It Feels So Good When I Stop (22 page)

BOOK: It Feels So Good When I Stop
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“Really? Thanks.” He was still breathing heavy from the gig.
“I agree,” Jocelyn said. “You guys were amazing.”
“Thanks, you guys.” He group-hugged us.
“Nice set,” someone leaving the club said.
“Thank you soooo much.”
“Was it good for you? ” Jocelyn asked.
Stephen turned into Willona, the lusty neighbor on the TV show
Good Times
. “Sister, it’s always good for me.” Jocelyn slapped him on the arm. “No, there were some bumps, you know? But on the whole, I think it was—no, I know it was our best show yet. Each one gets better.” Stephen moved his hand in small increments from the left side of his body to his right, mimicking the Coughins’ evolution as a band. “And as long as that keeps happening, you know? ”
“Something good’s got to happen,” Jocelyn said.
“Improvement’s what you want,” I said.
“That’s what I keep telling Jeremy, but he’s so”—Stephen clenched his fists—“he wants everything to happen yesterday. He’s like a child. But you know what? I’m not going to think about his issues tonight. This is me not thinking about it. It was our best show yet, and I’m going to enjoy it.”
“You go, girl,” Jocelyn said.
The Coughins were never going anywhere, and at least two of the three of us knew it.
The crowd in front of Brownies parted. Lou Barlow waited while the rest of his party got out of the cab. He looked like a Lovin’ Spoonful-era John Sebastian. There was a scrawny dude wearing an unfashionably full beard and an olive drab army fatigues jacket. He had a camera in his hands, and two more around his neck. He immediately swapped out lenses. A green-haired woman wearing a co-opted auto mechanics jacket with LADY SUB POP embroidered in pink on a breast pocket was reading the number off her pager.
“Lou’s here! ” people murmured. “That’s him.”
Lou walked the length of the concrete-gray carpet. He saw Stephen standing near the door.
“Hey, man. Sorry I missed your set. Fucking ridiculous photo shoot.”
The photographer was unfazed. He got the camera right up in Lou’s face.
“Oh, please,” Stephen said. “Thanks for just letting us play.”
“Was anyone there? ”
“By the end it was pretty full. More people than we’ve ever played to.”
“Cool.”
Stephen introduced us. He told Lou I lived in Amherst.
“Yeah, you look kind of familiar,” Lou said.
“I wait tables at that restaurant, Esposito’s.” I had also seen Dinosaur Jr. play about twenty times when he was still in the band. I left out that part because I didn’t think it was a good idea stirring up the bad blood.
“He’s got a cool band, too,” Stephen said. “The Young Accuser.”
“Cool.”
I was embarrassed. “It’s not really a band. Just me and another guy on acoustics. I think you know him. Richie Leonides? ”
“No way!
The
Richie Leonides? He’s a musician? ”
“Sort of.”
“I worked with him in the kitchen at the Soldiers Home in Holyoke.”
“Yeah, I know.”
“Fuck! That was like ’eighty-two, ’eighty-three. He’s the guy that got me way into Sabbath.”
“No way! ” Stephen said. “He’s the one? ”
“Totally. I owe that guy a lot.” And with that, Jocelyn added Lou Barlow to her shit list. “He also showed me how to suck the nitrous out of these big industrial canisters. I definitely owe him a lot.”
Lady Sub Pop finished sorting out arrangements with Zippy the doorman.
“Okay,” she said, “they’ll let us use the upstairs office for the interviews, but we have to do them, like, right now.”
“Fuck,” Lou sighed. “All of these fuckers think they own you.”
Lady Sub Pop took Lou’s disdain for her and her industry as a healthy and highly marketable display of indie cred. She nudged the photographer back to work.
I sheepishly took a three-song cassette from my pocket. “You don’t have to listen to it, but maybe you could pass it on to your guy at the label.”
“That would be me.” Lady Sub Pop accepted the tape like a mother into whose hand a child spits his spent chewing gum. The scrawny dude photographed the whole thing. I pictured my demo suspended in a pillar of wet paper towels, lipstick-kissed Kleenex, and feminine-hygiene packaging in the ladies’ room trash can.
 
