Great Poems by American Women (13 page)

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Authors: Susan L. Rattiner

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EMMA LAZARUS (1849—1887)

Of Portuguese Jewish ancestry, Emma Lazarus was born in New York City to wealthy parents. She began writing poems as a teenager and her first book,
Poems and Translations
, was published in 1867. Influenced by the persecution of Russian Jews, Lazarus infused much of her writings with Jewish themes. Lazarus's fame is immortalized by her timeless sonnet inscribed on the base of the Statue of Liberty. “The New Colossus,” written in 1883, is a well-known and powerful statement of what it means to be an American. Other works by Lazarus include
Admetus and Other Poems
(1871),
Songs of a Semite
(1882), and a series of prose poems entitled
By the Waters of Babylon
(1887).

The New Colossus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

1492

Thou two-faced year, Mother of Change and Fate,
Didst weep when Spain cast forth with flaming sword,
The children of the prophets of the Lord,
Prince, priest, and people, spurned by zealot hate.
Hounded from sea to sea, from state to state,
The West refused them, and the East abhorred.
No anchorage the known world could afford,
Close-locked was every port, barred every gate.

 

Then smiling, thou unveil'dst, O two-faced year,
A virgin world where doors of sunset part,
Saying, “Ho, all who weary, enter here!
There falls each ancient barrier that the art
Of race or creed or rank devised, to rear
Grim bulwarked hatred between heart and heart!”

Echoes

Late-born and woman-souled I dare not hope,
The freshness of the elder lays, the might
Of manly, modern passion shall alight
Upon my Muse's lips, nor may I cope
(Who veiled and screened by womanhood must grope)
With the world's strong-armed warriors and recite
The dangers, wounds, and triumphs of the fight;
Twanging the full-stringed lyre through all its scope.
But if thou ever in some lake-floored cave
O'erbrowed by rocks, a wild voice wooed and heard,
Answering at once from heaven and earth and wave,
Lending elf-music to thy harshest word,
Misprize thou not these echoes that belong
To one in love with solitude and song.

The South

Night, and beneath star-blazoned summer skies
Behold the Spirit of the musky South,
A creole with still-burning, languid eyes,
Voluptuous limbs and incense-breathing mouth:
Swathed in spun gauze is she,
From fibres of her own anana tree.

 

Within these sumptuous woods she lies at ease,
By rich night-breezes, dewy cool, caressed:
'Twixt cypresses and slim palmetto trees,
Like to the golden oriole's hanging nest,
Her airy hammock swings,
And through the dark her mocking-bird yet sings.

 

How beautiful she is! A tulip-wreath
Twines round her shadowy, free-floating hair:
Young, weary, passionate, and sad as death,
Dark visions haunt for her the vacant air,
While movelessly she lies
With lithe, lax, folded hands and heavy eyes.

 

Full well knows she how wide and fair extend
Her groves bright-flowered, her tangled everglades,
Majestic streams that indolently wend
Through lush savanna or dense forest shades,
Where the brown buzzard flies
To broad bayous 'neath hazy-golden skies.

 

Hers is the savage splendor of the swamp,
With pomp of scarlet and of purple bloom,
Where blow warm, furtive breezes faint and damp,
Strange insects whir, and stalking bitterns boom—
Where from stale waters dead
Oft looms the great-jawed alligator's head.

 

Her wealth, her beauty, and the blight on these,—
Of all she is aware: luxuriant woods,
Fresh, living, sunlit, in her dream she sees;
And ever midst those verdant solitudes
The soldier's wooden cross,
O'ergrown by creeping tendrils and rank moss.

 

Was hers a dream of empire? was it sin?
And is it well that all was borne in vain?
She knows no more than one who slow doth win,
After fierce fever, conscious life again,
Too tired, too weak, too sad,
By the new light to be or stirred or glad.

 

From rich sea-islands fringing her green shore,
From broad plantations where swart freemen bend
Bronzed backs in willing labor, from her store
Of golden fruit, from stream, from town, ascend
Life-currents of pure health:
Her aims shall be subserved with boundless wealth.

 

Yet now how listless and how still she lies,
Like some half-savage, dusky Italian queen,
Rocked in her hammock 'neath her native skies,
With the pathetic, passive, broken mien
Of one who, sorely proved,
Great-souled, hath suffered much and much hath loved!

 

But look! along the wide-branched, dewy glade
Glimmers the dawn: the light palmetto-trees
And cypresses reissue from the shade,
And she hath wakened. Through clear air she sees
The pledge, the brightening ray,
And leaps from dreams to hail the coming day.

Gifts

“O World-God, give me Wealth!” the Egyptian cried.
His prayer was granted. High as heaven, behold
Palace and Pyramid; the brimming tide
Of lavish Nile washed all his land with gold.
Armies of slaves toiled ant-wise at his feet,
World-circling traffic roared through mart and street,
His priests were gods, his spice-balmed kings enshrined,
Set death at naught in rock-ribbed charnels deep.
Seek Pharaoh's race to-day and ye shall find
Rust and the moth, silence and dusty sleep.

