In a Free State (14 page)

Outside, the air is fresh. They take a lot of pictures, and still it is more like a funeral than a wedding. Then the nice lady make
Frank and me get in the photographer’s car. He is a businessman with worries, this photographer. With his gold-rimmed glasses and his little moustache, business is all he is talking about, and he is driving very fast, like one of our mad taxi-drivers. He is talking about the jobs he have to do, about how he start in the photography business, his contacts with newspapers and so on, and even as he is driving he is digging in his breast pocket and turning round to smile and give us his card.

He drive us to a sort of restaurant and straightaway he is busy with his camera and he forget us. It is an old-fashioned building and you go inside a courtyard in the middle, galleries all around. A lot of crooked brown beams everywhere, like in some old British picture, and they take us into a crooked little room with some very crooked beams. In that room everybody gather again and get photographed. Everybody can fit in that small room, everybody at the wedding.

Some of the women crying, my brother looking tired and stunned, the girl looking tired. His wife. How quick a big thing like that settle, how quick a man spoil his life. Frank stick close to me, and when the time come for us to sit down he sit next to me. Nobody talking too much. You get more talk at a wake. Only the pretty waitress, so nice and neat in her white apron and black dress, is happy. She is outside it, and only she is behaving as though it is a wedding party.

No meat for me, and Frank say no meat for him either. He want to do everything like me now. The nice waitress bring us trout. The skin burn black and crispy at the top, and when I eat a piece of the fish it is raw and rotten, so that the church taste come back in my mouth, and I think of the dead again, and brass and flowers.

The waitress come in, her armpits smelling now, and ask if anybody want wine. She say she forgot to ask the first time. Nobody hear, nobody answer. She ask again; she say some people drink wine at wedding parties. Still nobody answer. And then an
old man who never say anything before, he looking so sad, he lift his face up, he laugh and say,
‘There’s
your answer, miss.’ And I feel he must be like Stephen, the wise and funny man of the family, and that people expect to laugh at what he say. And people laugh, and I feel I like that man.

I love them. They take my money, they spoil my life, they separate us. But you can’t kill them. O God, show me the enemy. Once you find out who the enemy is, you can kill him. But these people here they confuse me. Who hurt me? Who spoil my life? Tell me who to beat back. I work four years to save my money, I work like a donkey night and day. My brother was to be the educated one, the nice one. And this is how it is ending, in this room, eating with these people. Tell me who to kill.

And now my brother come to me. He is going away with his wife, for good. He hold me by the hand, he look at me, tears come in his eyes, and he say, ‘I love you.’ It is true, it is like the time he cry and say he didn’t have confidence. I know that he love me, that now it is true, but that it will not be true as soon as he go out of this room, that he will have to forget me. Because it was my idea after my trouble that nobody should know, that the message should go back home that I was dead. And for all this time I am the dead man.

I have my own place to go back to. Frank will take me there when this is over. And now that my brother leave me for good I forget his face already, and I only seeing the rain and the house and the mud, the field at the back with the pará-grass bending down with the rain, the donkey and the smoke from the kitchen, my father in the gallery and my brother in the room on the floor, and that boy opening his mouth to scream, like in
Rope
.

I
N THIS COUNTRY
in Africa there was a president and there was also a king. They belonged to different tribes. The enmity of the tribes was old, and with independence their anxieties about one another became acute. The king and the president intrigued with the local representatives of white governments. The white men who were appealed to liked the king personally. But the president was stronger; the new army was wholly his, of his tribe; and the white men decided that the president was to be supported. So that at last, this weekend, the president was able to send his army against the king’s people.

The territory of the king’s people lay to the south and was still known by its colonial name of the Southern Collectorate. It was there that Bobby worked, as an administrative officer in one of the departments of the central government. But during this week of crisis he had been in the capital, four hundred miles away, attending a seminar on community development; and in the capital there was no sign of war or crisis. The seminar had more English participants than African; the Africans were well-dressed and dignified, with little to say; and the seminar ended on Sunday with a buffet lunch in a half-acre garden in what was still an English suburb.

