Jackson Pollock (48 page)
Authors: Deborah Solomon
238 | “Is this a painting?”: B. H. Friedman, “Interview with Lee Krasner,” |
238 | “pulling up in his coupe”: interview with Al Cavagnaro, Jan. 1984. |
239 | “Found Jackson Pollock”: Town of East Hampton Police Department, daily log, Dec. 23, |
239 | “they’re really painted”: Emily Genauer, New York |
239 | recognized his 1953 paintings for what they were: interview with Clement Greenberg. |
240 | “I don’t agree that he had shot his bolt”: letter from David Smith to Adolph Gottlieb, |
240 | “I’m an old man”: interview with Cile Lord, Feb. 1984. |
240 | “Do you think I would have painted this crap . . . ?”: letter from Rodman’s wife Maia |
240 | “I can paint better than this guy”: Clement Greenberg to James Valliere, unpublished |
241 | “It’s full of holes”: interview with Herbert Ferber, March 1985. |
241 | “I’m the best fucking painter”: interview with May Natalie Tabak Rosenberg, Dec. 1983. |
241 | “Jackson, you’re the greatest painter”: interview with Sidney Geist, March 1984. |
241 | “What, me hit an artist?” John Gruen, |
241 | “The reconciliation isn’t real”: letter from Clement Greenberg to Sue Mitchell, June |
242 | ordered new art materials: interview with Lou Rosenthal, Sept. 1984. |
242 | “Remember how good?”: Lord interview. |
243 | “You can’t do that kind of painting anymore”: ibid. |
243 | “All my sympathy”: letter from James Johnson Sweeney to JP, July 15, 1954, Pollock |
243 | “knitted by now”: card from Clement Greenberg to JP, Aug. 19, 1954, Pollock Archive. |
243 | “I hear you have broken your leg again”: letter from Martha Jackson to JP, Feb. 14, |
243 | “I’m going to Europe”: interview with Milton Resnick, April 1984. |
244 | “more deserving”: letter from Clement Greenberg to David Smith, Aug. 16, 1956. Smith |
244 | send him a polite apology: A copy of Baur’s letter can be found in the Pollock Archive. |
245 | “Can you imagine being married . . . ?”: Jeffrey Potter, |
245 | “I don’t want food”: Lord interview. |
246 | “You have such warm eyes”: Ruth Kligman, |
246 | “would always love him”: ibid., p. 43. |
246 | “Get that woman off my property”: ibid., p. 95. |
247 | On July 12 Lee sailed: letter from Stella Pollock to Frank Pollock, July 23, 1956. |
247 | “I can’t go”: interview with Carol Braider, Jan. 1984. |
247 | “You know I’m a painter . . . ?”: Kligman, |
247 | “I miss you”: letter from LK to JP, July 21, 1956, |
247 | “last painting place”: card from LK to JP, n.d., Pollock Archive. |
247 | “minimized what I had done for him”: letter from Peggy Guggenheim to Clement Greenberg, |
249 | “I feel pretty sick”: interview with Roger Wilcox, Jan. 1984. |
249 | “Let me out”: Kligman, |
249 | “Two dead at scene of accident”: Town of East Hampton Police Department, daily log, |
249 | “Jackson is dead”: interview with Paul Jenkins, Jan. 1984. |
251 | “He is gone”: letter from Stella Pollock to Irene Crippen, Jan. 6, 1967. |
252 | “I had to realize”: Barbara Rose, |
252 | seventeen new canvases: Eleanor Munro, |
252 | “The second attempt”: ibid. |
253 | “we had a little less trouble”: Les Levine, “A Portrait of Sidney Janis Taken on the |
254 | “I wish I had as much money”: Jeffrey Schaire, “Was Jackson Pollock Any Good?” |
254 | “There were many happy moments”: John Gruen, |
255 | Lee had admired: interview with Ruth Stein, June 1986. |
The index that appeared in the print version of this title was intentionally removed
from the eBook. Please use the search function on your eReading device for terms of
interest. For your reference, the terms that appear in the print index are listed
below
Abel, Lionel
Abstract and Surrealist Art in America
(Janis)
Abstract Expressionism
abstract painting
Académie de la Grande Chaumière
Académie Julian
Accabonac Creek
(Pollock)
“action painting”
Alchemy
(Pollock)
Alfieri, Bruno
Allen, Edward
“allover” painting
American Abstract Artists group
“American and French Paintings” show
American Indian culture
“American Painting Today—1950” show
American Scene painting
America Today
(Benton)
April
(Krasner)
Art Digest
Art Front
Art News
Art of This Century
closing of
Pollock’s shows at
Arts and Architecture
“Arts of the South Seas” show
Art Students League
Pollock’s studies at
Ashcan school
Atelier
Australian National Gallery
Autumn Rhythm
(Pollock)
Avery, Frances
Avery, Milton
Ballad of the Jealous Lover of Lone Green Valley, The
(Benton)
Barr, Alfred
Bathers by a River
(Matisse)
Baur, John I. H.
