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Mitch looked at all three of them with disgust. “You know, I never said yes. I might not even marry her. There are a lot of librarians out there that I've never—”

“Stop it.” Mae's voice cut across all of them. “I'm marrying him. That's final. That's what I want.”

All four of them gazed at her a moment and then turned to look at one another, and for just that moment, Mitch felt a bond with them.

He was now part of the whatever-Mae-Belle-wants team. In fact, he had been for some time now, watching out for her from the background like Claud, worrying about her incessantly like Gio, wanting her until he was crazy from it like Carlo.

He had met the enemy, and they were him.

Claud nodded at Mae and turned to him. “You'll sign a prenuptial.”

Gio sighed at Mae and turned to him. “You'll bring her to dinner every Sunday.”

Carlo swung his fist at Mitch and spat, “I'll kill you.”

“No, you will not,” Gio told him. “He's family now.”

Carlo moaned and fell back onto the stretcher, and the relieved-looking paramedics carted him away, followed by Gio and Claud.

“This is awfully sudden,” Mitch told Mae as she stared at him, daring him to try to get out of marrying her. “I need time to think about this. Maybe—”

“Do you love me?” Mae demanded.

“More than life itself,” Mitch said.

Mae swallowed. “Really?”

“Really.” Mitch smiled down at her. “I know. Surprised the hell out of me, too.”

She stepped closer to him and put her arms around him, resting her forehead against his chest. “I'm really hungry, and I'm really tired, but mostly I'm just so glad that you're safe and I'm with you that I can't stand it.”

“It's all right now,” Mitch told her, holding her, his cheek against her hair. “It really is all right now. It's all over. Except for us. We're never going to be over.”

“I love you,” Mae said into his jacket. “I don't want to spend another day without you.”

Mitch's arms tightened around her. “Well, if we can get Carlo neutered, you won't ever have to,” he said.

Eleven

B
ob was back in Mitch's chair again.

“We've discussed this,” Mitch said, glaring at the dog. “Get down.”

Bob looked at him woefully. Looking woeful was his new stock-in-trade. Now that he was living in a house where the counters didn't remind him of steak, he'd stopped beating his brains out on the furniture and had taken to sitting on it instead, doing a nice imitation of an abused dog. His sense of being displaced no doubt came in part because his new brothers and sister, Maurice, George II and Carmen, all newly liberated from the pound, were taking up floor space that Bob felt strongly should be his.
I have to sit up here,
his mournful eyes seemed to say.
You have
dogs
on the rest of the floor.
Secretly, however, Mitch knew Bob was jubilant. He could see it in the dog's eyes every time he caught him in the desk chair.

“Down,” he said, and Bob sighed and jumped down and went to lie on the rug by the window, reproachful even as the breeze from the river blew the white gauze curtains across his back.

“Yeah, you have a hard life,” Mitch jeered at him and sat down just as Mae came through the door. She said something, but Mitch was watching her move again and didn't catch it. “What?”

“I said, have you been yelling at Bob again?” She stooped to scratch the dog behind the ears. “He's very sensitive.”

“He is not.” Mitch turned on the computer on his desk to distract himself from the sight of his wife bending over. He never got anything done when she was around.

“June says lunch is in an hour and don't be late. Harold says the game is this afternoon and you may watch it in his room if you'd like, he doesn't care.” Mae grinned at him. “He cares.”

“I'll watch the game,” Mitch promised. “I've just got to get this done—”

“Stormy wrote.” Mae straightened and came toward him. “Another guard proposed. That's the third one in four months.” She tossed the letter on the desk.

“I talked to Nick yesterday. He thinks she'll be out in a year.”

Mae bit her lip. “That's a long time.”

Mitch snorted. “Not for murder, it isn't. If it wasn't for Nick's pioneering use of the dumb-as-a-rock defense, she'd be in for a lot longer. Besides, Nick says she thinks it's fine. She's getting college credits, and she wants to be a sophomore when she gets out.”

“Well, at least she's not with Armand anymore. Even prison has to be better than Armand. Has Newton been writing to her?”

“No.” Mitch scowled at her. “And don't give him any ideas. He has enough on his hands trying to run the agency. He's still trying to make divorce work classy.”

“Well, if anyone can do it, Newton can.” Mae sat down on the edge of the desk. “Uncle Gio called. He said to come early on Sunday so you can get in some boccie ball before we eat.”

“Only if Carlo doesn't play. I swear, the last six times he hit me with the ball were not accidents.”

“You're just paranoid.” Mae looked at him with palpable affection. “And besides, Uncle Gio loves to play with you.”

“Why?” Mitch shook his head, dumbfounded. “I keep beating him. Why does he still want to play?”

