It (3 page)

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Authors: Stephen King

BOOK: It
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“You put on your rain-stuff,” Bill said, “or you'll wind up with the fluh-hu like me. Probably catch it anyway, from my juh-germs.”

“Thanks, Bill. It's a neat boat.” And he did something he hadn't
done for a long time, something Bill never forgot: he leaned over and kissed his brother's cheek.

“You'll catch it for sure now, you a-hole,” Bill said, but he seemed cheered up all the same. He smiled at George. “Put all this stuff back, too. Or Mom'll have a b-bird.”

“Sure.” He gathered up the waterproofing equipment and crossed the room, the boat perched precariously on top of the paraffin box, which was sitting askew in the little bowl.

“Juh-Juh-Georgie?”

George turned back to look at his brother.

“Be c-careful.”

“Sure.” His brow creased a little. That was something your Mom said, not your big brother. It was as strange as him giving Bill a kiss. “Sure I will.”

He went out. Bill never saw him again.

3

Now here he was, chasing his boat down the left side of Witcham Street. He was running fast but the water was running faster and his boat was pulling ahead. He heard a deepening roar and saw that fifty yards farther down the hill the water in the gutter was cascading into a stormdrain that was still open. It was a long dark semicircle cut into the curbing, and as George watched, a stripped branch, its bark as dark and glistening as sealskin, shot into the stormdrain's maw. It hung up there for a moment and then slipped down inside. That was where his boat was headed.

“Oh shit and Shinola!” he yelled, dismayed.

He put on speed, and for a moment he thought he would catch the boat. Then one of his feet slipped and he went sprawling, skinning one knee and crying out in pain. From his new pavement-level perspective he watched his boat swing around twice, momentarily caught in another whirlpool, and then disappear.

“Shit and
Shinola!”
he yelled again, and slammed his fist down on the pavement. That hurt too, and he began to cry a little. What a stupid way to lose the boat!

He got up and walked over to the stormdrain. He dropped to his knees and peered in. The water made a dank hollow sound as it fell into the darkness. It was a spooky sound. It reminded him of—

“Huh!” The sound was jerked out of him as if on a string, and he recoiled.

There were yellow eyes in there: the sort of eyes he had always imagined but never actually seen down in the basement.
It's an animal,
he thought incoherently,
that's all it is, some animal, maybe a housecat that got stuck down in there—

Still, he was ready to run—
would
run in a second or two, when his mental switchboard had dealt with the shock those two shiny yellow eyes had given him. He felt the rough surface of the macadam under his fingers, and the thin sheet of cold water flowing around them. He saw himself getting up and backing away, and that was when a voice—a perfectly reasonable and rather pleasant voice—spoke to him from inside the stormdrain.

“Hi, Georgie,” it said.

George blinked and looked again. He could barely credit what he saw; it was like something from a made-up story, or a movie where you know the animals will talk and dance. If he had been ten years older, he would not have believed what he was seeing, but he was not sixteen. He was six.

There was a clown in the stormdrain. The light in there was far from good, but it was good enough so that George Denbrough was sure of what he was seeing. It was a clown, like in the circus or on TV. In fact he looked like a cross between Bozo and Clarabell, who talked by honking his (or was it her?—George was never really sure of the gender) horn on
Howdy Doody
Saturday mornings—Buffalo Bob was just about the only one who could understand Clarabell, and that always cracked George up. The face of the clown in the stormdrain was white, there were funny tufts of red hair on either side of his bald head, and there was a big clown-smile painted over his mouth. If George had been inhabiting a later year, he would have surely thought of Ronald McDonald before Bozo or Clarabell.

The clown held a bunch of balloons, all colors, like gorgeous ripe fruit in one hand.

In the other he held George's newspaper boat.

“Want your boat, Georgie?” The clown smiled.

George smiled back. He couldn't help it; it was the kind of smile you just had to answer. “I sure do,” he said.

The clown laughed. “ ‘I sure do.' That's
good!
That's
very
good! And how about a balloon?”

“Well . . . sure!” He reached forward . . . and then drew his hand reluctantly back. “I'm not supposed to take stuff from strangers. My dad said so.”

“Very wise of your dad,” the clown in the stormdrain said, smiling.
How,
George wondered,
could I have thought his eyes were yellow?
They were a bright, dancing blue, the color of his mom's eyes, and Bill's. “Very wise indeed. Therefore I will introduce myself. I, Georgie, am Mr. Bob Gray, also known as Pennywise the Dancing Clown. Pennywise, meet George Denbrough. George, meet Pennywise. And now we know each other. I'm not a stranger to you, and you're not a stranger to me. Kee-rect?”

George giggled. “I guess so.” He reached forward again . . . and drew his hand back again. “How did you get down there?”

“Storm just bleeeew me away,” Pennywise the Dancing Clown said. “It blew the whole circus away. Can you smell the circus, Georgie?”

George leaned forward. Suddenly he could smell peanuts! Hot roasted peanuts! And vinegar! The white kind you put on your french fries through a hole in the cap! He could smell cotton candy and frying doughboys and the faint but thunderous odor of wild-animal shit. He could smell the cheery aroma of midway sawdust. And yet . . .

And yet under it all was the smell of flood and decomposing leaves and dark stormdrain shadows. That smell was wet and rotten. The cellar-smell.

But the other smells were stronger.

