Hatchet (9781442403321) (12 page)

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Authors: Gary Paulsen

BOOK: Hatchet (9781442403321)
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And what made it worse was that they were so dumb, or seemed to be so dumb, that it was almost insulting the way they kept hidden from him. Nor could he get used to the way they exploded up when they flew. It seemed like every time he went for wood, which was every morning, he spent the whole time jumping and jerking in fright as he walked. On one memorable morning he had actually reached for a piece of wood, what he thought to be a pitchy stump at the base of a dead birch, his fingers close to touching it, only to have it blow up in his face.

But on the day of First Meat he had decided the best thing to try for would be a foolbird and that morning he had set out with his bow and spear to get one; to stay with it until he got one and ate some meat. Not to get wood, not to find berries, but to get a bird and eat some meat.

At first the hunt had not gone well. He saw plenty of birds, working up along the shore of the lake to the end, then down the other side, but he only saw them after they flew. He had to find a way to see them first, see them and get close enough to either shoot them with his bow or use the spear, and he could not find a way to see them.

When he had gone halfway around the lake, and had jumped up twenty or so birds, he finally gave up and sat at the base of a tree. He had to work this out, see what he was doing wrong. There were birds there, and he had eyes—he just had to bring the two things together.

Looking wrong, he thought. I am looking wrong. More, more than that I am being wrong somehow—I am doing it the wrong way. Fine—sarcasm came into his thoughts—I know that, thank you. I know I'm doing it wrong. But what is right? The morning sun had cooked him until it seemed his brain was frying, sitting by the tree, but nothing came until he got up and started to walk again and hadn't gone two steps when a bird got up. It had been there all the time, while he was thinking about how to see them, right next to him—right there.

He almost screamed.

But this time, when the bird flew, something caught his eye and it was the secret key. The bird cut down toward the lake, then, seeing it couldn't land in the water, turned and flew back up the hill into the trees. When it turned, curving through the trees, the sun had caught it, and Brian, for an instant, saw it as a shape; sharp-pointed in front, back from the head in a streamlined bullet shape to the fat body.

Kind of like a pear, he had thought, with a point on one end and a fat little body; a flying pear.

And that had been the secret. He had been looking for feathers, for the color of the bird, for a bird sitting there. He had to look for the outline instead, had to see the shape instead of the feathers or color, had to train his eyes to see the shape . . .

It was like turning on a television. Suddenly he could see things he never saw before. In just moments, it seemed, he saw three birds before they flew, saw them sitting and got close to one of them, moving slowly, got close enough to try a shot with his bow.

He had missed that time, and had missed many more, but he saw them; he saw the little fat shapes with the pointed heads sitting in the brush all over the place. Time and again he drew, held, and let arrows fly but he still had no feathers on the arrows and they were little more than sticks that flopped out of the bow, sometimes going sideways. Even when a bird was seven or eight feet away the arrow would turn without feathers to stabilize it and hit brush or a twig. After a time he gave up with the bow. It had worked all right for the fish, when they came right to the end of the arrow, but it wasn't good for any kind of distance—at least not the way it was now.

But he had carried his fish spear, the original one with the two prongs, and he moved the bow to his left hand and carried the spear in his right.

He tried throwing the spear but he was not good
enough and not fast enough—the birds could fly amazingly fast, get up fast. But in the end he found that if he saw the bird sitting and moved sideways toward it—not directly toward it but at an angle, back and forth—he could get close enough to put the spear point out ahead almost to the bird and thrust—lunge with it. He came close twice, and then, down along the lake not far from the beaver house he got his first meat.

The bird had sat and he had lunged and the two points took the bird back down into the ground and killed it almost instantly—it had fluttered a bit—and Brian had grabbed it and held it in both hands until he was sure it was dead.

Then he picked up the spear and the bow and trotted back around the lake to his shelter, where the fire had burned down to glowing coals. He sat looking at the bird wondering what to do. With the fish, he had just cooked them whole, left everything in and picked the meat off. This was different; he would have to clean it.

