Grace's Table

Sally Piper is a former nurse and lived in the UK for nine years before returning to Brisbane to complete a Postgraduate Diploma and Master's Degree in Creative Writing at QUT, where she was supervised by Kristina Olsson. She had a story selected in the first
One Book Many Brisbanes
anthology in 2006
.
Grace's Table
was shortlisted in the 2011 Queensland Premier's Literary Awards – Emerging Queensland Author category. She has had short stories, poetry and non-fiction articles published in Australia and the UK, appearing in writing journals, literary magazines and
The Weekend Australian
. She currently lives in Brisbane with her husband and two sons.

For my mother, who always cooks with love, and for my father, who benefits from it daily.

1

Grace hooked her nail under the sticky tape and pulled back the gift paper. Inside was a boxed polished-steel knife block holding six different knives.

‘Knives,' Grace declared.

‘Do you like them?' Susan sounded young again, eager for approval.

‘They're very … modern.' Grace looked kindly at her daughter, then gripped the handle of one and slid it from its slot. The new steel glinted from tip to haft and made Grace think of surgeons and torturers, and the cold impersonal touch of both. The knives' obvious sharpness also made her think of her father, but in a kinder way.

Grace's Pa had been a man with penchants for bitter mints, tool care and wheezing. Asthma had saved him from enlistment, though he cussed it for doing so long after the troops had returned home. Mother rolled her eyes at his cussing and muttered,
Ignorant fool
or
Tell that to Widow Parkes
, like she knew something he didn't. He never challenged her. Instead, he'd take another bitter mint from the jar on the small round table beside his chair and suck on it in quiet contemplation of what he might have missed.

He was a tall, barrel-chested man. And despite his rickety breath, Grace remembered the firmness of his muscles when she'd swing, like a pendulum, from his strongman arms as a child. To her, they felt like rocks beneath his skin and she believed him to be as hardy as anybody's father. As a young girl she put his laboured breathing down to nothing more than difference, not ill health, though towards the end of his life she was less na
ï
ve and knew the two to be inseparable.

At the end of a day he'd come into the house in his dusty home-sewn shirt and trousers, at odds with the clean regime of their home. He'd position his boots compliantly side by side at the back door, tongues lolled to one side like a dog's, shoelaces undone and at the ready, as though a quick escape might be required at any moment. What he looked to escape from, or to, Grace could only guess, but she figured it related to territory. Where the house smelt of Sunlight soap and wax polish, the kitchen of vanilla essence, stewed fruit or simmering stews, Pa smelt of farm and sweat. The scent of one was always in conflict with the other.

‘Go clean yourself up, Frank,' Mother would admonish.

Even after coming back in from the cement tub in the washhouse with his hair damped down and his skin smelling of soap, he'd stand around like a visitor who'd inconveniently dropped by at meal time. His lounge and kitchen chairs were his only sanctuaries. Mother eventually left them dusty and flat-cushioned, either despairing of keeping them clean and plump, or as an indictment of his failure to fit in with her meticulous hygiene.

The sheds and barn were where Pa felt at home. Grace, often seeking escape too from her demanding mother, would hunt him out at one building or another. She'd scrape mud from the deep tread of the Ferguson tractor tyres with a stick while he lubricated parts that moved with thick brown grease, or sharpened the blades of things that cut – cut grass, cut cows' horns, cut wood. He was a man who took great care with his tools and machinery, showing them a loving touch Mother lacked.

‘Look after your things well, Gracie, and they'll last you forever,' he said once, as he ran a chisel across a whetstone in careful circular motions, periodically spitting onto the stone's surface.

‘But the wooden handle's already broken so it hasn't lasted forever.' Grace felt smug in catching out the usually uncatchable.

‘It's not the handle that does the cutting,' Pa said. ‘And besides, that's easy fixed.'

‘But the cutting part will wear away one day too and you can't fix that.'

‘Won't happen in my lifetime, so it will have lasted me forever.'

‘That's not a real forever.'

‘Real enough to my thinking.' Pa spat with perfect aim onto the grey stone and worked the chisel blade through the white froth.

Grace had never used a whetstone on her own knives. She preferred the sharpening steel Des had brought home from the shop. She'd swipe her knives along the cylinder, switching the blade from one side to the other in a criss-cross fashion. It was a satisfying motion, efficient and controlled. Her favourite knife, a butcher's knife, which had also come from Des's work, wasn't unlike her father's old chisel. It too had a wooden handle and blackened steel blade. She'd recall Pa's story about things lasting forever whenever she sharpened it. Pa would be proud of this knife of hers. The blade, once wide, had worn down to be narrow and concave in the middle from years of being run up and down the sharpening steel. It fitted nicely over the curve of a tomato or the hard skin of a Queensland Blue and could still cut through either as if they were butter. She expected the blade to see her out, just as Pa's chisel had indeed seen him out. Grace often wondered where those tools were now. Joe took care of them after Pa died but with Joe gone as well, Grace supposed they'd reached the end of anybody's measure of forever.

‘And here, this goes with them.' Now Susan passed Grace a second, smaller gift.

Grace opened it, revealing a flat object with two wheels sitting side by side. The modern knife sharpener.

‘I hope you like them. They were expensive.'

Grace ran a knife through the sharpener. It dragged loudly across the coarse wheels, grinding metal on stone in a way that made her teeth hurt. She was inclined to spit on the thing just as Pa had spat on his whetstone. She tested the knife's edge with her finger.

‘Very nice,' she said inadequately.

‘They're all the go. Watch any of the cooking channels and you'll see this brand of knife on the bench in the background.'