 

“O World-God, give me Beauty!” cried the Greek.
His prayer was granted. All the earth became
Plastic and vocal to his sense; each peak,
Each grove, each stream, quick with Promethean flame,
Peopled the world with imaged grace and light.
The lyre was his, and his the breathing might
Of the immortal marble, his the play
Of diamond-pointed thought and golden tongue.
Go seek the sun-shine race, ye find to-day
A broken column and a lute unstrung.

 

“O World-God, give me Power!” the Roman cried.
His prayer was granted. The vast world was chained
A captive to the chariot of his pride.
The blood of myriad provinces was drained
To feed that fierce, insatiable red heart.
Invulnerably bulwarked every part
With serried legions and with close-meshed code,
Within, the burrowing worm had gnawed its home,
A roofless ruin stands where once abode
The imperial race of everlasting Rome.

 

“O Godhead, give me Truth!” the Hebrew cried.
His prayer was granted; he became the slave
Of the Idea, a pilgrim far and wide,
Cursed, hated, spurned, and scourged with none to save.
The Pharaohs knew him, and when Greece beheld,
His wisdom wore the hoary crown of Eld.
Beauty he hath forsworn, and wealth and power.
Seek him to-day, and find in every land.
No fire consumes him, neither floods devour;
Immortal through the lamp within his hand.

The New Ezekiel

What, can these dead bones live, whose sap is dried

By twenty scorching centuries of wrong?

Is this the House of Israel, whose pride

Is as a tale that's told, an ancient song?

Are these ignoble relics all that live

Of psalmist, priest, and prophet? Can the breath

Of very heaven bid these bones revive,

Open the graves and clothe the ribs of death?

 

Yea, Prophesy, the Lord hath said. Again

Say to the wind, Come forth and breathe afresh,

Even that they may live upon these slain,

And bone to bone shall leap, and flesh to flesh.

The Spirit is not dead, proclaim the word,

Where lay dead bones, a host of armed men stand!

I ope your graves, my people, saith the Lord,

And I shall place you living in your land.

SARAH ORNE JEWETT (1849—1909)

Born in South Berwick, Maine, Sarah Orne Jewett was the second daughter of a highly respected physician. Accompanying her father on house calls, Jewett learned about her home state and its people. This served as a background for Jewett's later short stories. She contributed local-color stories to the
Atlantic Monthly,
and published many books over the next twenty-five years:
Deephaven
(1877), A
Country Doctor
(1884), A
White Heron
and
Other Stories
(1886), and
The Country of the Pointed Firs
(1896). Jewett was a prominent figure in the literary community, and was friends with other authors such as James Russell Lowell, Harriet Beecher Stowe, John Greenleaf Whittier, and Willa Cather. She died of a stroke at her family home in Maine in 1909.

A Caged Bird

High at the window in her cage

The old canary flits and sings,

Nor sees across the curtain pass

The shadow of a swallow's wings.

 

A poor deceit and copy, this,

Of larger lives that mark their span,

Unreckoning of wider worlds

Or gifts that Heaven keeps for man.

 

She gathers piteous bits and shreds,

This solitary, mateless thing,

To patient build again the nest

So rudely scattered spring by spring;

 

And sings her brief, unlistened songs,

Her dreams of bird life wild and free,

Yet never beats her prison bars

At sound of song from bush or tree.

 

But in my busiest hours I pause,

Held by a sense of urgent speech,

Bewildered by that spark-like soul,

Able my very soul to reach.

 

She will be heard; she chirps me loud,

When I forget those gravest cares,

Her small provision to supply,

Clear water or her seedsman's wares.

 

She begs me now for that chief joy

The round great world is made to grow,—

Her wisp of greenness. Hear her chide,

Because my answering thought is slow!

 

What can my life seem like to her?

A dull, unpunctual service mine;

Stupid before her eager call,

Her flitting steps, her insight fine.

 

To open wide thy prison door,

Poor friend, would give thee to thy foes;

And yet a plaintive note I hear,

As if to tell how slowly goes

The time of thy long prisoning.

Bird! does some promise keep thee sane?

Will there be better days for thee?

Will thy soul too know life again?

 

Ah, none of us have more than this:

If one true friend green leaves can reach

From out some fairer, wider place,

And understand our wistful speech!

ELLA WHEELER WILCOX (1850—1919)

Ella Wheeler Wilcox, born in Johnstown Center, Wisconsin, was educated at local public schools and attended the University of Wisconsin. At fourteen, Wilcox contributed to her family's income by publishing some sketches in the
New York Mercury
. Wilcox's first book,
Drops of Water
, was published in 1872.
Shells
(1873) and
Maurine
(1876) followed, but it was the publication of
Poems of Passion
(1883) that caused an uproar. This book of love poems was rejected by one publisher for being too racy and “immoral.” Sales skyrocketed, and Wilcox continued to publish her poetry in such books as
Men, Women, and Emotions
(1893),
Poems of Pleasure
(1888),
and Poems of Power
(1901). She married in 1884, and wrote fiction stories and two autobiographies. Of her more than forty books, Wilcox is best remembered for her poem “Solitude.”

