Halfway To Hollywood: Diaries 1980-1988 (Volume Two) (106 page)

BOOK: Halfway To Hollywood: Diaries 1980-1988 (Volume Two)
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188
My own view, of course.
The New York Review of Books
called Kenneth S. Lynn’s
Hemingway
(1987) ‘One of the most brilliant and provocative literary biographies in recent memory’.
189
A couple of months earlier George had asked Eric Idle, David Leland and myself if we’d help make a spoof publicity film for a group consisting of himself, Tom Petty, Roy Orbison, Bob Dylan and Jeff Lynne. They called themselves The Travelling Wilburys. We never made the film but I wrote sleeve notes for the first of their two classic albums. And I’m quite proud of that.
190
Oman was to be a key location in
Around the World in 80 Days
. It was to be the place we picked up a dhow to cross the Arabian Sea to India. In the event all plans fell through in Saudi Arabia, and we ended up having to make a considerably longer dhow journey from Dubai.

Read on for an exclusive extract from Michael Palin’s
Travelling to Work: Diaries 1988–1998

1988
Wednesday, September 28th:
Espresso Egitto
on the Adriatic

I’ve just got up, washed two pairs of socks and pants and considered what to wear for the day. As we have shots that are continuity with last night, I have to settle for the trousers I’ve worn since leaving London on Sunday morning and my second shirt of the voyage.

The sea is calm, my cabin, which is one of the more comfortable, has two beds alongside each other and a shower and loo. A porthole looks onto the deck and a lifeboat hangs above.

The journey has been fast and furious until now. Yesterday we were up and filming at first light in Venice – we left the city yesterday evening.

I still find the nights a problem. Last night I slept six hours, but that was with the help of a pill which I took in a panic about two. I swear not to take them again except in extremis. They do so little anyway.

Occasionally the realisation that this whole project is supported on my shoulders and demands not just my survival but my wit, energy, exuberance and enthusiasm quite terrifies me. It is going to be a supreme test, and now, only onto my fourth day and feeling low on all levels, I just can’t contemplate the same continuing for two and a half more months.

But I’m determined to pull this off. Failure is unthinkable.

Thursday, September 29th

It’s nearly one o’clock and clear skies outside over the Saronian Gulf. We’ve just completed the quite dramatic navigational feat of the passage of the Corinth Canal – a man-made gorge it took us an hour to pass through.

Feel in good spirits today after a long sleep.

Phone Helen after breakfast and, despite the crew crouching and filming every word, it is one of our better phone calls and Helen sounds clear and very pleased to hear me – and surprised too. I don’t think she’d expected a call from the ship. These boat journeys will, I think, be a necessary interlude between periods of intense rush and activity.

The crew of the boat are treating us nobly, though I suspect they could turn ugly if they’re not enjoying themselves. Today I got up in my
Adriatica
T-shirt, which pleased them – I was promptly given a sailor’s hat.

It’s hot outside now – the scrub-covered mountains of Greece are all around. Glad of the air-conditioning on the
Egitto.

Friday, September 30th

This boat trip has been restorative. I’m eager and receptive to places – especially glad I stirred myself from bed this morning to run into Heraklion. I don’t suffer, as yet, from seasickness or homesickness.

Fears about my adequacy for the journey persist. I don’t think now that I shan’t make it, as I did that gloomy first morning on the
Egitto
– my worries now are what I shall make out of it.

My style is friendly, humorous and laid-back. It isn’t best suited for revealing things about people – whose right to privacy I respect, as I would want them to respect mine. How much of the time should I be acting?

Saturday, October 1st

Slept fitfully until finally rising at 6.20 to watch us approach Alexandria.

A thorough break with Europe, which I suppose could have been disturbing, but which I find exhilarating and energising. So the day dazzles and everything, all the hard work and the rushing around from location to location and city to city, encourages and stimulates me.