It was like another Sunday in the capital, which, in spite of the white exodus to South Africa and in spite of deportations, remained
an English-Indian creation in the African wilderness. It owed nothing to African skill; it required none. Not far from the capital were bush villages, half-day excursions for tourists. But in the capital Africa showed only in the semi-tropical suburban gardens, in the tourist-shop displays of carvings and leather goods and souvenir drums and spears, and in the awkward liveried boys in the new tourist hotels, where the white or Israeli supervisors were never far away. Africa here was décor. Glamour for the white visitor and expatriate; glamour too for the African, the man flushed out from the bush, to whom, in the city, with independence, civilization appeared to have been granted complete. It was still a colonial city, with a colonial glamour. Everyone in it was far from home.

*

In the bar of the New Shropshire, once white, now the capital’s interracial pick-up spot, with a reputation for racial ‘incidents’, the white men wore open shirts and drank beer. The Africans drank shorter, prettier drinks with cocktail sticks and wore English-made Daks suits. Their hair was parted low on the left and piled up on the right, in the style known to city Africans as the English style.

The Africans were young, in their twenties, and plump. They could read and write, and were high civil servants, politicians or the relations of politicians, non-executive directors and managing directors of recently opened branches of big international corporations. They were the new men of the country and they saw themselves as men of power. They hadn’t paid for the suits they wore; in some cases they had had the drapers deported. They came to the New Shropshire to be seen and noted by white people, however transient; to be courted; to make trouble. There were no Asiatics in the bar: the liberations it offered were only for black and white.

Bobby was wearing a saffron cotton shirt of a type that had begun to be known as a ‘native shirt’. It was like a smock, with
short, wide sleeves and a low open neck; the fabric, with its bold ‘native’ pattern in black and red, was designed and woven in Holland.

The small young African at Bobby’s table was not a native. He was, as he had quickly let Bobby know, a Zulu, a refugee from South Africa. He was in light-blue trousers and a plain white shirt, and he was further distinguished from the other Africans in the bar by his cloth cap, of a plaid pattern, with which, as he slumped low in his chair, he continually played, now putting it on and pulling it over his eyes, now using it as a fan, now holding it against his chest and kneading it with his small hands, as though performing an isometric exercise.

Conversation with the Zulu wasn’t easy. There too he was fidgety. The king and the president, sabotage in South Africa, seminars, tourists, the natives: he hopped from subject to subject, never committing himself, never relating one thing to another. And the cloth cap was like part of his elusiveness. The cap made the Zulu appear now as a dandy, now as an exploited labourer from the South African mines, now as an American minstrel, and sometimes even as the revolutionary he had told Bobby he was.

They had been together for more than an hour. It was nearly half-past ten; it was getting late for Bobby. Then, after a silence, during which they had both been looking at the rest of the bar, the Zulu said, ‘In this town there are even white whores now.’

Bobby, looking at his beer, sipping his beer, not hurrying himself, refusing to meet the Zulu’s eyes, was glad that the talk had at last touched sex.

‘It isn’t nice,’ the Zulu said.

‘What isn’t nice?’

‘Look.’ The Zulu sat up, his cap on his head, and put his hand to his hip pocket, thrusting forward his small but well-developed chest as he did so, tight within the white shirt. He took out a wallet and flipped his thumb through many new banknotes. ‘I could
go now to places where this would make me welcome. I don’t think it is nice.’

Bobby thought: this boy is a whore. Bobby was nervous of African whores in hotel bars. But he prepared to bargain. He said, ‘You are a brave man. Going about with all that cash. I never carry more than sixty or eighty shillings on me.’

‘You need two hundred to do anything in this town.’

‘A hundred at the outside is enough for me.’

‘Enjoy it.’

Bobby looked up and held the Zulu’s gaze. The Zulu didn’t flinch. It was Bobby who looked away.

Bobby said, ‘You South Africans are all arrogant.’

‘We are not like your natives here. These people are the most ignorant people in the world. Look at them.’

Bobby looked at the Zulu. So small for a Zulu. ‘You must be careful what you say. They might deport you.’

The Zulu fanned himself with his cap and turned away. ‘Why do these white people want to be with the natives? A couple of years ago the natives couldn’t even come in here. Now look. It isn’t nice. I don’t think it is nice.’