“Because you beat him. Everybody else that he plays with lets him win.”

“Why?”

“Because if they don't, he fires them.”

Mitch started to laugh. “Your family is nuts.”

“Not all of them.” She hesitated and Mitch braced himself. “I talked to Uncle Claud this morning. He's been looking over the investments.”

Mitch scowled. “Uncle Claud is an unadventurous old twit.”

“He said you were doing brilliantly with them,” Mae went on.

“But an astute old twit.” Mitch looked up at her. “Does he still hate me?”

“Yes, but he's dealing with it.” Mae patted his shoulder. “In fact, he had a suggestion. He thinks I should have a child.”

“You do.” Mitch turned his attention back to his computer. “Me.”

“I mentioned that. He said you needed someone to play with.”

“Good. Hire a French maid.” When the silence stretched out, Mitch looked up again and grinned. “Forget pretending you're mad. I know you too well.”

Mae gazed at him serenely. “If I ever find you with a French maid, I will hire an Italian bodyguard.”

“You'd cheat on me with a bodyguard? I'm hurt.”

“No, the bodyguard would take the maid away from you, and you'd come back to me.” Mae smiled at him. “And then I'd make you pay.”

Mitch laughed and pulled her into his lap. “I'm crazy about you, Mabel.”

“Good.” She snuggled deeper into his lap. “Let's make a baby.”

“Right now?”

“Right now. I am ovulating as of this very minute.” Mae batted her eyes at him. “Play your cards right, you could get lucky.”

Mitch drew back from her a little. “How do you know that it's right this very minute?”

“I have a sixth sense about these things.”

Mitch closed his eyes and thought of all the other things that Mae had wanted: the diary, the house on the river, the dogs…him. Those had all turned out well, Bob notwithstanding. And now a baby. He had a momentary vision of Mae staring down at a miniature Mae Belle, stubborn brown eyes meeting stubborn brown eyes. It was about time Mae met somebody she couldn't push around.

And he could watch.

He laughed, and she said, “What?” suspicion heavy in her voice, and he tipped her gently onto the floor, moving his hand up her thigh as his body covered hers.

“Here?” Mae grinned up at him as she twined her hands around his neck and eased her hips against his. “Right here on the floor in front of Bob? I'm shocked. I really am shocked.” She unbuttoned his shirt as she spoke, and he shivered as her fingers trailed down his chest.

“Whatever you want, Mabel,” Mitch said. “That's what you get.”

Then he kissed her, and after a couple of minutes, since neither of them were paying him the slightest attention, Bob jumped back onto the desk chair and fell asleep.

Charlie All Night
by Jennifer Crusie

One

A
llie McGuffey knew a yuppie bar was a lousy place to find a hero, but she was desperate, so she had to make do with what she had on hand.

Unfortunately, what she had on hand was pretty pathetic.

She shoved her horn-rimmed glasses back up the bridge of her nose with one finger and peered at the row of stools at the bar. Businessman. Businessman. Empty seat. Businessman. Businesswoman. Empty seat. Empty seat. Thug. Businessman.

She swallowed the lump that had been in her throat for the past fifteen minutes. Okay, fine, if that's what she had to work with, she'd work with it. But it was going to have to be the thug, because she was never going to have a relationship with a suit again as long as she lived. Even a relationship that was only going to last five minutes.

And he really wasn't a thug. Allie tried to drum up some enthusiasm before she made her move. His dark blond hair was shaggy over his collar, and his brown leather jacket had seen better days, and his jeans were authentic grunge, but he was big and clean and most important of all, he made a nice contrast to all the charcoal suits that looked like Mark. And what Allie wanted more than anything right then was a not-Mark.

She knew she was behaving like an idiot, but given the bomb that had just exploded in her face, the fact that she was not sitting in a trance was a step in the right direction.

It had not been a good day.

Allie had hit the radio-station doors that afternoon at her usual clip, banging them open like saloon doors. If they ever locked those doors, she was going to seriously hurt herself, but they never did since everyone had to be buzzed in from the street level four floors below. So she'd gone charging through as usual, happy to be there. As usual, what seemed like forty people converged on her.

Allie beamed as they pounced, loving the feeling that WBBB couldn't run without her, that without her there would be dead air and dust. This was who she was, Allie-the-producer, Allie-the-brains-behind-The-Mark-King-Show, Allie-the-savior. She knew she was probably a little whacked to depend on a radio station for her identity, but compared to all the other psychological problems running loose at the station, she was in relatively good mental health, so she didn't dwell on it.

