In Search of Lost Time, Volume IV (6 page)

BOOK: In Search of Lost Time, Volume IV
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At all events, on the day in question, before paying my call on the Duchess, I did not look so far ahead, and I was distressed to find that, by my engrossment in the Jupien-Charlus conjunction, I had missed perhaps an opportunity of witnessing the fertilisation of the blossom by the bumble-bee.

PART TWO

Chapter One

A
s I was in no hurry to arrive at the Guermantes reception to which I wasn’t certain I had been invited, I hung about outside; but the summer day seemed to be in no greater haste to stir. Although it was after nine o’clock, it was still the daylight that was giving the Luxor obelisk on the Place de la Concorde the appearance of pink nougat. Then it diluted the tint and changed the surface to a metallic substance, so that the obelisk not only became more precious but seemed more slender and almost flexible. One felt that one might have been able to twist this jewel, that one had perhaps already slightly bent it. The moon was now in the sky like a segment of an orange delicately peeled although nibbled at. But a few hours later it was to be fashioned of the most enduring gold. Nestling alone behind it, a poor little star was to serve as sole companion to the lonely moon, while the latter, keeping its friend protected but striding ahead more boldly, would brandish like an irresistible weapon, like an oriental symbol, its broad, magnificent golden crescent.

Outside the mansion of the Princesse de Guermantes I ran into the Duc de Châtellerault. I no longer remembered that half an hour earlier I had still been tormented by the fear—which in fact was soon to grip me again—that I might be entering the house uninvited. We get anxious, and it is sometimes long after the hour of danger, which a subsequent distraction has made us forget, that we remember our anxiety. I greeted the young Duke and made my way into the house. But here I must first of all record a trifling incident, which will enable us to understand something that was presently to occur.

There was one person who, on that evening as on the previous evenings, had been thinking a great deal about the Duc de Châtellerault, without however suspecting who he was: this was the Princesse de Guermantes’s usher (styled at that time the “barker”). M. de Châtellerault, so far from being one of the Princess’s intimate friends, although he was one of her cousins, had been invited to her house for the first time. His parents, who had not been on speaking terms with her for ten years, had made it up with her within the last fortnight, and, obliged to be out of Paris that evening, had requested their son to represent them. Now, a few days earlier, the Princess’s usher had met in the Champs-Elysées a young man whom he had found charming but whose identity he had been unable to establish. Not that the young man had not shown himself as obliging as he had been generous. All the favours that the usher had supposed that he would have to bestow upon so young a gentleman, he had on the contrary received. But M. de Châtellerault was as cowardly as he was rash; he was all the more determined not to unveil his incognito since he did not know with whom he was dealing; his fear would have been far greater, although illfounded, if he had known. He had confined himself to posing as an Englishman, and to all the passionate questions with which he was plied by the usher, desirous to meet again a person to whom he was indebted for so much pleasure and largesse, the Duke had merely replied, from one end of the Avenue Gabriel to the other: “I do not speak French.”