All we need at the end of our first week is sleep. We’ve filmed well and interestingly on the whole – though it
is
hard to get people on camera to be as easygoing and informative and anecdotal as they are off.

Sunday, October 2nd: Cairo

Sour taste of tourism at the Pyramids, and back to film two interviews in the bar of the Windsor
1
(where many stars of Egyptian theatre and opera gather!). Conscious of asking easy questions, not probing enough, being almost too respectful. Always after the interview I think of the one question I should have asked.

Monday, October 3rd: Suez

Seven o’clock at the Red Sea Hotel – the silence outside on the straight, empty avenues is quite a shock after Cairo. So is the hot water, even though it’s only a shower – no bath since Venice. The room is quite characterless and depressing, as is Suez. Can’t wait to get on a boat tomorrow and get moving.

This morning we completed various shots in and around the hotel and I didn’t have to go out. As in New York City, one has to be fit and strong to go out into the streets of Cairo, and a two-hour lay-off in the morning to write cards and ring the office was much needed and appreciated.
Wanda
is over 50 million in the States now. [The film
A Fish Called Wanda
had been released in the USA on July 15th.] Terry J starts
Erik the Viking
in Malta on the 19th.

The journey by taxi to Suez was pretty grim. The heat, dust, traffic and fumes of Cairo for the first half-hour were as uncomfortable as anything I’ve experienced so far on the trip. Once out of Cairo we were in desert – relics of war, barracks and endless rubbish tips.

The hotel is dry and we’re all meeting at 7.30 to seek out a place for beer.

 

 

1
The Windsor Hotel. Eccentric city-centre hotel. The air-con unit was noisier than the traffic outside. ‘I now know why they laughed at me when I’d asked for a quiet room’ (
Around the World in Eighty Days
).

MICHAEL PALIN established his reputation with
Monty Python’s Flying Circus
and
Ripping Yarns
. His work also includes several films with Monty Python, as well as
The Missionary, A Private Function
, an award-winning performance as the hapless Ken in
A Fish Called Wanda, American Friends
and
Fierce Creatures
. His television credits include two films for the BBC’s
Great Railway Journeys
, the plays
East of Ipswich
and
Number 27
, and Alan Bleasdale’s
GBH
. He has written seven best-selling travel books to accompany his series
Around the World in 80 Days, Pole to Pole, Full Circle
,
Hemingway Adventure
,
Sahara
,
Himalaya
and
New Europe
. He is also the author of a number of children’s stories, the play
The Weekend
and the novel
Hemingway’s Chair
. In 2006 the first volume of his diaries,
1969-1979: The Python Years
, spent many weeks on the bestseller lists. In 2008 and updated special edition of
Around the World in 80 Days
was published to coincide with his BBC documentary
Around the World in 20 Years
. Visit his website at
www.palinstravels.co.uk.
 
BASIL PAO began his photographic career in 1980 on his return to Hong Kong after ten years in the United States, where he was an art director for Atlantic, Polygram and Warner Bros. He first worked with Michael Palin on the design for book accompanying Monty Python’s
Life of Brian
. They have since collaborated on the books based on his seven travel series. In 2007 he wrote and photographed
China Revealed: A Portrait of the Rising Dragon.
 
Travel
Around the World in 80 Days
Pole to Pole
Full Circle
Michael Palin’s Hemingway Adventure
Sahara
Himalaya
New Europe
 
Diaries and autobiography
1969-1979: The Python Years
1980-1988: Halfway to Hollywood

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A Phoenix Paperbacks ebook
First published in Great Britain in 2009 by Weidenfeld & Nicolson
Ebook first published in 2009 by Phoenix
This ebook published in 2014 by Phoenix
© Michael Palin 2009
The right of Michael Palin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.
A CIP catalogue record for this book is available from the British Library.
ISBN: 978-0-2978-6051-8
The Orion Publishing Group Ltd
Orion House
5 Upper Saint Martin’s Lane
London, WC2H 9EA
An Hachette UK company

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