I'll Let You Go (71 page)

Toulouse made introductions and his father shook hands all around, taking care not to pulverize any mitts. Edward was disarmed by the air of diffidence and politesse that accompanied this fellow freak of nature; and the trace of an English accent, threadbare yet aristocratic, along with the old-fashioned cadence of speech further lifted his sour mood. Lucy developed a crush on the spot, even larger than her erstwhile devotions to the detective—it would be fair to say that
all
the children had their crush, if one can call it that; for they felt like lost, weary travelers emerging from a jungle clearing to encounter a smiling tribal chief of legendary wisdom and largesse. However we may define it, Marcus reciprocated, and was happily crushed himself.

They gave him the captain's chair; he already knew its contours. He nestled in with an exhalation of comfort, and Sling Blade motored off.

The first cousin offered their celebrated guest sparkling water, and
when he assented, Lucy scurried to the fridge. Toulouse took a crystal glass from a cabinet. After inordinate fussing with an ice bucket, two bottles of Perrier (deemed “flat” by Lucy's eagle eye) were discarded; when a third green vessel reached his prodigious palm, it looked like a dollhouse prop. He sipped and nodded approvingly—relief all around.

“Who's in the closet?” he finally asked. The children were confounded. “Do you mean to say no one's hiding in the closet? Scandalous!” He smiled—and the children smiled, then laughed—and felt completely at ease. It was like a merry tree-house club in there.

Marcus was grateful that his son had reached out, and was eager to be “sane” and accessible—which of course, for all intents and purposes, he now was. He was moved by Edward's fractured physique and the outlandish ways that he compensated for his lot in the world; the vestigial Victorian was particularly captivated by the ornamental intricacies of pattern-design and dye he'd availed himself of to be swathed from prying eyes. For his part, the cousin found Mr. Weiner to be unpretentiously imposing. In his presence, Edward felt like one of those bent trees that, managing to survive an eruption, is now forever in the good graces of the volcano gods.

When he democratically turned his attention toward Lucy and spoke of her book, she blushed, frowning at Toulouse for having said so much (when it was her own proud father who'd betrayed her). But the bearish magus distracted her by apotheosizing the Blue Maze—what an evocative title it was, how he'd already visited the one at Saint-Cloud and been duly impressed, what a fine centerpiece for a mystery it'd make, and so forth. He made her feel as if she were already on a bestseller's tour. His interest was piqued when Edward brought up the venerable Mr. Coate, a master “labyrinther” met on their globe-trotting sojourn.

Half an hour from Bel-Air, Marcus gave a tender précis of the lost years leading to his imprisonment and subsequent liberation at the hands of their grandfather, the estimable Louis Aherne Trotter. He was compelled to add that after the storm there came a glorious rainbow of trainers, dietitians and pill-pushers (for whom he had a more dignified name), the latter dispensing compounds which altered, in a subtle and marvelous way, the very chemistry of his brain—allowing him to take stock of his life and start anew. No mention was made of his estranged wife, and that was fine for all concerned. The children were relieved that Marcus Weiner knew enough not to throw open every door.

“Are you aware,” asked Edward, “that we know Amaryllis? Amaryllis Kornfeld?”

Toulouse didn't seem thrilled to hear her name; he wasn't sure what might annoy his father (he would soon enough learn that little did) and was wary of upsetting the apple cart, such as it was—a very large cart indeed.

“Oh yes! I had been apprised of that by Mr. Dowling.”

The detective had in fact been the first to enlighten Marcus to that curiously entwined history, even going so far as to suggest that it not be dwelled on in the case of an encounter with the children. Marcus grinned, adding nothing further—which again seemed a fine thing all around.

Candelaria had lunch waiting (a salad with pomegranate dressing, served in his honor), set upon a table smack in the cobblestone middle of the main thoroughfare of Olde CityWalk, and Marcus had a wonderful time with nephew, niece and son. But he could not relax, for his brow impulsively furrowed at the thought of sleeping in a box on a street less luxurious than this. With that spasmodic image came others, like falling dominoes: the orphan girl, and the guard who had come upon them in their hideout, and Janey too—and Fitz and Half Dead, and the kind baker Gilles—then last of all Katy,
his
Katy hovering for a millisecond before him:
I am traveling and shall not be returning letters. It is probably best we break this off
. He shook away the faces and felt some comfort that the children were not the wiser.

