James Bond Anthology (221 page)

Largo laughed sharply. He switched gaiety and bravado back on his face. ‘Aha!’ His voice was boisterous again, ‘My friend wishes to put the evil eye upon my cards. We have a way to deal with that where I come from.’ He lifted a hand, and with only the first and little fingers outstretched in a fork, he prodded once, like a snake striking, towards Bond’s face. To the crowd it was a playful piece of theatre, but Bond, within the strong aura of the man’s animal magnetism, felt the ill-temper, the malevolence behind the old Mafia gesture.

Bond laughed good-naturedly. ‘That certainly put the hex on me. But what did it do to the cards? Come on, your SPECTRE against my SPECTRE!’

Again the look of doubt came over Largo’s face. Why again the use of this word? He gave the shoe a hefty slap. ‘All right, my friend. We are wrestling the best of three falls. Here comes the third.’

Quickly his first two fingers flicked out the four cards. The table had hushed. Bond faced his pair inside his hand. He had a total of five – a ten of clubs and a five of hearts. Five is a marginal number. One can either draw or not. Bond folded the cards face down on the table. He said, with the confident look of a man who has a six or a seven, ‘No card, thank you.’

Largo’s eyes narrowed as he tried to read Bond’s face. He turned up his cards, flicked them into the middle of the table with a gesture of disgust. He also had a count of five. Now what was he to do? Draw or not draw? He looked again at the quiet smile of confidence on Bond’s face – and drew. It was a nine, the nine of spades. By drawing another card instead of standing on his five and equalling Bond, he had drawn and now had a four to Bond’s five.

Impassively Bond turned up his cards. He said, ‘I’m afraid you should have killed the evil eye in the pack, not in me.’

There was a buzz of comment round the table. ‘But if the Italian had stood on his five …’ ‘I always draw on a five.’ ‘I never do.’ ‘It was bad luck.’ ‘No, it was bad play.’

Now it was an effort for Largo to keep the snarl off his face. But he managed it, the forced smile lost its twist, the balled fists relaxed. He took a deep breath and held out his hand to Bond. Bond took it, folding his thumb inside his palm just in case Largo might give him a bone-crusher with his vast machine-tool of a hand. But it was a firm grasp and no more. Largo said, ‘Now I must wait for the shoe to come round again. You have taken all my winnings. I have a hard evening’s work ahead of me just when I was going to take my niece for a drink and a dance.’ He turned to Domino. ‘My dear, I don’t think you know Mr Bond, except on the telephone. I’m afraid he has upset my plans. You must find someone else to squire you.’

Bond said, ‘How do you do. Didn’t we meet in the tobacconist’s this morning?’

The girl screwed up her eyes. She said indifferently, ‘Yes? It is possible. I have such a bad memory for faces.’

Bond said, ‘Well, could I give you a drink? I can just afford even a Nassau drink now, thanks to the generosity of Mr Largo. And I have finished here. This sort of thing can’t last. I mustn’t press my luck.’

The girl got up. She said ungraciously, ‘If you have nothing better to do.’ She turned to Largo: ‘Emilio, perhaps if I take this Mr Bond away, your luck will turn again. I will be in the supper room having caviar and champagne. We must try and get as much of your funds as we can back in the family.’

Largo laughed. His spirits had returned. He said, ‘You see, Mr Bond, you are out of the frying pan into the fire. In Dominetta’s hands you may not fare so well as in mine. See you later, my dear fellow. I must now get back to the salt mines where you have consigned me.’

Bond said, ‘Well, thanks for the game. I will order champagne and caviar for three. My SPECTRE also deserves his reward.’ Wondering again whether the shadow that flickered in Largo’s eyes at the word had more significance than Italian superstition, he got up and followed the girl between the crowded tables to the supper room.

Domino made for a shadowed table in the farthest corner of the room. Walking behind her, Bond noticed for the first time that she had the smallest trace of a limp. He found it endearing, a touch of childish sweetness beneath the authority and blatant sex appeal of a girl to whom he had been inclined to award that highest, but toughest, French title – a
courtisane de marque
.

When the Clicquot rosé and fifty dollars’ worth of Beluga caviar came – anything less, he had commented to her, would be no more than a spoonful – he asked her about the limp. ‘Did you hurt yourself swimming today?’

She looked at him gravely. ‘No. I have one leg an inch shorter than the other. Does it displease you?’

‘No. It’s pretty. It makes you something of a child.’

‘Instead of a hard old kept woman. Yes?’ Her eyes challenged him.

