Something that felt like a tank thudded into the back of my knees and brought me to the floor. I twisted over as the dark one slammed a punch at my jaw. I managed to get my head moving, but the punch connected, just a shade too high up to cause much damage, but hard enough to make me grunt.
I kicked the dark one away and got unsteadily to my feet as Ross came charging out of the room and towards me.
If there was one thing I wanted more than another, it was to get one more bang at him. I slipped the punch he tossed at me, moved in close and hooked him with a right-hand punch that had all my weight and most of my strength behind it.
But that was as far as I got.
I had a vague idea that the dark one had picked himself off the floor and was moving towards me with the speed and the grace of a ballet dancer.
He came at me too fast for me to do anything about it I started to turn so I could face him, but I was much, much too late.
I heard the swish of a descending cosh and I tried to get my head out of the way. As the softly lit passage exploded before my eyes, I knew I had shifted that second too late. After all he was a professional. When he sapped you, you stayed sapped.
CHAPTER FOURTEEN
I
I CAME out of darkness to feel hot sunshine on my face and a blinding light against my closed eyelids.
There was also a feeling of movement. It took me several seconds to realize I was in a car, being driven somewhere at high speed.
I wanted to groan because the back of my head was expanding and contracting and pain crawled up my neck over the top of my head and into my eyes like a beetle with red-hot feet.
But I didn't groan. I let myself stay limp and slack and I rolled with the motion of the car until I felt good enough to open my eyes and take a quick look around.
I was on the back seat of my hired Buick. There was a man sitting beside me. I recognized the irongrey suiting of his trouser leg. It was the dark thug: the one who had sapped me.
Sitting in front, driving, was the fair one. He had put on a light grey slouch hat which he wore at a jaunty angle over his nose. Keeping my eyes half closed, I checked out of the window to see where we were.
We were passing through one of the back streets of Palm City: empty as a hole in the wall on this hot Sunday afternoon.
I kept quiet and wondered where we were going. I didn't have to wonder for long.
The next five minutes saw us leaving Palm City behind us, and we got on to the highway leading to the beach road where I lived. I decided they were going to dump me back in my bungalow.
There was a light travelling rug across my knees to hide my wrists and hands. My wrists were crossed and strapped with what felt like adhesive tape. They were strapped so tightly I could feel tie blood pounding in my veins, and although I very gently tried to ease them a little, they were tight against each other as if screwed down in a vice.
Turn right at the intersection, Lew,' the dark one said suddenly. 'His joint is three hundred yards down on the right: a nice lonely spot for a guy to live in: I wouldn't mind living in it myself.'
Lew, the fair one, laughed without humour.
'Why not ask him to leave it to you in his will?' he said. 'He won't be needing it now.'
'Aw, hell! I don't want it that bad,'the other said.
The car drove on.
I found myself suddenly short of breath, but I didn't have the time to wonder what they meant, for the car suddenly slowed down and finally stopped.
'This is it,' the dark one said.
'Okay, let's get him out,' Lew said.
I remained limp, my eyes closed, my heart slamming against my ribs.
I felt the dark one leave the car, then I heard the off-side door open. Hands laid hold of me and pulled me out of the car.
As I slid on to the ground, Lew said: 'You didn't hit him too hard, did you, Nick? He should have come to the surface by now.'
'I hit him right,' Nick, the dark one, said. 'He'll snap out of it in a few minutes.'
Between the two of them they half carried me, half dragged me up the path and dumped me on the front step.
'Got his keys?' Nick asked.
'Yeah. This is the one.'
I heard the lock on the front door snap back, then I was dragged across the hall and into my lounge and dumped on the settee.
'You sure he's all right?' Lew asked.
A hand moved on to my neck: expert fingers touched my pulse.
'He's fine. He should be up and coming in another five minutes.'
'He'd better be.' There was an uneasy note in Lew's voice. 'Galgano will be mad if this punk croaks before he can talk to him.'
'Relax, big head. He's all right. When I tap 'em, I tap 'em right. In five minutes, he'll be dancing the can-can.'
I gave a low groan and moved a little.
'You see? He's coming out of it already. Gimme the rope.'
I felt a cord tighten around my chest, pinning me to the settee. I opened my eyes as Lew was fastening the cord to the legs of the settee. He stared at me, his face expressionless, then he stepped away.
'That fixes it,' he said and leaning over me, he patted my face. 'Relax, buster. The boss wants to talk to you. He'll be along in a little while.'
'Come on,' Nick said impatiently. 'Let's get out of here. Have you forgotten we've got to walk?'
