Authors: David Foster Wallace
But from age like eighteen to twenty-three, Gately and the prenominate Gene Fackelmann—a
towering, slope-shouldered, wide-hipped, prematurely potbellied, oddly priapistic,
and congenitally high-strung Dilaudid addict with a walrusy mustache that seemed to
have a nervous life of its own—these two served as like Whitey Sorkin’s operatives
in the field, taking bets and phoning them in to Saugus, delivering winnings, and
collecting debts. It was never clear to Gately why Whitey Sorkin was called Whitey,
because he spent a huge amount of time under ultraviolet lamps as part of an esoteric
cluster-headache-treatment regimen and so was the constant shiny color of a sort of
like dark soap, with almost the same color and coin-of-the-realm classic profile as
the cheery young Pakistani M.D. who’d told Gately at Our Lady of Solace Hospital in
Beverly how Teddibly Soddy he was that Mrs. G.’s cirrhosis and cirrhotic stroke had
left her at roughly the neurologic level of a Brussels sprout and then given him public-transportation
directions to the Point Shirley L.T.I.
Eugene (‘Fax’) Fackelmann, who’d dropped out of the Lynn MA educational system at
like ten, had met Whitey Sorkin through the same eczematic, gamble-happy pharmacist’s
assistant Gately had first met Sorkin through. Gately was now no longer called Bimmy
or Doshka. He was Don now, nicknameless. Sometimes Donny. Sorkin referred to Gately
and Fackelmann as his Twin Towers. They were more or less Sorkin’s paid muscle. Except
not in any sort of way important crime figures’ paid muscle is portrayed in popular
entertainment. They didn’t stand impassively flanking Sorkin at crime-figure meetings
or light his cigar or call him ‘Boss’ or anything. They weren’t his bodyguards. In
fact they weren’t physically around him that much; they usually dealt with Sorkin
and his Saugus office and secretary via beepers and cellular phones.
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And while they did collect debts for Sorkin, including bad debts (especially Gately),
it’s not like Gately went around breaking debtors’ kneecaps. Even the threat of coercive
violence was pretty rare. Partly, Gately and Fackelmann’s sheer size was enough to
keep delinquencies from getting out of hand. And partly it was that everybody involved
usually knew each other—Sorkin, his bettors and debtors, Gately and Fackelmann, other
drug addicts (who sometimes bet, or more often dealt with Gately and Fackelmann for
guys that did), even the North Shore Finest’s Vice guys, many of whom also sometimes
bet with Sorkin because he gave the Finest special civil-servant reductions on vigorish.
It was all like this community. Usually Gately’s job on bad debts or delinquent vig
was to go around to the debtor at whatever bar the guy watched satellite sports at
and just inform him that the debt was threatening to get out of hand—making the debt
itself seem like the delinquent party—and that Whitey was concerned about it, and
work out some arrangement or payment-plan with the guy. Then the young Gately’d go
into the bar’s head and cell-phone Sorkin and get his OK on whatever arrangement they’d
worked out. Gately was laid-back and affable and never had a hard word for anybody,
hardly. Nor did Whitey Sorkin: a lot of his bettors were old and steady customers,
and lines of credit went with the territory. Most of the rare debt-trouble that called
for size and coercion involved guys with a gambling problem, kind of pathetic furtive
guys addicted to the rush of the bet, who got themselves in a hole and then tried
suicidally to bet their way out of the hole, and who’d bet with several bookies at
once, and who’d lie and agree to payment-arrangements they had no intention of sticking
to, suicidally betting they could keep all their debts in the air until they could
square themselves with the major long-shot score they were always sure was around
the corner. These types were painful, because usually Gately knew the debtors and
they’d exploit his knowing them and beg and weep and tug at both Gately’s and Whitey
Sorkin’s heartstrings with tales of loved ones and wasting illnesses. They’d sit there
and look into Gately’s eyes and lie and believe their own lies, and Gately would have
to call in the debtors’ lies and sob-stories and get Sorkin’s explicit decision on
if to believe them and what to do. These types were Gately’s first exposure to the
concept of real addiction and what it can turn someone into; he hadn’t yet connected
the concept to drugs really, except coke-heads and hardcore needle-jockeys, who at
that point all seemed to him just as furtive and pathetic as the gambling-addicts,
in their own way. These sob-story-, one-more-chance-types were also the types that
put Whitey Sorkin through hell in terms of emotionally, causing Whitey cluster headaches
and terrible cranio-facial neuralgia, and at a certain point Sorkin used to start
adding (to the delinquent skeet, the vig, and the interest) extra charges for his
own required intake of Cafergot
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spansules and UV light and visits to Enfield MA’s National Cranio-Facial Pain Foundation.
