Hideaway (51 page)

She heard Hatch moving away, and she knew where he was going, not just following the line of bodies but circling the towering figure of Satan, to be sure Jeremy Nyebern wasn’t on the other side of it. He was just doing what he had to do. She knew that, but she didn’t like it anyway, not one little bit, because now she was alone with all of those dead people behind her. Some of them were withered and would make papery sounds if somehow they became animated and edged toward her, while others were in more horrendous stages of decomposition and sure to reveal their approach with thick, wet sounds. ... And what crazy thoughts were these? They were all
dead.
Nothing to fear from them. The dead stayed dead. Except they didn’t always, did they? No, not in her own personal experience, they didn’t. But she kept sweeping her light back and forth, back and forth, resisting the urge to turn around and shine it on the festering cadavers behind her. She knew she should mourn them rather than fear them, be angry for the abuse and loss of dignity that they had suffered, but she only had room at the moment for fear. And now she heard Hatch coming closer, around the other side of the statue, completing his circumnavigation, thank God. But in the next breath, horribly metallic as it passed through her mouth, she wondered if it was Hatch or one of the bodies moving. Or Jeremy. She swung around, looking past the row of corpses rather than at them, and her light showed her that it was, indeed, Hatch coming back.

As if in answer, a distinctive creak sliced through the heavy air. Doors the world over made that identical sound when their hinges were corroded and unoiled.

She and Hatch swung their flashlights in the same direction. The overlapping terminuses of their beams showed they had both judged the origin of the sound to have come from a rock formation along the far shore of what would have been, with water, a lake larger than the lagoon outside.

She was moving before she realized it. Hatch whispered her name in an urgent tone that meant
move aside,
let me,
I’ll go first.
But she could no more have held back than she could have turned coward and retreated up the spillway. Her Regina had been among the dead, perhaps spared the direct sight of them because of her strange keeper’s aversion to light, but among them nevertheless and surely aware of them. Lindsey could not
bear
the thought of that innocent child held in this slaughterhouse one minute longer. Lindsey’s own safety didn’t matter, only Regina’s.

As she reached the rocks and plunged in among them, stabbing here with her light, then there, then over there, shadows leaping, she heard the wail of distant sirens. Sheriff’s men. Hatch’s phone call had been taken seriously. But Regina was in the hands of Death. If the girl was still alive, she would not last as long as it would take the cops to find the funhouse and get down to the lair of Lucifer. So Lindsey pressed deeper into the rocks, the Browning in one hand, flashlight in the other, turning corners recklessly, taking chances, with Hatch close behind her.

She came upon the door abruptly. Metal, streaked with rust, operated by a push-bar rather than a knob. Ajar.

She shoved it open and went through without even the finesse that she should have learned from a lifetime of police movies and television shows. She exploded across the threshold as might a mother lion in pursuit of the predator that had dared to drag off her cub. Stupid, she knew that it was stupid, that she could get herself killed, but mother lions in a fever of matriarchal aggression were not notably creatures of reason. She was operating on instinct now, and instinct told her that they had the bastard on the run, had to keep him running to prevent him from dealing with the girl as he wanted, and should press him harder and harder until they had him in a corner.

Beyond the door in the rocks, behind the walls of Hell, was a twenty-foot-wide area that had once been crowded with machinery. It was now littered with the bolts and steel plates on which those machines had been mounted. Elaborate scaffolding, festooned with spider webs, rose forty or fifty feet; it provided access to other doors and crawl spaces and panels through which the complex lighting and effects equipment—cold-steam generators, lasers—had been serviced. That stuff was gone now, stripped out and carted away.

How long did he need to cut the girl open, seize her beating heart, and take his satisfaction from her death? One minute? Two? Perhaps no more than that. To keep her safe, they had to breathe down his goddamned neck.

Lindsey swept her flashlight beam across that spider-infested conglomeration of steel pipes and elbow joints and tread plates. She quickly decided their quarry had not ascended to any hiding place above.

