Hellhound on His Trail: The Stalking of Martin Luther King, Jr. and the International Hunt for His Assassin (53 page)

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Authors: Hampton Sides

Tags: #History: American, #20th Century, #Assassination, #Criminals & Outlaws, #United States - 20th Century, #Social History, #Murder - General, #Social Science, #Murder, #King; Martin Luther;, #True Crime, #Cultural Heritage, #1929-1968, #History - General History, #Jr.;, #60s, #United States, #Biography & Autobiography, #Ray; James Earl;, #History, #1928-1998, #General, #History - U.S., #U.S. History - 1960s, #Ethnic Studies, #Ethnic Studies - African American Studies - Histor

BOOK: Hellhound on His Trail: The Stalking of Martin Luther King, Jr. and the International Hunt for His Assassin
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"But," Cook said, "Galt's address is right here on the work order."

THE NEXT MORNING, April 12, Agent Thomas Mansfield
603
made his way to the large and slightly down-at-the-heels St. Francis Hotel at 5533 Hollywood Boulevard. He asked to speak with the proprietor, and presently a man named Allan Thompson appeared at the front desk. As the resident manager, Thompson had lived at the St. Francis for nearly two years and knew the history of the place, all its various denizens and comings and goings.

Yes, Thompson said. He recalled a man named Eric Galt. Thompson found a registration card that showed Galt had lived at the St. Francis for about two months, checking out on March 17. He resided in room 403 and paid eighty-five dollars a month in rent. "He had dark hair, combed back," Thompson remembered. "Slender to medium build. Quiet, wore conservative business suits. Kept irregular hours. Far as I could tell, he was not employed." Thompson said another tenant now occupied 403, and that Galt had not left any belongings in the room.

"Did he give any indication where he was going next?" Agent Mansfield asked.

"Well, yes," Thompson said, producing a change-of-address card that said, "General Delivery, Main Post Office, Atlanta, Georgia." The card was dated March 17, 1968, and signed "Eric S. Galt."

THAT SAME DAY, April 12, two other FBI agents, Lloyd Johnson and Francis Kahl,
604
were only a few blocks away, speaking to a woman named Lucy Pinela. Ms. Pinela was the manager of the Home Service Laundry and Dry Cleaning. Over the past week, the FBI had searched all over the country for laundries that used the Thermo-Seal marking machine--the same identification machine that had produced the tiny laundry tag found on the pair of undershorts left with the bundle now in FBI possession in Washington. The FBI's exhaustive search had led them, most promisingly, to Southern California, where numerous laundries were using the Thermo-Seal system. One of those laundries was Home Service.

Yes, Ms. Pinela told the agents, her shop had been using the Thermo-Seal machine for a while now. At their request, she stepped back into the workroom and showed them the apparatus and even stamped out a few samples on articles of clothing to demonstrate how the machine worked and what the resulting tags looked like.

Agents Johnson and Kahl then showed her a photograph of the undershorts found in Memphis, with the tag plainly visible: 02B-6. Ms. Pinela recognized the sequence immediately. On closer inspection, another employee who regularly used the marker said she was positive the tag in question had been stamped at Home Service because the 0 was partially cut off--a defect peculiar to their Thermo-Seal machine.

The owner of Home Service, a man named Louis Puterman, then produced some documents from his office files. After a little rummaging, he came up with something that fairly screamed off the page: laundry ticket number 3065, bearing Thermo-Seal tag number 02B-6. The ticket was made out to "E. Galt."

Once she saw the name, Lucy Pinela recalled the customer. Galt never left an address or a phone number, but he was a regular, she said; he'd been bringing his clothes to Home Service for months. He was about thirty-five years old, brown haired, and had a narrow nose. "He usually brought in button-down dress shirts," she said. "Never work clothes."

He was very regular in his habits, she said. He would bring in his dirty clothes every Saturday afternoon and, at the same time, pick up the previous week's clothes. Then, for some reason, he stopped coming in. She hadn't seen him for about a month.

WHILE THIS INTERVIEW was taking place, other FBI agents in Los Angeles learned that Eric Galt had briefly secured a telephone service in his room. Although the line had been disconnected in late January, the Pacific Telephone and Telegraph Company was able to supply the FBI with records of every outgoing and incoming call related to that number--469-8096. This led the agents on an interesting series of goose chases.

