Ibiza Surprise (24 page)

Alone and jolting, its velvet skirts flouncing, its candles vibrating, and Saint Hubert posting above, the paso of the poor hunting bishop came rollicking past, accompanied by every dog in Ibiza.

They were happy dogs. High and low, white, black, brindle and tan, with or without ears and tails, covered with dust, scabs, and layers of incense, leaping and driving and fighting and snapping and barking – about two dozen dogs ran round and after that float, under it, and scrabbling half up its sides. And every time a boot lashed out from under the valance and caught a dog in the ribs with a squeal, another three dogs ran in, teeth bared, and another voice joined the shouting and swearing which we could now hear, emerging with passion from under the litter. It joggled, dancing. Impelled by a series of snaps, it took a short run to the left, and another back to the right, stopped, and then suddenly set off, like a clockwork mouse, dead downhill. It passed us, going like steam, with everyone within reach on the cobbles giving gratuitous help to kick the peripheral dogs out of the way: the rest were quite beyond stopping. For a moment, it looked as if it were going to crash into the crowd. Then, lurching, Saint Hubert swerved, instead, sharp right and shot through the arch into the galleried guardroom.

The roofless space between the two arches was now quite clear of people. There was, in fact, nothing in it but wind. As the float slowed and turned, snarling, to move with its dogs out through the Portal de las Tablas, the flames of the candles suddenly bent flaring over, and the bishop’s robes burst into lire.

I think Mr Lloyd was there first. I never saw anyone move so fast, although Gil was not far behind, and Janey and I flailed our way through the arch after, the lines of penitents pounding beside us, their torches streaming, their hood points fighting like pelicans. I saw Mr Lloyd force his way through the dogs and jump on to the float, at the same moment as I saw Derek scramble up on the far side, with a bunch of Penitent Brothers ahead of him. You could see the palinquin tremble as the extra weight piled on top. It tilted; the dogs squealed, the men underneath shouted, and just as one of the hooded figures flung a cloth over the blazing Saint Hubert, hugging and smothering him, the litter came cracking down on its legs, throwing everyone on it off balance.

For a moment, there was a smoking heap of limbs, flowers, candles, shattered china, and dogs. Fighting my way through, with the crowd pushing me forward, I saw no faces I knew. Then beside the statue, a hooded figure stood upright, still clutching the end of the cloth which had put the fire out. It let go the cloth and turned, clearly about to get down, when from the end of the float rose another figure, also hooded, purple-robed and gloved. It advanced on the first, picking its way over the struggling bodies and ignoring the guttering candles, and drawing back its gloved fist, socked the first man clean on the jaw.

Whoever he was, the assaulted Brother must have had a neck like a bullock. He shook his head once, staggered, tore himself free, and turning, jumped. Not for the ground, where rows of upturned faces, aghast as I was, waited for him. But upward, to the rusty rails of the small balcony which hung over the galleried wall. For a moment he hung there, in a swirl of stained robes. Then, swinging himself up and over, he disappeared through the green, double-leaved, broken door and reappeared two seconds later, on the shattered tile roof. I think he glanced down at us, once. Then turning, he began, hand over hand, to climb up the creepered wall to the bulwarks.

It was so unexpected that we all stood and gaped, while the dogs pushed and swarmed and barked and the heap of men on the float scrambled upright again, groggily, in the mess of bent trees, chipped dogs, and real dogs hysterically barking. Alone in their midst, the painted hand of Saint Hubert stretched out scatheless in the benign gesture of blessing. The lower half of his robe was a peeling mess of layered and blackened embroidery, but the mitred head was untouched. Round his neck, knocked awry and evidently not quite refastened, was the ruby collar, with Mr Lloyd peering at it. Gilmore knelt at his side.

Pressing with Janey at the side of the float, we could hear her father speaking quite clearly.

He said: ‘That’s not the true collar! Follow that man in the robes!’

He was pointing up to the room with the balcony, with the wall rising behind it. The man who had received the crunch on the jaw, his agility unimpaired, had just disappeared over the top, but now a second figure came into view through the roof. The hooded man who had hit him was hard behind his victim and climbing like crazy. Our mouths open, Janey and I watched her father and brother likewise make a leap for the rails and, with a good deal of grunting, begin to swing up them.