Hatch was at her side and slightly behind her, staying close. They were breathing hard, not because they had exerted themselves but because their chests were tight with fear, constricting their lungs.

Turning left, Lindsey moved straight toward a dark opening in the concrete-block wall on the far side of that twenty-foot-wide chamber. She was drawn to it because it appeared to have been boarded over at one time, not solidly but with enough planks to prevent anyone entering the forbidden space beyond without effort. Some of the nails still prickled the block walls on both sides of the opening, but all of the planks had been torn away and shoved to one side on the floor.

Although Hatch whispered her name, warning her to hold back, she stepped straight to the brink of that room, shone her light into it, and discovered it was not a room at all but an elevator shaft. The doors, cab, cables, and mechanism had been salvaged, leaving a hole in the building as sure as an extracted tooth left a hole in the jaw.

She pointed her light up. The shaft rose three stories, having once conveyed mechanics and other repairmen to the top of the funhouse. She swung the beam slowly down the concrete wall from above, noticing the iron rungs of the service ladder.

Hatch stepped in beside her as the light found its way to the bottom of the shaft, just two floors below, where it revealed some litter, a Styrofoam ice chest, several empty cans of root beer, and a plastic garbage bag nearly full of trash, all arranged around a stained and battered mattress.

On the mattress, huddled in a corner of the shaft, was Jeremy Nyebern. Regina was in his lap, held against his chest, so she could shield him against gunfire. He was holding a pistol, and he squeezed off two shots even as Lindsey spotted him down there.

The first slug missed both her and Hatch, but the second round tore through her shoulder. She was knocked against the door frame. On the rebound, she bent forward involuntarily, lost her balance, and fell into the shaft, following her flashlight, which she had already dropped.

Going down, she didn’t believe it was happening. Even when she hit bottom, landing on her left side, the whole thing seemed unreal, maybe because she was still too numb from the impact of the bullet to feel the damage it had done, and maybe because she fell mostly on the mattress, at the far end of it from Nyebern, knocking out what wind the slug had left in her but breaking no bones.

Her flashlight had also landed on the mattress, unharmed. It lit one gray wall.

As if in a dream, and though unable to get her breath quite yet, Lindsey brought her right hand slowly around to point her gun at him. But she had no gun. The Browning had spun from her grip in the fall.

During Lindsey’s drop, Nyebern must have tracked her with his own weapon, for she was looking into it. The barrel was impossibly long, measuring exactly one eternity from firing chamber to muzzle.

Beyond the gun she saw Regina’s face, which was as slack as her gray eyes were empty, and beyond that beloved countenance was the hateful one, pale as milk. His eyes, unshielded by glasses, were fierce and strange. She could see them even though the glow of the flashlight forced him to squint. Meeting his gaze she felt that she was face-to-face with something alien that was only passing as human, and not well.

Oh, wow, surreal, she thought, and knew that she was on the verge of passing out.

She hoped to faint before he squeezed the trigger. Though it didn’t matter, really. She was so close to the gun that she wouldn’t live to hear the shot that blew her face off.

Hatch’s horror, as he watched Lindsey fall into the shaft, was exceeded by his surprise at what he did next.

When he saw Jeremy track her with the pistol until she hit the mattress, the muzzle three feet from her face, Hatch tossed his own Browning away, onto the pile of planks that once boarded off the shaft. He figured he wouldn’t be able to get off a clear shot with Regina in the way. And he knew that no gun would properly dispatch the thing that Jeremy had become. He had no time to wonder at
that
curious thought, for as soon as he pitched away the Browning, he shifted the crucifix-flashlight from his left hand to his right, and leaped into the elevator shaft without any expectation that he was about to do so.

After that, everything got weird.

It seemed to him that he didn’t crash down the shaft as he should have done, but glided in slow motion, as if he were only slightly heavier than air, taking as much as half a minute to reach bottom.