Lew cursed.
'Why couldn't that punk Claude have sent a car?'
'You ask him,' Nick said.
He came over to me and examined the rope across my chest critically, then checked the tapes around my wrists. He grunted, stepped back, and stared at me and a tight, meaningless smile hovered on his thin lips.
'So long, sucker,' he said.
They went across the lounge and out into the hall, pulling the lounge door half shut. I heard them open the front door, then close it behind them.
After a second or so a silence settled over the bungalow that made the ticking of the clock on the overmantel sound unnaturally loud.
I exerted a useless effort for a minute or so against the tape around my wrists and found there was no way of breaking free so I lay still, panting a little from my exertions.
It was then that I remembered Lucille who I had left tied on my bed. Maybe she had managed to get free. Maybe she would set me free.
'Lucille!' I called. 'Lucille! Can you hear me?'
I listened, but there was no sound except the ticking of the clock and the gentle flapping of a curtain against a window as the breeze disturbed it.
'Lucille!' I raised my voice to a shout. 'Are you all right?'
Again silence, and I suddenly felt cold sweat on my face. Had something happened to her? Or had she got free and left the bungalow?
'Lucille!'
Then I did hear something. A soft movement of a door opening: a door somewhere down the passage, possibly my bedroom door.
I lifted my head to listen.
The door squeaked a little and that told me it was my bedroom door. I had been meaning to oil the hinges for weeks and had been too lazy to do it.
'Is that you, Lucille?' I said sharply.
I heard someone move out into the passage: a slow, heavy step, and I was suddenly more frightened than I had ever been before in my life.
Lucille couldn't have moved like that. The slow, stealthy footfalls I was listening to were too heavy for a woman's. It was a man coming down the passage: a man who had come out of my bedroom where I had left Lucille trussed and helpless on the bed,
'Who's that?' I said, my voice off-key, my heart hammering.
The slow, heavy footsteps came down the passage and stopped outside the lounge door. Then there was silence.
I lay there, listening, sweat on my face, hearing gentle, unhurried breathing from the other side of the door.
'Come on in, damn you!' I exclaimed, my nerves crawling. 'What are you skulking out there for? Come on in and show yourself!'
The door began to open slowly.
The man out there intended to frighten me, and he succeeded.
I was practically ready to hit the ceiling as the door swung fully open.
The man who stood in the doorway was massive and tall. He had on a dark blue sports jacket, grey flannel trousers and reserve calf brown shoes. He stood there, his hands in his pockets, his thumbs outside and pointing at me.
I lay staring at him, scarcely believing my eyes, a sudden chill gripping my heart.
The man in the doorway was Roger Aitken.
II
Heavy footed, slow and deliberate, an expression on his face that really put the fear of God into me, Aitken came in to the room.
I was immediately aware that he didn't limp and he was walking as he always walked, and yet a few days back he had fallen down the Plaza Grill steps and had broken his leg.
The whole situation took on a nightmare aspect. It was Aitken, and yet it wasn't Aitken. This tight-set face with glittering eyes made me feel here was another man inside Aitken's skin: a man I didn't know and a man who scared me. Then the familiar voice said: 'I seem to have given you a fright, Scott.'
It was Aitken all right. That voice and that smile could belong to no one else.
'Yes.' My voice was husky and unsteady. 'You certainly did. Your leg seems to have made a pretty good recovery.'
'There was never anything the matter with it,' he said and paused near me, looking down at me, his glittering eyes moving over my face. 'It was something I arranged so you and my wife could get acquainted.'
My mouth was now so dry I couldn't say anything. I just lay and stared up at him. He looked around, then moved over to a lounging chair and sat down.
'Quite a nice place you have here, Scott,' he said. 'A little lonely but convenient. Do you make a habit of fooling around with other men's wives?'
'I didn't last long and I didn't touch her,' I said. 'I'm sorry. I could explain better if I had my hands free. There's a lot to explain.'
I was wondering about Lucille.
Had she managed to get free? Was she still in the bungalow? If she was still tied up on the bed, then Aitken must know it as he had come out of my bedroom.
Aitken took out his gold cigarette case. He lit a cigarette.
'I think I'll leave you as you are,' he said. 'Anyway, for the time being.'
Then a thought came into my mind: a crazy thought: a thought that made me stiffen and lift my head and stare at him. This was the man Lew had said was coming to talk to me. This man I knew as Roger Aitken was known by Lew and his pal as Art Galgano: a crazy thought, but the facts pointed to it.