‘Are you game?’ I said to Janey.

‘There’s Derek,’ she said, suddenly. ‘Look. Right at the top. Come
on,
She-she!’ And we both jumped for the wall.

One or two of the more agile penitents were intrigued enough to come with us, but not enough understood English or were near enough to hear what Mr Lloyd had said. The rubies were still hanging there, most publicly present, and you would have to know a good bit about rubies and have your face practically in them to tell they weren’t quite real. In any case, other things were rather rapidly happening.

The bearers, having let the float down with a crash when half the populace of Ibiza appeared to have jumped on their backs, had finished rubbing their bites and their sores and were crawling out, bellowing, from under the valance to lodge appropriate complaints.

No one knew, afterwards, who had had all the legs of the float fitted out with new Shepherds’ castors. All we saw at the time was that as soon as the bearers had left it, the litter stood trembling slightly, a mess of reeking wax, smashed flowers, and dogs scrapping, biting, barking, and making the most of the trees. Then, very slowly, as a Cunard liner moves down the slipway, it began to move inch by inch down the steep slope of the guardroom, steel rumbling, ruination rising in clouds like the rust from its chains. Then, travelling like a torpedo, it shot through the Portal de las Tablas and veering right, dogs going crazy, went sheer through the window of the marketplace butcher’s shop.

Saint Hubert, patron of hunting, rested, they said, outside the door, one hand rocking benignly, as every hound in Ibiza tumbled smack into paradise.

Janey and I both missed that bit. We’d got to the top of the wall, through a door and down a slope to the Avenida General Franco, and were thrusting uphill against the rush of people, penitents, priests, and drummers pouring down to get an eye view of the disaster. Here and there, in the patchy dark, you could see the dark spire of a hood far ahead, forcing uphill the wrong way as we were. Occasionally, still ahead, I could catch the gleam of Mr Lloyd’s grey head and Gil’s sandy one following.

We climbed another wall, and as the noise from the crowd thinned and the tail of the procession dropped down below us, we continued running – threading through the dark, uneven lanes, going up steps, stumbling into half-made trenches and through builders’ rubble – our footfalls strangely flat and distinct against the faint rumble of crowds and music and drums far below.

We were easily the last in the race. Sometimes, turning a corner, we would glimpse a dark figure skidding fast round the next: once I distinctly saw Derek, face uncovered, running at the end of a lane. We followed, pelting along until we came to one street where we saw and heard no-one, where the road end was empty and there were no side paths up which anyone could have possibly gone.

‘We’ve missed them,’ I said.

‘No, we haven’t. Not all those people. They’ve stopped running,’ said Janey, and raised her voice. ‘Gilmore! Daddy!’

No-one answered. I kept turning round, like the float. I didn’t want to be coshed on the back of my neck and find myself in the Lebanon market:
for sale, white slave with pills who can cook.

‘Where
are
we?’ I said. And almost immediately answered myself. ‘Wait. I know where this is.’

Janey got it in the same instant. ‘So do I. I know where the rest are, as well. I’ve never been here before in the dark.’

‘I have,’ I said. ‘But that time we got in through the back.’

We were standing a few doors along from Austin Mandleberg’s Gallery 7, where the replica rubies had been produced.

We actually paused for a moment outside poor Austin’s door before going in. To the street, the house was dark and perfectly silent. Austin, of course, was in the Lloyds’ house still convalescing and by now no doubt, thankfully slumbering. As far as the Lloyds were aware, the men who made the fake necklace, Jorge and Gregorio, were out of the country; to my knowledge they were not, but at least they were in Johnson’s keeping.

In this house, therefore, must be the man who had stolen the rubies tonight, the hooded figure who had exchanged blows in the smoking mess of the float and then bolted, the man who had murdered my father, as well. Someone touched me on the back, and I made a sound like tearing paper: a large, well-kept hand was pressed over my mouth.

‘Shut up. It’s all right,’ said Gilmore Lloyd. ‘We’re all here more or less, inside the door, and we think the chap we want is bottled up in the gallery.’

‘You might have come out sooner,’ said Janey, furiously. She didn’t seem to be frightened.

‘We hoped you’d go away,” said Gilmore, simply, and shoved us in through the door.

