GRAVITY RAINBOW (100 page)

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Authors: Thomas Pynchon

BOOK: GRAVITY RAINBOW
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At nightfall the children roam the streets carrying round paper lanterns, singing
Laterne, Lateme, Sonne, Mond und Sterne…
spheres in country evenings, pale as souls, singing good-by to another summer. In a coastal town, near Wismar, as he's falling to sleep in a little park, they surround Slothrop and tell him the story of Plechazunga, the Pig-Hero who, sometime back in the 10th century, routed a Viking invasion, appearing suddenly out of a thunderbolt and chasing a score of screaming Norsemen back into the sea. Every summer since then, a Thursday has been set aside to celebrate the town's deliverance-Thursday being named after Donar or Thor, the thunder-god, who sent down the giant pig. The old gods, even by the 10th century, still had some pull with the people. Donar hadn't quite been tamed into Saint Peter or Roland, though the ceremony did come to be held at the town's Roland-statue near the Peterskirche.
This year, though, it's in jeopardy. Schraub the shoemaker, who has taken the role of Plechazunga for the past 30 years, got drafted last
winter into the Volksgrenadier and never came back. Now the white lanterns come crowding around Tyrone Slothrop, bobbing in the dark. Tiny fingers prod his stomach.
"You're the fattest man in the world."
"He's fatter than anyone in the village."
"Would you? Would you?"
"I'm not
that
fat-"
"Told you somebody would come."
"And taller, too."
"-waitaminute, would I what?"
"Be Plechazunga tomorrow."
"Please."
Being a soft touch these days, Slothrop gives in. They roust him up out of his grass bed and down to the city hall. In the basement are costumes and props for the Schweinheldfest-shields, spears, horned helmets, shaggy animal skins, wooden Thor's hammers and ten-foot lightning bolts covered with gold leaf. The pig costume is a little startling-pink, blue, yellow, bright sour colors, a German Expressionist pig, plush outside, padded with straw inside. It seems to fit perfectly. Hmm.
The crowd next morning is sparse and placid: old people and children, and a few silent veterans. The Viking invaders are all kids, helmets sloping down over their eyes, capes dragging the ground, shields as big as they are and weaponry twice as high. Giant Plechazunga images with white stock and red and blue cornflowers woven onto the wiremesh frames, line the square. Slothrop waits hidden behind the Roland, a particularly humorless, goggle-eyed, curly-headed, pinch-waisted specimen. With Slothrop is an arsenal of fireworks and his assistant Fritz, who's about 8, and a Wilhelm Busch original. Slothrop is a little nervous, unaccustomed as he is to pigherofestivals. But Fritz is an old hand, and has thoughtfully brought along a glazed jug of some liquid brain damage flavored with dill and coriander and distilled, unless
Haferschleim
means something else, from oatmeal.
"Haferschleim, Fritz?" He takes another belt, sorry he asked.
"Haferschleim, ja."
"Well, Haferschleim is better than none, ho, ho…" Whatever it is, it seems to work swiftly on the nerve centers. By the time all the Vikings, to a solemn brass chorale from the local band, have puffed and struggled up to the statue, formed ranks, and demanded the town's surrender, Slothrop finds his brain working with less than the usual keenness. At which point Fritz strikes his match, and all hell breaks loose, rockets, Roman candles, pinwheels and-PLECCCH-HAZUNNGGA! an enormous charge of black powder blasts him out in the open, singeing his ass, taking the curl right out of his tail. "Oh, yes, that's right, uh…" Wobbling, grinning hugely, Slothrop hollers his line: "I am the wrath of Donar-and this day you shall be my anvil!" Away they all go in a good roaring chase through the streets, in a shower of white blossoms, little kids squealing, down to the water, where everybody starts splashing and ducking everybody else. Townspeople break out beer, wine, bread, Quark, sausages. Gold-brown Kartoffelpuffer are lifted dripping hot from oil smoking in black skillets over little peat fires. Girls commence stroking Slothrop's snout and velvet flanks. The town is saved for another year.
A peaceful, drunken day, full of music, the smell of salt water, marsh, flowers, frying onions, spilled beer and fresh fish, overhead little frost-colored clouds blowing along the blue sky. The breeze is cool enough to keep Slothrop from sweating inside this pig suit. All along the shoreline, blue-gray woods breathe and shimmer. White sails move out in the sea.