They popped corn and watched a movie at the Majestyk (Boulder's latest, yet to be released) but still Marcus couldn't enjoy himself, having now succumbed to the chaotic melancholy that had visited him earlier. The portraits—and feelings—returned with such force that he thought he might sob and frighten his hosts, ruining everything. So he was relieved when Candelaria half whispered to the boy that his mother had returned from New York and ordered him back to Saint-Cloud, pronto.

Marcus seized the opportunity to stroll into the light, where he took some restorative breaths and crouched beneath the theater's overhanging marquee.

Toulouse came out moments later. “It's OK—I don't have to go home.”

“But your mother asked for you.”

“That doesn't mean I have to go.”

“You mightn't be so cavalier, Toulouse—if I may say it respectfully. She's your mother and has done the best she could. Always
has
done that very thing: her best. Loves you deeply, boy. Has done much more than I.” The last said without a trace of self-pity.

He was not unaffected by his father's words, and appeared resigned. Just then Eulogio materialized, jangling his keys at Toulouse and grinning like an ass. Meanwhile, Sling Blade revved up the Mauck for the drive back to Montecito.

“Son—would you say adieu to your cousins for me? They're fine, fine children. That Edward is a heartbreaker! And Lucille—she'll make an exceptional authoress, she will:
big
brain on her. You value them, don't you, boy? They love you! They love you with everything they have, and that's rare. But you give it back to them, don't you? I know you do. You've a great gift that way. You've your mother's gift.” He gathered his son to him, and Toulouse tucked his head into the brocaded vest. “I hope to see you again, son. I'm here now—I shan't leave you.”

“Have you talked to Mother?”

“We've corresponded. But we have not seen each other.”

“Is she—was she mad—was she
angry
with you …”

“She was civil. She was—kind.” He bent on his knee to face the boy. “Thank you, Toulouse. Thank you for your courage, for coming to see me today. I am a very lucky man.”

He kissed him on the cheek, and the child wiped a tear as Marcus climbed into the Mauck. Lucy saw this last bit of business but with uncharacteristic restraint did not rush to her cousin, who watched his father pull away, preferring to step discreetly backward into the fastness of the movie palace instead.

R
ather than return to Santa Barbara straightaway, Marcus had a request. He knew (because the old man had told him) of the famed Louis Trotter funerary commission; just as he knew of the parcel in Westwood where his benefactor would eventually make his “digs.” He was also aware that his driver was its general caretaker, and was curious about the place. But there was something more. Since the burial of Jane Scull, he had had a powerful, pointedly unmorbid desire to visit a graveyard, to loiter in a place twice removed from her tragedy, abstract enough to absorb his grief over all those lost to him.

At the moment Sling Blade was revealed by the ascending gull wing, Dot Campbell, in an outfit that worked much too hard to be called a leisure suit, charged at the errant employee, who had not even bothered this time to leave a scrap of paper behind explaining his absence. He took his scolding, then muttered the provenance of their guest; she was miraculously assuaged. The caretaker was then free to give Mr. Weiner a tour of the sanctuary, while his overlord graciously hung back.

Marcus spent a while pacing the grassy roof, so to speak, of the patriarch's “last house.” When both roof and pacer had enough, Sling Blade vainly suggested that they examine the stones of various celebs; yet even Dorothy Stratten held insufficient allure. As a kind of consolation, his guide walked them to the furthermost real estate Joyce had purchased under Candlelighters' aegis; then swore his guest to secrecy before divulging Mrs. Trotter's mission. He held Mr. Weiner in thrall while weaving the peculiar tale of dumpster babies, identities unknown.

Marcus winced at the irony—if he would not come to potter's field, potter's field would come to him.

“D
id you see your father?”

“Yeah.”

“Is he well?”

“He's all right.”

“Did he say anything … weird?”