Although, in spite of everything—remembering his cousin Gilbert’s maternal ancestry—the Duc de Guermantes affected to find a touch of Courvoisier in the drawing-room of the Princesse de Guermantes-Bavière, the general estimate of that lady’s social initiative and intellectual superiority was based upon an innovation that was to be found nowhere else in these circles. After dinner, however important the party that was to follow, the chairs at the Princesse de Guermantes’s were arranged in such a way as to form little groups whose backs were necessarily sometimes turned on one another. The Princess then displayed her social sense by going to sit down, as though by preference, in one of these. She did not however hesitate to pick out and draw into it a member of another group. If, for instance, she had remarked to M. Detaille, who had naturally agreed with her, on the beauty of Mme de Villemur’s neck, of which that lady’s position in another group made her present a back view, the Princess had no hesitation in raising her voice: “Madame de Villemur, M. Detaille, wonderful painter that he is, has just been admiring your neck.” Mme de Villemur interpreted this as a direct invitation to join in the conversation; with the agility of a practised horsewoman, she would swivel round slowly in her chair through three quadrants of a circle, and, without in any way disturbing her neighbours, come to rest almost facing the Princess. “You don’t know M. Detaille?” exclaimed their hostess, for whom her guest’s skilful and discreet about-face was not enough. “I don’t know him, but I know his work,” Mme de Villemur would reply with a respectful and winning air and an aptness which many of the onlookers envied her, addressing the while an imperceptible bow to the celebrated painter whom this invocation had not been sufficient to introduce to her in a formal manner. “Come, Monsieur Detaille,” said the Princess, “let me introduce you to Mme de Villemur.” That lady thereupon showed as much ingenuity in making room for the creator of the
Dream
as she had shown a moment earlier in wheeling round to face him. And the Princess would draw forward a chair for herself, having in fact addressed Mme de Villemur only in order to have an excuse for leaving the first group, in which she had spent the statutory ten minutes, and bestow a similar allowance of her time upon the second. In three quarters of an hour, all the groups would have received a visit from her, which seemed to have been determined in each instance by impulse and predilection, but had the paramount object of making it apparent how naturally “a great lady knows how to entertain.” But now the guests for the reception were beginning to arrive and the lady of the house was seated not far from the door—erect and proud in her quasi-regal majesty, her eyes ablaze with their own incandescence—between two unattractive highnesses and the Spanish Ambassadress.

I stood waiting behind a number of guests who had arrived before me. Facing me was the Princess, whose beauty is probably not the only thing, among so many other beauties, that reminds me of this party. But the face of my hostess was so perfect, stamped like so beautiful a medal, that it has retained a commemorative virtue in my mind. The Princess was in the habit of saying to her guests when she met them a day or two before one of her parties: “You will come, won’t you?” as though she felt a great desire to talk to them. But since, on the contrary, she had nothing to talk to them about, when they entered her presence she contented herself, without rising, with breaking off for an instant her vapid conversation with the two highnesses and the Ambassadress and thanking them with: “How good of you to have come,” not because she thought that the guest had shown goodness by coming, but to enhance her own; then, at once dropping him back into the stream, she would add: “You will find M. de Guermantes by the garden door,” so that the guest proceeded on his way and ceased to bother her. To some indeed she said nothing, contenting herself with showing them her admirable onyx eyes, as though they had come solely to visit an exhibition of precious stones.

The person immediately in front of me was the Duc de Châtellerault.

Having to respond to all the smiles, all the greetings waved to him from inside the drawing-room, he had not noticed the usher. But from the first moment the usher had recognised him. In another instant he would know the identity of this stranger, which he had so ardently desired to learn. When he asked his “Englishman” of the other evening what name he was to announce, the usher was not merely stirred, he considered that he was being indiscreet, indelicate. He felt that he was about to reveal to the whole world (which would, however, suspect nothing) a secret which it was criminal of him to ferret out like this and to proclaim in public. Upon hearing the guest’s reply: “Le Duc de Châtellerault,” he was overcome with such pride that he remained for a moment speechless. The Duke looked at him, recognised him, saw himself ruined, while the servant, who had recovered his composure and was sufficiently versed in heraldry to complete for himself an appellation that was too modest, roared with a professional vehemence softened with intimate tenderness: “Son Altesse Monseigneur le Duc de Châtellerault!” But now it was my turn to be announced. Absorbed in contemplation of my hostess, who had not yet seen me, I had not thought of the function—terrible to me, although not in the same sense as to M. de Châtellerault—of this usher garbed in black like an executioner, surrounded by a group of lackeys in the most cheerful livery, strapping fellows ready to seize hold of an intruder and fling him out. The usher asked me my name, and I gave it to him as mechanically as the condemned man allows himself to be strapped to the block. At once he lifted his head majestically and, before I could beg him to announce me in a lowered tone so as to spare my own feelings if I were not invited and those of the Princesse de Guermantes if I were, roared the disquieting syllables with a force capable of bringing down the roof.