The use of Gately and Fackelmann’s rump-roast-sized fists in actual hands-on coercion
got called for only when a compulsive debtor’s lies and hole got serious enough that
Sorkin became willing to forgo the guy’s patronage in the future. At this sort of
point, Whitey Sorkin’s business-objective became to somehow induce the addicted debtor
to cover his debts to Sorkin before the debtor covered his debts to any of the other
books he was into, which meant for Sorkin that he had to vividly demonstrate to the
debtor that Sorkin’s was the least pleasant hole to be in and the most important one
to get out of. Enter the Twin Towers. The violence was to be tightly controlled and
gradually progressive in like stages. The first round of incentivizing hose-work—a
light beating, maybe a broken digit or two—usually fell to Gene Fackelmann, not only
because he was the naturally crueler of the Twin Towers and rather liked putting a
digit in a car door, but also because he had a controlled restraint Gately lacked:
Sorkin found that once Gately got started in physically on somebody it was like something
ferocious and uncontrolled on a slope inside the big kid got dislodged and started
to roll on its own, and sometimes Gately wouldn’t be able to stop himself before the
debtor was reduced to a condition where he wasn’t even going to be able to raise his
head, much less funds, at which point not only did Sorkin have to write off the debt
but the big kid Donny’d get so guilty and remorseful he’d triple his drug-intake and
be no use to fucking nobody for a week. Sorkin learned how to use his Towers to maximize
their strengths. Fackelmann got the first-round light work for coercive collections,
but Gately was better than Fax at negotiating arrangements with guys so it never had
to come to violence. And there were certain harder cases, cases that laid Sorkin out
in bed with cranio-facial stress for days at a time because they were hard-case addicts
that were either so far gone or so deep in so many holes that Fackelmann’s light cruelty
didn’t resolve the situation. At an extreme point with some of these cases Sorkin
got to a point where he was willing to forgo not only the debtor’s future patronage
but also the remittance due; at a certain point the goal was to minimize future
other
hard cases by making it clear that W. Sorkin was one book you couldn’t just flagrantly
stay in the hole with and lie to for month after month without having your map seriously
fucking reconfigured. Here again, in this-type case Gately’s internal out-of-control
slope of ferocity was superior to Fackelmann’s easy but ultimately shallow sadism.
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W. Sorkin, like most psychosomatic-level neurotics, was spiteful to his enemies and
overgenerous to his friends. Gately and Fackelmann each received 5% vig on the 10%
vigorish Sorkin took on every bet, and Sorkin made over $200,000 worth of book all
over the North Shore on a week’s pro ball alone, which for most diplomaless young
Americans 1,000+ per pre-millennial week would have been a very handsome living, but
for the Twin Towers’ rigid physical scheduling of narcotics needs was not even 60%
enough, weekly. Gately and Fackelmann moonlighted, and for a while separately—Fackelmann’s
sideline with I.D.s and creative personal checking, Gately working freelance Security
for large card games and small drug-deliveries—but even before they were a real crew
they copped as a unit, as in together, plus once in a moon with poor old V. Nucci,
for whom Gately also occasionally held the rope on late-night Osco-and-Rite-Aid-skylight
missions, his entree to formal burglary proper. The fact that Gately was devoted to
Percocets and Bam-Bams and Fackelmann to Dilaudid allowed them a high level of trust
with each other’s stashes. Gately would do Blues, which had to be injected, only when
no oral narcs were to be got and he was face to face with early Withdrawal. Gately
feared and despised needles and was terrified of the Virus, which in those days was
laying out needle-jockeys left and right. Fackelmann would cook up for Gately and
tie him off and let Gately watch closely as he took the plastic wrap off a mint-new
syringe and needle-cartridge Fackelmann could get with a fake Medicaid Iletin
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I.D. for diabetes mellitus. The worst thing about Dilaudid for Gately was that the
hydromorphone’s transit across the blood-brain barrier created a terrible five-second
mnemonic hallucination where he was a gargantuan toddler in an XXL Fisher-Price crib
in a sandy field under a storm-cloudy sky that bulged and receded like a big gray
lung. Fackelmann would loosen the belt and stand back and watch Gately’s eyes roll
up as he broke a malarial sweat and stared up at the delusion’s respiritic sky while
his huge hands throttled the air in front him just like a toddler shakes at the bars
of his crib. Then after five or so seconds the Dilaudid would cross over and kick,
and the sky stopped breathing and turned blue. A Dilaudid nod made Gately mute and
sodden for three hours.