It had always been so simple at home. He would go to the store and get a chicken and it was all cleaned and neat, no feathers or insides, and his mother would bake it in the oven and he would eat it. His mother from the old time, from the time before, would bake it.

Now he had the bird, but he had never cleaned one, never taken the insides out or gotten rid of the feathers,
and he didn't know where to start. But he wanted the meat—had to have the meat—and that drove him.

In the end the feathers came off easily. He tried to pluck them out but the skin was so fragile that it pulled off as well, so he just pulled the skin off the bird. Like peeling an orange, he thought, sort of. Except that when the skin was gone the insides fell out the back end.

He was immediately caught in a cloud of raw odor, a kind of steamy dung odor that came up from the greasy coil of insides that fell from the bird, and he nearly threw up. But there was something else to the smell as well, some kind of richness that went with his hunger and that overcame the sick smell.

He quickly cut off the neck with his hatchet, cut the feet off the same way, and in his hand he held something like a small chicken with a dark, fat, thick breast and small legs.

He set it up on some sticks on the shelter wall and took the feathers and insides down to the water, to his fish pond. The fish would eat them, or eat what they could, and the feeding action would bring more fish. On second thought he took out the wing and tail feathers, which were stiff and long and pretty—banded and speckled in browns and grays and light reds. There might be some use for them, he thought, maybe work them onto the arrows somehow.

The rest he threw in the water, saw the small round fish begin tearing at it, and washed his hands. Back at the shelter the flies were on the meat and he brushed them off. It was amazing how fast they came, but when he built up the fire and the smoke increased the flies almost magically disappeared. He pushed a pointed stick through the bird and held it over the fire.

The fire was too hot. The flames hit the fat and the bird almost ignited. He held it higher but the heat was worse and finally he moved it to the side a bit and there it seemed to cook properly. Except that it only cooked on one side and all the juice dripped off. He had to rotate it slowly and that was hard to do with his hands so he found a forked stick and stuck it in the sand to put his cooking stick in. He turned it, and in this way he found a proper method to cook the bird.

In minutes the outside was cooked and the odor that came up was almost the same as the odor when his mother baked chickens in the oven and he didn't think he could stand it but when he tried to pull a piece of the breast meat off the meat was still raw inside.

Patience, he thought. So much of this was patience—waiting and thinking and doing things right. So much of all this, so much of all living was patience and thinking.

He settled back, turning the bird slowly, letting the juices go back into the meat, letting it cook and smell and
smell and cook and there came a time when it didn't matter if the meat was done or not; it was black on the outside and hard and hot, and he would eat it.

He tore a piece from the breast, a sliver of meat, and put it in his mouth and chewed carefully, chewed as slowly and carefully as he could to get all the taste and he thought:

Never. Never in all the food, all the hamburgers and malts, all the fries or meals at home, never in all the candy or pies or cakes, never in all the roasts or steaks or pizzas, never in all the submarine sandwiches, never never never had he tasted anything as fine as that first bite.

First Meat.

16

And now he stood at the end of the long part of the lake
and was not the same, would not be the same again.

There had been many First Days.

First Arrow Day—when he had used thread from his tattered old piece of windbreaker and some pitch from a stump to put slivers of feather on a dry willow shaft and make an arrow that would fly correctly. Not accurately—he never got really good with it—but fly correctly so that if a rabbit or a foolbird sat in one place long enough, close enough, and he had enough arrows, he could hit it.

That brought First Rabbit Day—when he killed one of the large rabbits with an arrow and skinned it as he had the first bird, cooked it the same to find the meat as good—not
as rich as the bird, but still good—and there were strips of fat on the back of the rabbit that cooked into the meat to make it richer.

Now he went back and forth between rabbits and foolbirds when he could, filling in with fish in the middle.

Always hungry.