Slothrop returns from the brown back room of a pipesmoke-and-cabbage cafe, and an hour's game of hammer-and-forge with-every boy's dream-TWO healthy young ladies in summer dresses and woodsoled shoes to find the crowd begun to coagulate into clumps of three and four. Oh, shit. Not now, come on… Tight aching across his asshole, head and stomach inflated with oat mash and summer beer, Slothrop sits on a pile of nets and tries, fat chance, to will himself alert.
These little vortices appearing in a crowd out here usually mean black market. Weeds of paranoia begin to bloom, army-green, among the garden and midday tranquillities. Last of his line, and how far-fallen-no other Slothrop ever felt such fear in the presence of Commerce. Newspapers already lie spread out on the cobbles for buyers to dump out cans of coffee on, make sure it's all Bohnenkaffee, and not just a thin layer on top of ersatz. Gold watches and rings appear abruptly sunlit out of dusty pockets. Cigarettes go flashing hand to hand among the limp and filthy and soundless Reichsmarks. Kids play underfoot while the grownups deal, in Polish, Russian, north-Baltic, Plattdeutsch. Some of the DP style here, a little impersonal, just passing through, dealing on route, in motion, almost as an afterthought… where'd they all come from, these gray hustlers, what shadows in the Gemutlichkeit of the day were harboring them?
Materializing from their own weird office silence, the coppers
show up now, two black 'n' white charabancs full of bluegreen uniforms, white armbands, little bucket hats with starburst insignia, truncheons already unsheathed, black dildos in nervous hands, wobbling, ready for action. The eddies in the crowd break up fast, jewelry ringing to the pavement, cigarettes scattered and squashed under the feet of stampeding civilians, among the instant litter of watches, war medals, silkstuffs, rolls of bills, pinkskinned potatoes all their eyes staring in alarm, elbow-length kid gloves twisted up fingers clutching at sky, smashed light bulbs, Parisian slippers, gold picture-frames around still-lifes of cobbles, rings, brooches, nobody gonna claim any of it, everybody scared now.
No wonder. The cops go at busting these proceedings the way they must've handled anti-Nazi street actions before the War, moving in, mmm ja, with these flexible clubs, eyes tuned to the finest possibilities of threat, smelling of leather, of the wool-armpit rankness of their own fear, jumping little kids three-on-one, shaking down girls, old people, making them take off and shake out even boots and underwear, jabbing and battering in with tireless truncheonwork among the crying kids and screaming women. Beneath the efficiency and glee is nostalgia for the old days. The War must've been lean times for crowd control, murder and mopery was the best you could do, one suspect at a time. But now, with the White Market to be protected, here again are whole streets full of bodies eager for that erste Abreibung, and you can bet the heat are happy with it.
Presently they have Russian reinforcements, three truckloads of young Asiatics in fatigues who don't seem to know where they are exactly, just shipped in from someplace very cold and far to the east. Out of their slatsided rigs like soccer players coming on field, they form a line and start to clear the street by compressing the crowd toward the water. Slothrop is right in the middle of all this, shoved stumbling backward, pig mask cutting off half his vision, trying to shield whom he can-a few kids, an old lady who was busy earlier moving cotton yardage. The first billy-clubs catch him in the straw padding over his stomach, and don't feel like much. Civilians are going down right and left, but Plechazunga's holding his own. Has the morning been only a dress rehearsal? Is Slothrop expected to repel
real
foreign invaders now? A tiny girl is clutching to his leg, crying the Schweinheld's name in a confident voice. A grizzled old cop, years of home-front high living and bribes in his face, comes swinging a club at Slothrop's head. The Swine-hero dodges and kicks with his free leg. As the cop doubles over, half a dozen yelling civilians jump on, relieving him of hat and
truncheon. Tears, caught by the sun, leak out of his withered eyes. Then gunfire has started somewhere, panicking everybody, carrying Slothrop half off his feet, the kid around his leg torn loose and lost in the rush forever.
Out of the street onto the quai. The police have quit hitting people and begun picking up loot off of the street, but now the Russians are moving in, and enough of them are looking straight at Slothrop. Prov-
identially, one of the girls from the cafe shows up about now, takes his hand and tugs him along.
"There's a warrant out for you."
