarsh?... Hagg?... Dankle?... What! Can no one tell his old master the name of an isthmus?'

       With a wrench he unravelled his head of the last vestment of gown, and there was his long, weak, noble face as naked and venerable as any deep sea monster's.

       It was a few moments before his pale-blue eyes had accustomed themselves to the light. He lifted his sculptured brow and blinked. 'Name an isthmus.' he repeated, but in a less interested voice, for he was beginning to be conscious of the silence in the room.

       'Name... an... isthmus!'

       His eyes had accustomed themselves sufficiently for him to see, immediately ahead of him, the body of the Headmaster balanced upon his head.

       In the peculiar silence his attention was so riveted upon the apparition in front of him that he hardly realized the absence of his class.

       He got to his feet and bit at his knuckle, his head thrust forward. He withdrew his head and shook himself like a great dog; and then he leaned forward and stared once more. He had prayed that he was still asleep. But no, this was no dream. He had no idea that the Headmaster was dead, and so, with a great effort (thinking that a fundamental change had taken in Deadyawn's psyche, and that he was showing Bellgrove this balancing feat in an access of self-revelation) he (Bellgrove) began to clap his big, finely-constructed hands together in a succession of deferential thuds, and to wear upon his face an expression of someone both intrigued and surprised, his shoulders drawn back, his head at a slant, his eyebrows raised, and the big forefinger of his right hand at his lips. The line of his mouth rose at either end, but his upward curve might as well have been downwards for all the power it had to disguise his consternation.

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