LOU’S SET WAS very good. He tried out some new songs and a bunch of my favorites off
The Freed Weed
. Jocelyn and I got moderately shitfaced. Except for two guys who chose a Lou Barlow acoustic set as background music for their five-year high school reunion, the room was dead quiet when he played. People shushed them with little lasting effect. Lou finally stopped a few bars into “Soul and Fire” and told them to get the fuck out. The audience cheered. Lou shaded his eyes from the stage lights and scanned the crowd.
“I’m serious,” he said. “Get the fuck out! Get your ten bucks back—or however the fuck much it is—and get the fuck out! ”
The audience went crazy. We all started chanting, “Get the fuck out!” The two guys got the fuck out. One of them held the bird high like he was carrying the Olympic torch.
“Fucking maggots,” Lou said, then started the tune from the top.
 
AFTER THE GIG, we hung around and had a few drinks at the bar with Lou. Only musicians and their satellites remained in the club. We were talking about Robin Williams, trying to estimate how much cocaine—both in weight and in money—he’d done behind the scenes of
Mork and Mindy
. The amounts varied greatly, but even the lowball figure was a lot. We agreed that however much it was, it was more than any of us had done. We toasted to that.
It came up that Fifi had recently opened some Sebadoh shows in Holland and Germany. Stephen told Lou that Jocelyn and Roger Lyon III had a past—a very brief past.
Lou didn’t hold back. He said Roger Lyon III was a dick for a number of reasons. “He’d sing a line and then spit all over the place.”
I loved it. I had to know more. “What do you mean, by accident? ”
“Fuck, no.” Lou imitated Lyon III flapping his phlegmy epiglottis.
“Gross,” Stephen said.
“And he kept spitting through their entire set.”
“Did he spit on the audience? ” I asked.
“On the audience, on the stage, on the monitors, on the amps. It was fucking weird.”
“What’s the point? ”
“Exactly.” Lou scraped the soles of his shoes on a bar-stool rung. “I had to wade through his fucking throat eggs every night.”
“Eww. That’s so gross,” Stephen said.
“I was like, ‘Dude, someone’s going to get sick from all that saliva and phlegm.’ And he says, ‘What are you talking about? ’ ”
“What a fucking dick,” I said.
Lou turned to Jocelyn. “How long were you his girlfriend? ”
Jocelyn was not completely immune to being star-struck, or she never would have gone out with Lyon III in the first place. If Lou Barlow had been Joe Public, she would have told him it was none of his fucking business. “We went on three dates.”
I added color. “And the first one was when he picked her up after one of his shitty band’s shitty shows.”
“He’s got that down to a science these days,” Lou said. He put his hand on my shoulder. “I don’t know jack shit about this guy right here, but I’m sure he’s a huge upgrade from Roger Lyon the Fucking Third. A huge upgrade.”
“And what kind of pretentious fuckwit puts ‘the Third’ at the end of his name? ” I asked.
“An enormous one.”
Lady Sub Pop was sitting alone near the low stage, patiently bored stiff, drinking a can of Diet Coke. She was ready to go back to her chrome room at the Paramount an hour before.
Lou called to her, “Jenna, from now on I want to be called Lou Barlow the Third.”
Jenna smiled, using the last of her A&R man’s daily allotment of phony amusement.
“No, even better, Lou Barlow Junior.” He stood on the rungs of his bar stool and proposed a toast to his new name.
 