I am always hungry but I can do it now, I can get food and I know I can get food and it makes me more. I know what I can do.

He moved closer to the lake to a stand of nut brush. These were thick bushes with little stickler pods that held green nuts—nuts that he thought he might be able to eat but they weren't ripe yet. He was out for a foolbird and they liked to hide in the base of the thick part of the nut brush, back in where the stems were close together and provided cover.

In the second clump he saw a bird, moved close to it, paused when the head feathers came up and it made a sound like a cricket—a sign of alarm just before it flew—then moved closer when the feathers went down and the bird relaxed. He did this four times, never looking at the bird directly, moving toward it at an angle so that it seemed he was moving off to the side—he had perfected this method after many attempts and it worked so well that he had actually caught one with his bare hands—until he was standing less than three feet from the bird,
which was frozen in a hiding attitude in the brush.

The bird held for him and he put an arrow to the bow, one of the feathered arrows, not a fish arrow, and drew and released. It was a clean miss and he took another arrow out of the cloth pouch, at his belt, which he'd made from a piece of his windbreaker sleeve, tied at one end to make a bottom. The foolbird sat still for him and he did not look directly at it until he drew the second arrow and aimed and released and missed again.

This time the bird jerked a bit and the arrow stuck next to it so close it almost brushed its breast. Brian only had two more arrows and he debated moving slowly to change the spear over to his right hand and use that to kill the bird. One more shot, he decided, he would try it again. He slowly brought another arrow out, put it on the string, and aimed and released and this time saw the flurry of feathers that meant he had a made a hit.

The bird had been struck off-center and was flopping around wildly. Brian jumped on it and grabbed it and slammed it against the ground once, sharply, to kill it. Then he stood and retrieved his arrows and made sure they were all right and went down to the lake to wash the blood off his hands. He kneeled at the water's edge and put the dead bird and his weapons down and dipped his hands into the water.

It was very nearly the last act of his life. Later he would
not know why he started to turn—some smell or sound. A tiny brushing sound. But something caught his ear or nose and he began to turn, and had his head half around, when he saw a brown wall of fur detach itself from the forest to his rear and come down on him like a runaway truck. He just had time to see that it was a moose—he knew them from pictures but did not know, could not guess how large they were—when it hit him. It was a cow and she had horns, but she took him in the left side of the back with her forehead, took him and threw him out into the water and then came after him to finish the job.

He had another half second to fill his lungs with air and she was on him again, using her head to drive him down into the mud of the bottom Insane, he thought. Just that, the word, insane. Mud filled his eyes, his ears, the horn boss on the moose drove him deeper and deeper into the bottom muck, and suddenly it was over and he felt alone.

He sputtered to the surface, sucking air and fighting panic, and when he wiped the mud and water out of his eyes and cleared them he saw the cow standing sideways to him, not ten feet away, calmly chewing on a lilypad root. She didn't appear to even see him, or didn't seem to care about him, and Brian turned carefully and began to swim-crawl out of the water. As soon as he moved, the hair on her back went up and she charged him again, using her head and front hooves this time, slamming him back and down
into the water, on his back this time, and he screamed the air out of his lungs and hammered on her head with his fists and filled his throat with water and she left again.

Once more he came to the surface. But he was hurt now, hurt inside, hurt in his ribs and he stayed hunched over, pretended to be dead. She was standing again, eating. Brian studied her out of one eye, looking to the bank with the other, wondering how seriously he was injured, wondering if she would let him go home this time.

Insane.

He started to move, ever so slowly; her head turned and her back hair went up—like the hair on an angry dog—and he stopped, took a slow breath, the hair went down and she ate. Move, hair up, stop, hair down, move, hair up—a half-foot at a time until he was at the edge of the water. He stayed on his hands and knees—indeed, was hurt so he wasn't sure he could walk anyway, and she seemed to accept that and let him crawl, slowly, out of the water and up into the trees and brush.

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