Read Growing Up Dead in Texas Online
Authors: Stephen Graham Jones
Of all of them, he’s the only one who never looks across all the stalks, for that next shot.
T
he one person Rob King would never talk about was Sterling. His suicide brother.
I think I understand.
My nephew who was dying a few pages ago, that was the first time I’ve said anything about him in all these years.
His name wasDallas. His name wasHouston.
It was Austin.
He was the first grandkid, the golden child, the same as Sterling had been, and Mouse before him.
Ms. Godfrey would have an explanation for that, I guess. A footnote or a play or a literary tradition.
She doesn’t know everything, though.
She doesn’t know that I used to save my fingernails, say. In a Tylenol bottle, back when everyone was sure every third Tylenol pill was poison. By fifteen, that little white bottle was almost full. Until my littlest brother found it when I was gone one day. I scooped what I could back into the bottle, stormed down the hall to my room, slammed the door hard enough that it would sound locked, anyway.
Two hours later, cooled down, I would open that door again. There on the carpet was my littlest brother’s apology: he’d found some clippers, cut all his own nails off. Deep, so that each one was bloody. Him waiting down the hall to see for himself that everything was okay now. It wasn’t.
Another thing Ms. Godfrey doesn’t know is that, moving up to Colorado, I finally had to let go of the backboard I’d been carrying with me from house to house ever since I left Greenwood. It was all warped and scarred, just the ghost of a red square on it anymore, and it took all kinds of mismatched washers and carriage bolts to even keep a rim up there, but still, each time I was fading away from it, in whatever driveway was mine at the time, I felt like I was still me. Like if I just made this shot, then everything would be all right, that I could keep the world together by placing that ball through the net one more time.
And she especially doesn’t know about Buddy.
My dog about four years ago, a golden boxer some eight-months old, with parvo.
We fed him goat milk and Enfamil and Gatorade and everything we could think of, but still, he was going, until one night it was time to shoot him. Except, up in the top of my closet, I didn’t have any more shells. Not in the ashtray of my truck either, and not in the pockets of any of my jackets, and not behind the
seat
of my truck, and not the ashtray again either, though I checked and checked, insisted. It was two in the morning already, the stores were closed, everybody I knew sleeping.
But still.
You can do it with a narrow rope if you have to, a parachute cord you bought at Army surplus because it only cost a dollar. You can do it if you don’t mind having that feel of muscle dying under your hands, the way it creaks like it’s drying out. You can do it if you don’t mind having that feeling in your hands for the rest of your life.
To even get there, though, what you have to do is dig deeper into your closet, for the mule-eared boots you haven’t tried to fit into for years.
They make it feel more like a movie, what you’re doing. Like you’re walking into a scene here. Like your lines are already all laid out for you, your actions blocked out. Like there’s some director watching you, nodding yes, that this is right, this is good, everybody quiet now.
Never mind the actor there, his knee between the dog’s shoulder blades.
I’m not going into that backyard again, though.
But it’s not always just a backyard, either. Sometimes it’s a whole county.
My favorite dog when I was twelve, one Friday afternoon when we were going to the lake, I couldn’t find her and couldn’t find her. Finally, when none of his excuses were getting us out of the house, my dad told my mom the story. They were in the garage, which is like trying to whisper in a cave. This is what he didn’t know I was hearing: that his buddy from way back, our neighbor, had gotten understandably tired of Sheba chasing his van every day, so had finally stopped that morning, turned that Chevy van around and chased the dog instead. All through the pasture, wider and wider loops, until he caught her. The fresh ruts were right there, obvious, would be for years. After he hit Sheba, then, she got up and kept running, made one more giant loop, going for all she was worth, then came back to the van, fell over in some kind of shock, her side rising shallow and fast. This was good, I thought, about to round the corner. She’d lived. It was what she always did. Except. Instead of scooping her into the back of the truck, my dad and the neighbor— Gene, Gene,
Gene
, I can’t say it enough times— put her in a plastic trash bag, dug a hole for her so that she probably didn’t die until she woke up.
We didn’t make the lake that weekend. They didn’t find me that night until almost dawn, and that was just because I didn’t have a driver’s license yet, or a flip switch to blow the world up.
Then my next dog, Pepper, a lanky tall black and brown goof who’d wandered up especially to help me be thirteen. At a barbecue one Sunday, one of my young cousins was petting one of the other dogs, and Pepper growled like he always did. Not at my little cousin—taller than me now—but at the other dog, for getting attention. It didn’t matter. My cousin’s dad heard, cocked his head to be sure he’d heard, then took two steps over to his car, leaned in through the open window, his cheeseburger plate balanced in his other hand the whole time. When he turned back around, he was leading with his nickel-plated .38. There in the middle of all of us, so we felt the spray even if it didn’t stain our clothes, he took half of Pepper’s head off, from the left eye back, and said it in the silence that followed, before we all started breathing again: that
no
dog was going to growl at his kid, by God. By the time the men came back from burying Pepper, the cheese on our burgers was cold, and none of the women were talking to any of the men, and I didn’t even run away, just sat there under the clothesline, staring out across the pasture.
All of which is to say that that night with Buddy, I should have known, should have been more ready. And it’s not like I hadn’t been shooting deer and elk and everything else in all the years before Buddy—a horse once, even, that I had to run away from, am still running away from—and not like I hadn’t sawed the heads off just-dead Hereford bulls, for their skulls, and dug through rotting cows for their elbow calluses and eye lenses, which I was collecting for a while, and not like I hadn’t killed who knows how many birds and snakes and rabbits by then, but Buddy—his name was no accident. That’s the best way to say it, maybe. He was Sheba and Pepper and the rest, only safe, far from Greenwood.
