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Authors: Marion Zimmer Bradley

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BOOK: Heritage and Exile
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Kennard regarded him with hostility for some seconds, at last saying, “Come along, then. But don't blame me if he won't speak to you.” His voice was not steady either.
Regis could not help recalling the last time he had stood here in the great hall of the Alton rooms, before Kennard and his grandfather. And the time before that. Lew was sitting on a bench before the fireplace. Exactly where he was sitting that night when Regis appealed to him to waken his
laran
.
Kennard asked gently, “Lew, will you speak to Regis? He came to bid you farewell.”
Lew's barriers were down and Regis felt the naked surge of pain, rejection:
I don't want anyone, I don't want anyone to see me now.
It was like a blow, sending Regis reeling. But he braced himself against it, saying very softly,
“Bredu—”
Lew turned and Regis shrank, almost with horror, from the first sight of that hideously altered face. Lew had aged twenty years in the few short weeks since they had parted. His face was a terrible network of healed and half-healed scars. Pain had furrowed deep lines there, and the expression in his eyes was of someone who has looked on horrors past endurance. One hand was bundled in clumsy bandages and braced in a sling. He tried to smile but it was only a grimace.
“Sorry. I keep forgetting, I'm a sight to frighten children into fits.”
Regis said, “But I'm not a child, Lew.” He managed to block out the other man's pain and misery and said as calmly as he could manage, “I suppose the worst of the scars will heal.”
Lew shrugged, as if that was a matter of deadly indifference. Regis still looked uneasily at him; now that they were together he was uncertain why he had come. Lew had gone dead to all human contact and wanted it that way. Any closer contact between them, any attempt to reach him with
laran,
to revive their old closeness, would simply breach that merciful numbness and revive Lew's active suffering. The quicker he said goodbye and went away again, the better it would be.
He made a formal bow, resolving to keep it that way, and said, “A good journey, then, cousin, and a safe return.” He started to move backward. He bumped into Danilo in his retreat, and Danilo's hand closed over his wrist, the touch opening a blaze of rapport between them. As clearly as if Danilo had spoken aloud, Regis felt the intense surge of his distress:
No, Regis! Don't shut it all out, don't withdraw from him! Can't you see he's dying inside there, locked away from everyone he loves? He's got to know that you know what he's suffering, that you don't shrink from him! I can't reach him, but you can because you've loved him, and you must, before he slams down the last barrier and locks everyone out forever. It's his reason at stake, maybe his life!
Regis recoiled. Then, torn, agonized, he realized that this, too, was the burden of his heritage: to accept that nothing, nothing in the human mind, was too fearful to face, that what one person could suffer, another could share. He had known that when he was only a child, before his
laran
was fully awake. He hadn't been afraid then, or ashamed, because he wasn't thinking of himself then at all, but only of Lew, because he was afraid and in pain.
Hew let go of Danilo's hand and took a step toward Lew. One day—it flashed through his mind at random and, it seemed, irrelevantly—as the telepathic men of his caste had always done, he would go down, with the woman bearing his child, into the depths of agony and the edge of his death, and he would be able, for love, to face it. And for love he could face this, too. He went to Lew. Lew had lowered his head again. Regis said, “Bredu,” and stood on tiptoe, embracing his kinsman, and deliberately laying himself open to all of Lew's torment, taking the full shock of rapport between them.
Grief. Bereavement. Guilt. The shock of loss, of mutilation. The memory of torture and terror. And above all, guilt, terrible guilt even at being alive, alive when those he had loved were dead. . . .
For a moment Lew fought to shut away Regis' awareness, to block him out, too. Then he drew a long, shaking breath, raised his uninjured arm and pressed Regis close.
. . . you remember now. I know, I know, you love me, and you have never betrayed that love . . .
“Goodbye,
bredu,
” he said, in a sharp aching voice which somehow hurt Regis far less than the calm controlled formality, and kissed Regis on the cheek. “If the Gods will, we shall meet again. And if not, may they be with you always.” He let Regis go, and Regis knew he could not heal him, nor help him much, not now. No one could. But perhaps, Regis thought, perhaps, he had kept a crack open, just enough to let Lew remember that beside grief and guilt and loss and pain, there was love in the world, too.