'The nickel's dropped?' Aitken said, watching me. 'Yes, you're right. I am Galgano.'
I lay there, staring at him, shocked into silence.
He crossed one leg over the other.
'You don't imagine I can live in the style in which I live from what I get out of the International, do you, Scott? Three years ago I had a chance of buying the Little Tavern, and I bought it. This is a rich town. It is full of rich degenerates with nothing to do but to chase one another's wives and drink whisky. I knew it was a crowd that would gamble if given the opportunity. I gave it the opportunity. For three years that wheel at the Little Tavern has been spinning and has been making me a fortune. The law against gambling is strict. A lot of people have tried to run a wheel and they have been shut down. I was more fortunate. This man Harry O'Brien was in charge of the roads leading to the Little Tavern. It was his job to report any suspicious gathering of people who might be gamblers. He was the eyes and ears of the Police Commissioner. I made it worth his while to be deaf and dumb, but I knew sooner or later he would get greedy, and he did. The profits from the wheel, instead of coming to me, began to go to him. He bled me white. As a blackmailer he was in a class of his own. After six or seven months, I found I was making less money than I had made before I bought the Little Tavern. His demands became so pressing, I was forced to use some of the International's profits to satisfy him. That was a situation that had to stop.'
The clock on the overmantel suddenly began to strike four o'clock. The afternoon's sun beat against the sun-blinds. The whisper of the sea somehow had a sinister sound.
I lay there, listening, looking at this man who was my boss and who I had thought the tops i
n th
e advertising game. He still looked impressive, with his big frame, his well-fitting clothes and his massive, whisky-red face, but he wasn't impressive to me any more.
He reached out and stubbed out his cigarette, lit another and smiled at me.
'There is only one way to stop a blackmailer when he is in O'Brien's class and that's to kill him.' The glittering eyes met mine and the thin lips tightened. 'Murdering a policeman is dangerous, Scott. It is a challenge to the police force and they take extra trouble in tracking down the killer. I laid my plans. As in everything I do, I took the broad view of the situation. If I were to kill a man, I would make a complete job of it, I decided. I badly needed money. I had taken fifteen thousand dollars from the International and I knew I couldn't hide that up for long. I owed money everywhere. It would take me several weeks to recoup from the wheel once I had got rid of O'Brien, and the chances were that his successor would find out what was going on at the nightclub and I would be closed down. So I had to have money quickly. It was then I thought of you. I had heard you had some money. Everything fell into place once I decided to make use of you, Scott. So I prepared the bait of the New York office and you fell for it.'
I lay listening to his quiet, dangerous voice, and I kept wondering about Lucille. I was scared to ask him if she were still in my bedroom in case she had got free and had left the bungalow before he arrived. There was just a chance that she had got free.
'In case things went wrong,' he went on, 'I took the precaution to provide myself with an alibi. Only Mrs. Hepple and Lucille know I didn't break my leg. Mrs. Hepple has been with me for years and I can trust her. Lucille ...' He broke off and shrugged his shoulders. 'Let me tell you about Lucille. She was one of the dancers at the Little Tavern. When I bought the place, I was careful no one at the club except Claude should know who I was. I used to go there as a customer. The girl appealed to me. A mistake, of course. She was pretty and gay and young, but a man soons gets tired of a girl when she has a head as empty as Lucille's. However, the one thing in her favour is she does what I tell her to do, and so does her oaf of a brother, Ross, who also worked at the Little Tavern when I took it over. I explained to these two what I wanted. I told them if O'Brien continued to blackmail me, the Little Tavern would shut down; Ross would lose his job and Lucille would find herself married to a poor man. It was my suggestion that Lucille should ask you to teach her to drive – a good suggestion, I think.' Again, the thin lips lifted in a sneering smile. 'When I was ready, I told her to take you down that beach road. I had arranged to meet O'Brien down there. His monthly pay-off was due. We met down there. While I was talking to him, Ross came up behind him and knocked him senseless. In the meantime you and Lucille were acting out your little drama. I had instructed her exactly how she was to behave. It was essential that you should attempt to seduce her, thus providing you with a guilt complex. It was also essential that she should run away with your car. I know enough about male psychology to be sure you would act the way I wanted you to act, and you did.' He leaned forward to tap ash off his cigarette. 'Lucille brought the car to me. The accident wasn't difficult to stage. I had O'Brien lying in the road. I ran the car over him. Then I drove the car fast and hard into his motorcycle I had placed on its parker in the middle of the road. It was quite a smash. Then I turned the car over to Lucille and Ross and told them to take it to your bungalow.'