Jane Haddam - Gregor Demarkian 12 - Fountain of Death (16 page)

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Authors: Jane Haddam

Tags: #Mystery: Thriller - Ex-FBI- Aerobics - Connecticut

BOOK: Jane Haddam - Gregor Demarkian 12 - Fountain of Death
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When he got to the lobby, he walked past the check-in desk to the big wall of plate glass that looked out on the front drive. He saw no sign of a Bulldog Cab, so he walked back toward the elevators and stopped at the long line of white metal newspaper vending machines. There was another notice about the motel’s New Year’s sleepover party resting on top of these. There were more helium-filled balloons, too, tied to the pull handles of one of the machines. Gregor got some change out of his pocket and bought copies of the
New York Times
and
The New Haven Register
. He didn’t think he’d have time, with everything he had to do, to get through
USA Today
.

The
Times
had a headline about the Middle East and another about Bosnia-Herzegovina. Gregor ignored this—he was tired of depressing himself with news about perennial and unresolvable wars—and maneuvered his copy of the
Register
to the top. Then he looked down into an enormous picture of his own face and blinked.

His own face.

On the cover of the
Register
.

With Tony Bandero’s face hovering around in the background behind it.

Gregor got the paper all the way open and stared at it. The headline had been set in enormous type and said:

DEMARKIAN IN NEW HAVEN.

The subhead had been set in stylized italics and read:

Famed Detective To Aid Police In Bradbury Probe

The article had been set in ordinary type and started with a quote from Tony Bandero.

“Sometimes, you have no choice but to bring in the best talent you can find,” Detective Tony Bandero said today in an exclusive interview with the Register…

Horseshit, Gregor thought angrily. Bandero hadn’t given an exclusive interview to anybody. Bandero had talked to every single human being he could find who had a notebook or a microphone in his hand. Or hers. Now Gregor realized he must have been promising exclusives all over the lot.

Gregor Demarkian did not like publicity. Any tendency he might ever have had to like it had been bred out of him at Quantico. The Bureau liked its men gray, boring, and utterly anonymous. Even so, he was not a babe in the woods. He had worked on enough high-profile cases even while he was still with the Bureau to know how the press operated. He most surely knew enough not to cross them.

Cross the press was just what Tony Bandero had done—crossed them big time and in the stupidest possible way. Gregor himself had listened to the “exclusive interview” Tony had given to WTNH last night. Now here was another “exclusive interview.” How many more were out there?

The automatic doors at the front of the motel’s lobby sucked open. Gregor saw a young woman in blue slacks and a blue-and-white sweater with a bulldog appliqued on it walk in. The young woman came directly over to where Gregor stood and thrust out her hand.

“Mr. Demarkian?” she asked. “I’m Connie Hazelwood. From Bulldog Cabs.”

“Yes,” Gregor said. Shortly. And ungraciously. He couldn’t help himself.

Connie Hazelwood tilted her head sideways. “Are you all right, Mr. Demarkian? You look a little flushed.”

“I’m fine,” Gregor said.

“Well, good,” Connie Hazelwood said. “Good. It’s a big thrill for me to be driving somebody as famous as you are. Shall we go?”

“Yes,” Gregor said again.

“Well, good,” Connie Hazelwood said, also again. She had begun to look desperate.

Gregor felt sorry for her, he really did, but for the moment there was nothing he could do to help her. There wasn’t even anything he could think of to do to calm himself down.

Connie Hazelwood walked back out the front doors, leading the way to her cab, and Gregor followed her.

He was still steaming.

FIVE
1

T
HE NEW HAVEN MEDICAL
examiner’s office was in a long, low red brick building that looked like a small factory, set among more of the two- and three-story wood frame houses Gregor had come to think of as “typical” of New Haven. There was Yale. There was Prospect Street. There were a few blocks of churches and stores around the Green. Other than that, the entire city seemed to be made up of these double and triple deckers. Gregor let Connie Hazelwood jockey her cab into a tight parking space at the curb in front of the medical examiner’s building’s doors and considered the neighborhood. He knew his impression had to be wrong. Somewhere in New Haven there would be at least one rich neighborhood and probably several very poor ones. There would be a red-light district and a shopping strip. He just hadn’t happened to run into them. The interesting thing about this neighborhood was that it was not as bad as Gregor had expected it to be. The houses were not noticeably dilapidated. One or two had sagging porches. Several had paint peeling off their sides. Everything looked a little sad and tired, but nothing looked desperate. There was something Gregor had noticed about official municipal buildings over the past few years—police stations, town halls, administration buildings, city hospitals. Such buildings had become a magnet for the derelict and insane. Homeless old women slept on their steps. Drugged and violent men paced back and forth in the gutters in front of them. The houses and stores in the vicinity emptied out. Nobody wanted to live or work near people who could not be counted on to answer a smile with a smile and a good morning with a good morning. Nobody wanted to take the chance of getting knifed or shot because of some demon no one could see inside the head of a person no one could talk to.