Perhaps his sense of time had merely been distorted by the profundity of his terror.

Jeremy saw him coming, shifted the pistol from Lindsey to Hatch, and fired all eight remaining rounds. Hatch was certain that he was hit at least three or four times, though he sustained no wounds. It seemed impossible that the killer could miss so often in such a confined space.

Perhaps the sloppy marksmanship was attributable to the gunman’s panic and to the fact that Hatch was a moving target.

While he was still floating down like dandelion fluff, he experienced a reconnection of the peculiar bond between him and Nyebern, and for a moment he saw himself descending from the young killer’s point of view. What he glimpsed, however, was not only himself but the image of someone—or something—superimposed over him, as if he shared his body with another entity. He thought he saw white wings folded close against his sides. Under his own face was that of a stranger—the visage of a warrior if ever there had been one, yet not a face that frightened him.

Perhaps by then Nyebern was hallucinating, and what Hatch was receiving from him was not actually what he saw but only what he imagined that he saw. Perhaps.

Then Hatch was gazing down from his own eyes again, still in that slow glide, and he was sure that he saw something superimposed over Jeremy Nyebern, too, a form and face that were part reptilian and part insectile.

Perhaps it was a trick of light, the confusion of shadows and conflicting flashlight beams.

He could not explain away their final exchange, however, and he dwelt upon it often in the days that followed:

“Who are you?” Nyebern asked as Hatch landed catlike in spite of a thirty-foot descent.

“Uriel,” Hatch replied, though that was not a name he had heard before.

“I am Vassago,” Nyebern said.

“I know,” Hatch said, though he was hearing that name for the first time, as well.

“Only you can send me back.”

“And when you get sent back by such as me,” Hatch said, wondering where the words came from, “you don’t go back a prince. You’ll be a slave below, just like the heartless and stupid boy with whom you hitched a ride.”

Nyebern was afraid. It was the first time he had shown any capacity for fear. “And I thought I was the spider.”

With strength, agility, and economy of motion that Hatch had not known he possessed, he grabbed Regina’s belt in his left hand, pulled her away from Jeremy Nyebern, set her aside out of harm’s way, and brought the crucifix down like a club upon the madman’s head. The lens of the attached flashlight shattered, and the casing burst open, spilling batteries. He chopped the crucifix hard against the killer’s skull a second time, and with the third blow he sent Nyebern to a grave that had been twice earned.

The anger Hatch felt was righteous anger. When he dropped the crucifix, when it was all over, he felt no guilt or shame. He was nothing at all like his father.

He had a strange awareness of a power leaving him, a presence he had not realized was there. He sensed a mission accomplished, balance restored. All things were now in their rightful places.

Regina was unresponsive when he spoke to her. Physically she seemed unharmed. Hatch was not worried about her, for somehow he knew that none of them would suffer unduly for having been caught up in ... whatever they had been caught up in.

Lindsey was unconscious and bleeding. He examined her wound and felt it was not too serious.

Voices arose two floors above. They were calling his name. The authorities had arrived. Late as always. Well, not always. Sometimes ... one of them was there just when you needed him.

The apocryphal story of the three blind men examining the elephant is widely known. The first blind man feels only the elephant’s trunk and thereafter confidently describes the beast as a great snakelike creature, similar to a python. The second blind man feels only the elephant’s ears and announces that it is a bird that can soar to great heights. The third blind man examines only the elephant’s fringe-tipped, fly-chasing tail and “sees” an animal that is curiously like a bottle brush.

So it is with any experience that human beings share. Each participant perceives it in a different way and takes from it a different lesson than do his or her compatriots.

In the years following the events at the abandoned amusement park, Jonas Nyebern lost interest in resuscitation medicine. Other men took over his work and did it well.

He sold at auction every piece of religious art in the two collections that he had not yet completed, and he put the money in savings instruments that would return the highest possible rate of interest.