‘It must be different in South Africa,’ Bobby said.

‘What do you want to hear, mister? Listen, I’ll tell you. I did pretty well in South Africa. I bought my whisky. I had my women. You’d be surprised.’

‘I can see that many people would find you attractive.’

‘I’ll tell you.’ The Zulu’s voice dropped. His tone became conspiratorial as he began to give the names of South African politicians with whose wives and daughters he had slept.

Bobby, looking at the Zulu’s tense little face, the eyes that held such hurt, felt compassion and excitement. It was the African thrill: Bobby forgot his nervousness.

‘South Africans,’ the Zulu said, raising his voice again. ‘Over here they never leave you alone. They always look for you. “You from South Africa?” I’m tired of being accosted by them.’

‘I don’t blame them.’

‘I thought you were South African when you came in.’

‘Me!’

‘They always sit with me. They always want to start a conversation.’

‘What a nice cap.’

Bobby leaned to touch the plaid cap, and for a while they held the cap together, Bobby fingering the material, the Zulu allowing the cap to be fingered.

Bobby said, ‘Do you like my new shirt?’

‘I wouldn’t be seen dead in one of those native shirts.’

‘It’s the colour. We can’t wear the lovely colours you can wear.’

The Zulu’s eyes hardened. Bobby’s fingers edged along the cap until they were next to the Zulu’s. Then he looked down at the fingers, pink beside black.

‘When I born again –’ Bobby stopped. He had begun to talk pidgin; that wouldn’t do with the Zulu. He looked up. ‘If I come into the world again I want to come with your colour.’ His voice was low. On the plaid cap his fingers moved until they were over one of the Zulu’s.

The Zulu didn’t stir. His face, when he lifted it to Bobby’s, was without expression. Bobby’s blue eyes went moist and seemed to stare; his thin lips trembled and seemed set in a half-smile. There was silence between the two men. Then, without moving his hand or changing his expression, the Zulu spat in Bobby’s face.

For a second or so Bobby’s fingers remained on the Zulu’s. Then he took his hand away, found his handkerchief, dabbed at his face; and when he put away the handkerchief his eyes were still staring at the Zulu, his lips still seemed set in their half-smile. The Zulu never moved.

The bar had seen. Blacks stared, whites looked away. Conversation faltered, then recovered.

Bobby got up. The Zulu continued to stare, into space now, never changing the level of his gaze. Deliberately, Bobby moved
his chair back. Then, plump and sacrificial-looking in his loose, dancing native shirt, not looking down, left arm at his side, right arm jerking from the elbow, he walked with a fixed smile towards the door.

The Zulu sank lower in his armchair. He put on his cap and took it off; he pressed his chin into his neck, opened his mouth, closed his mouth. His face had been taut and expressionless; now it had the calm of a child. This was what remained of his revolution: these visits to the New Shropshire, this fishing for white men. In the capital the Zulu was a solitary, without employment, living on a small dole from an American foundation. In this part of Africa the Americans – or simply Americans – supported everything.

The liveried barboy, remembering his duties, ran after Bobby with the bill. He stopped Bobby in the doorway, beside the large native drum, part of the new decorations of the New Shropshire. Bobby, at first not hearing, then relieved that it was only the boy, overacted confusion. Feeling below the yellow native shirt for his wallet, in the hip pocket of his soft light-grey flannel trousers, he smiled, as at a private joke, without looking at the boy’s face. He gave the boy a twenty-shilling note. Then, absurd chivalry overcoming him, he gave the boy another note, to pay for the Zulu’s drinks as well; and he didn’t wait for change.

*

In the lobby there was the new official photograph of the president. It had appeared in the city only that weekend. In the old photographs the president wore a headdress of the king’s tribe, a gift of the king at the time of independence, a symbol of the unity of the tribes. The new photograph showed the president without the headdress, in jacket, shirt and tie, with his hair done in the English style. The bloated cheeks shone in the studio lights; the hard opaque eyes looked directly at the camera. Africans were said to attribute a magical power to the president’s eyes; and the eyes seemed to know their reputation.