At first it was just Karen, the receptionist, who called out “Allie!,” but that alerted Lisa, her former student intern, who popped out of the hall looking miserable and said, “Allie, I—” and who was promptly pushed aside by Albert the financial manager, who said, “Allie, the ratings—” and who was overrun by Marcia, the two-to-six-time-slot barracuda, who said, “Allie, I heard—” and who was shouldered aside by Mark, Allie's ex-lover and present boss, who said, “I need to see you in your office. Now.”

Allie pushed her glasses back up her nose so she could see him better. The silence that settled over the reception area was a tribute to how bizarrely Mark was behaving. Usually, he made his presence known through talking too loudly, dropping names and laughing heartily in the wrong places. Allie had once felt sorry for him, but she didn't now, having been dumped as his lover two months ago when he decided he'd look better standing next to Lisa than he did with her. He was right, of course, but it still hurt to look at him now. He stood in the entrance to the hallway, quietly superior, and it was such a change that everybody shut up and she followed him to her office without question.

Once inside, he closed the door behind her, went around to her desk chair and sat.

Allie fought back a snarl. All right, she wasn't territorial, but this was her office, no matter how tiny and cluttered, and her desk, and that was her desk chair, and he was making her a visitor in her own domain. So she scowled at him and said, “What is this?”

Mark crossed his arms and leaned back in her chair, which tilted so that he was almost horizontal to her vertical, and then he said, “There's no good way to tell you this, Allie, so I'll just say it. I know it's going to be hard, but I also know you're an adult and you realize that things change. People grow. Change is good.” He let his head fall back and addressed the ceiling as he began to wax philosophic. While Allie waited for him to get to the point, assuming he had one, she considered how amazingly good-looking he was, and how mad she was at him, and how much she wanted him back.

This was the great mystery of her life. He was an insecure twit. So why had she fallen for him and why was she still hung up on him? Why did she miss going to dinner with him and lying in bed with him, all the while listening to him talk about himself? Of course, that had been research for the show, but still…As he droned on and she automatically began to edit his speech for broadcast purposes, the possibility dawned on her that what she'd fallen for was the edited Mark King she'd created on the radio, not the real Mark King who sat in front of her now, boring her to tears. And that what she was most mad about was that she'd created him, and then he'd taken her work to another woman.

Mark was still waxing. “So that's why—”

Allie cut in, more exasperated with herself than with Mark. “Look, I've got things to do here, so if you'll just cut to the chase, I'll get back to keeping you a hit.” Okay, that was below the belt, but he'd started the fight by sitting in her chair, the louse. Not to mention dumping her for a younger woman.

Mark sat up straight and put his palms flat on her desk. “All right, here it is. You're not going to be working on my show anymore.”

The room spun. Allie dropped into the remaining chair in the room and said, “What?”

“I've sensed a certain hostility since our breakup, and it's affecting my performance. So Bill and I have decided it's best to put Lisa in your place since you've trained her. That way, the show won't suffer at all.”

Allie sat stunned.

Mark smiled at her and spread his hands, fait accompli. “Lisa is producing the show, starting now. It'll be better for all of us.”

“All of us who?” She took a deep breath. “Not all of us me. You have the drive-time show. I'm the drive-time producer. Unless I get the slot while you and Lisa move someplace cozy, this is not better for me.”

“Well, of course I'm not moving.” Mark sat up straighter in the chair. “I'm the talent.”

He was the talent? Then what was she?

“And you're not fired or anything like that. We do appreciate what you've done,” he went on, and Allie jerked her head up, anger finally evicting her panic.

“Of course I'm not fired. Why would I be fired? This makes no sense.”

He plowed on through her anger. “And Bill's going to give you another show to produce. I made sure of that.”

Good old Mark. Taking care of her. What a pal. She stood up, refraining from killing him where he sat only by Herculean effort. “Well, gee, Mark, thanks for the support and good luck in the future. Now get out of my chair.”

He stood, doing what she'd said as if by instinct. After two years of doing everything she said, it was probably a hard habit to break. He moved toward the door, brimming with patronizing goodwill. “Look, why don't we go out for a drink? Just to show there are no hard feelings.”

She wanted to scream at him,
Of course, there are hard feelings, you jerk. If I could, I'd beat you senseless with one right now.
But she was too adult for that, and too rattled, so she lied instead. Mark might have kicked her in the teeth, but she still had her incisors.

“Sorry, I've already got a date. In fact, I have to go now. Maybe some other time.” She ducked out into the hall in front of him, trying not to cry. That would be a real mistake because she never cried. If she did, people would probably assume somebody had died. And then she'd have to tell them that, tragically, Mark still lived.

Mark followed her, so she speeded up.

