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Authors: Donna M. Johnson

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BOOK: Holy Ghost Girl
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With the tent secured, the crew hung spotlights and secondary lighting from the poles, hammered together the sections of the platform, unloaded the Hammond organ, and positioned the amplifiers and speakers. The expanse of the tent posed a challenge for the sound system, so it was important that the speakers be positioned in just the right places. The tent families unloaded stacks of wooden folding chairs and arranged them in orderly sections that fanned outward from the platform. Twenty-five hundred chairs for the first night, with a thousand more stacked in the truck to be squeezed in as needed throughout the revival. Long one-by-one boards were placed between the chairs’ legs to connect them and keep the rows uniform.
By seven o’clock on opening night, a dusty brown canvas and a collection of scuffed-up poles had been transformed into an ad hoc cathedral. People came from near and far. Black and white, old and young, poor and poorer. Women with creased brows and apologetic eyes as faded as their cotton dresses, clutching two and three children who looked almost as worn out as their mothers. Men, taut as fiddle strings, hunch-shouldered in overalls or someone else’s discarded Sunday best, someone taller and better fed. They came to find a sense of purpose and a connection to God and one another. They came because the promises of the beatitudes were fulfilled for a few hours under the tent, and the poor were truly blessed. They came for miracles, answers, and salvation. They came to see the show.
It was our first night in Chattanooga. Up on the platform, Mama pulsed out a bass line on the organ and Brother Cotton swung his arm through the air like a metronome as he led the audience through another chorus of “Jesus on the Mainline.” He yelled, “Call him up and call him up” into the microphone and the audience screamed back, “Tell him what you want.” Brother Cotton’s job as song leader and front man was to warm up the audience for Brother Terrell. Sometimes the crowd was cold and unresponsive, and he sweated through his undershirt and dress shirt just trying to get them to say amen. He said the crowd in Chattanooga was so hot, they warmed him up. He and the audience fed off each other, tossing the lines of song back and forth until the words gradually ebbed and music took over.
In the Holy Roller lexicon, “shouting” is another word for dancing in the spirit. Believers clap their hands and sway, stamping one foot and then the other as the organ, trombone, drums, guitars, and tambourines pull them into an ecstatic dance that wipes out the conscious mind and leaves the body with little control over its movements. The crowd was in full shouting mode that night, churning the sawdust and the dirt under it into the air. Floodlights filtered through the dust, casting the scene in an otherworldly haze as Brother Terrell’s wife threaded her way through the flailing bodies and herded Pam and Randall and Gary and me under the packed tent. Betty Ann’s job was to keep the four of us kids corralled and quiet during a service that lasted from two to five hours, depending on how the spirit moved on a particular night. Given that our ages ranged from one to seven, she may have pulled the toughest tent duty of all. Jostled by the clapping, stomping people, Betty Ann pulled Gary from Randall’s arms and shifted him onto her hip. She peered through the crowd to point out a row of chairs, and that’s when Randall made his escape. She called after him, then looked around and smiled apologetically at whomever happened to notice. People held the Terrell offspring to a higher standard than other kids, and when they fell short, it was her failing, not Brother Terrell’s. She shrugged and steered Pam and me to our seats. We joined the singing just as Brother Terrell walked onto the platform and took the microphone from Brother Cotton. He finished off the chorus with the audience and raised his hands in prayer. Mama slowed the tempo of the music and brought the volume down.
Brother Terrell spoke in a low, quiet voice. “Put your hands up with me and tell Jesus how much you love him. We looooove you, Lord. We magnify your holy name, God. We ask you to look down and bless us tonight, Lord. Open our hearts that we might hear what you have to say. Ooooooooh, God.”
In a matter of seconds the mood went from celebratory to somber. Hands were raised across the tent. Hundreds of people, maybe a thousand or more, raised their voices in an orchestration of prayer and unknown tongues that gained in volume and momentum, then drifted to a close. Brother Terrell walked over to the podium and opened his Bible. “I feel like we need to carve deep into the meat of the Word tonight.”