I don’t know.
I sat on the back porch with him for two days while he was dying, didn’t even read, and when he started peeing just sitting there, so that it ran onto both of us, his ears back from embarrassment, the pee still Enfamil practically, I told him it was all right, that it was all going to be all right, and just sat there with him some more, making promises, offering trades.
You don’t get to save them all though, I don’t guess. Even the important ones.
You’d think I’d have learned that by then.
From their back window—this is still two weeks before Stacy Monahans’ funeral, which would change everything—Belinda King and her sons watch the Sheriff’s men move through the CRP all around their cul-de-sac.
What the windbreakered men are after is the .22.
Not that there’s a slug to match it to yet, or any witnesses, but still, if that little Savage .22 fell out of the horse scabbard bolted to the pushbar and fender of the three-wheeler like Jonas says, then the Sheriff’s department wants to see it lying there in the grass. Know that it hasn’t been hidden.
It’ll mean everything.
If they don’t find it, too.
“Mom,” Jonas says.
Belinda King just stands there. Not tuned out, but tuned all the way in, it seems. Completely.
The Sheriff’s men are sifting through the blown-up pump house now.
“Wait here,” she says to him finally, “watch your brothers,” and then’s stalking out there, is going to tell Deputy Jenkins something, except before she can get there Rob King is rounding the corner.
The Sheriff’s with him.
Rob’s whole arm is in a sling now.
They’re two days out from the first interview. The first time Rob’s been back since then.
There’ll be no charges, so long as he cooperates from here on out. His second free pass in as many months, like he’s charmed.
Ask him, you might get a different answer.
But there are moments like these, too.
Belinda goes to him and he hugs her with the arm he has, looks over her shoulder to the sliding back door. His sons are there, each in pants, hair combed to the side.
He’d called ahead, from the station, his voice the kind of muffled and insincere that meant he wasn’t alone.
Fluttering in his hand is the warrant signed by one of Martin Ledbetter’s golf buddies. It’s for the whole section of CRP, neighbors’ yards included, but it’s for the house too.
Everybody’s so apologetic.
Rob even crosses the backyard, shakes Deputy Jenkins’ left hand, taking him away from the pump house long enough for them to talk about it like it’s getting rebuilt anytime soon. Like Jonas won’t be out there come October, wrapping the pipes against the cold.
Behind them, the trampoline is becoming part of the old fence.
Farther out than that, across the field, leaning against a white post on his porch, Arthur King is drawing a cigarette to his lips, the first in fifteen years. Though it’s not what he intends for it to do, the smoke will clear his wife’s eyes for the morning and she’ll be her old self, except she’ll think it’s 1968.
He won’t correct her.
As for how Rooster knew about Junior and Mouse, knew about Walter Jr.’s predilections, I never questioned it. But, from what I’ve heard about Mouse, it wouldn’t be like him to say anything bad about the family. The Kings have always been close-to-the-vest like that. At eighteen, the information itself was jarring enough that I didn’t even think to question it. Only kind of wished I didn’t have to know.
Now, though, to keep from suspecting that he made it up, that him and Arthur King were that deep of enemies, what I have to imagine is that Rooster and Mouse weren’t just in the same squadron or troop or whatever the Army has. What I have to imagine is that maybe Rooster knew Mouse when he was young, somehow, even though Rooster only seems to have moved into Greenwood later in life, with money he got from the lawsuit after his work truck fireballed up all around him.
Maybe he’d been here before, though.
Maybe he grew up around Greenwood, made the kind of exit nobody noticed or would have cared about if they had, then, his ear melted off but his bank account full of blood money, he came back, started buying up the community that had ignored him growing up.
Real Victor Hugo, yeah. But it’s got to be something like that.
If he had known Mouse as a kid, anyway, then it would have been easier to see, I think. Just in Mouse’s behavior. Not that there are specific tells for that kind of stuff, I don’t think, at least to the untrained, but—if Rooster’s home life wasn’t quite ideal either, if he’d heard those same boots in the hall before, then maybe he could pick something up from Mouse. The way he acted, the front he put up. The smile he was known for.
Somehow, Rooster knew the truth about the Kings.
And Mouse, I think— you always want a witness, somebody who understands, who can nod that this is good, yes, this makes sense—he
knew
Rooster knew. It was why he was finally able to stand up in that field of grass in Germany or Italy or France or whatever made-up place it was.
For him, I know, it was the yellow grass of an empty field in Greenwood, spreading out all around him, all the way back to Prairie Lee.
He was home. His friend from second grade was here, the tremble in the ground wasn’t tanks but tractors, and he was home.
When Rooster told me the story of it that one time, his old man lips were curled into a smile, but they were tight, too. Unsure. Like he was trying to give shape to something that at the time, for him, had had no shape, was too big for words.
If he’d heard those boots in the hall, I mean, then what’s to keep him from standing up along with Mouse that day?
This is key, I think.
What can keep you from doing what Mouse did, it’s not strength or will or duty to those you’d leave behind, any of that, it’s that the family you come from, nobody would be surprised what was going on behind those closed doors. Maybe everybody even just assumes it, and lets it go.
It makes your world make sense, kind of.
Makes you want to come back, show them all.
If you’re Mouse, though, and your dad, he’s a deacon, a booster, a landowner, legitimate West Texas gentry, then what you never can wrap your head around, it’s this division between the daytime world and the nighttime one. Not how blind everybody can be, but how these two worlds you’re living in, they don’t fit together,
can’t
fit together.