Inside, it was not perfectly dark. The lights to the big showroom were off and also the lights in the basement, where Gregorio’s rooms and the ill-fated workshop were. But in the office, the room at the top of the stairs where Johnson and I had illegally entered, a dim light seemed to be burning, and there were more lights round the corner, from the other door on the landing, which led to the exhibition of Art in the Round.

Around us on the tiled marble floor, doing nothing, was a fair- sized group of people, most of them hooded and masked, although here and there I saw a perspiring bare face, and one or two that I knew: Mr Lloyd’s, Gilmore’s – and suddenly – Derek’s. In the midst of the Ku KIux Klan, I suddenly felt calm and perfectly confident. Of course, they were all waiting to make sure all the exits were guarded. I smiled at Mr Lloyd, who looked absolutely clean through me, just as a low whistle sounded from the door of the office. With some reluctance, the gathering shuffled its feet and then moved, slowly at first and then with gathering momentum towards the bottom of the stairs.

I suppose the first two or three had set foot on them when a door opened straight across the small landing and printed a square on the wall. In the middle of the square, Janey and I now observed, was the shadow of a tall man, standing upright and still in the centre of the gallery doorway, with a gun in his hand.

‘These are private premises,’ said Austin Mandleberg’s voice sharply. ‘If any of you moves a step further without my permission, I shall certainly shoot.’

Austin!!! Presumably he’d gone off his rocker. I started to move to the corner, but Janey was even quicker. She sang out: ‘Austin!’ and dodging round to the foot of the stairs, was three steps up before anyone managed to stop her.

She said: ‘Don’t be an ass, it’s us. Father and Gil and She-she are here. We’ve just brought some friends.’

‘Oh,’ said Austin. He lowered the gun and said stiffly. ‘I’m sorry. Miss Lloyd. But since no one knocked or rang before entering people get excited as you know, at these times, and the police are busy. Premises are sometimes entered and rifled.’ He looked green. His ribs were probably giving him hell.

‘I see,’ said Mr Lloyd dryly, ‘you were protecting your property?’

‘Naturally,’ said Austin. For a moment, he stood on the landing, just glaring at us, then he wiped his free hand on his stunning cord trousers and stepped back, stuffing the gun in a pocket.

‘I beg your pardon, sir. I’m not maybe right at my best. Come in. Please. Thank heavens you called out to me, Janey. You see, I just got to thinking of this after you left, and the more I thought, the more I got worried. With Gregorio absent. . . so I hope you’ll forgive me, I took out the Maserati and ran here just to make sure everything was all right.’

‘You must have had a hell of a job,’ Gilmore said. ’Getting the car through these crowds.’ He finished climbing the stairs and walked into Gallery 7. We all followed.

‘So this is your travelling show?’ His gaze took in the quilts, the Perspex, the coloured circles, and the printed sections of wood and travelled slowly upward to where Cumulus Cloud with Tartan Travelling Case was rocking gently, spurred by one hood point succeeding another.

‘That’s it,’ said Austin. He walked across to the large oak dresser which occupied most of one wall, and took out some sherry and glasses. He glanced back at the doorway, where most of the hooded figures, embarrassed, were standing on one another’s shiny black boots.

‘Do come in all of you.’ He was too well-mannered to ask a direct question; but the query in his voice was quite something. Since his own clothes were spoiled, Gilmore had lent him a high-necked twill shirt and a blazer, a little tight over the shoulders.

He added: ‘You must let me make up at least for my unfriendly welcome. Was the procession a hit?’

‘Mr Mandleberg,’ said Mr Lloyd.

Janey crossed the room and, tucking her hand into Austin’s arm, said: ‘Let me hand those out for you. Oh, Daddy, never mind those boring old rubies. Have a drink.’

Austin turned.

‘What rubies? There hasn’t been trouble?’

He shouldn’t have been out of bed, really. He was a sort of pale biscuit colour, and his hair looked unkempt, like a rattan chair in a cat’s home. Janey got her hand away, at last, to take some glasses across to the hoods.

‘They’ve been stolen,’ said Mr Lloyd. He paid no attention to Janey. ‘Another collar, a copy from God knows where this time, has been put on the statue. There was a fight on the float, and we all followed a man here. You didn’t see him?’

‘Here?’
said Austin. He put down the sherry bottle. ‘What did he look like?’