Karen yelled “Allie” again as she went past the receptionist's counter, and this time shoved an envelope at her. “Bill—”

Allie took the envelope without slowing down, flashing the best smile she could under the circumstances, and bolted for the elevator with Mark still in pursuit.

Then Karen called out to him, too, and stopped him, and Allie caught the elevator and escaped to the street.

She'd been fired. She still had a job, but her career was gone with Mark. Allie stuck her chin out and tried to fake defiance—well, big deal, she'd just build another great show—but it was no good. She'd spent two years making Mark's show a hit, taking surveys, researching topics, devising contests, doing everything she knew to showcase Mark's strengths. She'd majored in Mark King, and now he'd expelled her.

For a moment, outside the restaurant across from the station, Allie felt a moment of pure fear. What if she couldn't do it again? What if Mark was right and he was the talent? What if she really was a loser? Nobody coming to her for help, nobody relying on her.

No.
She'd find a way back. She gritted her teeth and went into the restaurant.

The hallway divided the restaurant from the bar, a sort of DMZ that separated the eating yuppies from the drinking yuppies. Allie stopped there and opened the envelope Karen had thrust at her. She found the kind of note the station owner was famous for: short, tactless and to the point:

I'm taking you off Mark's show and giving you to Charles Tenniel, the man taking over for Waldo Hancock. Meet him tomorrow, Tuesday, five o'clock, my office.

Bill

Weird Waldo had the 10:00 to 2:00 a.m. spot. She'd just been demoted from producing the radio equivalent of
Oprah
to the radio equivalent of an infomercial.

She shoved the note back into the envelope and looked around the hallway. Her roommate Joe who was supposed to meet her wasn't there to comfort her. The hell with it. She was going home.

She turned around to go back into the street, but outside the door was Mark, greeting people who greeted him back as if he were a celebrity. Which, of course, he was.

And he was going to come into the bar and find her alone after her big talk about a date because Joe was late again. Not that Joe would have been very impressive as a date, but he would have been more impressive than no date at all.

So she went into the bar to find a date, and there were all those suits and the thug. She couldn't face another suit, and at least the thug looked like a change of pace, so she went over to the thug and said, “Hi!” as vivaciously as she could. She wasn't vivacious by nature, so she sounded as if she'd been sucking helium, but he turned and looked at her anyway.

Allie didn't know what she'd been expecting. Maybe some fantasy guy who was even better-looking than Mark, which, in all fairness to Mark, would be impossible, but this guy wasn't even in the running. He had the kind of face that the big, good-natured kids in the back of high-school English classes always have, slightly dopey and comfortable.

He looked nice. That was about it, but after Mark, it was pretty good.

Allie plopped her bag down on the bar. “So! You meeting someone?” she asked, still on helium, and looked over her shoulder to check on the Mark situation. All she had to do was keep the thug in conversation until Mark walked in, saw she was with him and left.

Mark didn't like competition.

“So, are you?” Allie smiled like a telemarketer. “Meeting someone?” She sat down beside him, praying Mark wouldn't come in.

And he said, “No. What are you doing?”

S
HORTLY BEFORE
Allie picked him up, Charlie had been contemplating his future. It looked complicated and possibly dangerous, so his best plan was to lay low, not make waves, do the job and get out. Investigating the source of an incriminating anonymous letter to a radio station in Tuttle, Ohio, couldn't be that hard. The station wasn't that big. Hell, the
town
wasn't that big. His biggest problem was going to be pretending to be a disc jockey, and how hard could that be? If his brother had done it stoned, he could certainly do it straight. And he'd made it clear to everybody concerned that he was only around for six weeks, tops. He had things to do, he'd told them, places he had to be in November.

He hadn't decided yet exactly what place he had to be in November, but he was positive it was somewhere uncomplicated and remote. Especially remote from his father who had taken to asking weird favors lately. Like “Check into this radio station for my old friend Bill…” This was what came of going home for his father's birthday. From now on, he'd just send a card. And as soon as he was done, he was out of here and someplace else. Someplace where he could do something simple for a while, like raise pigs. No, too complicated. He'd raise carrots. You didn't have to feed carrots.

He'd stopped thinking when somebody had squeaked, “Hi!”

Charlie had blinked at her, mildly surprised. She didn't look like the vivacious pick-up-a-guy-in-a-bar type. Her sharp brown eyes gleamed behind huge, round, horn-rimmed glasses, and her glossy gold-brown hair swung in a tangled Dutch-boy bob. There was nothing wrong with her nose or mouth, either; good standard-issue all-American-woman features. She just seemed sort of scrubbed to be trolling for guys. The long flowered skirt and oversize vest weren't right for a pickup, either. She looked like a nice, clean kid. Well, she was no kid. Early thirties easy.

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