And then, out of his own forfeited dreams and hope, out of the renunciation he had made, still raw in his mind, he offered the only comfort he could, laying it like a gift before his friend:
“But you have another world, Lew. And you are free to see the stars.”
SHARRA'S EXILE
A Note From The Author
Like all previous Darkover novels, this story is complete in itself and does not depend on knowledge of any other. More than any other Darkover book, however, this one was written by popular demand.
One result of writing novels as they occured to me, instead of following strict chronological order, was that I began with an attempt to solve the final problems of the society; each novel thus suggested one laid in an earlier time, in an attempt to explain how the society had reached that point. Unfortunately, that meant that relatively mature novels, early in the chronology of Darkover, were followed by books written when I was much younger and relatively less skilled at storytelling; and of all these, the least satisfactory was
The Sword of Aldones,
perhaps because this book was, in essence, dreamed up at the age of fifteen.
In 1975 I made a landmark decision; that in writing
The Heritage of Hastur,
I would not be locked into the basically immature concepts set forth in
Sword,
even at the sacrifice of consistency in the series. After
Heritage
appeared in print,
Sword of Aldones
seemed even less satisfactory—for years, it seemed that everyone I met asked me when I was going to rewrite it. For years I replied “Never,” or “I don't want to go back to it.” But I finally decided that I had, in
Sword of Aldones,
developed a basically good idea, without the skill or maturity to handle it as well as it deserved; and that the characters deserved serious treatment by a matured writer. I decided not to rewrite, but to write an entirely new book based on events in the same time frame as
Sword.
The present book is the result.
—MARION ZIMMER BRADLEY
Prologue
The second year of exile
This was the home of my ancestors.
But I knew, now, that it would never be
my
home.
My eyes ached as I stared at the horizon where the sun sank out of sight—a strange yellow sun, not red as a sun should be, a glaring sun that hurt my eyes. But now, for a moment just before twilight, it was suddenly red and huge and sinking behind the lake in a sudden crimson glory that made me ache with homesickness; and across the water a streak of crimson. . . . I stood staring until the last gleams of crimson faded; and over the lake, pale and silver, the solitary moon of Terra showed the thinnest of elegant crescents.
Earlier in the day there had been rain, and the air was heavy with alien smells. Not alien, really; they were known, somehow, in the very depth of my genes. My ancestors had climbed down from the trees of this world, had lived out the long evolution which had patterned them into human, and had later sent out the seedling ships, one of which—I had heard the tale—had crash-landed on Darkover and settled there, rooting into the new world so deeply that I, exiled from my race's homeworld and returning, found homeworld alien and longed for the world of my people's exile.
I did not know how long ago, or for how long my people had dwelt on Darkover. Travel among the stars has strange anomalies; the enormous interstellar distances play strange tricks with time. There would never be any way for the folk of the Terran Empire to say, three thousand years ago, or fifteen thousand years ago, which particular colony ship founded Darkover. . . . The elapsed time on Terra was something like three thousand years. Yet elapsed time on Darkover was somehow more like ten thousand, so that Darkover had a history nearly as long as Earth's own history of civilization and chaos. I knew how many years ago Terra, in the days long before the Terran Empire had spread from star to star, had sent out the ship. I knew how many years had elapsed on Darkover. And there was no way for even the most accurate historian to reconcile them: I had long ago stopped trying.
Nor was I the only one with hopelessly torn loyalties, as deep as the very DNA in my cells. My mother had been earth born under this impossibly blue sky and this colorless moon; yet she had loved Darkover, had married my Darkovan father and borne him sons and, at last, been laid to rest in an unmarked grave in the Kilghard Hills on Darkover.
And I wish I were lying there beside her. . . .