"A what? They're doing pretty good without any paperwork."
"The Russians found your uniform. They think you're a deserter."
"They're right."
She takes Slothrop home with her, in his pig suit. He never hears her name. She is about seventeen, fair, a young face, easy to hurt. They lie behind a sperm-yellowed bedsheet tacked to the ceiling, very close on a narrow bed with lacquered posts. Her mother is carving turnips in the kitchen. Their two hearts pound, his for his danger, hers for Slothrop. She tells how her parents lived, her father a printer, married during his journeymanship, his wanderyears now stretched out to ten, no word where he's been since '42, when they had a note from Neukolln, where he had dossed down the night with a friend. Always a friend, God knows how many back rooms, roundhouses, print shops he slept single nights in, shivering wrapped in back numbers of
Die
Welt am Montag,
sure of at least shelter, like everybody in the Buch-drucherverband, often a meal, almost certainly some kind of police trouble if the stay lasted too long-it was a good union. They kept the German Wobbly traditions, they didn't go along with Hitler though all the other unions were falling into line. It touches Slothrop's own Puritan hopes for the Word, the Word made printer's ink, dwelling along with antibodies and iron-bound breath in a good man's blood, though the World for him be always the World on Monday, with its cold cutting edge, slicing away every poor illusion of comfort the bourgeois takes for real… did he run off leaflets against his country's insanity? was he busted, beaten, killed? She has a snapshot of him on holiday, someplace Bavarian, waterfalled, white-peaked, a tanned and ageless face, Tyrolean hat, galluses, feet planted perpetually set to break into a run: the image stopped, preserved here, the only way they could keep him, running room to room down all his cold Red suburbs, freemason's night to night… their aproned and kitchen way of going evening or empty afternoon in to study the Ax's and Ay's of his drifter's
spirit, on the run-study how he was changing inside the knife-fall of the shutter, what he might've been hearing in the water, flowing like himself forever, in lost silence, behind him, already behind him.
Even now, lying beside a stranger in a pig disguise, her father is the flying element of Slothrop, of whoever else has lain here before, flightless, and heard the same promise: "I'd go anywhere with you." He sees them walking a railroad trestle, pines on long slanted mountains all around, autumn sunlight and cold, purple rainclouds, mid-afternoon, her face against some tall concrete structure, the light of the concrete coming down oblique both sides of her cheekbones, blending into her skin, blending with its own light. Her motionless figure above him in a black greatcoat, blonde hair against the sky, himself at the top of a metal ladder in a trainyard, gazing up at her, all their shining steel roads below crisscrossing and peeling off to all parts of the Zone. Both of them on the run. That's what she wants. But Slothrop only wants to lie still with her heartbeat awhile… isn't that every paranoid's wish? to perfect methods of immobility? But they're coming, house to house, looking for their deserter, and it's Slothrop who has to go, she who has to stay. In the streets loudspeakers, buzzing metal throats, are proclaiming an early curfew tonight. Through some window of the town, lying in some bed, already browsing at the edges of the fields of sleep, is a kid for whom the metal voice with its foreign accent is a sign of nightly security, to be part of the wild fields, the rain on the sea, dogs, smells of cooking from strange windows, dirt roads… part of this unrecoverable summer…
"There's no moon," she whispers, her eyes flinching but not looking away.
"What's the best way out of town?"
She knows a hundred. His heart, his fingertips hurt with shame. "I'll show you."
"You don't have to."
"I want to."
Her mother gives Slothrop a couple of hard rolls to stash inside his pig suit. She'd find him something else to wear, but all her husband's clothes have been traded for food at the Tauschzentrale. His last picture of her is framed in the light of her kitchen, through the window, a fading golden woman, head in a nod over a stove with a single pot simmering, flowered wallpaper deep-orange and red behind her averted face.
The daughter leads him over low stone walls, along drainage ditches and into culverts, southwesterly to the outskirts of the town.
Far behind them the clock in the Peterskirche strikes nine, the sightless Roland below continuing to gaze across the square. White flowers fall one by one from the images of Plechazunga. Stacks of a power station rise, ghostly, smokeless, painted on the sky. A windmill creaks out in the countryside.
The city gate is high and skinny, with stairsteps to nowhere on top. The road away goes curving through the ogival opening, out into the night meadows.

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