Three hours later he was still carving, explicating scripture after scripture. In all that time, he had not once roused the audience to its feet, danced across the platform, or asked a single person to run around the tent for Jesus. His Bible lay open on the pulpit and his finger moved across the page. “Hebrews, chapter eleven, verse one. ‘Faith is the substance of things hoped for, the evidence of things not seen.’ ”
The thin slats of the wooden folding chair cut into the backs of my legs. The crinoline petticoat my mother forced me into sawed at my waist. A three-year-old’s version of hell. I yawned and squinted across the curved backs of all those people, leaning over the Bibles flapped opened in their laps. Hungry, hungry, devouring every morsel of spiritual food Brother Terrell handed down.
“Now what does that mean—faith is the substance of things hoped for? Everyone thinks Paul is talking about miracles here, and he is. But that ain’t all he’s saying. He’s saying faith is a real thing in the world. It has substance. It is substance. Amen?” He looked over his shoulder at the preachers lined up behind him on the platform.
“Amen. That’s right.” Their heads bobbed in unison.
Brother Terrell pulled at his nose, put his hands on both sides of the pulpit, and rocked forward. “Let’s go on a little deeper in the Word now. Hebrews, chapter eleven, verse three. ‘Through faith we understand that the worlds were framed by the word of God, so that things which are seen were not made of things which do appear
.
’ ”
He moved out from behind the pulpit and strolled up and down the platform. He held the microphone so close to his lips, it was almost in his mouth. “Saints, this means the world and everything in it was spoken into existence by the world of faith. What Paul is saying here is that the very earth we walk on, the earth we are made up of, was created by faith. Are y’all with me?”
Amen, they were.
He walked over to the song leader, who sat with the ministers on the platform. “Brother Cotton, what time is it?” The man looked at his watch and mouthed back the answer.
Brother Terrell turned back to the audience. “It’s eleven thirty. Time flies, don’t it? Y’all ready to go home?”
The crowd yelled, “NO!”
I groaned and dropped my sweaty forehead into my hand. I had faith that if something didn’t happen soon, I would die of boredom and go straight to Beelzebub. My legs pumped back and forth, hitting the underside of my chair. Betty Ann reached across Pam, grabbed my knee, and applied pressure.
“What?”
She shook her head from side to side. My brother lay with his head in Betty Ann’s lap and his body curled in the chair on the other side of her. My legs slowed. A stream of drool oozed from his sagging mouth onto Betty Ann’s skirt. My stomach went queasy.
“You got spit on you.”
My words came out in a whisper loud enough that people turned and stared. Pam giggled, and her mother yanked her hair. Pam shot me a look that meant I would get it after church. At five, she was two years older than I was and capable of making me pay for every sin I committed against her. I placed my hands on either side of my seat and pushed my weight away from the wooden slats to relieve the pressure on my bony butt. I leaned forward slightly and the chair tossed me headfirst into one of the metal tentpoles. Two adults jumped up to see if I was okay. One of them helped me up and dusted the sawdust off my dress. The other said too bad there was no ice around. I put my hand to my head and felt a bump rise under the skin. Pam looked at me with suspicion.
“You did that to get attention.”
“Did not.”
“Did too.”
Betty Ann shushed us.
“Donna, sit down. Now. Pamela Eloise, shut up and pay attention.”
Pam pointed her finger at me. “She’s not paying attention.”
Betty Ann pinched her full lips into a hard little knot, raised her eyebrows, and inclined her head toward the platform and my mother. I sighed and sat down. Brother Terrell preached on.
“Faith changes things. When I was a boy doctors diagnosed me with cancer of the bone. They operated nine times and removed all the bone in my leg. I spent so much time in hospitals, I had to drop out of school in third grade.”
I sat up and listened. This was the story of the scar. Brother Terrell clipped the microphone around his neck, bent over, and rolled up his right pant leg to just below his knee. He spoke off microphone, and his voice sounded small and distant. “They wanted to amputate, but my mother wouldn’t let them. She believed God would heal me.” He gripped the white rail of the prayer ramp behind him, balanced on his left leg, and held his right in the air, crooked at the knee. His calf gleamed white under the spotlights, exposed between the dark fabric of his pant leg and sock like some subterranean creature seeing light for the first time. Only it wasn’t the first time. Brother Terrell revealed the scar at almost every revival.