The famous Huxley (whose grandson occupies a leading position in the English literary world of today) relates that one of his patients no longer dared go out socially because often, on the very chair that was offered to her with a courteous gesture, she saw an old gentleman already seated. She was quite certain that either the gesture of invitation or the old gentleman’s presence was a hallucination, for no one would have offered her a chair that was already occupied. And when Huxley, to cure her, forced her to reappear in society, she had a moment of painful hesitation wondering whether the friendly sign that was being made to her was the real thing, or whether, in obedience to a non-existent vision, she was about to sit down in public upon the knees of a gentleman of flesh and blood. Her brief uncertainty was agonising. Less so perhaps than mine. From the moment I had taken in the sound of my name, like the rumble that warns us of a possible cataclysm, I was obliged, in order at least to plead my good faith, and as though I were not tormented by any doubts, to advance towards the Princess with a resolute air.

She caught sight of me when I was still a few feet away and (leaving me in no further doubt that I had been the victim of a plot), instead of remaining seated, as she had done for her other guests, rose and came towards me. A moment later, I was able to heave the sigh of relief of Huxley’s patient when, having made up her mind to sit down in the chair, she found it vacant and realised that it was the old gentleman who was the hallucination. The Princess had just held out her hand to me with a smile. She remained standing for some moments with the kind of charm enshrined in the verse of Malherbe which ends:

To do them honour all the angels rise.

She apologised because the Duchess had not yet arrived, as though I must be bored there without her. In offering me this greeting, she executed around me, holding me by the hand, a graceful pirouette, by the whirl of which I felt myself swept away. I almost expected her to offer me next, like the leader of a cotillon, an ivory-headed cane or a wrist-watch. She did not, however, give me anything of the sort, and as though, instead of dancing the boston, she had been listening to a sacrosanct Beethoven quartet the sublime strains of which she was afraid of interrupting, she cut short the conversation there and then, or rather did not begin it, and, still radiant at having seen me come in, merely informed me where the Prince was to be found.

I moved away from her and did not venture to approach her again, feeling that she had absolutely nothing to say to me and that, in her immense good will, this marvellously handsome and stately woman, noble as were so many great ladies who stepped so proudly on to the scaffold, could only, short of offering me a draught of honeydew, repeat what she had already said to me twice: “You will find the Prince in the garden.” Now, to go in search of the Prince was to feel my doubts revive in a different form.

In any case I should have to find somebody to introduce me. Above all the din of conversation was to be heard the inexhaustible chattering of M. de Charlus, talking to H.E. the Duke of Sidonia, whose acquaintance he had just made. Members of the same profession recognise each other instinctively; so do those with the same vice. M. de Charlus and M. de Sidonia had each of them immediately detected the other’s, which was in both cases that of being monologuists in society, to the extent of not being able to stand any interruption. Having decided at once that, in the words of a famous sonnet, there was “no help,” they had made up their minds, not to remain silent, but each to go on talking without any regard to what the other might say. This had resulted in the sort of confused babble produced in Molière’s comedies by a number of people saying different things simultaneously. The Baron, with his deafening voice, was moreover certain of keeping the upper hand, of drowning the feeble voice of M. de Sidonia—without however discouraging him, for, whenever M. de Charlus paused for a moment to draw breath, the gap was filled by the murmuring of the Spanish grandee who had imperturbably continued his discourse. I might well have asked M. de Charlus to introduce me to the Prince de Guermantes, but I feared (and with good reason) that he might be displeased with me. I had treated him in the most ungrateful fashion by letting his offers pass unheeded for the second time and by giving him no sign of life since the evening when he had so affectionately escorted me home. And yet I could not plead the excuse of having anticipated the scene which I had witnessed that very afternoon enacted by himself and Jupien. I suspected nothing of the sort. It is true that shortly before this, when my parents reproached me for my laziness and for not having taken the trouble to write a line to M. de Charlus, I had accused them of wanting me to accept a degrading proposal. But anger alone, and the desire to hit upon the expression that would be most offensive to them, had dictated this mendacious retort. In reality, I had imagined nothing sensual, nothing sentimental even, underlying the Baron’s offers. I had said this to my parents out of pure fantasy. But sometimes the future is latent in us without our knowing it, and our supposedly lying words foreshadow an imminent reality.

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