‘Is that how you see yourself?’

‘It’s rather obvious isn’t it? Anyway, it’s what every-one in Nassau thinks.’ She looked him squarely in the eyes, but with a touch of pleading.

‘Nobody’s told me that. Anyway, I make up my own mind about men and women. What’s the good of other people’s opinions? Animals don’t consult each other about other animals. They look and sniff and feel. In love and hate, and everything in between, those are the only tests that matter. But people are unsure of their own instincts. They want reassurance. So they ask someone else whether they should like a particular person or not. And as the world loves bad news, they nearly always get a bad answer – or at least a qualified one. Would you like to know what I think of you?’

She smiled. ‘Every woman likes to hear about herself. Tell me, but make it sound true, otherwise I shall stop listening.’

‘I think you’re a young girl, younger than you pretend to be, younger than you dress. I think you were carefully brought up, in a red-carpet sort of way, and then the red carpet was suddenly jerked away from under your feet and you were thrown more or less into the street. So you picked yourself up and started to work your way back to the red carpet you had got used to. You were probably fairly ruthless about it. You had to be. You only had a woman’s weapons and you probably used them pretty coolly. I expect you used your body. It would be a wonderful asset. But in using it to get what you wanted, your sensibilities had to be put aside. I don’t expect they’re very far underground. They certainly haven’t atrophied. They’ve just lost their voice because you wouldn’t listen to them. You couldn’t afford to listen to them if you were to get back on that red carpet and have the things you wanted. And now you’ve got the things.’ Bond touched the hand that lay on the banquette between them. ‘And perhaps you’ve almost had enough of them.’ He laughed. ‘But I mustn’t get too serious. Not about the smaller things. You know all about them, but just for the record, you’re beautiful, sexy, provocative, independent, self-willed, quick-tempered, and cruel.’

She looked at him thoughtfully. ‘There’s nothing very clever about all that. I told you most of it. You know something about Italian women. But why do you say I’m cruel?’

‘If I was gambling and I took a knock like Largo did and I had my woman, a woman, sitting near me watching and she didn’t give me one word of comfort or encouragement I would say she was being cruel. Men don’t like failing in front of their women.’

She said impatiently, ‘I’ve had to sit there too often and watch him show off. I wanted you to win. I cannot pretend. You didn’t mention my only virtue. It’s honesty. I love to the hilt and I hate to the hilt. At the present time, with Emilio, I am half way. Where we were lovers, we are now good friends who understand each other. When I told you he was my guardian, I was telling a white lie. I am his kept woman. I am a bird in a gilded cage. I am fed up with my cage and tired of my bargain.’ She looked at Bond defensively. ‘Yes, it is cruel for Emilio. But it is also human. You can buy the outside of the body, but you cannot buy what is inside – what people call the heart and soul. But Emilio knows that. He wants women for use. Not for love. He has had thousands in this way. He knows where we both stand. He is realistic. But it is becoming more difficult to keep to my bargain – to, to, let’s call it sing for my supper.’

She stopped abruptly. She said, ‘Give me some more champagne. All this silly talking has made me thirsty. And I would like a packet of Players’ – she laughed – ‘Please, as they say in the advertisements. I am fed up with just smoking smoke. I need my Hero.’

Bond bought a packet from the cigarette girl. He said, ‘What’s that about a hero?’

She had entirely changed. Her bitterness had gone, and the lines of strain on her face. She had softened. She was suddenly a girl out for the evening. ‘Ah, you don’t know! My one true love! The man of my dreams. The sailor on the front of the packet of Players. You have never thought about him as I have.’ She came closer to him on the banquette and held the packet under his eyes. ‘You don’t understand the romance of this wonderful picture – one of the great masterpieces of the world. This man,’ she pointed, ‘was the first man I ever sinned with. I took him into the woods, I loved him in the dormitory, I spent nearly all my pocket money on him. In exchange, he introduced me to the great world outside the Cheltenham Ladies’ College. He grew me up. He put me at ease with boys of my own age. He kept me company when I was lonely or afraid of being young. He encouraged me, gave me assurance. Have you never thought of the romance behind this picture? You see nothing, yet the whole of England is there! Listen,’ she took his arm eagerly, ‘this is the story of Hero, the name on his cap badge. At first he was a young man, a powder monkey or whatever they called it, in that sailing ship behind his right ear. It was a hard time for him. Weevils in the biscuits, hit with marlinspikes and ropes’ ends and things, sent up aloft to the top of all that rigging where the flag flies. But he persevered. He began to grow a moustache. He was fair-haired and rather too pretty,’ she giggled, ‘he may even have had to fight for his virtue, or whatever men call it, among all those hammocks. But you can see from his face – that line of concentration between his eyes – and from his fine head, that he was a man to get on.’ She paused and swallowed a glass of champagne. The dimples were now deep holes in her cheeks. ‘Are you listening to me? You are not bored having to listen about my Hero?’