Besides the maddening itch behind the eyes, Fackelmann didn’t like oral narcotics
because he said they gave him terrible sugar-cravings that his huge soft slumped weight
wouldn’t tolerate indulging. Not exactly the swiftest ship in Her Majesty’s fleet
in terms of like upstairs, Fackelmann was resistant to Gately’s pointing out that
Dilaudid also gave the Faxman terrible sugar-cravings, as did actually just about
everything. The plain truth was that Fackelmann just really liked Dilaudid.
Then good old Trent Kite got the administrative Shoe from Salem State, who informed
him he’d never study in the industry again, and Gately brought Kite into the crew,
and Kite threw together some old-time QuoVadis for a small crew-warming party, and
Fackelmann introduced Kite to pharmaceutical-grade Dilaudid, and Kite found a new
friend for life, he said; and Kite and Fackelmann swiftly fell into the I.D.-, credit-history-and-furnished-luxury-apartment-scam,
in which by this time Gately involved himself pretty much only as a hobby, preferring
bold nighttime merchandise-promotion to fraud, which fraud tended to involve meeting
the people you stole from, which Gately found slimy and kind of awkward.
Gately lay in the Trauma Ward in terrific infected pain, trying to Abide between cravings
for relief by remembering a blinding white afternoon just after Xmas, when Fackelmann
and Kite were off disposing of some of a furnished apartment’s furnishings and Gately
was killing time in the apartment laminating some false MA drivers licenses rush-ordered
by rich Philips Andover Academy
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kids for what turned out to be the last New Year’s Eve of Unsubsidized Time. He’d
been standing at an ironing board in the by now pretty much unfurnished apartment,
ironing laminates onto the fake licenses, watching good old Boston U. play Clemson
in the Ken-L-Ration-Magnavox-Kemper-Insurance Forsythia Bowl on a cumbersome first-generation
InterLace HDV hanging on the bare wall, the high-def viewer always now the last luxury
furnishing to be fenced. The winter daylight through the penthouse windows was dazzling
and fell across the viewer’s big flat screen and made the players look bleached and
ghostly. Through the windows off in the distance was the Atlantic O., gray and dull
with salt. The B.U. punter was a hometown Boston kid the announcers kept inserting
was a walk-on and an inspirational story that had never played a major sport until
college and now was already one of the finest punt-specialists in N.C.A.A. history,
and had the potential to be a lock for a pretty much limitless pro ball career if
he bore down and kept his eye on the carrot. The B.U. punter was two years younger
than Don Gately. Gately’s big digits could barely fit around the iron’s EZ-grip handle,
and stooping over the ironing board made the small of his back ache, and he hadn’t
eaten anything except deep-fried stuff out of shiny plastic packaging for like a week,
and the stink of the plastic laminates under the iron stunk wicked bad, and his big
square face sagged lower and lower as he stared at the punter’s ghostly digital image
until he found himself starting to cry like a babe. It came out of emotional nowheres
all of a sudden, and he found himself blubbering at the loss of organized ball, his
one gift and other love, his own stupidity and lack of discipline, that blasted cocksucking
Ethan From,
his Mom’s Sir Osis and vegetabilization and his failure after four years ever yet
to visit, feeling suddenly lower than bottom-feeder-shit, standing over hot laminates
and Polaroid squares and little stick-on D.M.V. letters for rich blond male boys,
in the blazing winter light, blubbering amid fraudulent stink and tear-steam. It was
two days later he got pinched for assaulting one bouncer with the unconscious body
of another bouncer, in Danvers MA, and three months after that that he went to Billerica
Minimum.
Entrepôt-bound, twitchy-eyed and checking both sides behind him as he comes, rounding
the curve of Subdormitory B’s hall with his stick and little solid frustum-shaped
stool, Michael Pemulis sees at least eight panels of the drop-ceiling have somehow
fallen out of their aluminum struts and are on the floor—some broken in that incomplete,
hingey way stuff with fabric-content gets broken—including the relevant panel. No
old sneaker is in evidence on the floor as he clears the panels to plant the stool,
his incredibly potent Bentley-Phelps penlight in his teeth, looking up into the darkness
of the struts’ lattice.