One of the numbers turned out to be that of a woman who had sold Galt a console Montgomery Ward TV set through a newspaper classified ad. Another number was listed in the name of Elizabeth Pitt, a woman who had placed a singles ad in a lonely hearts club broadsheet: "Tall skinny auburn haired divorcee, 41, seeks prospective husband with patience," the ad read. Galt had apparently called Pitt with the idea of getting her to appear in a pornographic film, but the phone conversation went nowhere, and they never even went out on a date. A third number turned out to be the Wallace campaign headquarters in Century City--which, for the time being, meant nothing to investigating agents. Probably the most productive find in the bank of numbers Galt had called was that of the National Dance Studio in Long Beach, California.

Special Agent George Aiken
605
promptly drove down to the studio, which was located at 2026 Pacific Avenue in Long Beach, in a low-slung building with palm trees out front. There he met the owner, Mr. Rodney Arvidson, who had a vivid memory of his former student. In a large room with a record player and blocking-tape marks on the parquet floor, Galt had taken cha-cha, fox-trot, and swing lessons for several months. "He told me he'd been down in Mexico, sometime in 1967, and that he owned a restaurant," Arvidson said. "He said he was fluent in Spanish, but when I would speak to him in Spanish, he wouldn't say anything back, which led me to believe he wasn't actually conversant."

"How did Galt dress?" Agent Aiken asked.

"Always wore a shirt and tie. He had a pair of shiny black alligator loafers." Arvidson remembered thinking that Galt's appearance didn't jibe with his personality--that he dressed like a businessman, but talked and carried himself like an uneducated and socially awkward person from a decidedly rural, working-class background. "He couldn't seem to relax," Arvidson said. "He didn't smile easily. He was pleasant but evasive--he would never talk about himself and he wouldn't look you in the eye. He had a crooked smile. He said he was a merchant seaman and wanted to return to the sea."

Though Galt seemed to be unemployed, he had plenty of money. Every time Arvidson informed him that another payment was due, Galt would reach into his trousers and happily peel off some twenties from a large roll of bills. All told, he paid more than four hundred dollars for dance lessons and never seemed to balk at the fees.

Arvidson found a card in his office files showing that Galt had previously taken fox-trot and cha-cha dancing lessons while living in Alabama. "Leaving in a couple of months to work on a ship," the card said. "Wants to travel." A box marked
S
was checked--indicating that Galt was single.

Cathryn Norton, a dance instructor at the studio, told Agent Aiken she had frequently given Galt lessons. "He was a fair dancer," she allowed. "But he wasn't friendly with anyone. He always wore a suit, kept his fingernails clean and neatly trimmed." Norton recalled that he sometimes smoked filter cigarettes and that he had "a nervous habit of pulling on his earlobes with his fingers."

One night someone connected with the dance school hosted a private party at his house, and about twenty people showed up. "Galt came and left alone," Norton recalled. "He had some punch and stayed pretty much to himself. He was like a clam."

Galt's last lesson was on February 12. "When he quit," Arvidson recalled, "all he said was that he wanted to open his own bar and restaurant. He said he was going to enroll in some school to learn how to be a bartender."

"YES," TOMAS LAU said, "Eric Galt was a student here."
606
A suave man with a trim mustache, Lau was director of the International School of Bartending at 2125 Sunset Boulevard in Los Angeles. The FBI agents Theodore A'Hearn and Richard Raysa, after canvassing all the bartending schools in Southern California, had quickly found Lau's establishment.

Lau believed Galt was "diligent and well-coordinated" and had the potential to become a fine bartender. Lau thought so much of Galt that he even went to the trouble of finding him a job. "But he declined," Lau recalled. "He said he was going to visit his brother somewhere and didn't want a job. He said he'd call me if he still needed a job when he got back."

Another pupil at the school, a man named Donald Jacobs,
607
recalled that Galt said he'd been a cook in the merchant marine and worked on riverboats and barges on the Mississippi. Jacobs doubted this was true, because he noticed that Galt's hands "didn't appear calloused or used to hard work."

Beyond the fact that Galt had "thin lips and a slight Southern accent," Lau had trouble recalling what his former pupil looked like. Then he remembered graduation day. "I've got a picture of him somewhere," he volunteered.

"How's that?" Agent A'Hearn couldn't believe what he'd just heard.

"All our graduates get their picture taken with me and the diploma," Lau explained. "It's something we've always done around here."

Lau scoured his scrapbooks and soon found the photograph, which was snapped at the school on March 2. For the first time, an FBI agent was peering at the image of the man now being hunted by three thousand bureau colleagues across the country.

There stood Lau, proudly posing with his student--a slender, narrow-nosed, dark-haired, fair-skinned man wearing a tuxedo and a bow tie. The portrait looked pretty much like all the other graduation photos gracing Lau's scrapbooks, though Agent A'Hearn did notice one peculiarity: Galt's eyes were shut.

38
CANADA BELIEVES YOU

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