‘I’m only jealous. Go on.’

‘So he went all over the world – to India, China, Japan, America. He had many girls and many fights with cutlasses and fists. He wrote home regularly – to his mother and to a married sister who lived at Dover. They wanted him to come home and meet a nice girl and get married. But he wouldn’t. You see, he was keeping himself for a dream girl who looked rather like me. And then,’ she laughed, ‘the first steamships came in and he was transferred to an ironclad – that’s the picture of it on the right. And by now he was a bosun, whatever that is, and very important. And he saved up from his pay and instead of going out fighting and having girls he grew that lovely beard, to make himself look older and more important, and he set to with a needle and coloured threads to make that picture of himself. You can see how well he did it – his first windjammer and his last ironclad with the lifebuoy as a frame. He only finished it when he decided to leave the Navy. He didn’t really like steamships. In the prime of life, don’t you agree? And even then he ran out of gold thread to finish the rope round the lifebuoy, so he just had to tail it off. There, you can see on the right where the rope crosses the blue line. So he came back home on a beautiful golden evening after a wonderful life in the Navy and it was so sad and beautiful and romantic that he decided that he would put the beautiful evening into another picture. So he bought a pub at Bristol with his savings and in the mornings before the pub opened he worked away until he had finished and there you can see the little sailing ship that brought him home from Suez with his duffel bag full of silks and seashells and souvenirs carved out of wood. And that’s the Needles Lighthouse beckoning him in to harbour on that beautiful calm evening. Mark you,’ she frowned, ‘I don’t like that sort of bonnet thing he’s wearing for a hat, and I’d have liked him to have put “H.M.S.” before the “
Hero
”, but you can see that would have made it lop-sided and he wouldn’t have been able to get all the “
Hero
” in. But you must admit it’s the most terrifically romantic picture. I cut it off my first packet, when I smoked one in the lavatory and felt terribly sick, and kept it until it fell to pieces. Then I cut off a fresh one. I carried him with me always until things went wrong and I had to go back to Italy. Then I couldn’t afford Players. They’re too expensive in Italy and I had to smoke things called Nazionales.’

Bond wanted to keep her mood. He said, ‘But what happened to the hero’s pictures? How did the cigarette people get hold of them?’

‘Oh well, you see one day a man with a stove-pipe hat and a frock coat came into the hero’s pub with two small boys. Here,’ she held the packet sideways, ‘those are the ones, “John Player & Sons”. You see, it says that their Successors run the business now.

Well they had one of the first motor-cars, a Rolls-Royce, and it had broken down outside the hero’s pub. The man in the stove-pipe hat didn’t drink of course – those sort of people didn’t, not the respectable merchants who lived near Bristol. So he asked for ginger beer and bread and cheese while his chauffeur mended the car. And the hero got it for them. And Mr John Player and the boys all admired the two wonderful tapestry pictures hanging on the wall of the pub. Now this Mr Player was in the tobacco and snuff business and cigarettes had just been invented and he wanted to start making them. But he couldn’t for the life of him know what to call them or what sort of a picture to put on the packet. And he suddenly had a wonderful idea. When he got back to the factory he talked to his manager and the manager came along to the pub and saw the hero and offered him a hundred pounds to let his two pictures be copied for the cigarette packet. And the hero didn’t mind and anyway he wanted just exactly a hundred pounds to get married on.’ She paused. Her eyes were far away. ‘She was very nice, by the way, only thirty and a good plain cook and her young body kept him warm in bed until he died many years later. And she bore him two children, a boy and a girl. And the boy went into the Navy like his father. Well, anyway, Mr Player wanted to have the hero in the lifebuoy on one side of the packet and the beautiful evening on the other. But the manager pointed out that that would leave no room for all this’ – she turned over the packet – ‘about “Rich, Cool”, and “Navy Cut Tobacco” and that extraordinary trade mark of a doll’s house swimming in chocolate fudge with Nottingham Castle written underneath. So then Mr Player said, “Well then, we’ll put one on top of the other.” And that’s just exactly what they did and I must say I think it fits in very well, don’t you? Though I expect the hero was pretty annoyed at the mermaid being blanked out.’