JOCELYN TOLD OUR cabbie we were going to Brooklyn. He groaned like he’d just been told by his boss that he was going to have to take a small pay cut.
“Sorry”—Jocelyn looked at the cabbie’s nameplate display—“Ahmed, but that’s where I live.”
I gave her a look.
“Don’t look at me like that,” she said. “They have to take you.”
I was not so drunk that I couldn’t sense the eighth day of the Seven Days’ War dawning. I distracted Jocelyn by pulling her closer to me on the slippery vinyl seat. I kissed her neck. Ahmed hauled ass toward Houston Street.
“And take the Manhattan Bridge, not Brooklyn,” Jocelyn added for good measure.
Ahmed’s eyes tightened in the rearview mirror.
The cab crossed the bridge the way a hovercraft does gentle sea swells. Jocelyn had her head tilted back far enough to look straight up through the rear windshield. Her tongue and teeth glistened. A sparse constellation made up almost entirely of aircraft shone through the blurry rhythm of ironwork. She started imitating the in-cab recording of Elmo telling tourists to buckle up and not to forget their shit when they left. I kissed her exposed throat.
She giggled.
The sound of the steel-belted radials on the road changed from a sizzle to a wash as the Manhattan Bridge became Flatbush Avenue.
“I like that Lou Barlow,” I said.
Jocelyn had no comment. She lifted her ass off the seat and guided my hand under it before sitting back down. Traffic started backing up right around Junior’s cheese-cake restaurant.
“Elmo says, ‘Keep doing that.’ ”
“LOOK, ROY,” James said, “it’s Ron Jeremy, the king of hardcore! ”
“James, if you only knew.”
“As if.”
“Listen. What do you think about me dropping you off at work so Roy and I can go somewhere in the truck? ”
“Like where? ”
“I don’t fucking know. Isn’t there a mall or a playground near the boatyard? It’s just getting old going up and down this street all the time. I think Roy needs more stimulation.”
James was suspicious. “Can you even drive? ”
“Of course I can drive.”
“I mean legally? ”
As we pulled into the boatyard, Dogshit and two other scruffy-looking guys were drinking coffee and smoking alongside a long elevated red hull.
James let go of the steering wheel and rubbed his hands together like a miser. “That big red bitch is going to cover my nut till Christmas.”
I had one hundred fifty dollars in my pocket Marie had paid me for my first three days of work. I was feeling pretty good about it. I was going to treat Roy to a grilled cheese or something. “How much you make on a repair like that? ”
“Oh, you know,” James said, “a gentleman never fucks and talks.” He reached back over the front seat and grabbed a cooler from the floor. “Does he, sonny boy? ”
Roy giggled.
James reluctantly dropped the keys into my hand. He checked to make sure Dogshit was still way out of earshot. “You and I both know I don’t even have to say it.” He said it anyway. “I depend on this truck, so don’t drive like a Chink.”
The steering wheel was miles away. So were the pedals. I reached down and found the seat-adjusting lever. I couldn’t release it. James was watching me. He came back to the Suburban and opened the driver’s door.
“What the fuck’s the problem? ” Dogshit and the other guys looked on.
“I can’t get it to—”
“Look out.” James released the lever with one hand and moved the massive bench all the way forward with the other. “Close enough for you? ”
It was too close, but I told him it was fine.
“And make sure you’re back here by three sharp.”
I unintentionally did a mini peel-out in a patch of sand. Roy loved it. I looked in the rearview mirror, and James was shaking his head.
I turned on the heater. The sweet smell of rotting tree waste blowing from the vent was nauseating. Roy was making a face like he’d just eaten a bad blueberry. I shut the heater down and opened a window. I was colder than I’d been three minutes earlier.
“What do you say we put some food in the furnace, Roy old kid? ”
It was still too early for lunch, so I swung through the McDonald’s drive-through and bought a couple number-three breakfast combos. I got one with a coffee, and the other with the orange juice. I was planning on drinking both, but Roy spotted the orange juice from way the fuck back there in his car seat. He went completely batshit when I told him the sippy cup of lukewarm two-percent milk was all his. There was no reasoning with him. My options were to endure the tantrum or give in.
“Fine. Fine.” I knew he couldn’t help himself, but it still sucked getting yelled at. “Hang on.” I held the orange juice between my knees while I drove and used a coffee stirrer to poke a small hole in the foil. He sucked on it and was instantly relieved, like the Levy character in
Marathon Man
when Zell, the Nazi sadist, rubs a numbing tincture of clove on the tooth he’d just drilled. “Is it safe, Roy? Is it safe? ”

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