‘Is that right? Looks like I'm set to be quite the celebrity chef.'

‘You'll be able to get rid of that other old thing now. It looks about ready to snap in half as it is.'

Pa would be disappointed with the measure of forever these days.

Grace slid the knife back into its slot. ‘At least we'll be well-fixed for slicing and dicing today,' she said. ‘We'll have to be careful when the little ones arrive though. Don't want any mishaps.'

Where Pa kept all things sharp at a safe height from inquisitive hands, her husband Des had considered small nicks here and there to be all part of a learned life.

One long ago Saturday, Grace had come in from the clothes line to find Des giving each of their three children a lesson in handling the largest of his butchering knives. It was a weighty thing with a long blade and timber haft worn smooth through use. He'd brought it home from the shop to sharpen. Peter was having first go – as the eldest, he usually did. Grace watched as he worked the knife backward and forward through the thick fatty layer of a large piece of beef rump. Susan, standing on the opposite side of Des to Peter, looked on. Claire, little more than three at the time, stood beside Susan on a chair that had been pushed up to the bench.

‘That's it, son,' Des said, ‘sure and steady. Show her who's boss.'

‘My turn,' Susan said to Peter, as his slice fell away flat onto the chopping board. She held out her palm like a surgeon to Des, to receive the knife.

Claire jiggled up and down on her chubby legs and said, ‘My turn, Daddy.'

‘You can have a go after Susie, Claire.'

‘Claire,' Grace said, ‘you come with Mummy. You can learn to use the knife when you're a bit bigger.'

‘Stop molly-coddling the kid,' Des said. ‘How's she supposed to learn?'

Claire looked at Grace, triumphant, before turning back on excited, jiggling legs, to watch Susan make her incision.

The knife looked enormous in Susan's hands so Grace couldn't imagine how Claire would handle it.

‘That's it. Keep it the same thickness as best you can. That's lookin' good, love.'

As Susan got close to completing her slice, Claire, sensing her turn was near, jiggled about more and more.

‘Stop bumping,' Susan snapped at her.

What had been a small bump quickly became a large one as Claire's foot slipped off the side of the chair with her jiggling and she toppled onto Susan's shoulder. The movement pushed the knife off at an angle and into the hand Susan was using to hold the meat steady. The cut wasn't serious, Grace could see at once, but Susan howled, ‘Stupid girl!' at Claire and gripped her hand to her chest as though the finger had been severed.

‘You're a careless one,' Des said, lifting Claire roughly from the chair and plonking her on the ground. ‘No turn for you.'

Claire burst into tears and ran to Grace, putting both arms around her legs.

Susan took a hanky from her pocket and wrapped it around her finger.

Des picked up the knife and handed it to Susan again. ‘C'mon, love, back on your bike. Your sister's out of the way now. She needs to grow up a bit before she can have a go.'

‘And you've only just realised that?' Grace asked him, feeling two small arms tighten around her legs.

Des, knife still in hand, reeled round to face Grace. He pointed it at her, said, ‘Not another word outta you, d'you hear?'

‘Hate you, Daddy,' Claire cried, then buried her face in Grace's thigh.

Now Grace looked at Susan's grown-up finger where the knife had made its mark all those years before but she knew there was no defining line left there. The cut had healed without trace. In fact, she doubted her daughter would even recall the incident.

But Grace did, and other incidents, equally careless, equally threatening.

Abruptly, Grace slid the new knife block to the back of the bench.

Just as brusquely, Susan opened a drawer and took an apron from inside, keeping her back turned while she neatly tied the strings in a bow behind her. When she faced her mother again, businesslike, she was ready for work.

Grace said, ‘Why don't you start with the sauces.'

The ground between Grace and her daughter could be uneven. Grace supposed it was no different from the terrain she'd traversed with her own mother, sometimes steep and treacherous, at others flat, easy plains. Bev had tried to make sense of it for her once; old friends often brought logic to otherwise illogical situations. At the time she hadn't succeeded.

‘Maybe it's not so much the difficulty of the climb you should be thinking about,' Bev said, ‘as how you catch your breath along the way.'

Grace had just made some reference to how scaling Everest would be easier than understanding the workings of an adolescent mind, Susan's mind.

She must have looked confused, because Bev added, ‘Do you pause now and then till you can breathe easy again? Or do you push on refusing to admit you're not as fit or able for the climb as you'd hoped, or asking yourself, even, if it's a climb you should be making in the first place?'

Grace, in no mood for wise counsel at the time – Bev's or anybody's – said, ‘But that doesn't answer why she cut it up like that.'

Susan had taken a photograph of Claire from her album – one that captured her sister drawing, her brow typically folded in concentration – and got to it with a pair of scissors. She left the circle of Claire's face intact and a thin halo of her long hair. Reduced in this way it was an unflattering image. With all context cut away – the hand holding a pencil, the pencil pressed to paper – Claire looked defiant and sullen, not earnest. Grace had been livid, as much by Susan's destruction of the photograph as its inaccurate portrayal of her youngest child.

‘It's mine. I'll do what I want with it,' Susan snapped, when Grace challenged her about it.

Some time later, Grace had found the circle of Claire's face stuck to a page in an exercise book. The book fell out from under Susan's pillow when Grace was changing her linen. Beneath it in thick, black print, were the words, NOT MY FAULT! written five or six times like a chant. Claire's look of defiance seemed enhanced by those words.

Grace didn't tell Bev she'd found the photograph of Claire in Susan's book. But seeing it helped her understand what Bev had meant. And she decided her friend was right: there were some climbs she had been neither fit nor able to make.