“You bet I can smell it,” he said.

“Want your boat, Georgie?” Pennywise asked. “I only repeat myself because you really do not seem that eager.” He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.

“Yes, sure,” George said, looking into the stormdrain.

“And a balloon? I've got red and green and yellow and blue. . . .”

“Do they float?”

“Float?” The clown's grin widened. “Oh yes, indeed they do. They float! And there's cotton candy. . . .”

George reached.

The clown seized his arm.

And George saw the clown's face change.

What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.

“They
float,”
the thing in the drain crooned in a clotted, chuckling voice. It held George's arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.

“They
float,”
it growled, “they
float,
Georgie, and when you're down here with me, you'll float, too—”

George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rainslicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.

“Everything down here
floats,”
that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.

Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street . . . and began to scream himself as George's body turned over in his hands. The left side of George's slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where the left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.

The boy's eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill up with rain.

4

Somewhere below, in the stormdrain that was already filled nearly to capacity with runoff (there could have been no one down there, the County Sheriff would later exclaim to a Derry
News
reporter with a frustrated fury so great it was almost agony; Hercules himself would have been swept away in that driving current), George's newspaper boat shot onward through nighted chambers and long concrete hallways that roared and chimed with water. For awhile it ran neck-and-neck with a dead chicken that floated with its yellowy, reptilian toes pointed at the dripping ceiling; then, at some junction east of town, the chicken was swept off to the left while George's boat went straight.

An hour later, while George's mother was being sedated in the Emergency Room at Derry Home Hospital and while Stuttering Bill sat stunned and white and silent in his bed, listening to his father sob hoarsely in the parlor where his mother had been playing
Für Elise
when George went out, the boat shot out through a concrete loophole like a bullet exiting the muzzle of a gun and ran at speed down a sluiceway and into an unnamed stream. When it joined the boiling, swollen Penobscot River twenty minutes later, the first rifts of blue had begun to show in the sky overhead. The storm was over.

The boat dipped and swayed and sometimes took on water, but it did not sink; the two brothers had waterproofed it well. I do not know where it finally fetched up, if ever it did; perhaps it reached the sea and sails there forever, like a magic boat in a fairytale. All I know is that it was still afloat and still running on the breast of the flood when it passed the incorporated town limits of Derry, Maine, and there it passes out of this tale forever.

CHAPTER 2
After the Festival (1984)
1

The reason Adrian was wearing the hat, his sobbing boyfriend would later tell the police, was because he had won it at the Pitch Til U Win stall on the Bassey Park fairgrounds just six days before his death. He was proud of it.

“He was wearing it because he
loved
this shitty little town!” the boyfriend, Don Hagarty, screamed at the cops.

“Now, now—there's no need for that sort of language,” Officer Harold Gardener told Hagarty. Harold Gardener was one of Dave Gardener's four sons. On the day his father had discovered the lifeless, one-armed body of George Denbrough, Harold Gardener had been five. On this day, almost twenty-seven years later, he was thirty-two and balding. Harold Gardener recognized the reality of Don Hagarty's grief and pain, and at the same time found it impossible to take seriously. This man—if you want to call him a man—was wearing lipstick and satin pants so tight you could almost read the wrinkles in his cock. Grief or no grief, pain or no pain, he was, after all, just a queer. Like his friend, the late Adrian Mellon.

“Let's go through it again,” Harold's partner, Jeffrey Reeves, said. “The two of you came out of the Falcon and turned toward the Canal. Then what?”

“How many times do I have to tell you idiots?” Hagarty was still screaming. “They killed him! They pushed him over the side! Just another day in Macho City for them!” Don Hagarty began to cry.

“One more time,” Reeves repeated patiently. “You came out of the Falcon. Then what?”

2

In an interrogation room just down the hall, two Derry cops were speaking with Steve Dubay, seventeen; in the Clerk of Probate's office upstairs, two more were questioning John “Webby” Garton, eighteen; and in the Chief of Police's office on the fifth floor, Chief Andrew Rademacher and Assistant District Attorney Tom Boutillier were questioning fifteen-year-old Christopher Unwin. Unwin, who wore faded jeans, a grease-smeared tee-shirt, and blocky engineer boots, was weeping. Rademacher and Boutillier had taken him because they had quite accurately assessed him as the weak link in the chain.

“Let's go through it again,” Boutillier said in this office just as Jeffrey Reeves was saying the same thing two floors down.

“We didn't mean to kill him,” Unwin blubbered. “It was the hat. We couldn't believe he was still wearing the hat after, you know, after what Webby said the first time. And I guess we wanted to scare him.”

“For what he said,” Chief Rademacher interjected.

“Yes.”

“To John Garton, on the afternoon of the 17th.”

“Yes, to Webby.” Unwin burst into fresh tears. “But we tried to save him when we saw he was in trouble . . . at least me and Stevie Dubay did . . . we didn't mean to
kill
him!”

“Come on, Chris, don't shit us,” Boutillier said. “You threw the little queer into the Canal.”

“Yes, but—”

“And the three of you came in to make a clean breast of things. Chief Rademacher and I appreciate that, don't we, Andy?”

“You bet. It takes a man to own up to what he did, Chris.”

“So don't fuck yourself up by lying now. You meant to throw him over the minute you saw him and his fag buddy coming out of the Falcon, didn't you?”

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