Well, Gregor thought, it hadn’t gotten that bad around here. Maybe the wanderers were spooked. The ME’s offices were in the same building as the morgue. Down at the other end of the building, toward the middle of the block, Gregor could see the bays for the morgue ambulances and vans. They were closed. He got his wallet out of his back pocket and asked Connie Hazelwood what he owed her.

“Three dollars even,” she replied.

Gregor assumed it was some kind of set rate. From this part of the city to that part of the city for three dollars even. It surprised him because New Haven was so urban, and set rates were such a small-town thing to do. He took out four dollar bills and passed them into the front seat.

“Thank you very much,” he said, opening his door to get out.

Connie Hazelwood pocketed the money and took out a business card. “Ask for me if you call again,” she said, slipping the card into the breast pocket of his suit jacket through his open coat. “I’m not always free, but I can always try.”

Gregor got a sudden vision of Connie Hazelwood dumping an old lady shopper on an icy sidewalk to free herself up to take his call. He pushed it out of his head.

“Thank you,” he said again. Then he stepped out onto the pavement and looked around.

No Christmas decorations. No holiday door wreaths. No sprightly red-and-white posters announcing commercial New Year’s Eve parties. This neighborhood might not be dilapidated, but it was a little like a college student with a case of clinical depression. It wasn’t engaged with the world, to put it the way Donna Moradanyan would. It wasn’t even engaged with itself. Gregor wanted to throw a little tinsel on the nearest utility pole.

He went up to the building’s front doors and let them slide open in front of him. He found himself in a wide, narrow front room with filthy vinyl on the floor and cork bulletin boards screwed into every wall. The cork bulletin boards were covered with signs that commanded: DON’T DRINK AND DRIVE—HAVE A
SAFE
NEW YEAR’S EVE. Opposite the front doors, there was a security desk with a guard at it. The guard was old and tired looking and very, very Irish. He was wearing an N.H.P.D. uniform, with the top button of the shirt undone.

Gregor walked up to the desk. “My name is Gregor Demarkian. I’m here to see Dr. Philip Brye.”

Maybe the guard didn’t read the newspapers. Or watch local television. He showed no flicker of recognition at all at the sound of Gregor’s name.

“Phil Brye,” he said, tapping numbers into his phone. Somebody must have picked up on the other end. The guard said, “Gregory Demark for Phil Brye,” listened for a minute, and then said, “Okay.”

Gregor thought about becoming Gregory Demark. It had its points.

“You can go on through,” the guard told him. “Office is right there on this floor, all the way to the back, just keep walking till you run into a secretary. Secretary is a guy. We have guy secretaries in the department these days.”

“Okay,” Gregor said.

“We have girl patrolmen, too,” the guard said. “I’m retiring at the end of the summer. Maybe they’ll replace me with a girl guard.”

“Maybe,” Gregor said, edging toward the inner door.

“It’s more than I can do to keep up with it,” the guard said.

Gregor got through the door into the hallway. Like the front room, the walls were lined with cork bulletin boards. The posters here, though, were far more explicit than the ones at the front. HAPPY NEW YEAR, one of them announced in bold black letters—right under the picture of a dead man spilling out of a wrecked car with his leg severed. It was a real dead man and a real wrecked car and a real severed leg, too. Gregor checked. It made his stomach turn. Where would they have gotten a picture like that? And what the hell did they think they were doing, using it on a poster? What was a poster like that supposed to accomplish?

DONT DRINK AND DRIVE, the next poster said.

Gregor walked past it without looking at its picture. Whatever the picture was of required the exhibition of a lot of very red blood. Gregor caught that much out of the corner of his eye.