“No,” he said, displeased by her comment.

“Don't get defensive,” she said, a little ruffled. “I guess it
is
pretty romantic—having a father return from the urban wild. The mental outback. I can't compete with that.”

“I didn't realize there was a competition,” he said frigidly. Silence, then: “Have
you
talked to him?”

He'd heard his father's side and now wanted to hear hers.

“He wrote some letters—strange but sweet. I thought it best not to continue. It didn't seem healthy.”

“He's trying really hard. The pills seem to be working.”

“Good. Good for him.” She lit a cigarette and took the deepest inhalation he'd ever seen.

“You're smoking again.”

“Toulouse, I just want you to be careful. You're a big boy and he
is
your father … But we're not talking about someone who has something that's necessarily
curable
. I don't want to see you hurt. Any more than you've been already.”

“I'm OK.”

“You're OK
now
. The disease that your father has—is not something you can
predict
. There are relapses. And whatevers. And I just don't want you to have false hopes. But you do what you like … And I'm
not
saying seeing him is wrong—I don't want to give you a double message, which I guess is what I'm doing. It's just that … we don't know if he'll be here when we wake up.”

“Will
you
?” Her jaw tightened. “You've been traveling a lot lately. And you're smoking again.”

“You're
not
my jailer. Look,” she said contritely. “I didn't even want to talk to you about any of this.” She took another long, fidgety drag. “And that girl is staying with a social worker.”

“Girl?—”

“The
girl
,” she said, rolling her eyes. “Amaryllis. The woman gave me her e-mail, if you want to write.”

T
ull added [email protected] to his computer's address book but went no further. He didn't even tell the cousins. His birthday was at the end of the month, and he toyed with the idea of inviting her, as a surprise. The appearance of his father in his life had only heightened his desire to “do right” by Amaryllis; it seemed capricious and immoral to leave her behind like so much memory roadkill. He was glad he had set her rediscovery into motion. But words and courage would not come, and he let a week pass before sending the following:

Lani was charmed but a little nervous about passing the message on.

Not long ago, Detective Dowling, in his steadfast role of liaison, had called to give the most amazing account of her foster daughter's high-end layover in the Westside world. Lani, needless to say, was thunderstruck by Amaryllis's society connections. But the new mother, still very much finding her way with her fragile, complicated ward, was initially hesitant to help the children connect the dots.
^†

But how, one may wonder, did the orphan effect her transition to the Motts' comfy Franklin Hills home? Here, for once, the author will make a long story short.

It has already been noted that the idea of adoption formed early in the head of the baker's wife, as a consequence of her dressing-down by the man who once went by the name of William; she had begun the three-month foster-care-licensing process forthwith. As a CASA, Lani already had an inside track, and her supervisor helped her through the rough patches. Soon after accreditation, a “walk-on hearing” was arranged whereby notice was given to the Department regarding the request for immediate placement of the child, Amaryllis Kornfeld, with foster parents, namely Gilles and Lani Karoubian-Mott, who were, as interested parties both formally and informally attested, loving and caring professionals, not to mention college grads. The court agreed to release the child to the Mott household pending the longer process of adoption,
which would likely remain uncontested and be expedited by public counsel.

With a doctor's close supervision, Lani weaned Amaryllis off the residual drugs prescribed during her final stint at MacLaren and reestablished regular visits with the girl's brother and sister, who lived in a modest home overshadowed by tall electrical towers (the kind favored in fifties alien-invasion flicks) in the city of Lawndale. Amaryllis was enrolled in a progressive district school and in short time won kudos for her special project on saints, with its gold-flecked illuminated text, laminated articles on Sister Benedicta née Edith Stein and an ingeniously imagined diorama of the inner sanctum of the Vatican's Congregation for the Causes of Saints. She made new friends and, aside from the occasional tantrum and teacher-bidden time-out, her recovery was remarkably swift. After school, Amaryllis liked to sit on a stone pillar of the Shakespeare Bridge, overlooking a gully filled with quaint houses. (A generously proportioned lady hanging clothes on the line invariably reminded her of Jane Scull.)