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Authors: George Prochnik

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What brought me to the New Melleray Abbey in Dubuque, Iowa, was the desire to learn from people who had made a lifelong commitment to devout silence. Trappist monks, a branch of the Cistercian order, do not make a vow of total silence, and today there are times when they engage in conversation; but silence is their mother tongue. Saint Benedict, who is credited with founding Western Christian monasticism in the sixth century, most famously at Monte Cassino, southeast of Rome, wrote a document known as the Rule that remains their guide to this day. In the Rule, monks are defined before all else as disciples, and the defining quality of the disciple is
“to be silent and listen.”
Trappists are among the monks known as “contemplatives.” Their interaction with the world outside the monastery is minimal. Much of their worship is silent. They study in silence. They work almost entirely in silence. They eat primarily in silence. They pass each other in the monastery corridors without speaking. They retire at 8
PM
to separate cells and rise at 3:15
AM
, when they gather in silence to pray. They avoid idle talk at all times. And even after the morning mass, throughout much of their demanding day, they are discouraged from speaking. Almost everything the Trappist does takes place in silence—is pressed close by its weight, or opens out onto that expanse, depending on how you look at it.

Monks have, moreover, been at the pursuit for quite some
time. Alberic remarked at one point that while it is often said that prostitution is the oldest profession, he believes that monks were around before there were prostitutes. This struck me as unlikely, but it still gave me pause.

There was a personal stake in this journey as well: I needed a break. I’d had a hectic, noisy winter in the city—medically harrowing, filled with bills, the hassles of insurance claims, technology fiascos, and preschool worries. Plans to visit friends in the country had fallen through several times. I’d tried to go to a Zen retreat in New England that taught the breath-and silence-based meditation practice of vipassana, only to be told at the last moment that although I could come and sit silently with the retreatants, the guesthouse itself was overbooked and I’d have to stay in a bed-and-breakfast in town. The thought of beginning my daily practice over fussy French toast in a dining room packed with antiquers—where tasteful classical music would be piped in to glaze over the gaps in conversation—didn’t conduce to inner quiet. I had to get out of New York. Yet it was hard to arrange anything. Just because we have a nagging sense that silence is good for us doesn’t make it any easier to actually commit to.

I didn’t think of quiet only as one of those overdue restoratives. Beyond the idea of wanting to learn something about the Trappist path and get away from the noise in my own life, I was hoping to find some truth in the silence of the monastery that I could take back to New York. I’d packed a stack of books and volumes of photocopied pages representing different theological and philosophical traditions—everything from Martin Heidegger and Max Picard to kabbalistic disquisitions, an array
of Buddhist tracts, and enough Christian monastic literature to envelop a monk from tonsure to toe. I needed help.

THE DESERT

From the air, the Great Plains in winter look like silence. During Advent week, when I made my trip to the monastery, the freeze of the landscape was so extreme that I couldn’t imagine anything down below ever vibrating. On the approach to Dubuque, the snow-covered squares of the farms resembled bathroom tiles painted over with primer that had bubbled and cracked. As we descended, the topographical buckling intensified; clumps of frayed brown trees bristled up through the white; little snow-crusted settlements traced ghostly circuit boards. We flew past clusters of red farm buildings with steep, snow-caked roofs. Then we circled 180 degrees, a seam of pale orange-gold suddenly opened across an endless gray horizon, and the plane touched down.

After we exchanged greetings, the first thing Alberic said was that I was in for some particularly ugly weather, even by Iowa standards. His voice was sad.

Alberic is a solidly built man a little above average height, in his early fifties. He wears round, dark-framed glasses over dark, shadowed eyes. His black hair is cropped close to the skull, and whenever he is at home he wears a full-length white robe beneath a long black apron with a pointy hood. Alberic
“entered the monastery to stay
,” as he puts it, in 1984. At the age of twenty-six, he was working as a security guard at the Metropolitan Museum of Art in New York City, spending his free time painting and
living a kind of bare-bones bohemian existence. Though he’d grown up with some degree of wealth, mostly in the suburbs of Atlanta, he had never liked “stuff” and had always sought out a life of austerity. Raised a Catholic, and always seeking silence—his mother called him “the little Buddha”—Alberic had given up active involvement in the church long before moving to New York. After several years of work at the museum, mostly on the night watch, he began to sink into a spiritual malaise. Then he learned that his sister was dying of cancer. Three weeks after her death, he was diagnosed with the same disease. “That was my wake-up call, and the beginning of my monastic formation,” Alberic told me. “It took the cancer for me to look in the mirror and ask myself, ‘What am I doing here?’”

For the first year after his diagnosis, he struggled with fear. Then, as his odds for survival began to improve, he started a gradual return to the church that brought him, eventually, to visit a monastery near Atlanta. He got lost on the way and arrived at night, just before compline. The church, when he entered, was quiet and dark. Then the monks walked in, their white cowls falling all the way to the floor. “I was transfixed,” Alberic said. “I saw the truth about myself. I saw my monastic soul externalized. There was no sound, just the vague rustling of robes as they came in one or two at a time, to kneel or stand in their stall. All my life I’d met priests who tried to evangelize, but nothing came close to that moment. I had a sense of God walking right up to me.” The experience, he said, “hijacked my life. I realized I’d always been a monk, and now I was home.”