Solitude

Laugh, and the world laughs with you;

Weep, and you weep alone.

For the sad old earth must borrow its mirth,

But has trouble enough of its own.

Sing, and the hills will answer;

Sigh, it is lost on the air.

The echoes bound to a joyful sound,

But shrink from voicing care.

 

Rejoice, and men will seek you;

Grieve, and they turn and go.

They want full measure of all your pleasure,

But they do not need your woe.

Be glad, and your friends are many;

Be sad, and you lose them all.

There are none to decline your nectared wine,

But alone you must drink life's gall.

 

Feast, and your halls are crowded;

Fast, and the world goes by.

Succeed and give, and it helps you live,

But no man can help you die.

There is room in the halls of pleasure

For a long and lordly train,

But one by one we must all file on

Through the narrow aisles of pain.

Individuality

O yes, I love you, and with all my heart;
Just as a weaker woman loves her own,
Better than I love my beloved art,
Which, till you came, reigned royally, alone,
My king, my master. Since I saw your face
I have dethroned it, and you hold that place.

 

I am as weak as other women are—
Your frown can make the whole world like a tomb.
Your smile shines brighter than the sun, by far;
Sometimes I think there is not space or room
In all the earth for such a love as mine,
And it soars up to breathe in realms divine

 

I know that your desertion or neglect
Could break my heart, as women's hearts do break,
If my wan days had nothing to expect
From your love's splendor, all joy would forsake
The chambers of my soul. Yes, this is true.
And yet, and yet—one thing I keep from you.

 

There is a subtle part of me, which went
Into my long pursued and worshiped art;
Though your great love fills me with such content
No other love finds room now, in my heart.
Yet that rare essence was my art's alone.
Thank God you cannot grasp it; 'tis mine own.

 

Thank God, I say, for while I love you so,
With that vast love, as passionate as tender,
I feel an exultation as I know
I have not made you a complete surrender.
Here is my body; bruise it, if you will,
And break my heart; I have that
something
still.

 

You cannot grasp it. Seize the breath of morn,
Or bind the perfume of the rose as well.
God put it in my soul when I was born;
It is not mine to give away, or sell,
Or offer up on any altar shrine.
It was my art's; and when not art's, 'tis mine.

 

For love's sake, I can put the art away,
Or anything which stands 'twixt me and you.
But that strange essence God bestowed, I say,
To permeate the work He gave to do:
And it cannot be drained, dissolved, or sent
Through any channel, save the one He meant.

Friendship After Love

After the fierce midsummer all ablaze

Has burned itself to ashes, and expires

In the intensity of its own fires,

There come the mellow, mild, St. Martin days

Crowned with the calm of peace, but sad with haze.

So after Love has led us, till he tires

Of his own throes, and torments, and desires,

Comes large-eyed friendship: with a restful gaze,

He beckons us to follow, and across

Cool verdant vales we wander free from care.

Is it a touch of frost lies in the air?

Why are we haunted with a sense of loss?

We do not wish the pain back, or the heat;

And yet, and yet, these days are incomplete.

Delilah

In the midnight of darkness and terror,
When I would grope nearer to God,
With my back to a record of error
And the highway of sin I have trod,
There come to me shapes I would banish—
The shapes of the deeds I have done;
And I pray and I plead till they vanish—
All vanish and leave me, save one.

 

That one, with a smile like the splendor
Of the sun in the middle-day skies—
That one, with a spell that is tender—
That one with a dream in her eyes—
Cometh close, in her rare Southern beauty,
Her languor, her indolent grace;
And my soul turns its back on its duty,
To live in the light of her face.

 

She touches my cheek, and I quiver—
I tremble with exquisite pains;
She sighs—like an overcharged river
My blood rushes on through my veins;
She smiles—and in mad-tiger fashion,
As a she-tiger fondles her own,
I clasp her with fierceness and passion,
And kiss her with shudder and groan.

 

Once more, in our love's sweet beginning,
I put away God and the World;
Once more, in the joys of our sinnings,
Are the hopes of eternity hurled.
There is nothing my soul lacks or misses
As I clasp the dream-shape to my breast;
In the passion and pain of her kisses
Life blooms to its richest and best.

 

O ghost of dead sin unrelenting,
Go back to the dust, and the sod!
Too dear and too sweet for repenting,
Ye stand between me and my God.
If I, by the Throne, should behold you,
Smiling up with those eyes loved so well,
Close, close in my arms I would fold you,
And drop with you down to sweet Hell!

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