For a moment I was not sure that the thoughts were not my own. Then I shut them out, savagely. My father and I were too close . . . not the ordinary closeness of a Comyn telepath family (though that in itself would have been freakish enough to the Terrans around us) but entangled by common fears, common loss . . . shared experience and pain. Bastard, rejected by my father's caste because my mother had been half Terran, my father had gone to endless pains to have me accepted as a Comyn Heir. To this day I did not know whether it was for my sake or his own. My futile attempts at rebellion had entrapped us all in the abortive rebellion under the Aldarans, and Sharra. . . .
Sharra. Flame burning in my mind . . . the image of a woman of flame, chained, restless, tresses of fire rising on a firestorm wind, hovering . . . rising, ravening . . . Marjorie caught in the fires, screaming, dying . . .
No! Merciful Avarra, no. . . .
Black dark. Shut out everything. Close my eyes, bend my head, go away, not there at all, nowhere at all. . . .
Pain. Agony flaming in my hand. . . .
“Pretty bad, Lew?” Behind me I felt the calming presence of my father's mind. I nodded, clenching my teeth, slamming the painful stump of my left hand against the railing, letting the cold strangeness of the white moon-rim flood me.
“Damn it, I'm all right. Stop—” I fought for the right word and came up with “stop hovering.”
“What am I supposed to do? I can't shut it out,” he said quietly. “You were—what shall I say? Broadcasting. When you can keep your thoughts to yourself, I'll leave you alone with them. In the name of all the Gods, Lew, I was a technician in the Arilinn Tower for ten years!”
He didn't elaborate. He didn't have to. For three years, the happiest years of my life, perhaps, I too had been matrix mechanic in the Arilinn Tower, working with the complex matrix crystals which linked telepaths and minds in linkages to provide communication, technology to our metal-poor, machinery-poor world. I had learned, in Arilinn, what it was to be a telepath, Comyn of our caste, gifted or cursed with the linking of minds and the hypersensitivity to the other minds around me. You learned not to pry; you learned not to let your own thoughts entangle with others, not to be hurt too much by the pain, or the needs, of others, to remain exquisitely sensitive and at the same time to live without intruding or demanding.
I had learned this, too. But my own control had been burned out by the ninth-level matrix which I had tried, insanely, to handle with a circle of half-trained telepaths. We had hoped, vainly, to restore the old, high-level Darkovan technology, handed down as legend from the Ages of Chaos. And we had nearly done it, too, experimenting with the old Darkovan crafts, called sorcery and magic by the commoners. We knew that in truth they were a complex technology, which could have done anything—powered spaceships for Darkover to stand equal to the Empire, rather than remain poor relations, dependents of the Terran Empire, a cold, metal-poor planet.
We had nearly done it . . . but Sharra was too powerful for us, and the matrix which for years had been chained, peacefully bringing fire to the forges of the mountain smiths, had been freed, ravening and raging in the hills. A city had been destroyed.
And I, I had been destroyed too, burnt in those monstrous fires, and Marjorie, Marjorie was dead. . .
And now within my matrix, now I could see nothing but flame and destruction and Sharra. . . .
A telepath keys himself into the matrix stone he uses. At eleven I had been given such a matrix: if it had been taken from me, I would swiftly have died. I do not know what the matrix stones are. Some people say they are crystals which amplify the psychoelectrical emanations of the brain's activity in the “silent” areas where the Comyn powers reside. Others call them an alien life-form, symbiotic with the special powers of the Comyn. Whatever the truth, a Comyn telepath works through his own matrix; the larger matrixes, multi-level, are never keyed to the body and brain of the individual matrix worker, but relayed and transformed through his stone.
But Sharra had reached out for us, and taken us into the fire . . .
“Enough!”
My father spoke with the particular force of an Alton, forcing his mine on mine, wresting the image away. Grateful darkness descended behind my eyes; then I could see the moon again, see something other than flames.
He said quietly, as I rested my eyes, covering them with my good hand, “You don't believe it now, but it
is
better, Lew. It comes when you let your guard down, yes. But there are long periods when you can break the domination of the Sharra matrix. . . .”
BOOK: Heritage and Exile
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