“Monks live in the desert,” Alberic told me, after we’d driven back to the monastery and had a chance to sit down together. “These giant, snow-covered fields are the desert. It’s where monks have always been drawn. We come for a radical confrontation with ourselves. Silence is for bumping into yourself. That’s why monks pursue it. And that’s also why people can’t get into a car without turning the radio on, or walk into a room without switching on a television. They seek to avoid that confrontation. I think this may be one reason for the incredible violence of that final surge during the Gulf War.” I stared at him in surprise. He lowered his eyes. “You remember there were those long, long delays before the last invasion, with waves of troops going over there and just sitting in the desert, week after week. The soldiers just sat and waited in more silence than many of them had ever experienced. And then, all of a sudden there was that huge, violent surge—the Highway of Death. Americans don’t sit in a quiet, solitary place and flourish. They were starting to have a monastic experience. And that doesn’t jibe well with the military’s goals.”

Explaining the carnage on Highway 80 en route to Basra was, at the least, a provocative claim for the transformative power of even short-term exposure to monastic silence. But Alberic is clearly not alone in his belief that a taste of monk’s life can wreak meaningful changes on a person’s mind and spirit. Like many other monasteries around the world, New Melleray Abbey has something close to an all-time low in terms of permanent resident members—and a constantly overspilling guesthouse. Brother Neal, the monk in charge of bookkeeping at New Melleray, told me that whereas even five or six years ago if someone
contacted the abbey during the workweek saying that they wanted to make a retreat or just visit for a night or two there was always room, now it is often booked solid long in advance. “There’s much more hunger,” he said. “People just looking for quiet.”

There are now silent retreats offered in the name of almost every belief system, and
at least one interfaith
silent retreat, in Virginia, in which a swami, a Catholic priest, a rabbi, and a sheikh work together to guide retreatants, as the description reads, to “their own unique experience of inner peace, joy and spiritual unity at the heart of all the faiths.” Spas are increasingly promoted as a retreat from the overstimulation of everyday life, as much as for their treatments and aesthetic services. (“Our philosophy … is simple,” begins one advertisement.
“Soothe the spirit
and beauty will follow. We intend to be a quiet refuge.”) The same longing for respite is driving people into the jungles of Thailand to visit Buddhist monasteries, sometimes for months at a time. The numbers of ten-day silent vipassana retreats offered in Southern California are multiplying, and there has been a recent surge in shorter “McRetreats” for teenagers—along with meditation classes for children as young as eight years old.
Gene Lushtak and
some of his fellow silent-meditation guides
in the Bay Area
are now being enlisted by the public school systems to provide sessions in “mindfulness and concentration,” a stealth way of introducing silent meditation in the classroom. “Teachers are scared,” Lushtak told me. “They can’t get the kids to settle down, and silent meditation is one of the only things that helps.”

At one point, Lushtak put me in touch with a woman named Kris, whom he described as having great insights into silence—someone who had spent considerable time living as a monastic
and many years practicing silent meditation.
When I called her
, Kris spoke to me of how the hunger for silence is “hunger for the thing that silence facilitates or acts as a catalyst of,” rather than for the silence itself. “Silence,” she continued, “is one experience of getting in touch with that which is. The practitioners and teachers I know who have practiced for many years can walk into a room full of chaos and be as kind and gathered as though they’re with a baby, or a lizard.” I asked her whether her own experiences with silence had drawn her to devote more and more of her daily life to meditative practices. “You’re speaking to me through a speakerphone,” she snapped. “I’m a corporate lawyer sitting on the twenty-ninth floor of a downtown skyscraper! But even if I’m not spending as much time with it as when I was wearing little robes in Burma, it’s still a key part of my life.”

IDENTIFYING WITH SILENCE

When I retired to my plain but pleasant room in the guesthouse of New Melleray, I picked up a few volumes from the mini-library I’d brought with me and sat down in a chair by the window overlooking the courtyard, where a modest stone fountain and a few sprays of black branches thrust up through deep white snow. The room was completely quiet, except for a bar radiator by my feet that made a constant
crickly-crackling
, as though a microphone were being held up to a bowl of Rice Krispies.

When I had told friends that I was going to spend a little time in a Trappist monastery in Iowa, they responded with professions of envy. “You’re so lucky! The peace, and
quiet
…,” they
sighed. Yet the hope of finding a walled-off spa of rest and relaxation was not what drove people to visit monasteries in the past. In earlier ages, when people sought out the ascetic monks they did so to be enlightened as to why we live and die. Just as Benedict thought of the monk as a disciple commanded, above all, to be silent and listen, worldly sorts have always sought out those who cut themselves off from the rest of humanity to hear what they had to say. There is an abiding popular sympathy with the notion expressed by contemplative monks to a synod of bishops after Vatican II, that the monk withdraws from the world not to indulge a lust for ascetic martyrdom but rather
“to place himself more intensely
at the divine source from which the forces that drive the world onward originate, and to understand in this light the great designs of mankind.”

BOOK: In Pursuit of Silence
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