Baytime
(Pollock)
Baziotes, William
Bell, Leland
Bellow, Saul
Benevy, Herbert
Ben-Shmuel, Ahron
Benton, Rita
musical talents of
Pollock’s relationship with
“relief show” organized by
Benton, Thomas Hart
abstract painting disdained by
“hollow and bump” method of
murals of
nationalist sympathies of
Pollock as champion of
Pollock befriended by family of
Pollock’s stylistic break with
realistic style of
sketching trips of
as teacher
Benton, Thomas Hart (U.S. Senator)
Benton, T. P.
Betty Parson’s Gallery
Biddle, George
Birth
(Pollock)
Bloomingdale Asylum, see New York Hospital, Westchester Division
Blue Poles
(Pollock)
Borglum, Gutzon
Brancusi, Constantin
Brando, Marlon
Braque, Georges
Breton, André
Breton, Jacqueline
Bridgman, George
Brooklyn Museum
Brooks, James
Browne, Byron
Bultman, Fritz
Bunce, Louis
Burckhardt, Rudy
Burlin, Paul
Burrows, Carlyle
Busa, Peter
Calder, Alexander
calligraphy
Camp with Oil Rig
(Pollock)
Cardonsky, Darby
Cassatt, Mary
Castelli, Leo
Cathedral
(Pollock)
Cedar Tavern
Cezanne, Paul
Chareau, Pierre
Charred Landscape
(Krasner)
Chase, Janet
Chase, William Merritt
Chicago World’s Fair (1933)
Circumcision
(Pollock)
City and Country School
Coates, Robert
Cody, William “Buffalo Bill”
Cody, Wyoming
Cody Enterprise
collage
Collins, William P.
Comet
(Pollock)
communism
Composition with Masked Forms
(Pollock)
Composition with Pouring II
(Pollock)
Conaway, Arloie, see Pollock, Arloie Conaway
Connolly, Jean
Convergence
(Pollock)
Cooper Union, Women’s Art School of
Cotton Pickers
(Pollock)
Craven, Thomas
Creative Arts
Creative Printmakers
Cubism
ancient Aztec and Toltec
Lee Krasner’s use of
Picasso’s use of
Pollock’s use of
Surrealism vs.
Curry, John Steuart
Dabrowsky, Ivan, see Graham, John
Dali, Salvador
Darrow, Whitney, Jr.
Davis, Stuart
de Chirico, Giorgio
Deep, The
(Pollock)
de Kooning, Willem
Pollock and
Delaney, Joe
de Laszlo, Violet Staub
De Niro, Robert
Depression, Great
“bank holidays” in
poverty in
Devree, Howard
Dial
Diamond Mountain Inn
Diller, Burgoyne
Downtown Gallery
Dragon, Ted
“drip” paintings
“Drippings, Le”
Duchamp, Marcel
Durand-Ruel Gallery
Earth Green
(Krasner)
Easter and the Totem
(Pollock)
East Hampton Star
Egan, Charles
Egg Beater
series (Davis)
Eighth Street Club
England, Elizabeth
Ernst, Max
Eskimo masks
“Exhibition Momentum 1951” show
Falkenberg, Paul
“Fantastic Art, Dada, Surrealism” show
Feeley, Paul
Feldman, Morton
Ferargil Gallery
Ferber, Herbert
Figures in a Landscape
(Pollock)
Finch, Earl
“First Papers of Surrealism” show
Flack, Audrey
“Fourteen Americans” show (1946)
Fox, Ruth
Frankenthaler, Helen
French & Company Galleries
frescoes
Freud, Sigmund
Full Fathom Five
(Pollock)
Galaxy
(Pollock)
Gallatin, A. E.
Gallery of Living Art
Geist, Sidney
Genauer, Emily
Going West
(Pollock)
Goldstein, Philip, see Guston, Philip
Goodnough, Robert
Gorky, Arshile
Gottlieb, Adolph
Graham, Constance
Graham, John
Green, Theodore
Greenberg, Clement
death-of-the-easel-picture theory of
on Pollock
Greenwich House
Grippe, Peter
Grosz, George
Guardians of the Secret, The
(Pollock)
Guernica
(Picasso)
Guggenheim, Peggy
American artists shown by
galleries founded by
Lee Krasner and
loan to Pollock by
as patron and collector
on Pollock
Pollock championed by
Pollock mural commissioned by
Pollock’s contract with
Pollock’s work given away by
“Spring Salons” of
Guggenheim, Solomon R.
Guggenheim jeune Gallery
Guild Hall
Guston, Philip
Gyp, dogs named
Hare, David
Harmonica Rascals
Harper’s Bazaar