The secretary turned out to be a clerk in a police officer’s uniform. He was young and very efficient looking and obviously bored. Gregor wondered what he’d done to get stuck with duty like this. There was another bulletin board on the wall here. The poster on it said AULD LANG SYNE. It showed a young black man bleeding to death on a sidewalk with a knife in his back.

“Somehow,” Gregor said, “you people around here don’t have the same New Year’s spirit as the rest of the country.”

“That’s because we pick up the pieces of the New Year’s Eve spirit all through the hours of New Year’s Day,” the clerk said. “You know how many deaths we had in this town last New Year’s Eve? Fifty-seven!”

Gregor was startled. “Murders?”

“Nah,” the clerk said. “Car accidents mostly. People are perfectly sane three hundred sixty-five days a year, gets to New Year’s Eve and they down a couple of big bottles of champagne and go for a drive. We get other accidents, too. Glass.”

“Glass?”

“Yeah. You wouldn’t believe how many people go through windows. Second-story windows. Fifth-story windows. Plate-glass windows in stores they’re trying to rob only they’re too damned smashed to do it right. People get cut up and they bleed to death. Alcohol is worse than crack. It gets more people into more trouble. Believe me.”

“I will.”

“Doc Brye went down to the theater for a minute. Not to do an autopsy, you understand, just to check in on somebody. Come on down the hall, and I’ll let you into his office.”

The clerk got up and motioned Gregor down another hallway, limping a little as he went. Gregor followed him, staying a little behind. The limp explained a few things. The clerk was either temporarily or permanently disabled. That was why he was a clerk, in spite of being both competent and young.

The clerk stopped at the door of the corner office at the back, opened up and looked inside.

“Still not back yet,” he said. “Why don’t you go in and sit down, and I’ll get you a cup of coffee. Phil’s always got coffee hanging out somewhere. Also food. You want something like a cheese Danish? Or a chocolate doughnut?”

A chocolate doughnut? First thing in the morning? “A cheese Danish will be fine,” Gregor said.

“Back in a minute.”

The clerk went out, and Gregor took the opportunity to look over Philip Brye’s office. It was a huge, square room with a disintegrating acoustic ceiling and a vinyl floor that looked like someone had gone at it with a fish scaler. Instead of a desk, it had a long wood work table shoved into one corner, entirely covered with papers and books and files. There were cork bulletin boards in here, too, but they didn’t have posters on them. They had lists.
DUTY ROSTER NEW YEAR’S EVE,
one said, and another,
CALL LIST NEW YEAR’S EVE.
All the available display space was taken up with lists of people who could be counted on to come in on New Year’s Eve.

It was, Gregor thought, less like a doctor’s office than the command post for an army under siege.

2

B
Y THE TIME PHILIP
Brye got back from the theater, still wearing his white lab coat and one surgical glove, Gregor Demarkian was established in the office’s sole shabby club chair, bolstered by a plastic foam cup full of instant coffee and a cheese Danish the size of Detroit. He had finished about half the Danish, but it still looked the size of Detroit. He had no idea where Philip Brye bought his pastries, but he wanted to learn.

Philip Brye turned out to be a short man with bad skin and a very bad haircut. It was one of those haircuts that had been cut too closely at the back of the neck, so that the skin there was red and raw and peeling. The skin on the knuckles of Philip Byre’s one exposed hand was peeling, too. Coming into the office, Philip Brye stripped off his remaining surgical glove, opened the top of a bright red wastebasket, and held his other hand out to Gregor.

“I would have been more careful about washing up,” he said blandly, “but I didn’t actually touch anything in there except a clipboard. I take it you’re Mr. Gregor Demarkian, America’s greatest living detective.”

“Well,” Gregor said, “I’m Gregor Demarkian, anyway.”

Philip Brye laughed and coughed and took a seat on the edge of his work table. “I’ve been checking out your publicity on and off since last night. You look like your photographs, oddly enough. People almost never do. I take it Tony’s gotten you into a lot of trouble.”

“It looks that way,” Gregor agreed.

“He got the psychic into a lot of trouble, too. He probably didn’t tell you about the psychic. That was last year, over a child murder we had—nasty piece of work and quite straightforward, really, except that Tony saw a way to grab himself some publicity, and he took it. And took it and took it and took it.”

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