“Come on up here, you that wants to see.”
People rose across the tent and made their way to the front. Men, women, children, even the scoffers crowded ’round.
“Go ahead, touch it. Jesus told Thomas to put his finger in the nail holes. See for yourself what faith will do.”
He lost his balance for a moment and one of the ministers on the platform brought him a chair. He took a seat and stretched out his leg. The scar ran along the inside of his right leg, from knee to ankle. One by one, people laid their fingers in the long trough of purple tissue. It was two fingers wide, two fingers deep, and marbled with yellow and green.
Pam and I threaded our way through the crowd. We never missed a chance to look at the scar. Randall stepped from behind a rear corner of the platform where he hung out with the tent crew and walked with us to the front. Brother Terrell acknowledged each of us with a quick hug and we huddled there beside him as people came forward. Randall was seven years old and not afraid of anything. He laid his fingers in the scar as he always did. Later, I would ask him for the hundredth time what it felt like, and he would tell me that it was as slick and hard as the devil’s backbone. As much as I longed to run my fingers down the length of the scar, I could not bring myself to touch it. I stared at it for as long as I could, trying to peer past the outraged skin into the empty cavern of Brother Terrell’s calf. There was something there or something not there that I needed to understand, but I did not know and could not have articulated the nature of that something.
Brother Terrell picked up the microphone that hung around his neck and spoke directly into it. “The doctors said I’d never walk without crutches, that I’d be a cripple for the rest of my life.
“Then one day when I was nine years old, Jesus stood in my room. He said, ‘David, get up. Walk.’ I reached for my crutches. He said, ‘Not with those.’ ”
Brother Terrell leapt from the chair and people scattered like the jacks Pam and I threw between services. “When Jesus heals you, praise God, you don’t need no crutches. You don’t need no bone. You don’t need nothin’ but faith to take that first step.”
The words flew from his mouth with the ferocity of hornets and we rushed before them to our sections and seats. It wasn’t so much what he said, but how he said it. Every word uttered with such urgency that I half expected the world to end before he finished his sentence.
He prowled in front of the audience now, swishing the microphone cord when he turned so that it trailed him like a living thing. His pant cuff fell a bit as he walked, but I could still see the naked glow of that pale patch of skin.
His words slowed and lulled the crowd into believing the storm had passed. “My mama had faith. She believed.”
Then he crammed the microphone into his mouth again and the veins on his neck popped up. “You got to have faith. You got to hold on. You can’t lie there on your cot and die!”
His voice grew louder with each sentence. “You got to get up. Get uuuuuuup. Get uuuuuuup!”
He went hoarse each time he screamed “get up.” The ministers on the platform stood. Mama stood and clapped her hands and amened.
“Yes. That’s right. Bless him, Jesus. Tell it, brother.”
“When Jesus tells you stand up and walk, you better get on your feet. Get up!”
People all over the tent rose from their seats, hands in the air. Pam and I stood in our chairs, trying to see over or around the grown-ups. My mother began to play “God Don’t Never Change,” a fast-paced song that turned up the energy.
Brother Terrell stood at the top of the prayer ramp and the crowd moved toward him. The sick, the blind, the deaf, the deformed in body and spirit. By the time the prayer line formed, his right hand was red and hot and jerking like a downed power line.
My mother was deep into the music, a gap-toothed double-wide smile parked across her face. Betty Ann left my brother in the care of a friend and moved to the front to help with the prayer line. Pam and I climbed down from our chairs and made our way to the side of the platform at the end of the prayer ramp. Brother Terrell was someplace else entirely. Randall came and stood beside us, his cowlick standing straight up.
“Look at that.”
A woman with a stomach so large she looked two years pregnant labored up the ramp, pulling herself forward by the rails, breathing through her mouth. With each step, her face turned a little redder. Randall put his hand over his mouth.
“Her stomach will be there three days before the rest of her. Daddy’ll be lucky if she don’t die before she gets to him.”
BOOK: Holy Ghost Girl
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